{"id":306,"date":"2023-05-18T13:27:31","date_gmt":"2023-05-18T20:27:31","guid":{"rendered":"https:\/\/live-usc-dornsife.pantheonsite.io\/transpacific-studies\/?page_id=306"},"modified":"2025-03-19T14:23:11","modified_gmt":"2025-03-19T21:23:11","slug":"inter-asia-intermediality-2022","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/transpacific-studies\/inter-asia-intermediality-2022\/","title":{"rendered":"2022 Inter-Asia Intermediality Conference"},"content":{"rendered":"\n\n\n\n\n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--scrolling-text-with-image \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--scrolling-text-with-image\"\n    \n      >\n\n    \n  <div class=\"text-image-container\">\n\n          \n      <div class=\"image-container\">\n            \n<div class=\"f--field f--image\">\n\n    \n    \n    \n    \n    \n    \n              \n      <img decoding=\"async\"\n                            src=\"https:\/\/dornsife.usc.edu\/transpacific-studies\/wp-content\/uploads\/sites\/188\/2023\/05\/IAIPoster-1-768x1024.jpg\"\n          srcset=\"https:\/\/dornsife.usc.edu\/transpacific-studies\/wp-content\/uploads\/sites\/188\/2023\/05\/IAIPoster-1-768x1024.jpg 768w\"          sizes=\"(min-width:1024px) 50vw, (min-width:768px) 100vw, 100vw\"\n        \n                  alt=\"Event poster\"\n        \n        \n                                      \/>\n\n    \n    \n  \n  \n\n<\/div>\n      <\/div>\n      \n    <div class=\"text-container\">\n  \n        \n                  \n<div class=\"f--field f--section-title\">\n\n    \n  <h2>\n          A Two-Part International Workshop Convenors: Brian Bernards\u00a0(USC) and\u00a0Elmo Gonzaga\u00a0(CUHK)\n      <\/h2>\n\n\n<\/div>\n        \n                  \n<div class=\"f--field f--description\">\n\n    \n  <p><strong>Workshop Theme and Overview\u00a0<\/strong><\/p>\n<p>Over the past two decades, intermediality and inter-Asia have emerged as key buzzwords in the humanities whose increasing presence as the theme and focus of scholarly conferences, journals, and monographs has followed a remarkably similar timeline and trajectory. Discussions<br \/>\nof intermediality grew at the turn of the millennium in response to technological innovations to the platforms and networks for media circulation and consumption. Almost concurrently with the rise of intermediality, inter-Asia emerged as a subfield of\u2014as well as a challenge and response to the inadequacies of\u2014the field of Asian area studies with the aim of connecting scholars at different institutions across the region while encouraging scholarship that would avoid the trap of East-West bilateralism by instead interrogating processes of regionalization in Asia in all their unevenness and variation.<\/p>\n<p>&nbsp;<\/p>\n<p><i>Inter-Asia Intermediality: A Two-Part International Workshop\u00a0<\/i>intends to highlight the intersections between these two emergent fields by bringing them into a productive scholarly conversation. Beyond the continuity and smoothness of encounter and passage within and between different forms of media (as well as between Asian subregions), we are interested in intermediality\u2019s contradictions and frictions amid the tenuous relationships within Asia. We seek to explore in this conference how intermediality can intervene in similar, multiple ways in the dynamic and elusive cross-cultural, intraregional, and trans-border exchanges between East, Southeast, and South Asia.