Afroditi Angelopoulou
Research & Practice Areas
Greek literature and Poetics; Athenian Drama and Embodiment; Plato and the Senses; Aesthetics and Ethics
Biography
Originally from Greece, I received my BA and MA in Classical Philology from the University of Athens, and my PhD in Classics from the University of Southern California. I returned to USC after having taught at Dartmouth College for two years. My forthcoming book, The Body and the Senses in Greek Tragedy (OUP), evaluates the role of embodied experience in the construction of dramatic narratives, and in the generation and communication of meaning. Such an embodied approach can open up a fruitful line of inquiry into how drama can be experienced in live performance, but also through a text. By considering the body not only as an object of inquiry but also as a hermeneutic tool, my study seeks to offer a compelling methodology for studying language, subjective experience and performance reception in the field of drama.
I have published on the role of physical, aesthetic and cultural taste in the writings of Plato, as well as in the comedies of Aristophanes. I have also written on the interrelationship between affect and gender in the Athenian theater, and a forthcoming article proposes a comparative reading of Euripides’ Medea and Alexandros Papadiamantis’ The Murderess as “unhappy archives,” through the lens of Sara Ahmed’s critical analysis.
Education
- Ph.D. Classics, University of Southern California, 2017
- B.A. Philology, National and Kapodistrian University of Athens
- M.A. Ancient Greek and Latin Literature, National and Kapodistrian University of Athens
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Tenure Track Appointments
- Assistant Professor of Classics, University of Southern California, 2019 –
Visiting and Temporary Appointments
- Visiting Lecturer in Classics, Dartmouth College, 2017 – 2019
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Research Specialties
Greek literature and Poetics; Athenian Drama and Embodiment; Plato and the Senses; Aesthetics and Ethics
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Book
- Angelopoulou, A. (2024). The Body and the Senses in Greek Tragedy. Oxford University Press (forthcoming).
Book Chapters
- Angelopoulou, A. (2024). “The Dynamics of Physical, Aesthetic and Cultural Taste in Aristophanes”. In Sensing Greek Drama pp. 50-66. Cambridge Philological Society.
- Angelopoulou, A. (2022). “Political Affect, Gender, and the Theater in Classical Athens”. In The Routledge Companion to Gender and Affect. pp. 421-30. Routledge.
- Angelopoulou, A. (2018). “Feeling Words: Embodied Metaphors in Seven Against Thebes”. In Psychology and the Classics pp. 62-76. De Gruyter.
Journal Article
- Angelopoulou, A. (2024). “Unhappy Archives: Reading Euripides’ Medea and Papadiamantis’ The Murderess with Sara Ahmed”. Accepted by American Journal of Philology.
- Angelopoulou, A. (2022). “Making Sense of Plato’s Taste”. Classical Philology. Vol. 117 (1), pp. 24-44.
- Angelopoulou, A. (2021). “Gesture, Metaphor and the Body in Trojan Women”. American Journal of Philology. Vol. 142, pp. 597-627.
- Angelopoulou, A. (2020). “Problematizing aisthesis: The Disruption of Shared Affectivity in the Ajax”. TAPA. Vol. 150 (1), pp. 39-64.
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- The Harvard Center for Hellenic Studies Fellow, 2021-2022