THE EVIDENCE OF THINGS NOT SEEN: staged reading at Hartford Stage as part of the Brand New Plays Festival, October 2013.

THE BOURGEOIS PIG (full-length) Commissioned by Muhlenberg College, produced in Fall 2012; The Blank Theatre (Los Angeles) Developmental Residency, April, 2012; Muhlenberg College Development Residency, October 2011; Bard College, Voices and Visions Retreat, Summer 2011; Minneapolis PlayLabs workshop, June 2009

RARE BIRD  (full-length) Production: Pioneer Theatre Company, Utah, Spring 2012; Workshops: Bay Area Playwrights Festival Summer 2005; Provincetown Playhouse, May 2005; Perishable Theatre, Feb. 2005; Jonathan Larsen Lab at New York Theatre Workshop (2003); Mabou Mines Residency Artists Project, 2001
Qsaltlake Review ; The Salt Lake Tribune Review; Salt Lake City Weekly Review

TEACH  (full length)  Minneapolis PlayLabs, March 2008 (workshop); New York Theatre Workshop, Dartmouth Residency, Summer 2005; Clubbed Thumb Workshop, Fall 2004; New York Theatre Workshop, Staged Reading, May 2003; Bay Area Playwrights Festival, 2002; Public Theatre Workshop, June 2002.

THE PROVOK’D WIFE   (American Repertory Theatre, Cambridge)Re-wrote the prologue and the epilogue of this restoration comedy for Mark Wing-Davey’s production.  (Fall, 2004)

THOSE WHO CAN, DO (full-length play) Brown Trinity Playwrights’  Summer 2005; Clubbed Thumb Theatre, NYC, June, 2004.

THE ABLUTIONS OF BERNADETTE  (monologue), Playground Theatre Co., SF, CA

CLICK, a play for voices, commissioned and performed by the Humana Festival at the Actors Theatre of Louisville, March, 2000; Intersection for the Arts CDRom.

MONKEY IN THE MIDDLE   (full length) (Nomination: National Theatre Critics Circle Award; winner of the Will Glickman Award) commissioned by NYU’s Tisch School of the Arts

Workshops and Productions:

–The Women’s Project, NYC, March 2002

–The Bay Area Playwrights Festival, San Francisco, California; September 2000 (workshop-reading)

–The Eureka Theatre, SF, CA April, 2000 (staged reading)

–New York University, Tisch School of the Arts.

  • Directed by Mark Wing-Davey. This workshop production of a new play which examined the intersection of Science and Social Obligations; Caryl Churchill mentored the project.

FIRE EATER: The Famine Play

  • (received a 1997 Mabou Mines Development Award and has been nominated twice for the Susan Smith-Blackburn prize.) Production with a 6-week run at the Electric Lodge in Los Angeles. Nominated for a LAMBDA Award.
  • –Full production and four week run at the Tristan Bates Theatre in London. UK premiere. Directed by Mark Wing-Davey. June 1999
  • –New York Stage and Film, Vassar College, Poughkeepsie NY, directed by Maria Mileaf, June 1998.

–Daedalus Theatre Company, off-off Broadway, NYC, Dec.1999

–Mills College Production, March 1998

-Portland Stage Company, April, 1997

TOPOGRAPHICAL EDEN: Coming of Age in Las Vegas

(Winner of the 1997 Jane Chambers Playwriting Award.)

  • –Full production with a four-week run as part of the 1996-97 Season at The Magic Theatre, San Francisco.
  • –Staged Readings at the Women’s Project (May 1997) and New York Theatre Workshop (December 1997). Published in International Theatre Forum.
    Introduction

MEATLESS FRIDAY, one-act play.

  • The Women’s Project, ‘93; New York University, March 1990; Ensemble Studio Theatre, 1990; Yale Cabaret 1987.

INCREASE, full-length play.

  • La MaMa Experimental Theatre Company, NYC, 1990. Music by Charles Goldbeck.

PATHOLOGICAL VENUS, one-act play.

Ensemble Studio Theatre, NYC, 1989; Lyceum Theatre, San Diego,  1988; The George Street Theatre, New Brunswick, NJ, 1987; Yale Cabaret,  1984 and 1987.