{"id":193,"date":"2022-11-16T17:05:21","date_gmt":"2022-11-17T01:05:21","guid":{"rendered":"https:\/\/dornsife.usc.edu\/max-kade\/?page_id=193"},"modified":"2023-12-11T09:57:05","modified_gmt":"2023-12-11T17:57:05","slug":"2022-events-and-prior","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/max-kade\/2022-events-and-prior\/","title":{"rendered":"Prior Events"},"content":{"rendered":"\n\n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--rich-text \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--rich-text\"\n    \n      >\n\n    \n      \n<div class=\"f--field f--wysiwyg\">\n\n    \n  <h2><a href=\"https:\/\/digitallibrary.usc.edu\/Archive\/Max-Kade-Institute-2A3BF1MCLYP8E\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-664 alignleft\" src=\"https:\/\/live-usc-dornsife.pantheonsite.io\/max-kade\/wp-content\/uploads\/sites\/32\/2023\/05\/archive-screenshot-1350x900-1.png\" alt=\"Digital Library archive of past events flyers\" width=\"400\" height=\"266\" srcset=\"https:\/\/dornsife.usc.edu\/max-kade\/wp-content\/uploads\/sites\/32\/2023\/05\/archive-screenshot-1350x900-1.png 1354w, https:\/\/dornsife.usc.edu\/max-kade\/wp-content\/uploads\/sites\/32\/2023\/05\/archive-screenshot-1350x900-1-300x199.png 300w, https:\/\/dornsife.usc.edu\/max-kade\/wp-content\/uploads\/sites\/32\/2023\/05\/archive-screenshot-1350x900-1-1024x681.png 1024w, https:\/\/dornsife.usc.edu\/max-kade\/wp-content\/uploads\/sites\/32\/2023\/05\/archive-screenshot-1350x900-1-768x510.png 768w, https:\/\/dornsife.usc.edu\/max-kade\/wp-content\/uploads\/sites\/32\/2023\/05\/archive-screenshot-1350x900-1-900x600.png 900w, https:\/\/dornsife.usc.edu\/max-kade\/wp-content\/uploads\/sites\/32\/2023\/05\/archive-screenshot-1350x900-1-1200x800.png 1200w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a>Past Event Flyers<\/h2>\n<p>To view past event flyers, please <a href=\"https:\/\/digitallibrary.usc.edu\/Archive\/Max-Kade-Institute-2A3BF1MCLYP8E\" target=\"_blank\" rel=\"noopener\">visit the Max Kade Institute collection<\/a> hosted by the USC Digital Library.<\/p>\n<p>&nbsp;<\/p>\n<p><a class=\"cta-link\" href=\"https:\/\/digitallibrary.usc.edu\/Archive\/Max-Kade-Institute-2A3BF1MCLYP8E\" target=\"_blank\" rel=\"noopener\">Max Kade Institute collection<\/a><\/p>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n\n\n\n\n\n\n                \n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--accordions \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--accordions\"\n    \n      >\n\n    \n  \n      <ul>\n              <li>\n          <button type=\"button\" class=\"accordion-trigger \" id=\"heading-1-1-u2AjfhqiqQ\" aria-controls=\"section-1-1-u2AjfhqiqQ\" aria-expanded=\"false\" aria-disabled=\"false\">\n                          <span class=\"item-title\">GERMAN SEMESTER 1973<\/span>\n            \n                      <\/button>\n\n          <div id=\"section-1-1-u2AjfhqiqQ\" role=\"region\" aria-labelledby=\"heading-1-1-u2AjfhqiqQ\" class=\"accordion-panel\">\n\n                            \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--rich-text \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--rich-text\"\n    \n      >\n\n    \n      \n<div class=\"f--field f--wysiwyg\">\n\n    \n  <table style=\"border-collapse: collapse; width: 100%;\" border=\"1\">\n<tbody>\n<tr>\n<td class=\"xl69\" height=\"17\">Date<\/td>\n<td class=\"xl70\">Presenter<\/td>\n<td class=\"xl65\" width=\"535\">Presentation<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/73<\/td>\n<td class=\"xl70\">Rhodes, John E.<\/td>\n<td class=\"xl65\" width=\"535\">German history until 1945<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/73<\/td>\n<td class=\"xl70\">Bienek, Horst<\/td>\n<td class=\"xl65\" width=\"535\">His peoms and short stories<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/73<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Ezra Pound, 80<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/73<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Die Maschine<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/73<\/td>\n<td class=\"xl70\">Kaltefleiter, Werner<\/td>\n<td class=\"xl65\" width=\"535\">Political structures of the Federal Republic<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/73<\/td>\n<td class=\"xl70\">Kaltefleiter, Werner<\/td>\n<td class=\"xl65\" width=\"535\">German-American Relations after the elections of 1972<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/73<\/td>\n<td class=\"xl70\">Kesten, Hermann<\/td>\n<td class=\"xl65\" width=\"535\">Readings and discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/73<\/td>\n<td class=\"xl70\">Haeusserman, Ernst<\/td>\n<td class=\"xl65\" width=\"535\">Contemporary theater and dramatic readings<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/73<\/td>\n<td class=\"xl70\">Nicoletti, Susi<\/td>\n<td class=\"xl65\" width=\"535\">Contemporary theater and dramatic readings<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/73<\/td>\n<td class=\"xl70\">Kesten, Hermann<\/td>\n<td class=\"xl65\" width=\"535\">Ludwig Feuerbach today<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/73<\/td>\n<td class=\"xl70\">Torberg, Friedrich<\/td>\n<td class=\"xl65\" width=\"535\">Readings and discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/73<\/td>\n<td class=\"xl70\">Haeusserman, Ernst<\/td>\n<td class=\"xl65\" width=\"535\">German-language theater<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/73<\/td>\n<td class=\"xl70\">Blacher, Boris<\/td>\n<td class=\"xl65\" width=\"535\">Modern music and the music of Boris Blacher<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/73<\/td>\n<td class=\"xl70\">Somerville, Thomas<\/td>\n<td class=\"xl65\" width=\"535\">The choral music of Boris Blacher<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/73<\/td>\n<td class=\"xl70\">Schnauber, Cornelius<\/td>\n<td class=\"xl65\" width=\"535\">History and conflicts of modern democracy<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/73<\/td>\n<td class=\"xl70\">Wilss, Wolfram<\/td>\n<td class=\"xl65\" width=\"535\">Problems of machine translation<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/73<\/td>\n<td class=\"xl70\">Kohs, Ellis<\/td>\n<td class=\"xl65\" width=\"535\">Setting Franz Kafka to music<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/73<\/td>\n<td class=\"xl70\">Wills, Wolfram<\/td>\n<td class=\"xl65\" width=\"535\">Americanisms in the German language<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/73<\/td>\n<td class=\"xl70\">Kesten, Hermann<\/td>\n<td class=\"xl65\" width=\"535\">Alone in the 20th century. The exile experience<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/73<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">In jenen Tagen<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/73<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Das falsche Gewicht<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Herms Drath, Viola<\/td>\n<td class=\"xl65\" width=\"535\">German-American relations<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Hennis, Wilhelm<\/td>\n<td class=\"xl65\" width=\"535\">German politics since 1945<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Herms Drath, Viola<\/td>\n<td class=\"xl65\" width=\"535\">Contemporary painting and sculpture<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Herms Drath, Viola<\/td>\n<td class=\"xl65\" width=\"535\">The most recent German literature<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Roehrich, Lutz<\/td>\n<td class=\"xl65\" width=\"535\">Folklore as an anthropological model<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Hennis, Wilhelm<\/td>\n<td class=\"xl65\" width=\"535\">Politics in the era of technocracy<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Hennis, Wilhelm<\/td>\n<td class=\"xl65\" width=\"535\">The 2nd German miracle: Adenauer to Brandt<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Szczesny, Gerhard<\/td>\n<td class=\"xl65\" width=\"535\">Ideological developments in Germany<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Roehrich, Lutz<\/td>\n<td class=\"xl65\" width=\"535\">German folg art<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Roehrich, Lutz<\/td>\n<td class=\"xl65\" width=\"535\">The German folk song<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Rollmann, Dietrich<\/td>\n<td class=\"xl65\" width=\"535\">University reforms in Germany<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Wolfram, Karl<\/td>\n<td class=\"xl65\" width=\"535\">Light-hearted love songs, folk songs of 1000 years<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Fringeli, Dieter<\/td>\n<td class=\"xl65\" width=\"535\">Swiss literature of today<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Zur Sache Sch\u00e4tzchen<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Fehr, Rudi<\/td>\n<td class=\"xl65\" width=\"535\">Problems of synchronizing foreign movies<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Zucker, Francis<\/td>\n<td class=\"xl65\" width=\"535\">Contemporary German philosophy of science<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Halusa, Arno<\/td>\n<td class=\"xl65\" width=\"535\">Responsibilities &amp; possibilities of a small state in today&#8217;s world<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Zucker, Francis<\/td>\n<td class=\"xl65\" width=\"535\">The phenomenological idea of physics<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/73<\/td>\n<td class=\"xl70\">Schnyder, Franz<\/td>\n<td class=\"xl65\" width=\"535\">Swiss filmmaking<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Lind, Jakov<\/td>\n<td class=\"xl65\" width=\"535\">Readings and discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Zucker, Francis<\/td>\n<td class=\"xl65\" width=\"535\">Weizs\u00e4cker&#8217;s philosophy of physics<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Zucker, Francis<\/td>\n<td class=\"xl65\" width=\"535\">Goethe&#8217;s theory of color<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Schnyder, Franz<\/td>\n<td class=\"xl65\" width=\"535\">Making a movie on Pestalozzi<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Geld und Geist<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Hochwaelder, Fritz<\/td>\n<td class=\"xl65\" width=\"535\">Readings and discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Doutine, Heike<\/td>\n<td class=\"xl65\" width=\"535\">Readings and discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Jakov Lind<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Hochwaelder, Fritz<\/td>\n<td class=\"xl65\" width=\"535\">Concerning my theater<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Hacker, Friedrich<\/td>\n<td class=\"xl65\" width=\"535\">International law and the psychology of terrorism<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Hacker, Friedrich<\/td>\n<td class=\"xl65\" width=\"535\">Problems of psychiatry<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Hochwaelder, Fritz<\/td>\n<td class=\"xl65\" width=\"535\">Plays of the last thirty years<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Kruntorad, Paul<\/td>\n<td class=\"xl65\" width=\"535\">Readings and discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Jacobi, Maria<\/td>\n<td class=\"xl65\" width=\"535\">Protection of the environment<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Freyler, Fred<\/td>\n<td class=\"xl65\" width=\"535\">Protection and utilization of the environment<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Freyler, Fred<\/td>\n<td class=\"xl65\" width=\"535\">Man as an invicidual and social being in his environment<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Fehr, Goetz<\/td>\n<td class=\"xl65\" width=\"535\">Problems of German cultural politics<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Hacker, Friedrich<\/td>\n<td class=\"xl65\" width=\"535\">Force and terror<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Fehr, Goetz<\/td>\n<td class=\"xl65\" width=\"535\">Problems of German cultural