{"id":7174,"date":"2015-04-30T15:40:00","date_gmt":"2015-04-30T22:40:00","guid":{"rendered":"https:\/\/dornsife.usc.edu\/news\/stories\/usc-dornsife-faculty-receive-guggenheim-fellowships\/"},"modified":"2024-11-04T15:37:59","modified_gmt":"2024-11-04T23:37:59","slug":"usc-dornsife-faculty-receive-guggenheim-fellowships","status":"publish","type":"post","link":"https:\/\/dornsife.usc.edu\/news\/stories\/usc-dornsife-faculty-receive-guggenheim-fellowships\/","title":{"rendered":"USC Dornsife Faculty Receive Guggenheim Fellowships"},"content":{"rendered":"\n\n\n    \n                                \n\n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--article-hero \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--article-hero\"\n    \n      >\n\n    \n<div class=\"inner-wrapper\">\n  \n  \n  <div class=\"text-wrapper\">\n          <nav aria-label=\"Breadcrumb\" class=\"breadcrumbs\">\n        <ul>\n                      <li><a href=\"\/news\/stories\/\">News<\/a><\/li>\n                      <li><a href=\"\/news\/stories\/\/?category=faculty\">Faculty<\/a><\/li>\n                  <\/ul>\n      <\/nav>\n    \n              \n<div class=\"f--field f--page-title\">\n\n    \n  <h1>USC Dornsife Faculty Receive Guggenheim Fellowships<\/h1>\n\n\n<\/div>\n    \n          <div class=\"subtitle\">\n            \n<div class=\"f--field f--description\">\n\n    \n  Percival Everett, Vanessa Schwartz and David Ulin receive Guggenheim Fellowships for 2015 to pursue their research and literary projects.\n\n\n<\/div>\n      <\/div>\n    \n           <strong class=\"author-field\"><span >By<\/span><a href=\"mailto:communication@dornsife.usc.edu\">Susan Bell<\/a><\/strong>\n    \n          <span class=\"post-date-field\">April 30, 2015<\/span>\n      <\/div>\n<\/div>\n\n\n  <\/div><\/div>\n\n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--social-share \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div 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history and art history, and David Ulin, lecturer in the Master of Professional Writing Program, were among a diverse group of 175 scholars, artists and scientists selected by the John Simon Guggenheim Memorial Foundation on the basis of prior achievement and exceptional promise from a group of more than 3,100 applicants.<\/p>\n<p>Everett said he felt grateful and honored to have won the Guggenheim. \u201cA lot of people apply and a few are selected, and from the list of recipients I am flattered to have been included,\u201d he said. Everett was recently presented with the Presidential Medallion, the university\u2019s highest honor, by USC President C. L. Max Nikias.<\/p>\n<p>The author of 25 books, Everett is currently working on a new novel set in Rhode Island, Paris and El Salvador in 1979, just prior to the Salvadoran Civil War.<\/p>\n<p>\u201cThe fellowship will allow me to travel for my research,\u201d Everett said. \u201cI need to be able to speak with some authority about the layout of San Salvador and its surroundings, and talk to people and get a sense of what the city and the American Embassy were like in 1979.\u201d<\/p>\n<figure style=\"width: 225px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"\/wp-content\/uploads\/sites\/7\/migration-uploads\/Guggenheim2-2040.jpg\" alt=\"Photo of Percival Everett\" width=\"225\" height=\"300\" \/><figcaption class=\"wp-caption-text\">Percival Everett will use his Guggenheim Fellowship to complete a screenplay and research his next novel. (Photo by Steve Cohn.)<\/figcaption><\/figure>\n<p>Everett will also use the Guggenheim to complete a screenplay he is writing for French filmmaker Camille de Casabianca about the celebrated French Navy submarine, the <em>Casabianca<\/em>, which joined the Free French Forces during World War II and participated in the liberation of Corsica. De Casabianca\u2019s family comes from the village for which the submarine was named.<\/p>\n<p>\u201cWriting novels is really an excuse for me to study something,\u201d said Everett, whose works\u2019 settings range from antiquity to the mythic American West to the contemporary western American landscape and feature such diverse characters as Ulysses, physicians, hydrologists and ball players.