{"id":588,"date":"2017-05-01T00:00:27","date_gmt":"2017-05-01T07:00:27","guid":{"rendered":"https:\/\/dornsife.usc.edu\/palaver\/?page_id=588"},"modified":"2023-06-28T19:42:14","modified_gmt":"2023-06-29T02:42:14","slug":"issue-01-spring-2017","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/palaver\/past-issues\/issue-01-spring-2017\/","title":{"rendered":"Issue 01: Spring 2017"},"content":{"rendered":"\n\n \n \n\n\n\n\n\n\n\n
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\"Palaver<\/a><\/p>\n

 <\/p>\n

Cover artwork by Cheryl Chan<\/em><\/p>\n\n\n\n<\/div>\n\n\n <\/div><\/div>\n\n\n\n\n \n \n \n\n\n\n\n\n\n\n

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\n Art\n <\/h2>\n\n\n<\/div>\n \n <\/div>\n \n
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\n two photographs<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Catherine Atkinson<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Ocean\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n mixed media pieces<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Cheryl Chan<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Collage\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n two photographs<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Yannis Faidherbe<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"A\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n two photographs<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Massimo Napoli<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Neon\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n Streams of Consciousness<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Sophia Spirus<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Collage\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n light—time<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Abbie Stellar<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Photo\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n nocturne<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Abbie Stellar<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Silver\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n <\/div>\n \n\n <\/div><\/div>\n\n\n\n\n \n \n \n\n\n\n\n\n\n\n
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\n Media\n <\/h2>\n\n\n<\/div>\n \n <\/div>\n \n
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\n Anthropocene<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Adam Barnett<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"A\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n Cigarettes & Fatherhood<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Mackin Carroll<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Mackin\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n Ana Bellarosa<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Chlo\u00e9 Duvant<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Silhouette\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n Want You Bad<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Jack Ingram<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Album\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n Sometimes I Wish My Life Was a Movie<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Zach McLane<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Text\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n <\/div>\n \n\n <\/div><\/div>\n\n\n\n\n \n \n \n\n\n\n\n\n\n\n
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\n Prose\n <\/h2>\n\n\n<\/div>\n \n <\/div>\n \n
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\n Butterknife<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Amanda Gonzalez<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

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\n Encounters<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Claire Charrier<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

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\n Please Stay<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Ashley Busenlener<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

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\n The Leaking Room<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Jan Bross<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n Anita\u2019s Room<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Michael Savio<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n Mi Mama<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Sarah Yanni<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n <\/div>\n \n\n <\/div><\/div>\n\n\n\n\n \n \n \n\n\n\n\n\n\n\n

\n\n \n
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\n Poetry\n <\/h2>\n\n\n<\/div>\n \n <\/div>\n \n
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\n The Irishman\u2019s Dog Keeps Running Astray<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Allison Smith<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n Among the Infinite Dawns<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Taylor Rivers<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n [if there ever comes a time]<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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R.D.M.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n [dark chocolate is a dominatrix]<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
\n\n \n

R.D.M.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n Wai Gong\u2019s Funeral<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
\n\n \n

Lillian Tsao<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n Gillette Venus<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Celeste McAlpin-Levitt<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n How She Goes<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Megana Iyer<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n Yellow Walls<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Amanda Suarez<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n Careful<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
\n\n \n

Amanda Suarez<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n #itsfineimfine<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
\n\n \n

Vasi Best<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n <\/div>\n \n\n <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":288,"featured_media":0,"parent":1228,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"page-content-detail.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-588","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nIssue 01: Spring 2017 - Palaver Arts Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dornsife.usc.edu\/palaver\/past-issues\/issue-01-spring-2017\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Issue 01: Spring 2017 - Palaver Arts Magazine\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dornsife.usc.edu\/palaver\/past-issues\/issue-01-spring-2017\/\" \/>\n<meta property=\"og:site_name\" content=\"Palaver Arts Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/palaver.arts.magazine\" \/>\n<meta property=\"article:modified_time\" content=\"2023-06-29T02:42:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dornsife.usc.edu\/palaver\/wp-content\/uploads\/sites\/175\/2023\/06\/palaver-logo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"710\" \/>\n\t<meta property=\"og:image:height\" content=\"198\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dornsife.usc.edu\/palaver\/past-issues\/issue-01-spring-2017\/\",\"url\":\"https:\/\/dornsife.usc.edu\/palaver\/past-issues\/issue-01-spring-2017\/\",\"name\":\"Issue 01: Spring 2017 - 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