{"id":137,"date":"2023-02-19T14:38:11","date_gmt":"2023-02-19T22:38:11","guid":{"rendered":"https:\/\/dornsife.usc.edu\/vsgc\/?page_id=137"},"modified":"2025-12-11T11:34:03","modified_gmt":"2025-12-11T19:34:03","slug":"funding","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/vsgc\/funding\/","title":{"rendered":"Current Funding"},"content":{"rendered":" \n \n\n\n\n\n\n\n\n
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\n 2025 SUMMER GRANT RECIPIENTS\n <\/h2>\n\n\n<\/div>\n \n \n
\n\n \n

Gregory Burns
\nEnglish<\/p>\n

Claire Carcara
\nArt History<\/p>\n

Eileen DiPofi
\nCinema and Media Studies<\/p>\n

Kathryn Griffith
\nArt History<\/p>\n

Jessica Hanson (Anne Friedberg Memorial Grant)
\nArt History<\/p>\n

Anastasia Kahn
\nArt History<\/p>\n

Vlada Lodesk
\nCinema and Media Studies<\/p>\n

Jose Muzquiz
\nPolitical Science<\/p>\n

Hanna Navitskaia
\nSlavic Languages and Literatures<\/p>\n

Lillian Ngan
\nEast Asian Languages and Cultures<\/p>\n

Nisarg Patel
\nComparative Studies in Literature and Culture<\/p>\n

Andrew Ruys de Perez
\nArt History<\/p>\n

Fernanda Soria Cruz
\nCommunication<\/p>\n

Audrey Storm
\nArt History<\/p>\n

Ekaterina Tarsova
\nSlavic Languages and Literatures<\/p>\n\n\n\n<\/div>\n \n\n <\/div><\/div>\n\n\n \n \n\n\n\n\n\n\n\n

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\n 2024 SUMMER GRANT RECIPIENTS\n <\/h2>\n\n\n<\/div>\n \n \n
\n\n \n

Olivia Armandroff
\nArt History (advisor Amy Ogata)<\/p>\n

Rose Bishop
\nArt History (advisor Vanessa Schwartz)
\nDissertation research on modern American music photography at the Rock & Roll Hall of Fame<\/p>\n

Claire Carcara
\nArt History (advisor Suzanne Hudson)<\/p>\n

Eileen DiPofi
\nCinema and Media Studies (advisor J.D. Connor)
\nPre-dissertation research on acting style and race in American cinema (1908-1913)<\/p>\n

Riley Gold
\nCinema and Media Studies (advisor Thomas Pringle)
\nPre-dissertation research on Honeywell corporation motion pictures, c. 1918\u20131988<\/p>\n

Jarred B. Hamilton
\nReligion (advisor David Albertson)<\/p>\n

Teddy Hamstra
\nEnglish (advisor Joseph Allen Boone)<\/p>\n

Jessica Hanson
\nArt History (advisor Vanessa Schwartz)<\/p>\n

Wakae Nakane
\nCinema and Media Studies (advisor Michael Renov)<\/p>\n

Nisarg Patel [\u0aa8\u0abf\u0ab8\u0ab0\u0acd\u0a97 \u0aaa\u0a9f\u0ac7\u0ab2]
\nComparative Studies in Literature and Culture (advisor Neetu Khanna)
\nArchival research on German photography in 19th century India<\/p>\n

Tania Sarfraz
\nCinema and Media Studies (advisor Tara McPherson)<\/p>\n

Kate Tomashevskaia
\nSlavic Languages and Literatures (advisor Ellina Sattarova)<\/p>\n

Elissa Watters
\nArt History (advisor Amy Ogata)
\nDissertation research, “Print as Politics: The Prints of Gerd Arntz and the Cologne Progressives, 1918\u20131933”<\/p>\n

Kaiyang Xu
\nEast Asian Languages and Cultures (advisor Jenny Chio)<\/p>\n\n\n\n<\/div>\n \n\n <\/div><\/div>\n\n\n \n \n\n\n\n\n\n\n\n

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\n 2023 SUMMER GRANT RECIPIENTS\n <\/h2>\n\n\n<\/div>\n \n \n
\n\n \n

Rose Bishop
\nArt History (advisor Vanessa Schwartz)
\nPre-dissertation research on the history of celebrity, fashion, and advertising photography<\/p>\n