politics<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Fehr, Goetz<\/td>\n<td class=\"xl65\" width=\"535\">German cultural endeavors abroad<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Freyler, Fred<\/td>\n<td class=\"xl65\" width=\"535\">Man as the starting point and focusl of planning<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Klestil, Thomas<\/td>\n<td class=\"xl65\" width=\"535\">Austrian culture and politics abroad<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Der m\u00fcde Tod<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Lang, Fritz<\/td>\n<td class=\"xl65\" width=\"535\">Discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/73<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Metropolis<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/73<\/td>\n<td class=\"xl70\">Exhibition<\/td>\n<td class=\"xl65\" width=\"535\">German language theatre in exile (first west coast exhibition)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n            \n                      <\/div>\n        <\/li>\n\n              <li>\n          <button type=\"button\" class=\"accordion-trigger \" id=\"heading-1-2-u2AjfhqiqQ\" aria-controls=\"section-1-2-u2AjfhqiqQ\" aria-expanded=\"false\" aria-disabled=\"false\">\n                          <span class=\"item-title\">GERMAN SEMESTER 1976\/77<\/span>\n            \n                      <\/button>\n\n          <div id=\"section-1-2-u2AjfhqiqQ\" role=\"region\" aria-labelledby=\"heading-1-2-u2AjfhqiqQ\" class=\"accordion-panel\">\n\n                            \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--rich-text \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--rich-text\"\n    \n      >\n\n    \n      \n<div class=\"f--field f--wysiwyg\">\n\n    \n  <table style=\"border-collapse: collapse; width: 100%;\" border=\"1\">\n<tbody>\n<tr>\n<td class=\"xl69\" height=\"17\">Date<\/td>\n<td class=\"xl70\">Presenter<\/td>\n<td class=\"xl65\" width=\"535\">Presentation<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/76<\/td>\n<td class=\"xl70\">M\u00fcller, Heiner<\/td>\n<td class=\"xl65\" width=\"535\">Read and discussed his works<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/76<\/td>\n<td class=\"xl70\">Doutine, Heike<\/td>\n<td class=\"xl65\" width=\"535\">Read and discussed her works<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/76<\/td>\n<td class=\"xl70\">Lambsdorff, Otto Graf<\/td>\n<td class=\"xl65\" width=\"535\">The west German economic system and its future<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Spiel, Hilde<\/td>\n<td class=\"xl65\" width=\"535\">Lectures and discussions<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Eisler, Georg<\/td>\n<td class=\"xl65\" width=\"535\">Lectures and discussions<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Verosta, Stephan<\/td>\n<td class=\"xl65\" width=\"535\">Lectures and discussions<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Fabricius, Wilhelm<\/td>\n<td class=\"xl65\" width=\"535\">Have a look at the German book<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Unseld, Siegfried<\/td>\n<td class=\"xl65\" width=\"535\">Hermann Hesse, ein Freund<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Jungk, Robert<\/td>\n<td class=\"xl65\" width=\"535\">The Sachbuch and its function as a bridge&#8230;..<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Krenek, Ernst<\/td>\n<td class=\"xl65\" width=\"535\">Die Entwicklung der eigenen Musik auf europ\u00e4ischem Hintergrud<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Reisch, Walter<\/td>\n<td class=\"xl65\" width=\"535\">Meine Arbeit im deutschen und amerikanischen Film&#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">H\u00e4drich, Rolf:\u00a0 Film<\/td>\n<td class=\"xl65\" width=\"535\">Erinnerungen an einen Sommer in Berlin<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Kaltefleiter, Werner<\/td>\n<td class=\"xl65\" width=\"535\">Entwicklungstendezen in den politischen + sozialen Systemen..<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Stuckenschmidt, Hans Heinz<\/td>\n<td class=\"xl65\" width=\"535\">Musikleben in den deutschsprachigen L\u00e4ndern<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Schl\u00f6ndorff, Volker:\u00a0 Film<\/td>\n<td class=\"xl65\" width=\"535\">Strohfeuer (A free woman)<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Fassbinder, R. W.:\u00a0 Film<\/td>\n<td class=\"xl65\" width=\"535\">The merchant of four seasons<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Wenders, Wim:\u00a0 Film<\/td>\n<td class=\"xl65\" width=\"535\">The fear of the goalie at the penalty kick<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Fassbinder, R. W.:\u00a0 Film<\/td>\n<td class=\"xl65\" width=\"535\">Effi Briest<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Wenders, Wim:\u00a0 Film<\/td>\n<td class=\"xl65\" width=\"535\">Alice in the cities<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Herzog, Werner:\u00a0 Film<\/td>\n<td class=\"xl65\" width=\"535\">Kaspar Hauser<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Stuckenschmidt, Hans Heinz<\/td>\n<td class=\"xl65\" width=\"535\">Die deutsche Musik in den USA<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Krenek, Ernst<\/td>\n<td class=\"xl65\" width=\"535\">Aktivit\u00e4ten der deutschen Komponisten im amerikanischen Exil<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Jungk, Robert<\/td>\n<td class=\"xl65\" width=\"535\">The taming of science and technology<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Hoppe, Marianne<\/td>\n<td class=\"xl65\" width=\"535\">Reading<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">H\u00e4drich, Rolf<\/td>\n<td class=\"xl65\" width=\"535\">Das Fernsehspiel in Deutschland<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">H\u00e4drich, R:\u00a0 Film<\/td>\n<td class=\"xl65\" width=\"535\">Mord in Frankfurt<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">H\u00e4drich, Rolf<\/td>\n<td class=\"xl65\" width=\"535\">Das deutsche Fernsehen, Struktur und Program<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Stuckenschmidt, Hans Heinz<\/td>\n<td class=\"xl65\" width=\"535\">Entwicklungstendenzen in der modernen deutschen Musik<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/76<\/td>\n<td class=\"xl70\">Hacker, Friedrich<\/td>\n<td class=\"xl65\" width=\"535\">Kriminalit\u00e4t und Krankheit<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">Hacker, Friedrich<\/td>\n<td class=\"xl65\" width=\"535\">Brainwashing<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">Hacker, Friedrich<\/td>\n<td class=\"xl65\" width=\"535\">Terror<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">R\u00f6hrich, Lutz<\/td>\n<td class=\"xl65\" width=\"535\">Die deutsche Sage<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">R\u00f6hrich, Lutz<\/td>\n<td class=\"xl65\" width=\"535\">Das deutsche M\u00e4rchen<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">R\u00f6hrich, Lutz<\/td>\n<td class=\"xl65\" width=\"535\">Der deutsche Witz<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">Birnbaum, Immanuel<\/td>\n<td class=\"xl65\" width=\"535\">Deutschland im Wahljahr 1976<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">Bichsel, Peter<\/td>\n<td class=\"xl65\" width=\"535\">Die Sprachsituation in der Schweiz; Auswirkungen auf ide Literatur<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">Kohner, Friedrich<\/td>\n<td class=\"xl65\" width=\"535\">Der Zauberer vom Sunset Blvd.<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">Aubert, Jean-Francois<\/td>\n<td class=\"xl65\" width=\"535\">Switzerland&#8217;s political system<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">Aubert, Jean-Francois<\/td>\n<td class=\"xl65\" width=\"535\">Switzerland&#8217;s international relations<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">Aubert, Jean-Francois<\/td>\n<td class=\"xl65\" width=\"535\">Innenpolitische Aspekte der Schweiz<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">Halbheer, Hans J.<\/td>\n<td class=\"xl65\" width=\"535\">The essence of Swiss democracy<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">Halbheer, Hans J.<\/td>\n<td class=\"xl65\" width=\"535\">The Swiss banking system&#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">Qualtinger, Helmut<\/td>\n<td class=\"xl65\" width=\"535\">Read and discussed his works<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">Burkhard, Paul:\u00a0 Film<\/td>\n<td class=\"xl65\" width=\"535\">Feuerwerk<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">Burkhard, Paul<\/td>\n<td class=\"xl65\" width=\"535\">Lecture and music workshop<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">Muschg, Adolf<\/td>\n<td class=\"xl65\" width=\"535\">Die kulturelle Situation der Schweiz<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">Muschg, Adolf<\/td>\n<td class=\"xl65\" width=\"535\">Read\/discussed:\u00a0 &#8216;Im Sommer des Hasen&#8217; and &#8216;Albissers Grund&#8217;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/76<\/td>\n<td class=\"xl70\">Muschg, Adolf<\/td>\n<td class=\"xl65\" width=\"535\">Die innenpolitische Situation der Schweiz<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/76<\/td>\n<td class=\"xl70\">Burkhard, Paul<\/td>\n<td class=\"xl65\" width=\"535\">Lecture and music workshop<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/76<\/td>\n<td class=\"xl70\">Haensel, Ruprecht<\/td>\n<td class=\"xl65\" width=\"535\">Problems of scientific research in the FRG<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/76<\/td>\n<td class=\"xl70\">Haensel, Ruprecht<\/td>\n<td class=\"xl65\" width=\"535\">Kernphysik in Deutschland<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/76<\/td>\n<td class=\"xl70\">Haensel, Ruprecht<\/td>\n<td class=\"xl65\" width=\"535\">Technologie und wirtschaftl. Wachstumszyklus<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/76<\/td>\n<td class=\"xl70\">Bienek, Horst:\u00a0 Film<\/td>\n<td class=\"xl65\" width=\"535\">The Cell<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/76<\/td>\n<td class=\"xl70\">Bienek, Horst<\/td>\n<td class=\"xl65\" width=\"535\">Read\/discussed novel &#8216;Die erste Polka&#8217;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/76<\/td>\n<td class=\"xl70\">Bienek, Horst<\/td>\n<td class=\"xl65\" width=\"535\">Neue Tendenzen in der deutschen Lyrik<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/76<\/td>\n<td class=\"xl70\">Handke, Peter<\/td>\n<td class=\"xl65\" width=\"535\">Peter Handke liest aus eigenen Dramen<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/76<\/td>\n<td class=\"xl70\">Jankowitsch, Peter<\/td>\n<td class=\"xl65\" width=\"535\">\u00d6sterreichs Au\u00dfenpolitik in der 2. H\u00e4lfte des 20. Jahrhunderts<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/76<\/td>\n<td class=\"xl70\">Freyler, Fred<\/td>\n<td class=\"xl65\" width=\"535\">Probleme der modernen St\u00e4dteplanung&#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/76<\/td>\n<td class=\"xl70\">Fehr, G\u00f6tz:\u00a0 Film<\/td>\n<td class=\"xl65\" width=\"535\">The Germans in America<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/76<\/td>\n<td class=\"xl70\">Fehr, G\u00f6tz<\/td>\n<td class=\"xl65\" width=\"535\">What is new on the cultural scene in Germany?