<\/p>\n<p>Published by Graywolf Press, his novels include<em> Assumption: A Novel<\/em> (2011); <em>I Am Not Sidney Poitier<\/em> (2009); <em>The Water Cure<\/em> (2007); <em>American Desert<\/em> (2006) and <em>Wounded<\/em> (2005), for which he received the PEN USA 2006 Literary Award. For his book <em>Erasure <\/em>(2001), he earned the American Academy of Arts and Letters\u2019 Academy Award for Literature as well as the Hurston\/Wright Legacy Award. His most recent novel is <em>Percival Everett by Virgil Russell <\/em>(2013).<\/p>\n<p>\u201cI\u2019d like to believe that one wouldn\u2019t be able to see my hand at work from one novel to the next. I think there is an ongoing play with language in all of my works, both with form and structure,\u201d Everett said. \u201cI am less concerned with telling stories than with how stories get told.\u201d<\/p>\n<p>Schwartz\u2019s Guggenheim Fellowship will enable her to concentrate on her book <em>Jet-Age Aesthetics: Media and the Glamour of Motion<\/em>. She is analyzing how the new cultural experiences in Western Europe and America in the late 1950s to the mid-1960s that made the jet airplane and the constant motion it implied and enabled, beautiful and appealing.<\/p>\n<p>\u201cMy book asks what made the rather improbable experience of hurtling through the atmosphere in a metal tube, miles above the ground, seem like one of the most glamorous and exciting ways to live a newfangled life,\u201d said Schwartz, who is director of the Visual Studies Research Institute. A historian of modern visual culture and the author or editor of nine books and journals, she recently won the USC Associates Award for Creativity in Research and Scholarship.<\/p>\n<figure style=\"width: 225px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"\/wp-content\/uploads\/sites\/7\/migration-uploads\/Guggenheim3-2040.jpg\" alt=\"Photo of Vanessa Schwartz\" width=\"225\" height=\"300\" \/><figcaption class=\"wp-caption-text\">Vanessa Schwartz\u2019s Guggenehim Fellowship will enable her to concentrate on research for her book on the aesthetics of the jet age. (Photo courtesy of Vanessa Schwartz.)<\/figcaption><\/figure>\n<p>Her research project focuses on the architects, fine artists, photojournalists, filmmakers and entertainment impresarios who experimented with a powerfully optimistic aestheticization of the technology, motion and mobility that defined the jet age.<\/p>\n<p>\u201cI show that globalization was borne not only out of the increased physical displacement of people and goods, but also \u2014 just as importantly \u2014 through a new aesthetic that glamorized the associated novel experiences of fluid motion,\u201d she said.<\/p>\n<p>\u201cI am thrilled to be awarded a Guggenheim to support my research and scholarship, not only because of the time it will afford me to do that work full-time, but also because it\u2019s the kind of recognition that is very respected among my peers and also resonates outside academe,\u201d Schwartz said.<\/p>\n<p>Ulin also said he felt honored to have won the award.<\/p>\n<p>\u201cIt\u2019s an affirmation, not only of the project for which I applied, but also of the work I&#8217;ve done for the last 25 years,\u201d he said. \u201cMany of the writers and artists I admire have been awarded Guggenheims, so that sense of proximity is profound. It\u2019s wonderful, weird and a little overwhelming to be a part of that cohort.\u201d<\/p>\n<p>Ulin, the<em> Los Angeles Times<\/em> book critic and author or editor of eight books, won for his fiction project <em>Losing My Religion<\/em>, a memoir about family, faith, assimilation and identity.<\/p>\n<p>\u201cThese are themes that emerge throughout my writing, and they come together in this book,\u201d Ulin said. \u201cI\u2019ve been circling this project for at least a decade in the form of essays, but it\u2019s only in the last year or two that I\u2019ve really zeroed in. Although zeroed in is not exactly accurate \u2014 more that I\u2019ve begun to immerse, to get lost a bit, to see the possibilities and the frame.