Courtney Carter
\nArt History (advisor Megan Luke)
\nResearch on late Pictorialism in the United States<\/p>\n

Anna Flinchbaugh
\nArt History (advisor Kate Flint)
\nResearch on embroidery artist Lily Yeats<\/p>\n

Anne LaGatta
\nArt History (advisor John Pollini)
\n\u201cThe Most Beautiful and Enduring Images\u201d: Visual Culture in the Principate of Tiberius<\/p>\n

Weronika Malek (Anne Friedberg Memorial Grant)
\nArt History (advisor Megan Luke)
\nResearch on painter and designer Henryk Berlewi and poet and art collector Jan Brzekowski<\/p>\n

Lillian Ngan
\nEast Asian Languages and Cultures (advisor Brian Bernards)
\nTranspacific Worldmaking: Vietnam Crossings with Sinophone Cultural Production<\/p>\n

Pablo Obando-Guzm\u00e1n
\nComparative Studies in Literature and Culture (advisor Erin Graff-Zivin)
\nIn search of a visually mediated (de)lettered culture: the emergence of literary f\u00fatbol\/futebol in Argentina and Brazil<\/p>\n

Kirsten Seuffert (Anne Friedberg Memorial Grant)
\nEast Asian Languages and Cultures (advisor Akira Mizuta Lippitt)
\nAdjusting, Creating, Disengaging: Women\u2019s Bodies and Embodied Experience in Cinema and Visual Culture in Japan, 1972-1989<\/p>\n

Audrey Storm
\nArt History (advisor Suzanne Hudson)
\nPre-dissertation research on Japanese modern art and its relationship to the West<\/p>\n

Suiyi Tang
\nAmerican Studies & Ethnicity (advisor Viet Thanh Nguyen)
\nResearch on the accretion of race and gender as they have settled on nylon<\/p>\n

Kate Tomashevskaia
\nSlavic Languages and Literature (advisor Colleen McQuillen)
\nPre-dissertation research on Soviet horror films from the Perestroika period and early post-Soviet horror films<\/p>\n

Jessica Williams
\nArt History (advisor Vanessa Schwartz)
\nSports, Illustrated: Photographing the Olympic Games, 1924-1968<\/p>\n

Kaiyang Xu
\nEast Asian Languages and Cultures (advisor Jenny Chio)
\nField Research on Chinese Vlog-making and the Grassroots Mediation of China-Africa Relationship<\/p>\n\n\n\n<\/div>\n \n\n <\/div><\/div>\n\n\n \n \n\n\n\n\n\n\n\n

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\n 2022 SUMMER GRANT RECIPIENTS\n <\/h2>\n\n\n<\/div>\n \n \n
\n\n \n

Rose Bishop
\nArt History (advisor Vanessa Schwartz)
\nParis Projected: Exhibiting Cinema and the Invention of Modern Life: research on the status of photographers in early French film and celebrity culture<\/p>\n

Courtney Carter
\nArt History (advisor Megan Luke)
\nParis Projected: Exhibiting Cinema and the Invention of Modern Life: research on the Pictorialist photographers working in France from 1880-1920<\/p>\n

Corina Copp
\nDivision of Cinema and Media Studies, School of Cinematic Arts (advisor Priya Jaikumar)
\nProcess Inquiries: Transmedial Collaboration in the Feminist Nomadic State<\/p>\n

Nick Earhart
\nEnglish (advisor John Carlos Rowe)
\nThe Poetics of the Los Angeles River<\/p>\n

Theodor J. Hamstra
\nEnglish (advisor Joseph Allen Boone)
\nJoseph Campbell, Myth, and the Senses<\/p>\n

Maddy Henkin
\nArt History (advisor Suzanne Hudson)
\nThe Whole Body of Work: Lenore G. Tawney Foundation <\/p>\n

Lindsay S. R. Jolivette
\nEast Asian Languages and Cultures (advisor Youngmin Choe)
\nForgotten Forests<\/p>\n

Jayson Lantz (Anne Friedberg Memorial Grant)
\nComparative Studies in Literature and Culture (advisor Panivong Norindr)
\nResearch on Lou Stoumen at Center for Creative Photography<\/p>\n