<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/76<\/td>\n<td class=\"xl70\">Fehr, G\u00f6tz<\/td>\n<td class=\"xl65\" width=\"535\">Das deutsch-amerikanische Wechselverh\u00e4ltnis<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">06\/76<\/td>\n<td class=\"xl70\">Nicoletti, Susi<\/td>\n<td class=\"xl65\" width=\"535\">Read\/discussed works by contemporary Austrian dramatists<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/76<\/td>\n<td class=\"xl70\">Eugster Trio<\/td>\n<td class=\"xl65\" width=\"535\">European folklore and cabaret<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/76<\/td>\n<td class=\"xl70\">Johnson, Uwe<\/td>\n<td class=\"xl65\" width=\"535\">Read and discussed his works<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/76<\/td>\n<td class=\"xl70\">Play<\/td>\n<td class=\"xl65\" width=\"535\">Ein Bericht f\u00fcr eine Akademie<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/76<\/td>\n<td class=\"xl70\">Reisch, Walter<\/td>\n<td class=\"xl65\" width=\"535\">Anecdotes and episodes<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/76<\/td>\n<td class=\"xl70\">Kellner, Heimo<\/td>\n<td class=\"xl65\" width=\"535\">Big Government, Willk\u00fcr oder Sicherheit? &#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/77<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Trotta<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/77<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Das falsche Gewicht<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/77<\/td>\n<td class=\"xl70\">Recital<\/td>\n<td class=\"xl65\" width=\"535\">The song legacy of the Austrian\/American composer Eric Zeisl<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/77<\/td>\n<td class=\"xl70\">Hahl, Jelena<\/td>\n<td class=\"xl65\" width=\"535\">The relations between Schoenberg and Kandinsky<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/77<\/td>\n<td class=\"xl70\">Askin, Leon<\/td>\n<td class=\"xl65\" width=\"535\">The epic theater of Brecht and Piscator<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/77<\/td>\n<td class=\"xl70\">Hansen, Niels<\/td>\n<td class=\"xl65\" width=\"535\">U.S. German relations &#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/77<\/td>\n<td class=\"xl70\">Reinfrank, Arno<\/td>\n<td class=\"xl65\" width=\"535\">Dimensions of a new German poetry of facts<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/77<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Der Engel mit der Posaune<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/77<\/td>\n<td class=\"xl70\">Mayer-K\u00f6nig, Wolfgang<\/td>\n<td class=\"xl65\" width=\"535\">Politik und Sprache<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/77<\/td>\n<td class=\"xl70\">Steger, Hugo<\/td>\n<td class=\"xl65\" width=\"535\">Die sprachliche Verfremdung in der dt. Literatursprache&#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/77<\/td>\n<td class=\"xl70\">Berlin Film Festival<\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/77<\/td>\n<td class=\"xl70\">Exhibition<\/td>\n<td class=\"xl65\" width=\"535\">History of medicine, medicine and the humanities<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/77<\/td>\n<td class=\"xl70\">Exhibition<\/td>\n<td class=\"xl65\" width=\"535\">Immanuel\u00a0 Kant<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/77<\/td>\n<td class=\"xl70\">Grimm, Reinhold<\/td>\n<td class=\"xl65\" width=\"535\">Neuer Humor? Die Kom\u00f6dienproduktion von 1918-1933&#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/77<\/td>\n<td class=\"xl70\">Spiel, Hilde<\/td>\n<td class=\"xl65\" width=\"535\">Festspiele und Festspielneuigkeiten aus deutschsprachigen L\u00e4ndern<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/77<\/td>\n<td class=\"xl70\">Concert by the Berlin Octet of the Berlin Philharmonic<\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/77<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Illiterates in two languages<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/77<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Far from home<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/77<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Harlis<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/77<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Berliner Bettwurst<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/77<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Two days for life<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/77<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Bruno, the black<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/77<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Menschen am Sonntag<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/77<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Mutter Krausens Fahrt ins Gl\u00fcck<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/77<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Berlin Alexanderplatz<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/77<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Kuhle Wampe<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/77<\/td>\n<td class=\"xl70\">Fehr, Rudi<\/td>\n<td class=\"xl65\" width=\"535\">The German and American film &#8211; yesterday and today<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/77<\/td>\n<td class=\"xl70\">Exhibitions<\/td>\n<td class=\"xl65\" width=\"535\">1.) The Berlin book.\u00a0\u00a0 2.) Observations in Berlin<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/77<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Mathias Kneissl<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/77<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Paule Paul\u00e4nder<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/77<\/td>\n<td class=\"xl70\">Wondratschek, Wolf<\/td>\n<td class=\"xl65\" width=\"535\">Read and discussed his works<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/77<\/td>\n<td class=\"xl70\">Exhibition<\/td>\n<td class=\"xl65\" width=\"535\">Swiss in American life<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n            \n                      <\/div>\n        <\/li>\n\n              <li>\n          <button type=\"button\" class=\"accordion-trigger \" id=\"heading-1-3-u2AjfhqiqQ\" aria-controls=\"section-1-3-u2AjfhqiqQ\" aria-expanded=\"false\" aria-disabled=\"false\">\n                          <span class=\"item-title\">EVENTS 1978 &#8211; 1980<\/span>\n            \n                      <\/button>\n\n          <div id=\"section-1-3-u2AjfhqiqQ\" role=\"region\" aria-labelledby=\"heading-1-3-u2AjfhqiqQ\" class=\"accordion-panel\">\n\n                            \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--rich-text \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--rich-text\"\n    \n      >\n\n    \n      \n<div class=\"f--field f--wysiwyg\">\n\n    \n  <table style=\"border-collapse: collapse; width: 100%;\" border=\"1\">\n<tbody>\n<tr>\n<td class=\"xl69\" height=\"17\">Date<\/td>\n<td class=\"xl70\">Presenter<\/td>\n<td class=\"xl65\" width=\"535\">Presentation<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/78<\/td>\n<td class=\"xl70\">Leiser, Erwin<\/td>\n<td class=\"xl65\" width=\"535\">Discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/78<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Deutschland erwache<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/78<\/td>\n<td class=\"xl70\">Guthke, Karl<\/td>\n<td class=\"xl65\" width=\"535\">Albrecht Haller: Glanz und Krise der Aufkl\u00e4rung<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/78<\/td>\n<td class=\"xl70\">Vogt, Walter\u00a0\u00a0\u00a0 Swiss W-i-R<\/td>\n<td class=\"xl65\" width=\"535\">Read\/discussed his novel &#8216;Schizogorsk&#8217;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/78<\/td>\n<td class=\"xl70\">Boll, Ilka<\/td>\n<td class=\"xl65\" width=\"535\">Contemporary theatre in Germany<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/78<\/td>\n<td class=\"xl70\">Kraus, Detlef<\/td>\n<td class=\"xl65\" width=\"535\">Johannes Brahms&#8217; &#8216;Sonatas and scherzos&#8217;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/78<\/td>\n<td class=\"xl70\">Kraus, Detlef<\/td>\n<td class=\"xl65\" width=\"535\">Johannes Brahms&#8217; on &#8216;Ballads und variations&#8217;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/78<\/td>\n<td class=\"xl70\">Torberg, Friedrich<\/td>\n<td class=\"xl65\" width=\"535\">Read\/discussed his works<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/78<\/td>\n<td class=\"xl70\">Vogt, Walter<\/td>\n<td class=\"xl65\" width=\"535\">Read\/discussed his work in progress<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/78<\/td>\n<td class=\"xl70\">Henius, Carla<\/td>\n<td class=\"xl65\" width=\"535\">The real and imaginary music in Thomas Mann&#8217;s Dr. Faustus<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/78<\/td>\n<td class=\"xl70\">Unseld, Siegfried<\/td>\n<td class=\"xl65\" width=\"535\">Goethe&#8217;s poem &#8216;The idary and its impact on Rilke<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/78<\/td>\n<td class=\"xl70\">Wolf, Gotthard<\/td>\n<td class=\"xl65\" width=\"535\">Film as a research tool in modern sciences<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/78<\/td>\n<td class=\"xl70\">Bernhard, Hans-Joachim<\/td>\n<td class=\"xl65\" width=\"535\">Die gegenw\u00e4rtige Situation in der DDR-Literatur<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">06\/78<\/td>\n<td class=\"xl70\">Probst, Raymond<\/td>\n<td class=\"xl65\" width=\"535\">Interdependence: Switzerland through the centuries and today<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">07\/78<\/td>\n<td class=\"xl70\">Exhibition<\/td>\n<td class=\"xl65\" width=\"535\">Contemporary prints of the Fed. Republic of Germany<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/78<\/td>\n<td class=\"xl70\">Gomringer, Eugen<\/td>\n<td class=\"xl65\" width=\"535\">Read\/discussed his works<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/78<\/td>\n<td class=\"xl70\">Holthusen, Hans Egon<\/td>\n<td class=\"xl65\" width=\"535\">Literature and terrorism<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/78<\/td>\n<td class=\"xl70\">von Moltke, J. W.<\/td>\n<td class=\"xl65\" width=\"535\">Kaspar David Friedrich and Philip Otto Runge&#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/78<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Dr. Caligari<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/78<\/td>\n<td class=\"xl70\">Zwillinger, Frank<\/td>\n<td class=\"xl65\" width=\"535\">Read\/discussed his works<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/78<\/td>\n<td class=\"xl70\">Cocron, Fritz<\/td>\n<td class=\"xl65\" width=\"535\">\u00d6sterreich, Insel der Seligen?<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Trouble in Paradise<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The cat and the canary<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Ninotchka<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Sunrise<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Tabu<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The mummy<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Confession<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Letter from an unknown woman<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Laura<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Three smart girls<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Teh major and the minor<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Double indemnity<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The search<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">A modern hero<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Hell&#8217;s kitchen<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Jungle princess\u00a0 (film not available, so showed &#8220;M&#8221; instead)<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Fury<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">You only live once<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The killers<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Fehr, Rudi<\/td>\n<td class=\"xl65\" width=\"535\">Discussed the film &#8216;Possessed&#8217;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Possessed<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Detour<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Hangover square<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Naked dawn<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Henreid, Paul<\/td>\n<td class=\"xl65\" width=\"535\">Discussed his film &#8220;The Tall Lie&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The tall lie<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Liebelei<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The life of Emile Zola<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Dr. Ehrlich&#8217;s magic bullet<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Written on the wind<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The tarnished angels<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Mierendorff, Marta<\/td>\n<td class=\"xl65\" width=\"535\">Glanz und Elend der Filmemigration<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Molden, Fritz<\/td>\n<td class=\"xl65\" width=\"535\">Austria during the national socialist occupation&#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Klestil, Thomas<\/td>\n<td class=\"xl65\" width=\"535\">The United Nations as an instrument of conflict management<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/79<\/td>\n<td class=\"xl70\">Rehbinder, M.