How She Goes

ByMegana Iyer

Who she is:

Everything.

Hearty laughs and careless afternoons,

lazy drives to the sea. Ice cream

on cold mornings. Wind, the thief

of breath. That wretched bandit,

time. Too fast, too fast, days

soaked in city fog and hourglass sand,

what is the difference between yesterday

and tomorrow? The city as summer falls—

the city at its kindest. After the light,

before the dark—parlors and kittens,

flickering lights, amber. The sun sets,

the bread rises.

 

And she is…

Melancholy.

Damp, dewy mornings, thick evenings—

wind, cold; air, heavy. Every breath, tentative,

calculated. Measured movements. Weary

words, fragments. Lost wedding rings, flung

across rooms, bodies that have been treated

unkindly. Breath wracking chests. Too soft,

too loud, can’t feel, hurts much too much.

Wrists ache, ankles crack, bones, bones.

A soul of bones.

 

What she says:

Love incessantly,

originally, rambunctiously. Feel the gravity

of someone else’s lips. Choose to belong

to somebody. Choose to wear his heart

next to yours. Trace the way he moves.

Move the way he moves. I am sorry

and I love you are lovelier on the tongue

than I was right. Lend your ears.

You are lucky to have them. Share

your mind, for it is exquisite. Do

not break eye contact. Look, look,

do not fear his eyes, for he will learn

to love yours.

 

But.

Hush, be silent.

The world is vibrating; can you hear it?

Hush. Hear the world vibrate. Do not cut

into it with your voice. Speak in ellipses,

not in full-stops. Do not breathe loudly—

go quietly the way the wind does. Grieve,

but heal. Live quietly. Live quietly,

or he will go. And loneliness is much too heavy

to bear.

 

How she goes:

Slowly first,

then, all of a sudden, too fast to hold

with your fingertips. Tentative,

the way a foot falls, heel first, then toes.

She goes like hourglass sand that you’ve left

for a few minutes too long, but sudden enough

so that you look at the hourglass and wonder

where the time has gone with a sinking heart.

She goes the way the world vibrates—unnoticed

until it’s gone and then its implications, dire.

Measured, the way your heart beats

when you’re sitting still, and then faster.

And then faster.

She goes the way she is.

Quietly, swiftly, softly, water spilling

through long fingers.

 

How you miss her:

Between

every breath. Between heartbeats.

The missing looks something like wind

blowing through blades of grass, ceaseless,

back, forth, one way, the other. Yesterday.

Today. Tomorrow. It looks like the way

you speak, words rising in your chest

until they fall and you cannot utter them

and this is where you miss her, in the sobs,

in the violent trembling of shoulders.

And you lend your ear to the earth

and you plead with it to vibrate.

And when it doesn’t, when it is silent,

this is what you say:

I love you.

And:

I am sorry.

Megana Iyer is a sophomore at USC studying computational neuroscience. Her greatest companions have always been a novel and a pen. Aside from reading and writing, Megana also loves music, the outdoors, photography, and chocolate.