Rocio Le\u00f3n
\nAmerican Studies and Ethnicity (advisor Laura Isabel Serna)
\nLatinx Mediascapes: Aesthetics, Culture, and Industry<\/p>\n

Myles Little
\nArt History (advisor Vanessa Schwartz)
\nResearch on Time Inc. archive at New York Historical Society<\/p>\n

Weronika Malek-Lubawski
\nArt History (advisor Megan Luke)
\nKhardziev Collection at the Stedelijk Museum in Amsterdam<\/p>\n

Wakae Nakane
\nDivision of Cinema and Media Studies, School of Cinematic Arts (advisor Michael Renov)
\nEmbodying Subjectivity: Essayism and Documentary in Postwar Japan<\/p>\n

Lillian Ngan
\nEast Asian Languages and Cultures (advisor Brian Bernards)
\nIntersections of Decolonization: The Transpacific Representations of Vietnam in Sinophone Cultural Production<\/p>\n

Mahmoud Hosny Roshdy
\nComparative Studies in Literature and Culture (advisor Olivia C. Harrison)
\nResearch on Syrian artist and researcher Nour Asalia<\/p>\n

Elissa Watters
\nArt History (advisor Megan Luke)
\nResearch on visual representations of women in print culture during the Weimar Republic<\/p>\n

Lucy Campbell Whiteley
\nComparative Studies in Literature and Culture (advisor Edwin Hill)
\nParis Projected: Exhibiting Cinema and the Invention of Modern Life: research on the films of George M\u00e9li\u00e8s<\/p>\n

Jessica Williams
\nArt History (advisor Megan Luke)
\nParis Projected: Exhibiting Cinema and the Invention of Modern Life: research on the relationship between the rise of “modern” sports and the birth of film<\/p>\n

Margot E. Yale
\nArt History (advisor Suzanne Hudson)
\nParis Projected: Exhibiting Cinema and the Invention of Modern Life: Jean Renoir’s 1936 film “Le Crime de Monsieur Lange”<\/p>\n\n\n\n<\/div>\n \n\n <\/div><\/div>\n\n\n \n \n\n\n\n\n\n\n\n

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\n 2021 SUMMER GRANT RECIPIENTS\n <\/h2>\n\n\n<\/div>\n \n \n
\n\n \n

Olivia Armandroff
\nArt History (advisor Amy Ogata)
\nExploring the life and work of the artist Jean Charlotte<\/p>\n

Corina Copp
\nDivision of Cinema and Media Studies, School of Cinematic Arts (advisor Priya Jaikumar)
\nMarjorie Keller, Maria Lassoing, and NYC’s Women\/Artists\/Filmmakers<\/p>\n

Jelena Culibrk
\nDivision of Cinema and Media Studies, School of Cinematic Arts (advisor Aniko Imre)
\nTelevising the Invisible Hand: The BBC and postwar (neo)liberalism, 1968-1980<\/p>\n

Harrison Diskin
\nHistory (advisor Peter C. Mancall)
\nMaking Manhattan: Architecture, Constitutionalism, and the Politics of Place, 1614-1701<\/p>\n

Teddy Hamstra
\nEnglish (advisor William R. Handley)
\nResearch on the Joseph Campbell Papers archive at the New York Public Library<\/p>\n

Huan He (Anne Friedberg Memorial Lecture)
\nAmerican Studies & Ethnicity (advisor Viet Thanh Nguyen)
\nThe Racial Interface: Informatics and Asian\/America<\/p>\n

Maddy Henkin
\nArt History (advisor Suzanne Hudson)
\nAmerican Craft Council Archives<\/p>\n

Anne LaGatta
\nArt History (advisor John Pollini)
\n“The Most Beautiful and Enduring Images”: Visual Culture in the Principate of Tiberius<\/p>\n

Isabel Wade
\nArt History (advisor Vanessa Schwartz)
\nGlossy Buildings, Planned Images: Architectural Photography across Contested Spaces in Los Angeles, 1940-1980<\/p>\n

Jessica Williams
\nArt History (advisor Megan Luke)
\nCigarettes and Sports: Popular Photography of the Olympics in Reemtsma Collection Books, 1924-1941<\/p>\n

