Amelia Jones is Robert A. Day Professor and Vice Dean of Academics and Research, Roski School of Art & Design, USC, and is a curator and scholar of contemporary art, performance, and feminist/sexuality studies. Recent publications include Seeing Differently: A History and Theory of Identification and the Visual Arts (2012); a volume co-edited with Erin Silver, Otherwise: Imagining Queer Feminist Art Histories (2016); and the edited special issue “On Trans/Performance” of Performance Research (2016). Jones’s catalogue Queer Communion: Ron Athey (2020), co-edited with Andy Campbell, and which accompanies a retrospective of Athey’s work at Participant Inc. (New York) and ICA (Los Angeles), has been listed among “Best Art Books 2020” in the New York Times. Her 2021 book entitled In Between Subjects: A Critical Genealogy of Queer Performance explores the history of performance art and queer theory since the 1950s, from a queer feminist point of view.