<\/td>\n<td class=\"xl65\" width=\"535\">Legal issues and the mass media<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/79<\/td>\n<td class=\"xl70\">Exhibition<\/td>\n<td class=\"xl65\" width=\"535\">German expressionism: word, picture and stagecraft<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/79<\/td>\n<td class=\"xl70\">Ritschard, Willi<\/td>\n<td class=\"xl65\" width=\"535\">Switzerland and the energy crisis<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/79<\/td>\n<td class=\"xl70\">Exhibition<\/td>\n<td class=\"xl65\" width=\"535\">60 years of the Republic of Austria &#8211; from 1918 to 1978<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/79<\/td>\n<td class=\"xl70\">Baer, John<\/td>\n<td class=\"xl65\" width=\"535\">The holocaust. Historic perspective &#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/79<\/td>\n<td class=\"xl70\">Strelka, Joseph<\/td>\n<td class=\"xl65\" width=\"535\">Topoi der Exilliteratur<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/79<\/td>\n<td class=\"xl70\">Hein, Birgit and Wilhelm<\/td>\n<td class=\"xl65\" width=\"535\">Lecture on &#8216;From here to eternity&#8217;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/79<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">From here to eternity<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/79<\/td>\n<td class=\"xl70\">Loetscher, Hugo<\/td>\n<td class=\"xl65\" width=\"535\">Read\/discussed his works<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/79<\/td>\n<td class=\"xl70\">Comini, Alessandra<\/td>\n<td class=\"xl65\" width=\"535\">From facade to psyche: The Vienna of Freud, Schoenberg and Schiele<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/79<\/td>\n<td class=\"xl70\">Loetscher, Hugo<\/td>\n<td class=\"xl65\" width=\"535\">How many South Americas are there?<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/79<\/td>\n<td class=\"xl70\">Exhibition<\/td>\n<td class=\"xl65\" width=\"535\">Art Nouveau<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/80<\/td>\n<td class=\"xl70\">Loetscher, Hugo<\/td>\n<td class=\"xl65\" width=\"535\">Farewell reception<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/80<\/td>\n<td class=\"xl70\">Rehbinder, M.<\/td>\n<td class=\"xl65\" width=\"535\">The limits of bio-technology<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/80<\/td>\n<td class=\"xl70\">Lambsdorff, Otto Graf<\/td>\n<td class=\"xl65\" width=\"535\">A free economy in a free society<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/80<\/td>\n<td class=\"xl70\">Exhibition<\/td>\n<td class=\"xl65\" width=\"535\">Fortress and Grand Duchy of Luxembourg<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/80<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Young Torless<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/80<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Why does Herr R. run amok?<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/80<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The lost honor of Katharina Blum<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/80<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Goalie&#8217;s anxiety over the penalty kick<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/80<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Signs of life<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/80<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Mathias Kniessl: ballad of the Bavarian robber<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/80<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Nora<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/80<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">False movements<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/80<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Nosferatu<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/80<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Nosferatu the vampyre<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/80<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The American friend<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/80<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Aguirre, wrath of God<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/80<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Under landmark protection<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/80<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Tadelloeser and Wolff: right or wrong, my country<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/80<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Ausgerechnet und verspielt<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/80<\/td>\n<td class=\"xl70\">Music<\/td>\n<td class=\"xl65\" width=\"535\">Works bey Ernst Krenek<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/80<\/td>\n<td class=\"xl70\">Vogt, Walter<\/td>\n<td class=\"xl65\" width=\"535\">Vergessen und erinnern<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/80<\/td>\n<td class=\"xl70\">Trexler, Roswitha &amp; Fritz Hennenberg<\/td>\n<td class=\"xl65\" width=\"535\">Concert of 20th Century music<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/80<\/td>\n<td class=\"xl70\">Ebinger, Blandine<\/td>\n<td class=\"xl65\" width=\"535\">Cabaret and tingel-tangel.\u00a0 Leder and chancons.\u00a0 Cabaret in exile<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/80<\/td>\n<td class=\"xl70\">Novak, Helga<\/td>\n<td class=\"xl65\" width=\"535\">Nine Berlin writers<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/80<\/td>\n<td class=\"xl70\">Kirsch, Sarah<\/td>\n<td class=\"xl65\" width=\"535\">Nine Berlin writers<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/80<\/td>\n<td class=\"xl70\">Plessen, Elisabeth<\/td>\n<td class=\"xl65\" width=\"535\">Nine Berlin writers<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/80<\/td>\n<td class=\"xl70\">Schenk, Johannes<\/td>\n<td class=\"xl65\" width=\"535\">Nine Berlin writers<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/80<\/td>\n<td class=\"xl70\">Pastior, Oskar<\/td>\n<td class=\"xl65\" width=\"535\">Nine Berlin writers<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/80<\/td>\n<td class=\"xl70\">Oeren, Aras<\/td>\n<td class=\"xl65\" width=\"535\">Nine Berlin writers<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/80<\/td>\n<td class=\"xl70\">Schlesinger, Klaus<\/td>\n<td class=\"xl65\" width=\"535\">Nine Berlin writers<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/80<\/td>\n<td class=\"xl70\">Kiwas, Karin<\/td>\n<td class=\"xl65\" width=\"535\">Nine Berlin writers<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/80<\/td>\n<td class=\"xl70\">Lettau, Reinhard<\/td>\n<td class=\"xl65\" width=\"535\">Nine Berlin writers<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n            \n                      <\/div>\n        <\/li>\n\n              <li>\n          <button type=\"button\" class=\"accordion-trigger \" id=\"heading-1-4-u2AjfhqiqQ\" aria-controls=\"section-1-4-u2AjfhqiqQ\" aria-expanded=\"false\" aria-disabled=\"false\">\n                          <span class=\"item-title\">EVENTS 1981 &#8211; 1990<\/span>\n            \n                      <\/button>\n\n          <div id=\"section-1-4-u2AjfhqiqQ\" role=\"region\" aria-labelledby=\"heading-1-4-u2AjfhqiqQ\" class=\"accordion-panel\">\n\n                            \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--rich-text \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--rich-text\"\n    \n      >\n\n    \n      \n<div class=\"f--field f--wysiwyg\">\n\n    \n  <table style=\"border-collapse: collapse; width: 100%;\" border=\"1\">\n<tbody>\n<tr>\n<td class=\"xl69\" height=\"17\">Date<\/td>\n<td class=\"xl70\">Presenter<\/td>\n<td class=\"xl65\" width=\"535\">Presentation<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/81<\/td>\n<td class=\"xl70\">Becker, Jurek<\/td>\n<td class=\"xl65\" width=\"535\">Read\/discussed his works<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/81<\/td>\n<td class=\"xl70\">Stassen, Manfred<\/td>\n<td class=\"xl65\" width=\"535\">Literature and society today<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/81<\/td>\n<td class=\"xl70\">Stassen, Manfred<\/td>\n<td class=\"xl65\" width=\"535\">The meaning of German and Germany today<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/81<\/td>\n<td class=\"xl70\">Stassen, Manfred<\/td>\n<td class=\"xl65\" width=\"535\">The meaning of homeland in Germany today<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/81<\/td>\n<td class=\"xl70\">Klestil, Thomas<\/td>\n<td class=\"xl65\" width=\"535\">Austrian foreign policy&#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/81<\/td>\n<td class=\"xl70\">Klestil, Thomas<\/td>\n<td class=\"xl65\" width=\"535\">Global political developments<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">L\u00fcdke, Martin<\/td>\n<td class=\"xl65\" width=\"535\">Contemporary literature of the GDR<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">L\u00fcdke, Martin<\/td>\n<td class=\"xl65\" width=\"535\">Analysis of the work of Jurek Becker<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">L\u00fcdke, Martin<\/td>\n<td class=\"xl65\" width=\"535\">Contemporary literature of the FRG<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">Becker, L\u00fcdke, Stassen<\/td>\n<td class=\"xl65\" width=\"535\">Inter-German relations and exile<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">Pestel, Eduard<\/td>\n<td class=\"xl65\" width=\"535\">The educational system, energy policies, future of sciences<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">Turrini, Peter<\/td>\n<td class=\"xl65\" width=\"535\">Read\/discussed his plays, his poetry<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Alpensaga<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">Qualtinger, Helmut<\/td>\n<td class=\"xl65\" width=\"535\">Read\/discussed his works<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">Artmann, H. C.