Margot Yale
\nArt History (advisor Suzanne Hudson)
\nResearch on California Graphic Arts Division of the Works Progress Administration Federal Art Project at National Archives and Archives of American Art<\/p>\n\n\n\n<\/div>\n \n\n <\/div><\/div>\n\n\n \n \n\n\n\n\n\n\n\n

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\n 2020 SUMMER GRANT RECIPIENTS\n <\/h2>\n\n\n<\/div>\n \n \n
\n\n \n

Grace Converse
\nArt History (advisor Amy Ogata)
\nAnne Friedberg Memorial Grant: Art, Theosophy, and the Making of Occult California, 1890\u20131945<\/p>\n

Jelena Culibrk
\nCinema and Media Studies (advisor Aniko Imre)
\nTelevising \u201cthe invisible hand\u201d: Debating and restructuring the postwar welfare state through televisual historiography, 1969-1980<\/p>\n

Teddy Hamstra
\nEnglish (advisor William Handley)
\nExploratory research on the work of Joseph Campbell<\/p>\n

Huan He
\nAmerican Studies and Ethnicity (advisor Viet Nyugen)
\nLaboratories of Desire: Informatic and Imaginative Visions in Asian\/America<\/p>\n

Harry Hvdson
\nCinema and Media Studies (advisor Tara McPherson)
\nThe Senses of Justice<\/p>\n

Natalia Lauricella
\nArt History (advisor Vanessa Schwartz)
\nCollaboration in Color: Master Printers and the Avant-Garde in Fin-de-Si\u00e8cle France<\/p>\n

Myles Little
\nArt History (advisor Vanessa Schwartz)
\nResearch on American paparazzo Ron Galella and filmmaker and Galella documentarian Leon Gast<\/p>\n

Weronika Malek
\nArt History (advisor Megan Luke)
\nExploratory research in developments in Moscow, Berlin, K\u00f6ln, and Prague on figurative paintings within modernism in interwar Europe<\/p>\n

Joselyn Takacs
\nCreative Writing and Literature (advisor Aimee Bender)
\nPetroleum in Five Acts: Slow Violence in the Mississippi River Delta and the Niger River Delta<\/p>\n

Ashley Young
\nCinema and Media Studies (advisor Christine Acham)
\n\u201cI Can\u2019t Afford the Luxury of Being Just An Actress”: The Politicized Work of African American Actresses on Television<\/p>\n

Zmira Zilkha
\nArt History (advisor Vanessa Schwartz)
\nBound Babylonia: Family Albums and the Construction of Iraqi Jewish Identity<\/p>\n\n\n\n<\/div>\n \n\n <\/div><\/div>\n\n\n \n \n\n\n\n\n\n\n\n

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\n 2019 SUMMER GRANT RECIPIENTS\n <\/h2>\n\n\n<\/div>\n \n \n
\n\n \n

Sara Bakerman
\n(CNCS)
\n\u201cA Phenomenon Called Katharine Hepburn\u201d: Nostalgia and Aging Stardom on Broadway<\/p>\n

Danielle Charlap
\n(AHIS)
\nResearch on the relationship between craft and design in the 1950s <\/p>\n

Sarah Frontiera
\n(ENGL)
\nResearch on the representation of animals in the 19th-century zoo<\/p>\n

Huan He
\n(AMSE)
\nLaboratories of Desire: Race, Empire, and Creativity in Asian\/American Information Culture<\/p>\n

Dylan Howell
\n(CaMS)
\nResearch on the intersection of avant-garde and documentary film practices in documentation of the American West post-1945<\/p>\n

Ennuri Jo
\n(CaMS)
\n\u201cPoetics of Water: Cinema and the Fluid Community\u201d<\/p>\n

Ichigo Mina Kaneko
\n(CSLC)
\nResearch on the politics of aesthetics around questions of flatness, depth, and opticality in postwar, \u201cpost-atomic\u201d Japanese visual media<\/p>\n

Jayson Lantz
\n(CPCM)
\nResearch on Lou Stoumen in the Edmund L. and Nancy K. Dubois Library at the Museum of Photographic Arts in San Diego<\/p>\n

Myles Little
\n(AHIS)
\nSlim Aarons, Arnold Newman, Eliot Elisofon, and Helen Levitt and the status of identity, place and magazine photography after World War Two in the United States<\/p>\n