<\/p>\n<p>&nbsp;<\/p>\n<p>The impact of the rise of digital media (and digital media\u2019s refashioning\u2014or remediation\u2014of older media forms) as a catalyst of processes of inter-Asian regionalization\u2014as well as its exposure of tensions and challenges in those processes\u2014has not been sufficiently interrogated. To this end, our workshop will foreground two reciprocal and mutually reflexive questions for further inquiry:<\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li>1) \u00a0How do processes of intermediality (including the frictions, contradictions, connections, and divergences between different platforms of media convergence) break up homogeneous or regionally bounded conceptions of Asia?<\/li>\n<li>2) \u00a0By modifying platform-specific media content for distribution and exhibition on unintended platforms or for unanticipated audiences, how do regionalized inter-Asian productions and circulations of media content challenge homogeneous or disciplinary- bounded understandings of specific media platforms?<\/li>\n<\/ul>\n<p>With the aim of curating a published volume, this two-part, hybrid workshop features three keynote speeches, eight panels, and a film screening and discussion across four days at the University of Southern California and the Chinese University of Hong Kong.<\/p>\n<p><i>Poster, Flyer, and Program Cover Image Designed by Ka Lee Wong (USC)\u00a0<\/i><\/p>\n<p><i>\u00a0<\/i><\/p>\n<p><strong>Complete Workshop Schedule\u00a0<\/strong><\/p>\n<p><strong>Part I: University of Southern California\u00a0<\/strong><\/p>\n<p>Los Angeles, CA, USA | Friday-Saturday, May 20-21, 2022<\/p>\n<p><i>All times Pacific Daylight Time (PDT)\u00a0<\/i><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Friday, May 20, 2022\u00a0<\/strong><\/p>\n<p><strong>8:00\u00a0<\/strong><\/p>\n<p>USC Hotel\u00a0<strong>Pick-Up<br \/>\n<\/strong>(Brian will meet participants outside lobby to walk to breakfast and workshop location)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>08:15-09:00:\u00a0<\/strong><\/p>\n<p><strong>Continental Breakfast, Workshop Check-in at\u00a0<\/strong>Ronald Tutor Campus Center (TCC) Plaza (Pick up name badge and gift bag)<\/p>\n<p><strong>Main Workshop Location:\u00a0<\/strong>Ronald Tutor Campus Center (TCC) 350\/351 Franklin Room<\/p>\n<p>&nbsp;<\/p>\n<p><strong>09:15-09:45\u00a0<\/strong><\/p>\n<p><strong>Opening Remarks\u00a0<\/strong><\/p>\n<ul>\n<li>1) \u00a0Welcome \/ Workshop Overview:\u00a0<strong>Brian Bernards\u00a0<\/strong>(USC Center for Transpacific Studies)<\/li>\n<li>2) \u00a0Message from Host\/Sponsor:\u00a0<strong>Janet Hoskins\u00a0<\/strong>(USC Center for Transpacific Studies)<\/li>\n<li>3) \u00a0<i>barangay: An Offshore Poem\u00a0<\/i>Reading by\u00a0<strong>Adrian De Leon\u00a0<\/strong>(USC Center for Transpacific<br \/>\nStudies)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>10:00-11:45\u00a0<\/strong><\/p>\n<p><strong>Panel I\u00a0<\/strong>(<i>Infrastructure, Ecology<\/i>,\u00a0<i>Technology<\/i>)<\/p>\n<ul>\n<li>1) \u00a0<strong>Padma Chirumamilla\u00a0<\/strong>(National U of Singapore), \u201cAmaravati, Baahubali, and Hindu<br \/>\nNationalism\u2019s Technological Futurities\u201d (~10:05-10:20)<\/li>\n<li>2) \u00a0<strong>Nadine Chan\u00a0<\/strong>(U of Toronto), \u201cIntermediatic Forests: Enmeshed Infrastructure and<br \/>\nEmpire \u2018at-a-Distance\u2019\u201d (~10:20-10:35)<\/li>\n<li>3) \u00a0<strong>Shaoling Ma\u00a0<\/strong>(Yale-NUS), \u201cEnergy Highlands in Liu Chuang\u2019s \u2018Bitcoin Mining and<br \/>\nField Recordings of Ethnic Minorities\u2019\u201d (~10:35-10:50)<\/li>\n<li>4) \u00a0Co-Panelist Responses (~10:50-11:10) + Q&amp;A (~11:10-11:40)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>12:00-13:00\u00a0<\/strong><\/p>\n<p><strong>Lunch\u00a0<\/strong>(Pick up lunch box outside Franklin Room)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>13:15-15:15\u00a0<\/strong><\/p>\n<p><strong>Panel II\u00a0<\/strong>(<i>Trans-Cinematic Histories<\/i>)<\/p>\n<ul>\n<li>1) \u00a0<strong>Dag Yngvesson\u00a0<\/strong>(U of Nottingham, Malaysia), \u201cAfter the Curfew, Before the Digital:<br \/>\n<i>Lewat Djam Malam\u00a0<\/i>as Intermedial Archipelagic Cinema\u201d (~13:20-13:35)<\/li>\n<li>2) \u00a0<strong>Palita Chunsaengchan\u00a0<\/strong>(U of Minnesota), \u201cIn the Absence of Celluloid: Intermediality in<br \/>\nEarly Thai Cinema with the Co-Production of\u00a0<i>Miss Suwanna of Siam<\/i>\u201d (~13:35-13:50)<\/li>\n<li>3) \u00a0<strong>Alden Sajor Marte-Wood\u00a0<\/strong>(Rice U), \u201cThe Migration of Subgenre: OFW Productions in<br \/>\nthe Intermedial Age of Mechanical Social Reproduction\u201d (~13:50-14:05)<\/li>\n<li>4) \u00a0<strong>Seoyeon Lee\u00a0<\/strong>(U of Southern California), \u201c<br \/>\n\u201d (~14:05-14:20) (Re)mapping The Boundary of Asia Through Science Fiction: Inter-Asia\/Planetary Travel in\u00a0<i>The Wandering Earth\u00a0<\/i><\/li>\n<li>5) Co-Panelist Responses (~14:20-14:40) + Q&amp;A (~14:40-15:10)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>15:15-17:00<\/strong><\/p>\n<p><strong>Break<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>17:00-18:45<\/strong><\/p>\n<p><strong>Campus Dinner for Workshop Participants at\u00a0<\/strong>The Lab Gastropub<\/p>\n<p>&nbsp;<\/p>\n<p><strong>19:00-20:40:\u00a0<\/strong><\/p>\n<p><strong><i>MEKONG 2030\u00a0<\/i>Screening at\u00a0<\/strong>Ronald Tutor Campus Center (TCC) 227 (Rosen Family Screening Theater)<br \/>\nOmnibus film (93 mins) of five shorts: \u201cSoul River\u201d (dir. Kulikar Sotho [Cambodia]), The \u201cChe Brother\u201d (dir. Anysay Keola [Laos]), \u201cThe Forgotten Voices of the Mekong\u201d (dir. Sai Naw Kham [Myanmar]), \u201cThe Line\u201d (dir. Anocha Suwichakornpong [Thailand]), \u201cThe Unseen River\u201d (dir. Pham Ngoc Lan [Vietnam]), 2020<\/p>\n<p>&nbsp;<\/p>\n<p><strong>20:40-21:30:\u00a0<\/strong><\/p>\n<p><strong>Q&amp;A with Sean Chadwell<\/strong>,\u00a0<i>MEKONG 2030\u00a0<\/i>and Luang Prabang Film Festival Executive Director. Moderated by\u00a0<strong>Panivong Norindr\u00a0<\/strong>(USC)\u00a0<strong><br \/>\n<\/strong><\/p>\n<p><strong>Saturday, May 21, 2022<br \/>\nContinental Breakfast at\u00a0<\/strong>Ronald Tutor Campus Center (TCC) Plaza<\/p>\n<p>&nbsp;<\/p>\n<p><strong>08:45-09:45<br \/>\nMain Workshop Location:\u00a0<\/strong>Ronald Tutor Campus Center (TCC) 350\/351 Franklin Room<\/p>\n<p>&nbsp;<\/p>\n<p><strong>10:00-11:45\u00a0<\/strong><\/p>\n<p><strong>Panel III\u00a0<\/strong>(<i>Audiovisual Internationalisms<\/i>)<\/p>\n<ul>\n<li>1) \u00a0<strong>Ling Zhang\u00a0<\/strong>(SUNY-Purchase), \u201cSpecter of Acoustic Internationalism: \u2018Voice of<br \/>\nMalayan Revolution\u2019 in China, 1969-1981\u201d (~10:05-10:20)<\/li>\n<li>2) \u00a0<strong>Lan