{"id":181,"date":"2023-02-01T18:31:44","date_gmt":"2023-02-01T18:31:44","guid":{"rendered":"https:\/\/dornsife.usc.edu\/vsri\/?page_id=181"},"modified":"2025-08-06T21:55:28","modified_gmt":"2025-08-06T21:55:28","slug":"past-events","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/vsri\/past-events\/","title":{"rendered":"IOT Past Events"},"content":{"rendered":"\n \n \n \n\n\n\n\n\n\n\n
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\n Spring 2025 Events\n <\/h2>\n\n\n<\/div>\n \n \n \n <\/div>\n \n
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“From Colonial Science to Transnational Heritage? The Photographic Constellation of the Institut Fran\u00e7ais Afrique Noire”<\/h3>\n \n CHARLOTTE BIGG, Research Fellow, Centre National de la Recherche Scientifique, Centre Alexandre Koyr\u00e9, Paris.\r\nFriday, April 4, 3:00-5:00pm PST. \r\nSOS 250.<\/span>\n \n <\/a>\n <\/div>\n \n
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“Revolutionary Fashion Time”<\/h3>\n \n ANNE HIGONNET, Barbara Novak Professor of Art History, Barnard College.\r\nTuesday, April 22, 12:30-2:00pm PST.\r\nSOS 250.<\/span>\n \n <\/a>\n <\/div>\n <\/div>\n \n\n <\/div><\/div>\n\n\n\n \n \n \n\n\n\n\n\n\n\n
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\n Fall 2024 Events\n <\/h2>\n\n\n<\/div>\n \n \n \n <\/div>\n \n
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Monday, September 23: Speculative Visions: Science Fiction and American Visual Culture<\/h3>\n \n LUCAS MUSEUM OF NARRATIVE ART Symposium.\r\n9:30am-7:00pm PT.\r\nFisher Gallery and DML 240.<\/span>\n \n <\/a>\n <\/div>\n \n
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Friday, October 4: Revisiting the Past<\/h3>\n \n ANCA I. LASC\r\nAssociate Professor, History of Art and Design, Pratt Institute.\r\n3:00-5:00pm PT.\r\nSOS 250.<\/span>\n \n <\/a>\n <\/div>\n <\/div>\n \n\n <\/div><\/div>\n\n\n\n \n \n \n\n\n\n\n\n\n\n
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\n Spring 2024 Events\n <\/h2>\n\n\n<\/div>\n \n \n \n <\/div>\n \n
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SIGRID WEIGEL<\/h3>\n \n “Images of the A-Visible”<\/span>\n \n <\/a>\n <\/div>\n \n
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ADAM KUPER<\/h3>\n \n “The Crisis of the Museum of Other People”<\/span>\n \n <\/a>\n <\/div>\n \n
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CONFERENCE: Monuments Fall: An East-West Exchange<\/h3>\n \n PARTICIPANTS INCLUDE: Bill Deverell (USC), Catherine Gudis (UCR), Milo\u0161 Jovanovi\u0107 (UCLA), Wendy Salmond (Chapman University), Linda Kaljundi (Estonian Academy of Arts), Mischa Gabowitsch (University of Vienna), Sofia Dyak (Lviv Center for Urban History)<\/span>\n \n <\/a>\n <\/div>\n <\/div>\n \n\n <\/div><\/div>\n\n\n\n \n \n \n\n\n\n\n\n\n\n
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\n Fall 2023 Events\n <\/h2>\n\n\n<\/div>\n \n \n \n <\/div>\n \n
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NO\u00c9MIE ETIENNE<\/h3>\n \n “Dioramas, Life-Casts, and the Lives of Sensitive Images: When Was This? And Did It Ever Happen?”<\/span>\n \n <\/a>\n <\/div>\n \n
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JEAN-FRAN\u00c7OIS STASZAK<\/h3>\n \n “Bousbir, Casablanca\u2019s Colonial Red Light District”<\/span>\n \n <\/a>\n <\/div>\n \n
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NORA A. TAYLOR<\/h3>\n \n “Lenin\u2019s Shadow in Hanoi and Other Responses to Monuments by Contemporary Vietnamese Artists in the Age of Decoloniality”<\/span>\n \n <\/a>\n <\/div>\n <\/div>\n \n\n <\/div><\/div>\n\n\n\n \n \n \n\n\n\n\n\n\n\n
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\n Spring 2023 Events\n <\/h2>\n\n\n<\/div>\n \n \n \n <\/div>\n \n
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ROLAND BETANCOURT<\/h3>\n \n “Simulacral Time: Historical Ethics,\u00a0Recuperation, and the Byzantine Past.”<\/span>\n \n <\/a>\n <\/div>\n \n
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SUSIE LINFIELD<\/h3>\n \n “How, and why, does an image become an icon? And why\u2014or does\u2014this matter?”<\/span>\n \n <\/a>\n <\/div>\n \n
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JAMES CAHILL; MARGARET COHEN<\/h3>\n \n “Jacques Cousteau: Seeing Underwater and the Making of an Icon of Environmentalism.”<\/span>\n \n <\/a>\n <\/div>\n <\/div>\n \n\n <\/div><\/div>\n\n\n\n \n \n \n\n\n\n\n\n\n\n
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\n Fall 2022 Events\n <\/h2>\n\n\n<\/div>\n \n \n \n <\/div>\n \n