Zachary Mann
\n(ENGL)
\nThe Punch Card Imagination: Authorship and Early Computing History\u201d<\/p>\n

Darshana Mini
\n(Anne Friedberg Memorial Grant)
\n(CNCS)
\nThe Transnational Journeys of Malayalam Soft-porn: Obscenity, Censorship and the Mediation of Desire<\/p>\n

Dina Murokh
\n(AHIS)
\n\u201cA Sort of Picture Gallery\u201d: The Visual Culture of Antebellum America<\/p>\n

Cord-Heinrich Plinke
\n(CSLC)
\nThe Other is Present: Memory, Heritage and Embodiment<\/p>\n

Zeke Saber
\n(CaMS)
\nThe Emergency Exit Sign in Plato\u2019s Cave<\/p>\n

Michael Turcios
\n(CaMS)
\nRelational Displacements: Urban Decolonial Consciousness and Visual Culture of Liberation<\/p>\n

Isabel Wade
\n(AHIS)
\nFraming the Formless: Architectural Photography and Urban Renewal in Los Angeles, 1940-1980 <\/p>\n\n\n\n<\/div>\n \n\n <\/div><\/div>\n\n\n \n \n\n\n\n\n\n\n\n

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\n 2018 SUMMER GRANT RECIPIENTS:\n <\/h2>\n\n\n<\/div>\n \n \n
\n\n \n

Emma Ben Ayoun
\nCinema and Media Studies
\nSick cinema: disease and disability on screen<\/p>\n

Danielle Charlap
\nArt History
\nThe International Cooperation Administration Abroad: Design, Technical Training, and Israel in the 1950s<\/p>\n

Grace Converse
\nArt History
\nTheosophy in American visual and performing art, design, and architecture in the late-nineteenth and early-twentieth centuries<\/p>\n

Debjani Dutta
\nCinema and Media Studies
\nTremulous Media: Nature, Technology, and the Seismic Imagination<\/p>\n

Amanda Jordan
\nComparative Studies in Literature and Culture
\nAesthetics in & of the archive: thinking through media, collectivity, and art practice<\/p>\n

Jayson Lantz
\nComparative Studies in Literature and Culture
\nThe First of Seven Lives: Exploring Chris Marker\u2019s Archives at the Cin\u00e9matheque Fran\u00e7aise<\/p>\n

Frances Lazare
\nArt History
\nPainters and Poets in Collaboration: Tiber Press and the New York School<\/p>\n

Myles Little
\nArt History
\nSlim Aarons: Photography, Privilege and the Mass Media<\/p>\n

April Makgoeng
\nReligion
\n\u2018What the Church Can Do\u2019: Protestant Films about Foreign Missions 1935-1970<\/p>\n

Zachary Mann
\nEnglish
\nAuthors and Algorithms<\/p>\n

Darshana Mini
\nCinema and Media Studies
\nThe Transnational Journeys of Malayalam Soft-porn: Obscenity, Censorship and the Mediation of Desire<\/p>\n

Maria Francesca Piazzoni
\nPolicy, Planning, and Development
\nFrom Jews to Bangladeshis. Marginalized Street Vendors in the Center of Rome, 1871 to the Present (Anne Friedberg Memorial Grant)<\/p>\n

Steven Samols
\nHistory
\nUrsula Wolff Schneider and a Transnational Jewish Spectatorship<\/p>\n

Jacqueline Sheean
\nComparative Studies in Literature and Culture
\nPathological Cityscapes: Tracing a Modern Iberian Psychogeography through Film<\/p>\n\n\n\n<\/div>\n \n\n <\/div><\/div>\n\n\n \n \n\n\n\n\n\n\n\n

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\n 2017 SUMMER GRANT RECIPIENTS:\n <\/h2>\n\n\n<\/div>\n \n \n
\n\n \n

Emily Anderson
\nArt History
\nGold Leaf on Blue Paper: Printing the Bespoke Book in Early Modern Italy<\/p>\n

Melissa Chan
\nEast Asian Languages and Cultures
\nChoreographing the Sinophone Body: Martial Arts and Embodied Languages in Hong Kong Popular Media<\/p>\n

Harrison Diskin
\nHistory
\nAlexander Lenoir\u2019s \u201cSense\u201d of the Past<\/p>\n

