{"id":2523,"date":"2019-05-01T00:00:08","date_gmt":"2019-05-01T07:00:08","guid":{"rendered":"https:\/\/dornsife.usc.edu\/palaver\/?page_id=2523"},"modified":"2023-06-28T18:22:50","modified_gmt":"2023-06-29T01:22:50","slug":"issue-05-spring-2019","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/palaver\/past-issues\/issue-05-spring-2019\/","title":{"rendered":"Issue 05: Spring 2019"},"content":{"rendered":"\n\n \n \n\n\n\n\n\n\n\n
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\"\"<\/a><\/p>\n

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Cover artwork by Bryce Merill<\/em><\/p>\n\n\n\n<\/div>\n\n\n <\/div><\/div>\n\n\n\n\n \n \n \n\n\n\n\n\n\n\n

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\n Art\n <\/h2>\n\n\n<\/div>\n \n <\/div>\n \n
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\n five photos<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Ulysses Salcido<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Blurry\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n five photos<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Bryce Merrill<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Black-and-white\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n three paintings<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Alyssa Stanghellini<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Painting\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n five collages<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Shane Allison<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Collage\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n five paintings<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Maria “Lupita” Roa<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Painting\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n <\/div>\n \n\n <\/div><\/div>\n\n\n\n\n \n \n \n\n\n\n\n\n\n\n
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\n Media\n <\/h2>\n\n\n<\/div>\n \n <\/div>\n \n
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\n Who Could’ve Thought?<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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King Leon<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Album\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n Project 3<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Mason Robinson<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Screenshot\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n Trauma<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Maria \u201cLupita\u201d Roa<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Trauma\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n Missing Connections<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Vincent Dixon and Steele Stewart<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Black\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n Oscar Nominee Inspired Lego Designs<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Klaus Neyer<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Lego\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n Battle March<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Kelly Chen<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Headshot\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n We Used to Meet at Sundown<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Fedor Karpenko<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"An\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n <\/div>\n \n\n <\/div><\/div>\n\n\n\n\n \n \n \n\n\n\n\n\n\n\n
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\n Prose\n <\/h2>\n\n\n<\/div>\n \n <\/div>\n \n
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\n Leave a Note<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Sydney Ahmed<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

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\n Flash Garden<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Pauline Hales-Brown<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

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\n The Practical Uses of Aliens, Sorcery, and Time Travel<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Theo Poling<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

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\n Up on a Hill in Crockett<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Taylor Rivers<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n <\/div>\n \n\n <\/div><\/div>\n\n\n\n\n \n \n \n\n\n\n\n\n\n\n

\n\n \n
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\n Poetry\n <\/h2>\n\n\n<\/div>\n \n <\/div>\n \n
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\n The Pigeon<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Cameryn Baker<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n capital B, as in Black<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Jas Jefferies<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
\n\n \n
\n\n \n

\n A Lens of Black Beauty<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
\n\n \n

Jas Jefferies<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n\n \n

\n 216<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
\n\n \n

Bree Vance<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
\n\n \n
\n\n \n

\n Offending People<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
\n\n \n

Trishna Limaye<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n\n \n

\n night ride<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
\n\n \n

r a e l o u<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n <\/div>\n \n\n <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":288,"featured_media":0,"parent":1228,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"page-content-detail.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2523","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nIssue 05: Spring 2019 - Palaver Arts Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dornsife.usc.edu\/palaver\/past-issues\/issue-05-spring-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Issue 05: Spring 2019 - Palaver Arts Magazine\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dornsife.usc.edu\/palaver\/past-issues\/issue-05-spring-2019\/\" \/>\n<meta property=\"og:site_name\" content=\"Palaver Arts Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/palaver.arts.magazine\" \/>\n<meta property=\"article:modified_time\" content=\"2023-06-29T01:22:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dornsife.usc.edu\/palaver\/wp-content\/uploads\/sites\/175\/2023\/06\/palaver-logo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"710\" \/>\n\t<meta property=\"og:image:height\" content=\"198\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dornsife.usc.edu\/palaver\/past-issues\/issue-05-spring-2019\/\",\"url\":\"https:\/\/dornsife.usc.edu\/palaver\/past-issues\/issue-05-spring-2019\/\",\"name\":\"Issue 05: Spring 2019 - 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