{"id":202,"date":"2023-02-01T18:55:43","date_gmt":"2023-02-01T18:55:43","guid":{"rendered":"https:\/\/dornsife.usc.edu\/vsri\/?page_id=202"},"modified":"2025-08-22T14:50:36","modified_gmt":"2025-08-22T14:50:36","slug":"publications","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/vsri\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\n\n \n \n \n\n\n\n\n\n\n\n
\n\n \n \n
\n \n
\n\n
\n\n \n
\n\n \n

\n Brian R. Jacobson, The Cinema of Extractions: Film Materials and Their Forms<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Darshana Sreedhar Mini, Rated A: Soft-Porn Cinema and Mediations of Desire in India<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Vanessa Schwartz,\u00a0Jet Age Aesthetic: The Glamour of Media in Motion (Yale University Press, 2020)<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Nadya Bair, The Decisive Network: Magnum Photos and the Postwar Image Market<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Daniela Bleichmar and Vanessa Schwartz, “Visual History: The Past in Pictures”<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n K. L. H. Wells, Weaving Modernism Postwar Tapestry Between Paris and New York<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Matthew Fox-Amato, Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Tara McPherson, Feminist in a Software Lab: Difference + Design<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Susanna Berger, The Art of Philosophy: Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Daniela Bleichmar, Visual Voyages: Images of Latin American Nature from Columbus to Darwin<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Kate Flint, Flash!: Photography, Writing, and Surprising Illumination<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Juli\u00e1n Daniel Guti\u00e9rrez-Albilla, Aesthetics, Ethics and Trauma in the Cinema of Pedro Almod\u00f3var<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Steve Ross, Hitler in Los Angeles: How Jews Foiled Nazi Plots Against Hollywood and America<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Laura Kalba, Color in the Age of Impressionism: Commerce, Technology, and Art<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Jason Hill, Artist as Reporter: Weegee, Ad Reinhardt, and the PM News Picture<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Ryan Linkof, Public Images: Celebrity, Photojournalism, and the Making of the Tabloid Press<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Suzanne Hudson, Agnes Martin: Night Sea (The MIT Press, 2016)<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Suzanne Hudson,\u00a0Painting Now (Thames & Hudson, 2015)<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Jason Hill & Vanessa Schwartz, Getting the Picture: The Visual Culture of the News(Bloomsbury, 2015)<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Vittoria Di Palma,\u00a0Wasteland: A History (Yale University Press, 2014)<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n David Albertson,\u00a0Mathematical Theologies: Nicolas of Cusa and the Legacy of Thierry of Chartes (Oxford University Press, 2014)<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Amy Ogata,\u00a0Designing the Creative Child: Playthings and Places in Midcentury America (University of Minnesota Press, 2013)<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Laura Serna,\u00a0Making Cinelandia: American Films and Mexican Film Culture Before the Golden Age (Duke University Press, 2014)<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
\n\n
\n\n \n
\n\n \n

\n Christian Delage, Thierry Gervais, and Vanessa R. Schwartz, eds., \u201cCaught in the Act: The History of Photojournalism\u201d Etudes Photographiques (No. 26, November 2011)<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n <\/div>\n\n\n \n \n \n
\n\n \n \n \n \n \n \n \n \n \n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n <\/div>\n \n\n <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-202","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nPublications - Visual Studies Research Institute<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dornsife.usc.edu\/vsri\/publications\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Publications - Visual Studies Research Institute\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dornsife.usc.edu\/vsri\/publications\/\" \/>\n<meta property=\"og:site_name\" content=\"Visual Studies Research Institute\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-22T14:50:36+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dornsife.usc.edu\/vsri\/publications\/\",\"url\":\"https:\/\/dornsife.usc.edu\/vsri\/publications\/\",\"name\":\"Publications - Visual Studies Research Institute\",\"isPartOf\":{\"@id\":\"https:\/\/dornsife.usc.edu\/vsri\/#website\"},\"datePublished\":\"2023-02-01T18:55:43+00:00\",\"dateModified\":\"2025-08-22T14:50:36+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/dornsife.usc.edu\/vsri\/publications\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/dornsife.usc.edu\/vsri\/publications\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/dornsife.usc.edu\/vsri\/publications\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/dornsife.usc.edu\/vsri\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Publications\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dornsife.usc.edu\/vsri\/#website\",\"url\":\"https:\/\/dornsife.usc.edu\/vsri\/\",\"name\":\"Visual Studies Research Institute\",\"description\":\"Just another USC Dornsife Sites site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dornsife.usc.edu\/vsri\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Publications - Visual Studies Research Institute","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/dornsife.usc.edu\/vsri\/publications\/","og_locale":"en_US","og_type":"article","og_title":"Publications - Visual Studies Research Institute","og_url":"https:\/\/dornsife.usc.edu\/vsri\/publications\/","og_site_name":"Visual Studies Research Institute","article_modified_time":"2025-08-22T14:50:36+00:00","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/dornsife.usc.edu\/vsri\/publications\/","url":"https:\/\/dornsife.usc.edu\/vsri\/publications\/","name":"Publications - Visual Studies Research Institute","isPartOf":{"@id":"https:\/\/dornsife.usc.edu\/vsri\/#website"},"datePublished":"2023-02-01T18:55:43+00:00","dateModified":"2025-08-22T14:50:36+00:00","breadcrumb":{"@id":"https:\/\/dornsife.usc.edu\/vsri\/publications\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dornsife.usc.edu\/vsri\/publications\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/dornsife.usc.edu\/vsri\/publications\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/dornsife.usc.edu\/vsri\/"},{"@type":"ListItem","position":2,"name":"Publications"}]},{"@type":"WebSite","@id":"https:\/\/dornsife.usc.edu\/vsri\/#website","url":"https:\/\/dornsife.usc.edu\/vsri\/","name":"Visual Studies Research Institute","description":"Just another USC Dornsife Sites site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dornsife.usc.edu\/vsri\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/dornsife.usc.edu\/vsri\/wp-json\/wp\/v2\/pages\/202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dornsife.usc.edu\/vsri\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dornsife.usc.edu\/vsri\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dornsife.usc.edu\/vsri\/wp-json\/wp\/v2\/users\/169"}],"replies":[{"embeddable":true,"href":"https:\/\/dornsife.usc.edu\/vsri\/wp-json\/wp\/v2\/comments?post=202"}],"version-history":[{"count":63,"href":"https:\/\/dornsife.usc.edu\/vsri\/wp-json\/wp\/v2\/pages\/202\/revisions"}],"predecessor-version":[{"id":2027,"href":"https:\/\/dornsife.usc.edu\/vsri\/wp-json\/wp\/v2\/pages\/202\/revisions\/2027"}],"wp:attachment":[{"href":"https:\/\/dornsife.usc.edu\/vsri\/wp-json\/wp\/v2\/media?parent=202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}