<\/td>\n<td class=\"xl65\" width=\"535\">Read\/discussed his works<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">Kann, Hans<\/td>\n<td class=\"xl65\" width=\"535\">Hans Kann school. Developing new piano exercises<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">Kann, Hans<\/td>\n<td class=\"xl65\" width=\"535\">The practice of practicing<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">Kann, Hans<\/td>\n<td class=\"xl65\" width=\"535\">Concert<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">Fetscher, Iring<\/td>\n<td class=\"xl65\" width=\"535\">Origin and end of the modern concept of progress<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">Qualtinger, Helmut<\/td>\n<td class=\"xl65\" width=\"535\">Performance:\u00a0 &#8216;Lumpazivagabundus\u00a0 Part II&#8217;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">Kraus, Detlef<\/td>\n<td class=\"xl65\" width=\"535\">Spontaneity in performing, imagination in listening<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">Dannenbring, Fredo<\/td>\n<td class=\"xl65\" width=\"535\">German-American relations in the 80&#8217;s<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/81<\/td>\n<td class=\"xl70\">Gomringer, Eugen<\/td>\n<td class=\"xl65\" width=\"535\">Introduction to concrete poetry<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Gomringer, Eugen<\/td>\n<td class=\"xl65\" width=\"535\">Introduction to concrete art<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Gomringer, Eugen<\/td>\n<td class=\"xl65\" width=\"535\">Instructional uses of concrete art and poetry<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Gomringer, Eugen<\/td>\n<td class=\"xl65\" width=\"535\">Introduction to concrete art &#8211; music<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Cleve, Bastian<\/td>\n<td class=\"xl65\" width=\"535\">Discussed his film<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">San Francisco Zephir<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">D\u00fcrrenmatt, Friedrich<\/td>\n<td class=\"xl65\" width=\"535\">Discussed his works<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Eisler, Georg<\/td>\n<td class=\"xl65\" width=\"535\">lectures\/discussions<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Der zweite Anfang<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Gottliebs Heimat<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Stolz<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">M\u00fcde kehrt ein Wanderer zur\u00fcck<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Behinderte Liebe<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Grauzone<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Swissmade 2069<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Der Geh\u00fclfe<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Tut alles im Finsern<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Die Sage vom alten Hirten Xeudi<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Geschichte der Nacht<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Moon in Tarus<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Go west young man<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Das boot ist voll<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Max Frisch, Journal 1-2<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Schaub &amp; Kappeler<\/td>\n<td class=\"xl65\" width=\"535\">Discussed above films<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/81<\/td>\n<td class=\"xl70\">Exhibition<\/td>\n<td class=\"xl65\" width=\"535\">Art from Austria<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/81<\/td>\n<td class=\"xl70\">D\u00dcRRENMATT, Friedrich<\/td>\n<td class=\"xl65\" width=\"535\">SWISS WRITER-IN-RESIDENCE<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/81<\/td>\n<td class=\"xl70\">Play<\/td>\n<td class=\"xl65\" width=\"535\">The marriage of Mr. Mississippi<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/81<\/td>\n<td class=\"xl70\">Krenek, Ernst<\/td>\n<td class=\"xl65\" width=\"535\">Discussions<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/81<\/td>\n<td class=\"xl70\">Opera<\/td>\n<td class=\"xl65\" width=\"535\">Ausgerechnet und verspielt<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/81<\/td>\n<td class=\"xl70\">Hacker, Friedrich<\/td>\n<td class=\"xl65\" width=\"535\">Politics and psychiatry<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/81<\/td>\n<td class=\"xl70\">Schober, Karl<\/td>\n<td class=\"xl65\" width=\"535\">Austria, a neutral country in the heart of Europe<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Ein Kapitel f\u00fcr sich<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Es geschah am hellichten Tag<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/81<\/td>\n<td class=\"xl70\">Fechner, Eberhard<\/td>\n<td class=\"xl65\" width=\"535\">Class photo, memories of German citizens<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/81<\/td>\n<td class=\"xl70\">Exhibition<\/td>\n<td class=\"xl65\" width=\"535\">25 years Austrian state treaty<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/81<\/td>\n<td class=\"xl70\">D\u00fcrrenmatt, Friedrich<\/td>\n<td class=\"xl65\" width=\"535\">The stage: its possibilities and limitations<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/81<\/td>\n<td class=\"xl70\">Bielka, Erich<\/td>\n<td class=\"xl65\" width=\"535\">Austria from 1918 to 1938<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/81<\/td>\n<td class=\"xl70\">Bielka, Erich<\/td>\n<td class=\"xl65\" width=\"535\">Austria under foreign occupation 1945-1955<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/81<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The German spring; Alpensaga part V<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/81<\/td>\n<td class=\"xl70\">Janz, Peter<\/td>\n<td class=\"xl65\" width=\"535\">Walter Benjamin&#8217;s reading of Kafka<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/81<\/td>\n<td class=\"xl70\">Frey, John<\/td>\n<td class=\"xl65\" width=\"535\">Christoph Martin Wieland &#8211; Romane und Verserz\u00e4hlung: Musarion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/82<\/td>\n<td class=\"xl70\">Hamm-Br\u00fccher, Hildegard<\/td>\n<td class=\"xl65\" width=\"535\">Present German American relations<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/82<\/td>\n<td class=\"xl70\">Herterich, G\u00fcnter<\/td>\n<td class=\"xl65\" width=\"535\">Foreign and military policy of Chancellor Helmut Schmidt&#8217;s SPD<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/82<\/td>\n<td class=\"xl70\">Moeller, H. B.<\/td>\n<td class=\"xl65\" width=\"535\">Adaptation of G\u00fcnter Grass&#8217;s Tin Drum<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/82<\/td>\n<td class=\"xl70\">Stresemann, Wolfgang<\/td>\n<td class=\"xl65\" width=\"535\">Gustav Stresemann and the politicy of the Weimar Republic<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/82<\/td>\n<td class=\"xl70\">Wolfson, Manfred<\/td>\n<td class=\"xl65\" width=\"535\">The shunned German anti-Hitler resistance<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/82<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Memories of Berlin: The twilight of Weimar culture<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/83<\/td>\n<td class=\"xl70\">Gotkovsky, Nell &amp; Ivar<\/td>\n<td class=\"xl65\" width=\"535\">concert<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/83<\/td>\n<td class=\"xl70\">Friedlander, Saul<\/td>\n<td class=\"xl65\" width=\"535\">Recent historiographical polemics on national socialism<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/83<\/td>\n<td class=\"xl70\">Kreisler, G. &amp; B. Peters<\/td>\n<td class=\"xl65\" width=\"535\">Aus Kreislers Werkstatt<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/83<\/td>\n<td class=\"xl70\">Fiedler, Leonhard<\/td>\n<td class=\"xl65\" width=\"535\">Expressionism and politics on the stage of the Weimar Republic<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/83<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Class photograph &#8211; German memories<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/83<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Diva<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/83<\/td>\n<td class=\"xl70\">Kraus, Detlef<\/td>\n<td class=\"xl65\" width=\"535\">Concert<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/83<\/td>\n<td class=\"xl70\">Brandt, Helmut<\/td>\n<td class=\"xl65\" width=\"535\">Grillparzers Erz\u00e4hlung &#8220;der arme Spielmann&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/83<\/td>\n<td class=\"xl70\">Glaz &amp; Snyder<\/td>\n<td class=\"xl65\" width=\"535\">An evening of film and melodrama<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/83<\/td>\n<td class=\"xl70\">Bauer, Wolfgang<\/td>\n<td class=\"xl65\" width=\"535\">Seminar<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/83<\/td>\n<td class=\"xl70\">von Herwarth, Hans<\/td>\n<td class=\"xl65\" width=\"535\">The rise of national socialism and German resistance<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/83<\/td>\n<td class=\"xl70\">Helbling, Hanno<\/td>\n<td class=\"xl65\" width=\"535\">The catholic church and judaism<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/83<\/td>\n<td class=\"xl70\">Helbling, Hanno<\/td>\n<td class=\"xl65\" width=\"535\">The papacy and world war II<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/84<\/td>\n<td class=\"xl70\">Laine, Cleo<\/td>\n<td class=\"xl65\" width=\"535\">Concert<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/84<\/td>\n<td class=\"xl70\">Kann, Hans<\/td>\n<td class=\"xl65\" width=\"535\">From Bruckner to Schoenberg and Hauer<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/84<\/td>\n<td class=\"xl70\">Stein, Leonard<\/td>\n<td class=\"xl65\" width=\"535\">New Vienna school<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Loewenberg, Peter<\/td>\n<td class=\"xl65\" width=\"535\">Karl Renner and the two Austrian republics<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Reiss, Werner<\/td>\n<td class=\"xl65\" width=\"535\">Types of argumentation and discourse in Viennese modernism<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Kronos Quartet<\/td>\n<td class=\"xl65\" width=\"535\">Concert<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Kann, Hans<\/td>\n<td class=\"xl65\" width=\"535\">Concert<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Kirchschl\u00e4ger, Rudolf<\/td>\n<td class=\"xl65\" width=\"535\">Austria today<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Hacker, Friedrich<\/td>\n<td class=\"xl65\" width=\"535\">Austrian intellectuals in isolation and emigration<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Johnston, William<\/td>\n<td class=\"xl65\" width=\"535\">Austrian innovative thinkers in North America 1930-1960<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Srelka, Joseph<\/td>\n<td class=\"xl65\" width=\"535\">Avant-garde Austrian writers 1880-1980<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Stefanek, Paul<\/td>\n<td class=\"xl65\" width=\"535\">An approach to meaning and form in Austrian drama since 1880<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Eisler, Georg<\/td>\n<td class=\"xl65\" width=\"535\">The art of Georg Eisler<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Eisler, Georg<\/td>\n<td class=\"xl65\" width=\"535\">Avant-garde Austrian artists, 70 years after<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Weibel, Peter<\/td>\n<td class=\"xl65\" width=\"535\">The influence of turn-of-the-century science and philosophy<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Reinhardt, Gottfried<\/td>\n<td class=\"xl65\" width=\"535\">The art of Max Reinhardt<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Jedermann<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Reinhardt, Gottfried<\/td>\n<td class=\"xl65\" width=\"535\">From Berlin to Hollywood<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Town without pity<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Krenek, Ernst<\/td>\n<td class=\"xl65\" width=\"535\">Lieder and Ges\u00e4nge<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Play<\/td>\n<td class=\"xl65\" width=\"535\">Adi und Edi<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Kohout, Jelena<\/td>\n<td class=\"xl65\" width=\"535\">Discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Spiel\/Turini\/Kohout<\/td>\n<td class=\"xl65\" width=\"535\">Panel discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Seeb\u00f6ck, Herwig<\/td>\n<td class=\"xl65\" width=\"535\">Readings in German<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Spiel\/Kratz\/Weibel<\/td>\n<td class=\"xl65\" width=\"535\">Panel discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Marianne &#8211; ein Recht f\u00fcr alle<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">USC students<\/td>\n<td class=\"xl65\" width=\"535\">A Schoenberg songfest<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Regenhardt\/Mysior<\/td>\n<td class=\"xl65\" width=\"535\">concert<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/84<\/td>\n<td class=\"xl70\">Titz, Anne<\/td>\n<td class=\"xl65\" width=\"535\">Les Milles, a French internment camp in world war II<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/84<\/td>\n<td