Lauren Dodds
\nArt History
\nCollecting the Renaissance: The Samuel H. Kress Collection of Italian Art<\/p>\n

Grant Johnson
\nArt History
\nSupple Materials: Sheila Hicks and the Matter of the Global<\/p>\n

Peter Labuza
\nCinema and Media Studies
\n\u201cWhen a Handshake Meant Something\u201d: The Rise of Entertainment Law and the Construction of Corporate Art Cinema, 1948-1967<\/p>\n

Natalia Lauricella
\nArt History
\nThe Limited Edition: Printing and Marketing for the Avant-Garde<\/p>\n

Randall Meissen
\nHistory
\nEnvisioning Ibero-American Nature: Early Modern Missionaries\u2019 Religious Controversies and the Emperical Study of American Nature<\/p>\n

Joshua Mitchell
\nAmerican Studies and Ethnicity
\nThe Prisoner\u2019s Cinema: Film Culture in the Penal Press Before 1960<\/p>\n

Avigail Moss
\nArt History
\nActuarial Imaginaries of Art and Empire<\/p>\n

Dina Murokh
\nArt History
\nResearch on the relationship between text and image in 19th century print culture<\/p>\n

Aaron Rich
\nCinema and Media Studies
\nVisual Knowledge and the Hollywood Research Library (Anne Friedberg Memorial Award)<\/p>\n\n\n\n<\/div>\n \n\n <\/div><\/div>\n\n\n \n \n\n\n\n\n\n\n\n

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\n 2016 SUMMER GRANT RECIPIENTS\n <\/h2>\n\n\n<\/div>\n \n \n
\n\n \n

Anirban Baishya
\nCinema and Media Studies
\nViral Selves: Cellphones, Selfies and the Self-fashioning Subject in Contemporary India <\/p>\n

Brianna Beehler
\nEnglish <\/p>\n

Sanders Bernstein
\nEnglish <\/p>\n

Melissa Chan
\nEast Asian Languages and Culture
\nChoreographing the Body: Martial Movements and Embodied Languages in Sinophone Media<\/p>\n

Lauren Dodds
\nArt History
\nCollecting the Renaissance: The Samuel H. Kress Collection of Italian Art <\/p>\n

Robert Gordon-Fogelson
\nArt History <\/p>\n

Chris McGeorge
\nArt History <\/p>\n

Joshua Mitchell
\nAmerican Studies and Ethnicity
\nThe Prisoner\u2019s Cinema: Perception in Carceral and Cinematic Time
\n*Anne Friedberg Memorial Grant Recipient <\/p>\n

Nike Nivar Ortiz
\nComparative Studies
\nContemporary Sovereignty and the Spectacle of Global War: Visualizing U.S. Intervention in Latin America <\/p>\n

Aaron Rich
\nCritical Studies
\nVisual Aides: Hollywood Studio Research Departments, 1910-1970 <\/p>\n

Amanda Rudd
\nEnglish
\nShakespeare’s Speaking Pictures <\/p>\n

Jacqueline Sheean
\nComparative Literature
\nVisualizing Folly: Madness and Modernity in Hispanic Literature and Film<\/p>\n\n\n\n<\/div>\n \n\n <\/div><\/div>\n\n\n \n \n\n\n\n\n\n\n\n

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\n 2015 SUMMER GRANT RECIPIENTS\n <\/h2>\n\n\n<\/div>\n \n \n
\n\n \n

Kendra Atkin
\nComparative Studies in Literature and Culture
\nFlows of Power: Electrocution and News Syndication in the Spectacle of the Death Penalty<\/p>\n

Nadya Bair
\nArt History<\/p>\n

Sanders Bernstein
\nEnglish
\nPre-dissertation archival research on George Orwell\u2019s relationship with film<\/p>\n

Heather Blackmore
\nCritical Studies
\nThe development of the Bell & Howell Filmo 16mm movie camera and its cultures of use circa 1923<\/p>\n

Jessica Brier
\nArt History
\nTypography and Architecture at the 1925 Exposition internationale des arts d\u00e9coratifs et industriels modernes<\/p>\n

Jonathan Dentler
\nHistory
\nMid-Century American Design<\/p>\n

Amanda Kennell
\nEast Asian Languages and Cultures
\nAlice in Evasion: Japanese Illustrations<\/p>\n