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MARIA STAVRINAKI<\/h3>\n \n BOOK TALK: Transfixed by Prehistory: An Inquiry into\u00a0Modern Art and Time.<\/span>\n \n <\/a>\n <\/div>\n \n
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J. LORAND MATORY<\/h3>\n \n “Slavery in the Heart of Freedom: Race, Religion, and Politics through the Lens of BDSM”<\/span>\n \n <\/a>\n <\/div>\n \n
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ASHLEY THOMPSON<\/h3>\n \n “Aniconic Icons:\u00a0Time and Gender in the Body of Angkor Wat”<\/span>\n \n <\/a>\n <\/div>\n <\/div>\n \n\n <\/div><\/div>\n\n\n\n \n \n \n\n\n\n\n\n\n\n
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\n Spring 2022 Events\n <\/h2>\n\n\n<\/div>\n \n \n \n <\/div>\n \n
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DAVID FREEDBERG<\/h3>\n \n \u201cThey Knew No Better: On the Dialectics of Image Removal\u201d<\/span>\n \n <\/a>\n <\/div>\n \n
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LAUREL KENDALL<\/h3>\n \n “The Power and Eccentricity of Balinese Temple Masks”<\/span>\n \n <\/a>\n <\/div>\n \n
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H. GLENN PENNY; Responses by NANCY LUTKEHAUS, DEBORA SILVERMAN<\/h3>\n \n \u201cFuture Visions from the Past, or How to Salvage Ethnological Museums for the Future\u201d<\/span>\n \n <\/a>\n <\/div>\n <\/div>\n \n\n <\/div><\/div>\n\n\n\n \n \n \n\n\n\n\n\n\n\n
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\n Fall 2021 Events\n <\/h2>\n\n\n<\/div>\n \n \n \n <\/div>\n \n
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Matthias de Groof (filmmaker); Fiori Berhane (Anthropology, USC); Megan Luke (Art History, USC); Debora Silverman (History, UCLA); Stephanie Spray (Anthropology and Cinema, USC)<\/h3>\n \n “Palimpsest of the Africa Museum: Screening and Roundtable Discussion”<\/span>\n \n <\/a>\n <\/div>\n \n
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CAROLINE WALKER BYNUM<\/h3>\n \n \u201cThe Tyranny of Morphology and the Presence of Things\u201d<\/span>\n \n <\/a>\n <\/div>\n <\/div>\n \n\n <\/div><\/div>\n\n\n\n \n \n \n\n\n\n\n\n\n\n
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\n Spring 2021 Events\n <\/h2>\n\n\n<\/div>\n \n \n \n <\/div>\n \n
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JEFFREY HAMBURGER<\/h3>\n \n \u201cDiagrams in the Latin West\u201d<\/span>\n \n <\/a>\n <\/div>\n \n
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MAIA KOTROSITS<\/h3>\n \n \u201cThe Lives of Objects and the Frustrations of Memorialization in Early Christianity\u201d<\/span>\n \n <\/a>\n <\/div>\n \n
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MIRJAM BRUSIUS<\/h3>\n \n \u201cPeople Inside Ruins: Heritage and Counter Archives\u201d<\/span>\n \n <\/a>\n <\/div>\n <\/div>\n \n\n <\/div><\/div>\n\n\n\n \n \n \n\n\n\n\n\n\n\n
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\n Fall 2020 Events\n <\/h2>\n\n\n<\/div>\n \n \n \n <\/div>\n \n
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CHRISTOPHER S. WOOD<\/h3>\n \n Seminar launch: Conversation with Christopher S. Wood (German Department, NYU) about his new book, A History of Art History<\/span>\n \n <\/a>\n <\/div>\n \n
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DELL UPTON<\/h3>\n \n \u201cMonuments and Crimes\u201d<\/span>\n \n <\/a>\n <\/div>\n \n
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SILVIA TOM\u00c1\u0160KOV\u00c1<\/h3>\n \n “Wayward Shamans: The Prehistory of an Idea”<\/span>\n \n <\/a>\n <\/div>\n <\/div>\n \n\n <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":169,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-181","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nIOT Past Events - Visual Studies Research Institute<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dornsife.usc.edu\/vsri\/past-events\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"IOT Past Events - Visual Studies Research Institute\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dornsife.usc.edu\/vsri\/past-events\/\" \/>\n<meta property=\"og:site_name\" content=\"Visual Studies Research Institute\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-06T21:55:28+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dornsife.usc.edu\/vsri\/past-events\/\",\"url\":\"https:\/\/dornsife.usc.edu\/vsri\/past-events\/\",\"name\":\"IOT Past Events - 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