class=\"xl70\">Krenek, Ernst<\/td>\n<td class=\"xl65\" width=\"535\">Ges\u00e4nge des sp\u00e4ten Jahres<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Oberhausen film festival:<\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Johnny or the raw meat<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The primal scene<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The press<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Gift of love<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The window<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Working women<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Women workers<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The assault<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Hommage a August Sander<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Tango<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">A piacere &#8211; however you like it<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Women&#8217;s hands<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Billy Wilder retrospective:<\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">People on Sunday<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Ninotchka<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Midnight<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Ball of fire<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The major and the minor<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Double indemnity<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Private life of Sherlock Holmes<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Witness for the prosecution<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The fortune cookie<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Irma La Douce<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The apartment<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Sunset Boulevard<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Fedora<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Stalag 17<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Sabrina<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Five graves to Cairo<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The lost weekend<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">A foreign affair<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">One, two, three<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Ace in the hole<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Avanti<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Some like it hot<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Wilder, Billy<\/td>\n<td class=\"xl65\" width=\"535\">Discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">WIDMER, Urs<\/td>\n<td class=\"xl65\" width=\"535\">SWISS WRITER-IN-RESIDENCE<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/84<\/td>\n<td class=\"xl70\">Jarmatz, Klaus<\/td>\n<td class=\"xl65\" width=\"535\">Literaturwissenschaft in der DDR<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/85<\/td>\n<td class=\"xl70\">MUSCHG, Adolf<\/td>\n<td class=\"xl65\" width=\"535\">SWISS WRITER-IN-RESIDENCE<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/85<\/td>\n<td class=\"xl70\">JOHANSEN, Hanna<\/td>\n<td class=\"xl65\" width=\"535\">SWISS WRITER-IN-RESIDENCE<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/85<\/td>\n<td class=\"xl70\">Kr\u00fcger, Hardy<\/td>\n<td class=\"xl65\" width=\"535\">Discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/85<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Sundays and Cyb\u00e8le<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/85<\/td>\n<td class=\"xl70\">Photo exhibition<\/td>\n<td class=\"xl65\" width=\"535\">Bach &#8211; H\u00e4ndel &#8211; Sch\u00fctz<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/85<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The chronicle of Anna Magdalena Bach<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/85<\/td>\n<td class=\"xl70\">Moll, Kurt<\/td>\n<td class=\"xl65\" width=\"535\">Concert<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/85<\/td>\n<td class=\"xl70\">Kraus, Detlef<\/td>\n<td class=\"xl65\" width=\"535\">Concert<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/85<\/td>\n<td class=\"xl70\">Hart Nibbrig, Christiaan<\/td>\n<td class=\"xl65\" width=\"535\">Literatur und Wahnsinn. C.F. Meyer und der sp\u00e4te Robert Walser<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/85<\/td>\n<td class=\"xl70\">Plagemann, Karl-Ernst<\/td>\n<td class=\"xl65\" width=\"535\">An East German perspective<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/85<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Die Hochzeit des Figaro<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/85<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Die Zauberfl\u00f6te<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/85<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Der Freisch\u00fctz<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/85<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Zar und Zimmermann<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/86<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Tannh\u00e4user<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/86<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Die Meistersinger von N\u00fcrnberg<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/86<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Carmina Burana<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/86<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Wozzek<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/86<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Der junge Lord<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/86<\/td>\n<td class=\"xl70\">Joetze, Guenter<\/td>\n<td class=\"xl65\" width=\"535\">East-west relations &#8211; a west German viewpoint<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/86<\/td>\n<td class=\"xl70\">Jacobsen, Hans-Adolf<\/td>\n<td class=\"xl65\" width=\"535\">Holocaust and the Germans<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/86<\/td>\n<td class=\"xl70\">Elsaesser, Thomas<\/td>\n<td class=\"xl65\" width=\"535\">Myth and rationality in Fritz Lang. Current debates.<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/86<\/td>\n<td class=\"xl70\">Hein, Christoph<\/td>\n<td class=\"xl65\" width=\"535\">Der Schriftsteller in der DDR<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/86<\/td>\n<td class=\"xl70\">Szabo and Brandauer<\/td>\n<td class=\"xl65\" width=\"535\">An evening with Istvan Szabo and Klaus Maria Brandauer<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/86<\/td>\n<td class=\"xl70\">Exhibition<\/td>\n<td class=\"xl65\" width=\"535\">Behind the eyes<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/86<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Farmers, functionaries and fireworks<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/86<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">A day in the life<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/86<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Lambs to the slaughter<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/86<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Friday in Wilhelmsburg<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/86<\/td>\n<td class=\"xl70\">Monk, Egon<\/td>\n<td class=\"xl65\" width=\"535\">Discusses his films<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/86<\/td>\n<td class=\"xl70\">MEIER, Herbert<\/td>\n<td class=\"xl65\" width=\"535\">SWISS WRITER-IN-RESIDENCE<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/86<\/td>\n<td class=\"xl70\">Jakobs, Karl-Heinz<\/td>\n<td class=\"xl65\" width=\"535\">Lob der Zensur &#8211; Kulturpolitik in der DDR<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/86<\/td>\n<td class=\"xl70\">Exhibition<\/td>\n<td class=\"xl65\" width=\"535\">One-way ticket to Hollywood<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/86<\/td>\n<td class=\"xl70\">Reinhardt, Gottfried<\/td>\n<td class=\"xl65\" width=\"535\">Life and work in Hollywood<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/86<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Situation hopeless &#8211; but not serious<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/86<\/td>\n<td class=\"xl70\">Renk, Herta-Elisabeth<\/td>\n<td class=\"xl65\" width=\"535\">Ernst Lubitsch, his work and tradition<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/86<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">To be or not to be<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/86<\/td>\n<td class=\"xl70\">Siodmak, Curt<\/td>\n<td class=\"xl65\" width=\"535\">Science fiction and science fantasy&#8230;.<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/86<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The beast with five fingers<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/86<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Transatlantic tunnel<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/86<\/td>\n<td class=\"xl70\">Uhlig, Anneliese<\/td>\n<td class=\"xl65\" width=\"535\">Hollywood in the eyes of film artists in Germany after 1945<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/86<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The search<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/86<\/td>\n<td class=\"xl70\">Henreid, Lederer, Askin&#8230;<\/td>\n<td class=\"xl65\" width=\"535\">Panel discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/86<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">A midsummer night&#8217;s dream<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/87<\/td>\n<td class=\"xl70\">Asper, Helmut<\/td>\n<td class=\"xl65\" width=\"535\">Max Oph\u00fcls&#8217; life and work<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/87<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Liebelei<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/87<\/td>\n<td class=\"xl70\">Bettelheim, Bruno<\/td>\n<td class=\"xl65\" width=\"535\">Sigmund Freud&#8217;s Vienna<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/87<\/td>\n<td class=\"xl70\">Hein, Christoph<\/td>\n<td class=\"xl65\" width=\"535\">Maelzels Schachspieler geht nach Hollywood&#8230;.<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/87<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The comedian harmonists<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/87<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The trial<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/87<\/td>\n<td class=\"xl70\">GOMRINGER, Eugen<\/td>\n<td class=\"xl65\" width=\"535\">SWISS WRITER-IN-RESIDENCE<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/87<\/td>\n<td class=\"xl70\">Frauchiger, Ingrid<\/td>\n<td class=\"xl65\" width=\"535\">concert<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/87<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl66\" width=\"535\">38<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/87<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Der Sch\u00fcler Gerber<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/87<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Das Wiener Brettl<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/87<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">One, two, three<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/87<\/td>\n<td class=\"xl70\">Schoene, Reiner<\/td>\n<td class=\"xl65\" width=\"535\">From East Berlin to Hollywood<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/87<\/td>\n<td class=\"xl70\">Gomringer, Eugen<\/td>\n<td class=\"xl65\" width=\"535\">The Hansa quarter in Berlin. New architecture in Germany<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/87<\/td>\n<td class=\"xl70\">Play<\/td>\n<td class=\"xl65\" width=\"535\">The plebeians rehearse the uprising<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/87<\/td>\n<td class=\"xl70\">Guthman, Edwin O.