{"id":1226,"date":"2017-12-01T00:00:00","date_gmt":"2017-12-01T08:00:00","guid":{"rendered":"https:\/\/dornsife.usc.edu\/palaver\/?page_id=1226"},"modified":"2023-06-28T18:22:03","modified_gmt":"2023-06-29T01:22:03","slug":"issue-02-fall-2017","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/palaver\/past-issues\/issue-02-fall-2017\/","title":{"rendered":"Issue 02: Fall 2017"},"content":{"rendered":"\n\n \n \n\n\n\n\n\n\n\n
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\"Palaver<\/a><\/p>\n

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Cover artwork by Lingxi Zou<\/em><\/p>\n\n\n\n<\/div>\n\n\n <\/div><\/div>\n\n\n\n\n \n \n \n\n\n\n\n\n\n\n

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\n Art\n <\/h2>\n\n\n<\/div>\n \n <\/div>\n \n
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\n PoPo<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Claire Liu<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Oil\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n “So, as a female artist, how do you…”<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Sophia Spirus<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Collage\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n two photographs<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Bogui Adjorlolo<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"A\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n two photographs<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Yannis Faidherbe<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"A\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n watercolor drawings<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Lingxi Zou<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Watercolor\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n <\/div>\n \n\n <\/div><\/div>\n\n\n\n\n \n \n \n\n\n\n\n\n\n\n
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\n Media\n <\/h2>\n\n\n<\/div>\n \n <\/div>\n \n
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\n 3D Printed Eyes and Zen Goblin<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Jacob Surovsky<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"3D\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n Blossom<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Mato Wayuhi<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Houses\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n C U Soon<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Jack DeMeo<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Houses\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n Gimmie Five<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Sabrina Brennan<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"5\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n God Bless FM Radio<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Zack Hosseini<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"A\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n William Tell’s Goin’ to Hell<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Bogui Adjorlolo<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Silhouette\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n <\/div>\n \n\n <\/div><\/div>\n\n\n\n\n \n \n \n\n\n\n\n\n\n\n
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\n Prose\n <\/h2>\n\n\n<\/div>\n \n <\/div>\n \n
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\n The Hunt<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Elizabeth Dassow<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

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\n Milk and Honey<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Nathan Romo<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

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\n Cue 3: Blood Red Lights<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Lena Foellmer<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

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\n Veronica<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Ashna Madni<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

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\n The Goldfish<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Elizabeth Dassow<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

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\n One Last Drink<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Taylor Rivers<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

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\n The Devil You Know<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Alex Greenblatt<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

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\n Eclipse<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Lena Foellmer<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n <\/div>\n \n\n <\/div><\/div>\n\n\n\n\n \n \n \n\n\n\n\n\n\n\n

\n\n \n
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\n Poetry\n <\/h2>\n\n\n<\/div>\n \n <\/div>\n \n
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\n getting gas 5 miles outside of glen, new hampshire<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Morgan<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n Table 12<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
\n\n \n

Nathan Romo<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n\n \n

\n On Stars and Roses<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Taylor Rivers<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n Failure to Adjust (In Five Parts)<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Zach Hrenko<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n Biracial<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Sarina Kapai<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n

\n\n
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\n A Willow Tree Knows My Story<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
\n\n \n

Sarina Kapai<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n <\/div>\n\n \n <\/div>\n \n\n <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":288,"featured_media":0,"parent":1228,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"page-content-detail.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1226","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nIssue 02: Fall 2017 - Palaver Arts Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dornsife.usc.edu\/palaver\/past-issues\/issue-02-fall-2017\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Issue 02: Fall 2017 - Palaver Arts Magazine\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dornsife.usc.edu\/palaver\/past-issues\/issue-02-fall-2017\/\" \/>\n<meta property=\"og:site_name\" content=\"Palaver Arts Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/palaver.arts.magazine\" \/>\n<meta property=\"article:modified_time\" content=\"2023-06-29T01:22:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dornsife.usc.edu\/palaver\/wp-content\/uploads\/sites\/175\/2023\/06\/palaver-logo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"710\" \/>\n\t<meta property=\"og:image:height\" content=\"198\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dornsife.usc.edu\/palaver\/past-issues\/issue-02-fall-2017\/\",\"url\":\"https:\/\/dornsife.usc.edu\/palaver\/past-issues\/issue-02-fall-2017\/\",\"name\":\"Issue 02: Fall 2017 - 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