Duong\u00a0<\/strong>(U of Southern California), \u201cSong, Sound, and the Circulation of Refugee<br \/>\nAffect in\u00a0<i>Life of a Flower\u00a0<\/i>and\u00a0<i>Song Lang<\/i>\u201d (~10:20-10:35)<\/li>\n<li>3) \u00a0<strong>Rita Rongyi Lin\u00a0<\/strong>(Northwestern U), \u201c\u2018No More Trauma\u2019? Trans-East-Asian Cultural<br \/>\nAppropriation and Nationalist Rhetoric in NCT 127\u2019s \u2018Kick It\u2019 and Its Popular Chinese<br \/>\nReceptions\u201d (~10:35-10:50)<\/li>\n<li>4) \u00a0Co-Panelist Responses (~10:50-11:10) + Q&amp;A (~11:10-11:40)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>12:00-13:00\u00a0<\/strong><\/p>\n<p><strong>Lunch\u00a0<\/strong>(Pick up lunch box outside Franklin Room)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>13:15-15:00\u00a0<\/strong><\/p>\n<p><strong>Workshop Keynote<\/strong><\/p>\n<p><strong>Bliss Cua Lim\u00a0<\/strong>(U of California, Irvine), \u201cIntermedial Labor in a Minor Mode: Creators,<\/p>\n<p>Animators, and Queer GL Fans in the Philippines, Asia, and Beyond\u201d<\/p>\n<p>&nbsp;<\/p>\n<p><strong>15:00-15:30\u00a0<\/strong><\/p>\n<p><strong>Short Coffee\/Tea Break\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>15:30-17:15 Panel IV\u00a0<\/strong>(<i>Indigenous Media and Circulation<\/i>)<\/p>\n<ul>\n<li>1)\u00a0<strong>Sheela Jane Menon\u00a0<\/strong>(Dickinson College), \u201cCreatives, Curators, and Collaboration: Indigenous Art and Media in Malaysia\u201d (~15:35-15:50)<\/li>\n<li>2) \u00a0<strong>Junting Huang\u00a0<\/strong>(Cornell U), \u201cTracing Inter-Asian Connections through \u2018The Elders\u2019 Drinking Song\u2019\u201d (~15:50-16:05)<\/li>\n<li>3) \u00a0<strong>Pujita Guha\u00a0<\/strong>(U of California, Santa Barbara), \u201cNoncivilization, Media, and Ethnography on a Strange Terrain\u201d (~16:05-16:20)<\/li>\n<li>4) \u00a0Co-Panelist Responses (~16:20-16:40) + Q&amp;A (~16:40-17:10)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>17:20-17:45\u00a0<\/strong><\/p>\n<p><strong>Concluding Remarks\u00a0<\/strong>by\u00a0<strong>Brian Bernards\u00a0<\/strong>(USC)\u00a0<strong>and Elmo Gonzaga\u00a0<\/strong>(CUHK) (Looking Ahead to Part II of Workshop in Hong Kong)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>18:00-19:30\u00a0<\/strong><\/p>\n<p><strong>Campus Dinner for Workshop Participants at\u00a0<\/strong>Rock &amp; Reilly\u2019s USC Village<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Part II: The Chinese University of Hong Kong (CUHK)\u00a0<\/strong><\/p>\n<p>Hong Kong | Friday-Saturday, 10-11 June 2022<\/p>\n<p><i>All times Hong Kong\/Singapore\/Manila Time\u00a0<\/i><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Friday, 10 June 2022<\/strong><\/p>\n<p><strong>10:00-10:15<\/strong><\/p>\n<p><strong>Opening Remarks<br \/>\n<\/strong>1) Welcome\/Workshop Overview:\u00a0<strong>Elmo Gonzaga\u00a0<\/strong>(CUHK) &amp;\u00a0<strong>Brian Bernards\u00a0<\/strong>(USC)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>10:15-11:55\u00a0<\/strong><\/p>\n<p><strong>Panel I\u00a0<\/strong>(<i>Trans-border Co-productions and Exchanges<\/i>)<\/p>\n<ul>\n<li>1) \u00a0<strong>Zakir Hossein Raju\u00a0<\/strong>(Independent U, Bangladesh), \u201cFrom Mumbai to Malayan Film<br \/>\nIndustry: Inter-Asian and Intermedial Journey of Phani Majumdar through Trans\/national<br \/>\nCinemas of South and Southeast Asia\u201d (~10:20-10:35)<\/li>\n<li>2) \u00a0<strong>Elizabeth