Peter Labuza
\nCritical Studies
\nIt\u2019s The Pictures That Got Big: Live Television\u2019s Transition to Hollywood<\/p>\n

Grant Johnson
\nArt History
\nRobert Rauschenberg\u2019s Grand Prix and the Venice Biennale<\/p>\n

Robin Lewis
\nEnglish
\n*Anne Friedberg Memorial Grant Recipient<\/p>\n

Joshua Mitchell
\nAmerican Studies and Ethnicity
\nArchival research in Louisiana towards dissertation: \u201cThe Prisoners\u2019 Cinema: Perception in Carceral and Cinematic Time\u201d<\/p>\n

Avigail Moss
\nArt History
\n\u201cClaims and Speculations: The Visual Culture of Nineteenth-Century Insurance\u201d<\/p>\n

Kathryn Page-Lippsmeyer
\nEast Asian Languages and Cultures
\nThe \u201cSpace\u201d of Japanese Science Fiction: History, Illustration, Subculture and the Body in SF Magazine<\/p>\n

Aaron Rich
\nCritical Studies
\nHollywood Studio Research Libraries, 1920s-1950s<\/p>\n

Amanda Ruud
\nEnglish
\nThe emergence of silent Shakespeare films and the history of theatrical illusion<\/p>\n

Sophia Serrano
\nCritical Studies
\n\u201cOpium Dens and Media Hysteria: Visual Artifacts from San Francisco\u2019s Chinatown Raids, 1870s\u20131930s\u201d<\/p>\n

Stephanie Sparling Williams
\nAmerican Studies and Ethnicity
\n\u2018Speaking Out of Turn\u2019: Race, Gender, and Direct Address in American Art Museums<\/p>\n

Maria Zalewska
\nCritical Studies
\nSpaces of Memory and Places of Commemoration: Holocaust Memory<\/p>\n\n\n\n<\/div>\n \n\n <\/div><\/div>\n\n\n \n \n\n\n\n\n\n\n\n

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\n ANNE FRIEDBERG MEMORIAL GRANT RECIPIENTS\n <\/h2>\n\n\n<\/div>\n \n \n
\n\n \n

2018-2019
\nMaria Francesca Piazzoni, Ph.D.
\nUrban Planning and Development
\nLecture: “From Jews to Bangladeshis: Marginal Street Vendors in Central Rome”<\/p>\n

2017-2018
\nAaron Rich
\nVisual Knowledge and the Hollywood Research Library <\/p>\n

2016-2017
\nJoshua Mitchell
\nAmerican Studies and Ethnicity<\/p>\n

2015-2016
\nRobin Lewis
\nEnglish <\/p>\n

2014-2015
\nAmber Bowyer
\nCritical Studies
\nLecture: “The Application of Animation: Instruction, Instrument, Interface” (January 2015)<\/p>\n

2013-2014
\nNadya Bair
\nArt History
\nLecture: “Learning to Shoot: The Photographic Education of Henri Cartier-Bresson” (April 2014)<\/p>\n

2012-2013
\nMark Braude
\nHistory
\nLecture: \u201cInventing Monte Carlo” (March 2013)<\/p>\n

2011-2012
\nMatthew Amato
\nHistory
\nLecture: “Slavery in the Age of Photography” (April 2012)<\/p>\n

2010-2011
\nBrian R. Jacobson
\nCritical Studies
\nLecture: “‘Black Maria’ and its Afterlives: Visual Technology and Visual Culture” (April 2011)<\/p>\n\n\n\n<\/div>\n \n\n <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":194,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-137","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nCurrent Funding - Visual Studies Graduate Certificate<\/title>\n<meta name=\"description\" content=\"Graduate student research funding awarded by the VSGC\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dornsife.usc.edu\/vsgc\/funding\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Current Funding - Visual Studies Graduate Certificate\" \/>\n<meta property=\"og:description\" content=\"Graduate student research funding awarded by the VSGC\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dornsife.usc.edu\/vsgc\/funding\/\" \/>\n<meta property=\"og:site_name\" content=\"Visual Studies Graduate Certificate\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-11T19:34:03+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dornsife.usc.edu\/vsgc\/funding\/\",\"url\":\"https:\/\/dornsife.usc.edu\/vsgc\/funding\/\",\"name\":\"Current Funding - 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