<\/td>\n<td class=\"xl65\" width=\"535\">Berlin under the Kennedy administration<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/87<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The captain of K\u00f6penick<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/87<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Angel of iron<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Luke, F. D.<\/td>\n<td class=\"xl65\" width=\"535\">Verse translation from Goethe: problems and examples<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Zinnemann, Fred<\/td>\n<td class=\"xl65\" width=\"535\">Discusses his films<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The seventh cross<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Julia<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">From here to eternity<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The search<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">While America sleeps<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Act of violence<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The men<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">High noon<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Oklahoma!<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Behold a pale horse<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">A man for all seasons<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Forbidden passage<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The day of the jackal<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The nun&#8217;s story<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/88<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Five days one summer<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/88<\/td>\n<td class=\"xl70\">Play<\/td>\n<td class=\"xl65\" width=\"535\">Les divines: almost like gods<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/88<\/td>\n<td class=\"xl70\">Meier, Herbert<\/td>\n<td class=\"xl65\" width=\"535\">Discussed his play<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/88<\/td>\n<td class=\"xl70\">Schnauber, Cornelius<\/td>\n<td class=\"xl65\" width=\"535\">Wagner&#8217;s mythology<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/88<\/td>\n<td class=\"xl70\">Magnus, Bernd<\/td>\n<td class=\"xl65\" width=\"535\">Nietzsche&#8217;s life and work<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/88<\/td>\n<td class=\"xl70\">Stein, Leonard<\/td>\n<td class=\"xl65\" width=\"535\">Nietzsche<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/88<\/td>\n<td class=\"xl70\">Concert<\/td>\n<td class=\"xl65\" width=\"535\">Nietzsche, the composer<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/88<\/td>\n<td class=\"xl70\">Wagner, Gottfried<\/td>\n<td class=\"xl65\" width=\"535\">The relationship between Wagner and Nietzsche<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/88<\/td>\n<td class=\"xl70\">Doermer, Christian<\/td>\n<td class=\"xl65\" width=\"535\">Friedrich Nietzsche, the man and philosopher<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/88<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Die Meistersinger von N\u00fcrnberg<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/88<\/td>\n<td class=\"xl70\">Herz-Kestranek, Miguel<\/td>\n<td class=\"xl65\" width=\"535\">Austrian authors from Altenberg to Torberg<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/89<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Bockerer<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/89<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">M\u00fcller&#8217;s office<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/89<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Scholar Gerber<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/89<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Raffl<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/89<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The shape of the Ringstra\u00dfe<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/89<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Teaching the city: the example of Vienna<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/89<\/td>\n<td class=\"xl70\">Kratz, K\u00e4the<\/td>\n<td class=\"xl65\" width=\"535\">The recent work of K\u00e4the Kratz<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/89<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Elisabeth<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/89<\/td>\n<td class=\"xl70\">Kratz, Dornhelm, Askin&#8230;<\/td>\n<td class=\"xl65\" width=\"535\">The role of contemporary Austrian film and film artists<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/89<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Notturno<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/89<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Fairwell<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/89<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Echo Park<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/89<\/td>\n<td class=\"xl70\">Schulenburg, Ulrich<\/td>\n<td class=\"xl65\" width=\"535\">The role of theater and film agents in Europe and the U.S.<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/89<\/td>\n<td class=\"xl70\">Bauer, Wolfgang<\/td>\n<td class=\"xl65\" width=\"535\">Discussed his works<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/89<\/td>\n<td class=\"xl70\">Play<\/td>\n<td class=\"xl65\" width=\"535\">A wonderful morning in the barber shop<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/89<\/td>\n<td class=\"xl70\">BOUVIER, Nicolas<\/td>\n<td class=\"xl65\" width=\"535\">SWISS WRITER-IN-RESIDENCE<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/89<\/td>\n<td class=\"xl70\">Stercken, Hans<\/td>\n<td class=\"xl65\" width=\"535\">40 years of the FRG: its way into the international community<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/89<\/td>\n<td class=\"xl70\">Schulte, Hans<\/td>\n<td class=\"xl65\" width=\"535\">Idealism and national education: Johann Gottlieb Fichte &#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/89<\/td>\n<td class=\"xl70\">Bouvier, Nicolas<\/td>\n<td class=\"xl65\" width=\"535\">Montaigne: t\u00e9moin de son temps<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/90<\/td>\n<td class=\"xl70\">Conference<\/td>\n<td class=\"xl65\" width=\"535\">After 40 contentious years: the two Germanys since 1949<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/90<\/td>\n<td class=\"xl70\">Workshop<\/td>\n<td class=\"xl65\" width=\"535\">Politics, the state, and collective action<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/90<\/td>\n<td class=\"xl70\">Workshop<\/td>\n<td class=\"xl65\" width=\"535\">Economic change in the two Germanys<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/90<\/td>\n<td class=\"xl70\">Workshop<\/td>\n<td class=\"xl65\" width=\"535\">The changing roles of women<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/90<\/td>\n<td class=\"xl70\">Workshop<\/td>\n<td class=\"xl65\" width=\"535\">Approaches to the history of national socialism<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/90<\/td>\n<td class=\"xl70\">Workshop<\/td>\n<td class=\"xl65\" width=\"535\">Foreign relations<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/90<\/td>\n<td class=\"xl70\">BARILIER, Etienne<\/td>\n<td class=\"xl65\" width=\"535\">SWISS WRITER-IN-RESIDENCE<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/90<\/td>\n<td class=\"xl70\">Konrad Adenauer Found.<\/td>\n<td class=\"xl65\" width=\"535\">Los Angeles program of their U.S. seminar<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/90<\/td>\n<td class=\"xl70\">Binder, Hartmut<\/td>\n<td class=\"xl65\" width=\"535\">Literatur einer befeindeten Minderheit&#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/90<\/td>\n<td class=\"xl70\">Eley, Geoff<\/td>\n<td class=\"xl65\" width=\"535\">Modernism and the discourse of intellectuals &#8230;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n            \n                      <\/div>\n        <\/li>\n\n              <li>\n          <button type=\"button\" class=\"accordion-trigger \" id=\"heading-1-5-u2AjfhqiqQ\" aria-controls=\"section-1-5-u2AjfhqiqQ\" aria-expanded=\"false\" aria-disabled=\"false\">\n                          <span class=\"item-title\">EVENTS 1991 &#8211; 2000<\/span>\n            \n                      <\/button>\n\n          <div id=\"section-1-5-u2AjfhqiqQ\" role=\"region\" aria-labelledby=\"heading-1-5-u2AjfhqiqQ\" class=\"accordion-panel\">\n\n                            \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--rich-text \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--rich-text\"\n    \n      >\n\n    \n      \n<div class=\"f--field f--wysiwyg\">\n\n    \n  <table style=\"border-collapse: collapse; width: 100%;\" border=\"1\">\n<tbody>\n<tr>\n<td class=\"xl69\" height=\"17\">Date<\/td>\n<td class=\"xl70\">Presenter<\/td>\n<td class=\"xl65\" width=\"535\">Presentation<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/91<\/td>\n<td class=\"xl70\">Sch\u00fctz, Angelica<\/td>\n<td class=\"xl65\" width=\"535\">Works by Austrian-Jewish authors &#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/91<\/td>\n<td class=\"xl70\">Helbling, Hanno<\/td>\n<td class=\"xl65\" width=\"535\">4 workshops in methods of literary translation<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/91<\/td>\n<td class=\"xl70\">Weibel, Dominique<\/td>\n<td class=\"xl65\" width=\"535\">How to use masks in contemporary plays<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/91<\/td>\n<td class=\"xl70\">Sabalius, Romey<\/td>\n<td class=\"xl65\" width=\"535\">How contemporary Swiss literature views the U.S.<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/91<\/td>\n<td class=\"xl70\">Loetscher, Hugo<\/td>\n<td class=\"xl65\" width=\"535\">Reading\/lecture\/discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/91<\/td>\n<td class=\"xl70\">Odier, Daniel<\/td>\n<td class=\"xl65\" width=\"535\">Reading\/lecture\/discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/91<\/td>\n<td class=\"xl70\">Bouvier, Nicolas<\/td>\n<td class=\"xl65\" width=\"535\">Reading\/lecture\/discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/91<\/td>\n<td class=\"xl70\">Camartin, Iso<\/td>\n<td class=\"xl65\" width=\"535\">Reading\/lecture\/discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/91<\/td>\n<td class=\"xl70\">Spescha, Flurin<\/td>\n<td class=\"xl65\" width=\"535\">Reading\/lecture\/discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/91<\/td>\n<td class=\"xl70\">Beltrametti, Franco<\/td>\n<td class=\"xl65\" width=\"535\">Reading\/lecture\/discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/91<\/td>\n<td class=\"xl70\">Gossman, Lionel<\/td>\n<td class=\"xl65\" width=\"535\">Basel<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/91<\/td>\n<td class=\"xl70\">Craig, Gordon<\/td>\n<td class=\"xl65\" width=\"535\">Z\u00fcrich<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/91<\/td>\n<td class=\"xl70\">Bouvier, Nicolas<\/td>\n<td class=\"xl65\" width=\"535\">Geneva<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/91<\/td>\n<td class=\"xl70\">Exhibition<\/td>\n<td class=\"xl65\" width=\"535\">This is how we live &#8211; What about you? Switzerland in dialogue<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/91<\/td>\n<td class=\"xl70\">Klose, J\u00fcrgen<\/td>\n<td class=\"xl65\" width=\"535\">The integration of the former GDR into the European community<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/91<\/td>\n<td class=\"xl70\">Siodmak, Curt<\/td>\n<td class=\"xl65\" width=\"535\">Read\/discussed his auto-biography &#8216;Unfinished ruminations&#8217;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/91<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">End of the game<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/91<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The judge and his hangman<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/91<\/td>\n<td class=\"xl70\">D\u00fcrrenmatt-Kerr, Ch.