\u201d<\/p>\n<figure style=\"width: 225px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"\/wp-content\/uploads\/sites\/7\/migration-uploads\/Guggenheim4-2040.jpg\" alt=\"Photo of David Ullin\" width=\"225\" height=\"300\" \/><figcaption class=\"wp-caption-text\">David Ulin intends to use his Guggenheim Fellowship to work on a memoir on issues of belonging, identity and heritage. (Photo by Noah Ulin.)<\/figcaption><\/figure>\n<p>Ulin said he finally worked out how to approach the book a year ago after writing a long essay about his experiences working in a uranium mine in South Texas when he was 18.<\/p>\n<p>\u201cI thought it was a stand-alone, but the more I worked on it, the more I saw broader connections to the themes I want this book to address,\u201d he said. \u201cThe issues of belonging, of identity, of the heritage into which we\u2019re born, and the heritage we choose. These will all be a part of the book, which uses the year I was 18, and traveled the country, first from New York to Texas and then to California, as a frame, a lens, a window on those broader concerns.\u201d<\/p>\n<p>Edward Hirsch, president of the Guggenheim Foundation, lauded the 2015 fellows. \u201cThese artists and writers, scholars and scientists, represent the best of the best,\u201d he said. \u201cThe Guggenheim Foundation has always bet everything on the individual, and we\u2019re thrilled to continue the tradition with this wonderfully talented and diverse group. It\u2019s an honor to be able to support these individuals to do the work they were meant to do.\u201d<\/p>\n<p>Since its establishment in 1925, the foundation has granted more than $325 million in fellowships to almost 18,000 individuals, among them scores of Nobel laureates and poets laureate, as well as winners of the Pulitzer Prize, Fields Medal, and other important, internationally recognized honors.<\/p>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n\n\n\n  \n        \n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--article-related-stories \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--article-related-stories\"\n    \n      >\n\n    \n  <div class=\"inner-wrapper\">\n    \n                  <article>\n              \n<div class=\"f--field f--cta-title\">\n\n    \n  <h3>\n          <a href=\"https:\/\/dornsife.usc.edu\/news\/stories\/percival-everett-american-academy-of-arts-and-letters\/\" \n                        class=\"\" \n      >Celebrated novelist Percival Everett elected to the American Academy of Arts and Letters<\/a>\n      <\/h3>\n\n\n<\/div>\n        <\/article>\n              <article>\n              \n<div class=\"f--field f--cta-title\">\n\n    \n  <h3>\n          <a href=\"https:\/\/dornsife.usc.edu\/news\/stories\/filmmaking-history-paris-los-angeles\/\" \n                        class=\"\" \n      >The rise of filmmaking in late 1800s Paris draws crowds in the City of Lights and the City of Angels<\/a>\n      <\/h3>\n\n\n<\/div>\n        <\/article>\n              <article>\n              \n<div class=\"f--field f--cta-title\">\n\n    \n  <h3>\n          <a href=\"https:\/\/dornsife.usc.edu\/news\/stories\/joan-didions-map-of-los-angeles\/\" \n                        class=\"\" \n      >From Hollywood to Malibu: Mapping Joan Didion\u2019s Los Angeles<\/a>\n      <\/h3>\n\n\n<\/div>\n        <\/article>\n            <\/div>\n\n\n  <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Percival Everett, Vanessa Schwartz and David Ulin receive Guggenheim Fellowships for 2015 to pursue their research and literary projects.<\/p>\n","protected":false},"author":52,"featured_media":7177,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10],"tags":[293,74,469,794,1118,1239,325],"class_list":["post-7174","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faculty","tag-david-ulin","tag-english","tag-guggenheim-fellowship","tag-master-of-professional-writing","tag-percival-everett","tag-usc-presidential-medallion","tag-vanessa-schwartz"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>USC Dornsife Faculty Receive Guggenheim Fellowships<\/title>\n<meta name=\"description\" content=\"Percival Everett, Vanessa Schwartz and David Ulin receive Guggenheim 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