Wijaya\u00a0<\/strong>(U of Toronto), \u201cA World of Premieres: Taste and Multi-region Co-<br \/>\nproductions in Pandemic Times\u201d (~10:35-10:50)<\/li>\n<li>3) \u00a0<strong>Olivia Khoo\u00a0<\/strong>(Monash U), \u201cThe Warehouse as Intermedial Zone: Assemblages of Intra-<br \/>\nAsian Art and Cinema\u201d (~10:50-11:05)<\/li>\n<li>4) \u00a0Co-Panelist Responses (~11:05-11:25) + Q&amp;A (~11:25-11:55)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>11:55-12:00\u00a0<\/strong><\/p>\n<p><strong>Lunch Break\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>13:00-14:40\u00a0<\/strong><\/p>\n<p><strong>Panel II\u00a0<\/strong>(<i>Multimodal and Minority Nationalisms<\/i>)<\/p>\n<ul>\n<li>1) \u00a0<strong>Adil Johan\u00a0<\/strong>(U of Malaya), \u201cRocking Singapore: The Intermediated Malay Voice in<br \/>\nPerformance of a National Anthem\u201d (~13:05-13:20)<\/li>\n<li>2) \u00a0<strong>Jose Kervin Cesar Calabias\u00a0<\/strong>(Lingnan U), \u201cInfluencing\/Indigenizing Migration: Igorot<br \/>\nDomestic Worker Vloggers of Hong Kong\u201d (~13:20-13:35)<\/li>\n<li>3) \u00a0<strong>Lin Song\u00a0<\/strong>(Jinan U) and\u00a0<strong>Avishek Ray\u00a0<\/strong>(National Institute of Technology, Silchar),<br \/>\n\u201cDigital Territorialization and Techno-Nationalism: Revisiting the TikTok Ban in India\u201d (~13:35-13:50)<\/li>\n<li>4) \u00a0Co-Panelist Responses (~13:50-14:10) + Q&amp;A (14:10-14:40)<\/li>\n<\/ul>\n<p><strong>14:40-15:00 Coffee\/Tea Break\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>15:00-16:45\u00a0<\/strong><\/p>\n<p><strong>Workshop Keynote\u00a0<\/strong><\/p>\n<ul>\n<li><strong>Patrick Flores\u00a0<\/strong>(U of the Philippines, Diliman), \u201c\u2018Dynamics of Towardness\u2019: Intermediating Asia\u201d<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>Saturday, 11 June 2022\u00a0<\/strong><\/p>\n<p><strong>10:00-11:40 Panel III\u00a0<\/strong>(<i>Paratextual Multi-Screen Variations<\/i>)<\/p>\n<ul>\n<li>1) \u00a0<strong>Noah Viernes\u00a0<\/strong>(Akita International U), \u201c\u2018Time Zones\u2019: Political Resonance and the<br \/>\nMultiplicity of Screens in the Work of Apichatpong Weerasethakul\u201d (~10:05-10:20)<\/li>\n<li>2) \u00a0<strong>Adhani Juniasyaroh Emha\u00a0<\/strong>(U Gadjah Mada), \u201cA Peek on Identity Construction of<br \/>\nMetropolitan Women through Ika Natassa\u2019s Trilogy Novels\u00a0<i>Divortiare<\/i>,\u00a0<i>Twivortiare<\/i>, and\u00a0<i>Twivortiare 2<\/i>\u201d (~10:20-10:35)<\/li>\n<li>3) \u00a0<strong>Kim Jihoon\u00a0<\/strong>(Chung-ang U), \u201cApichatpong\u2019s Projection Performance\u00a0<i>Fever Room\u00a0<\/i>and Site-Specific Installation Constellations in Terms of Projection\u2019s Paracinematic, Intermedial Variations\u201d (~10:35-10:50)<\/li>\n<li>4) \u00a0Co-Panelist Responses (~10:50-11:10) + Q&amp;A (11:40)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>11:40-12:40\u00a0<\/strong><\/p>\n<p><strong>Lunch Break\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>12:40-14:20\u00a0<\/strong><\/p>\n<p><strong>Panel IV\u00a0<\/strong>(<i>Intermedial Connections and Memories<\/i>)<\/p>\n<ul>\n<li>1) \u00a0<strong>Dorothy Wai Sim Lau\u00a0<\/strong>(Hong Kong Baptist U), \u201cIntraregional Star Currency: Michelle<br \/>\nYeoh\u2019s Goodwill Image and Her Southeast Asian Connections in the Intermedial Space\u201d (12:45-13:00)<\/li>\n<li>2) \u00a0<strong>Heewon