Wednesday, January 22, 2014
4:00 PM to 5:30 PM
Leavey Library (LVL) Auditorium, USC
Ōtomo Katsuhiro's anime film Akira is often identified as the work that ignited the anime boom in the U.S. This characterization is motivated in part by the graphic image of an explosion that opens the film, an image that seemed to herald a destruction of old paradigms and the arrival of new media when it first flashed across U.S. movie screens in 1989. But paradoxically this work that marks an origin or turning point for anime has also been strongly identified with a postmodern aesthetic that seems to erase the very notions of origin and history. In contrast Ōtomo's Akira manga (upon which the film is a based) is a 2,000-page epic that foregrounds origins of all kinds - historical, political, and graphic. This talk will compare these two versions of Akira to ask what strengths and limitations manga and anime each have as media, when it comes to locating ourselves in history, in political culture, or in space.
This event is co-sponsored by the USC Department of East Asian Languages and Cultures.