Chung\u00a0<\/strong>(U of Seoul), \u201cPhotography, Poetry, and Polyphony: Postmemory of the<br \/>\nGwangju massacre in Han Kang\u2019s \u2018Human Acts\u2019\u201d (13:00-13:15)<\/li>\n<li>3) \u00a0<strong>Wikanda Promkhuntong\u00a0<\/strong>and\u00a0<strong>Supawan Supaneedis\u00a0<\/strong>(Mahidol U), \u201cInter-Media Memories of Hong Kong Films in Thailand: An Observation on Cultural Mediators and Generational Changes\u201d (13:15-13:30)<\/li>\n<li>4) \u00a0Co-Panelist Responses (~13:30-13:50) + Q&amp;A (~13:50-14:20)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>14:20-14:40 Coffee\/Tea Break<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>14:40-16:25 Workshop Keynote II<\/strong><\/p>\n<ul>\n<li><strong>Ho Tzu Nyen\u00a0<\/strong>(Contemporary Artist and Filmmaker), \u201c<i>The Critical Dictionary of Southeast Asia\u00a0<\/i>\u2013 Some Notes on Mediums, Tigers and Spies\u201d<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>16:25-16:45\u00a0<\/strong><\/p>\n<p><strong>Concluding Remarks\u00a0<\/strong>by\u00a0<strong>Elmo Gonzaga\u00a0<\/strong>(CUHK)<\/p>\n\n\n\n<\/div>\n      \n          <\/div>\n\n  <\/div>\n\n\n\n  <\/div><\/div>\n\n\n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--spacer \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--spacer\"\n    \n      >\n\n    \n\n  <\/div><\/div>\n\n\n\n\n\n                                    \n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--image-gallery \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--image-gallery\"\n    \n      >\n\n    \n  <div class=\"inner-wrapper\">\n\n      <div class=\"text-container\">\n                  \n<div class=\"f--field f--section-title\">\n\n    \n  <h2>\n          Inter-Asia Intermediality\n      <\/h2>\n\n\n<\/div>\n          <\/div>\n    \n      <div id=\"gallery-1946868317\" class=\"gallery-container\">\n\n      <div class=\"swiper images\">\n        <div class=\"swiper-wrapper\">\n                                    <div class=\"swiper-slide\">\n                                      \n<div class=\"f--field f--image\">\n\n    \n    \n    \n    \n    \n    \n              \n      <img\n                            data-src=\"https:\/\/dornsife.usc.edu\/transpacific-studies\/wp-content\/uploads\/sites\/188\/2023\/05\/Inter-Asia-Intermediality-Image-667x432.jpg\"\n                    data-sizes=\"(min-width:1200px) 75vw, (min-width:768px) 83vw, 100vw\"          class=\"lazyload\"\n        \n                  alt=\"Inter-Asia Intermediality Image\"\n        \n        \n                                      \/>\n\n    \n    \n  \n  \n\n<\/div>\n                              <\/div>\n                                                <div class=\"swiper-slide\">\n                                      \n<div class=\"f--field f--image\">\n\n    \n    \n    \n    \n    \n    \n              \n      <img\n                            data-src=\"https:\/\/dornsife.usc.edu\/transpacific-studies\/wp-content\/uploads\/sites\/188\/2023\/05\/Inter-Asia-Intermediality-Image-2-667x432.jpg\"\n                    data-sizes=\"(min-width:1200px) 75vw, (min-width:768px) 83vw, 100vw\"          class=\"lazyload\"\n        \n                  alt=\"Inter-Asia Intermediality Image\"\n        \n        \n                                      \/>\n\n    \n    \n  \n  \n\n<\/div>\n              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