<\/td>\n<td class=\"xl65\" width=\"535\">workshops<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/91<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Friedrich D\u00fcrrenmatt, portrait of a planet<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/91<\/td>\n<td class=\"xl70\">Cohen, Marshall<\/td>\n<td class=\"xl65\" width=\"535\">Welcome notes &amp; discussion: Konrad Adenauer Foundation<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/91<\/td>\n<td class=\"xl70\">Schnauber, Cornelius<\/td>\n<td class=\"xl65\" width=\"535\">From Germany and Austria to Hollywood<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/91<\/td>\n<td class=\"xl70\">Guthman, Edwin<\/td>\n<td class=\"xl65\" width=\"535\">The changing newsmedia in American society<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/91<\/td>\n<td class=\"xl70\">Berton, Peter<\/td>\n<td class=\"xl65\" width=\"535\">Great power interaction in east Asia<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/92<\/td>\n<td class=\"xl70\">Prosl, Christian<\/td>\n<td class=\"xl65\" width=\"535\">Austria&#8217;s role in the new Europe. Rediscovery of regionalism<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/92<\/td>\n<td class=\"xl70\">Fehr, Rudi<\/td>\n<td class=\"xl65\" width=\"535\">An evening of jazz with Rudi Fehr<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/92<\/td>\n<td class=\"xl70\">Rosenthal, Raymond<\/td>\n<td class=\"xl65\" width=\"535\">The Triestino writers<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/92<\/td>\n<td class=\"xl70\">Biasin, GianPaolo<\/td>\n<td class=\"xl65\" width=\"535\">Zeno&#8217;s locomotive: Svevo and the mitteleuropean tradition<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/92<\/td>\n<td class=\"xl70\">Brombert, Victor<\/td>\n<td class=\"xl65\" width=\"535\">Italo Svevo: the crossroads of Trieste and of paradox<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/92<\/td>\n<td class=\"xl70\">Steinberg, Michael<\/td>\n<td class=\"xl65\" width=\"535\">The frontiers of identity or non-identity<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/92<\/td>\n<td class=\"xl70\">Vocelka, Karl<\/td>\n<td class=\"xl65\" width=\"535\">Trieste and the adriatic politics of the Habsburg empire<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/92<\/td>\n<td class=\"xl70\">Askin, Leon<\/td>\n<td class=\"xl65\" width=\"535\">The author D\u00fcrrenmatt in Abendstunde im Sp\u00e4therbst&#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/92<\/td>\n<td class=\"xl70\">Wagner, Gottfried<\/td>\n<td class=\"xl65\" width=\"535\">The case of Richard Wagner in Israel and Germany<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/92<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Zero de conduite<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/92<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Un chant d&#8217;amour<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/92<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Teorema<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/92<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The bitter tears of Petra von Kant<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/92<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The virgin machine<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/92<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The conformist<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/92<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Sebastiane<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/92<\/td>\n<td class=\"xl70\">Perloff, Joseph<\/td>\n<td class=\"xl65\" width=\"535\">Goethe as scientist<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/92<\/td>\n<td class=\"xl70\">Weidenfeld, Werner<\/td>\n<td class=\"xl65\" width=\"535\">Recasting of the political landscape in Europe &#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/92<\/td>\n<td class=\"xl70\">Wieser, Marguerite<\/td>\n<td class=\"xl65\" width=\"535\">The courage to live in a multilingual society &#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/92<\/td>\n<td class=\"xl70\">Asper, Helmut<\/td>\n<td class=\"xl65\" width=\"535\">Wassilij Kandinsky and the Bauhaus Theatre<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/92<\/td>\n<td class=\"xl70\">SCHELL, Maximilian<\/td>\n<td class=\"xl65\" width=\"535\">SWISS WRITER-IN-RESIDENCE<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/92<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Judgment at Nuremberg<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/92<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Hamlet<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/92<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The condemned of Altona<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/92<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Tales form the Vienna woods<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/92<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Labyrinth<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/92<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The man in the glass booth<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/92<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Marlene<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/92<\/td>\n<td class=\"xl70\">Jungk, Stephan<\/td>\n<td class=\"xl65\" width=\"535\">Tigor<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/92<\/td>\n<td class=\"xl70\">Schell, Maximilian<\/td>\n<td class=\"xl65\" width=\"535\">Problems of theatre and film<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/93<\/td>\n<td class=\"xl70\">CAMARTIN, Iso<\/td>\n<td class=\"xl65\" width=\"535\">SWISS WRITER-IN-RESIDENCE<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/93<\/td>\n<td class=\"xl70\">Camartin, Iso<\/td>\n<td class=\"xl65\" width=\"535\">Small cultures, marginality revisited<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/93<\/td>\n<td class=\"xl70\">Exhibition<\/td>\n<td class=\"xl65\" width=\"535\">The White Rose: student resistance against Hitler<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/93<\/td>\n<td class=\"xl70\">Mommsen, Hans<\/td>\n<td class=\"xl65\" width=\"535\">The German opposition against Hitler&#8230;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/93<\/td>\n<td class=\"xl70\">Cohen, Marshall<\/td>\n<td class=\"xl65\" width=\"535\">Opening remarks<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/93<\/td>\n<td class=\"xl70\">M\u00fcller, Franz<\/td>\n<td class=\"xl65\" width=\"535\">(surviving member of the White Rose&#8221;)<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/93<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The White Rose<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/93<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The restless conscience<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/93<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Five last days<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/93<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The nasty girl<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/93<\/td>\n<td class=\"xl70\">Mommsen, Hans<\/td>\n<td class=\"xl65\" width=\"535\">Universities and national socialism<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/93<\/td>\n<td class=\"xl70\">Schnauber, Cornelius<\/td>\n<td class=\"xl65\" width=\"535\">Gustaf Gr\u00fcndgens and the German theater<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/93<\/td>\n<td class=\"xl70\">Meyer, Michael<\/td>\n<td class=\"xl65\" width=\"535\">Politics and the search for a new music in the Third Reich<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/93<\/td>\n<td class=\"xl70\">Hervitz, Daniel<\/td>\n<td class=\"xl65\" width=\"535\">Early philosophical response response to national socialism<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/93<\/td>\n<td class=\"xl70\">Hasler, Eveline<\/td>\n<td class=\"xl65\" width=\"535\">Lecture\/reading<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/93<\/td>\n<td class=\"xl70\">Horat, Heinz<\/td>\n<td class=\"xl65\" width=\"535\">Emigration and immigration in Swiss art<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/94<\/td>\n<td class=\"xl70\">Hutson, James H.<\/td>\n<td class=\"xl65\" width=\"535\">The sister republics &#8211; Switzerland and U.S.<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/94<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Leon Askin remembers Vienna<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/94<\/td>\n<td class=\"xl70\">Richard Strauss Program:<\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/94<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Scenes from Munich<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/94<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Richard Strauss remembered<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/94<\/td>\n<td class=\"xl70\">Kohler, Stephan<\/td>\n<td class=\"xl65\" width=\"535\">&#8230; and here is room for music!<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/94<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Richard Strauss. A life for music<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/94<\/td>\n<td class=\"xl70\">Kohler, Stephan<\/td>\n<td class=\"xl65\" width=\"535\">&#8230; say nothing, and dance!<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/94<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Josephslegende<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/94<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Arabella<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/94<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Intermezzo<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/94<\/td>\n<td class=\"xl70\">Exhibition<\/td>\n<td class=\"xl65\" width=\"535\">Der Rosenkavalier<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">06\/94<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">The philharmoniker<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">06\/94<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Romanticism and resignation<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/94<\/td>\n<td class=\"xl70\">Asper, Helmut<\/td>\n<td class=\"xl65\" width=\"535\">The religious films of Henry Koster<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/95<\/td>\n<td class=\"xl70\">Remak, Joachim<\/td>\n<td class=\"xl65\" width=\"535\">Henri Dunant, founder of the Red Cross<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/95<\/td>\n<td class=\"xl70\">RAKUSA, Ilma<\/td>\n<td class=\"xl65\" width=\"535\">SWISS WRITER-IN-RESIDENCE<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/95<\/td>\n<td class=\"xl70\">Play<\/td>\n<td class=\"xl65\" width=\"535\">Yes, my F\u00fchrer<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/95<\/td>\n<td class=\"xl70\">Play<\/td>\n<td class=\"xl65\" width=\"535\">Alpine glow<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/95<\/td>\n<td class=\"xl70\">Play<\/td>\n<td class=\"xl65\" width=\"535\">Straight as a corkscrew<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/95<\/td>\n<td class=\"xl70\">Play<\/td>\n<td class=\"xl65\" width=\"535\">Honey pot<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/95<\/td>\n<td class=\"xl70\">Play<\/td>\n<td class=\"xl65\" width=\"535\">Buttered bread<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/95<\/td>\n<td class=\"xl70\">Play<\/td>\n<td class=\"xl65\" width=\"535\">Mixed salad<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/95<\/td>\n<td class=\"xl70\">Play<\/td>\n<td class=\"xl65\" width=\"535\">People annihilation<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/96<\/td>\n<td class=\"xl70\">Berger-Tuna, Helmut<\/td>\n<td class=\"xl65\" width=\"535\">An evening of Viennese entertainment<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/96<\/td>\n<td class=\"xl70\">Gershon, Grant<\/td>\n<td class=\"xl65\" width=\"535\">An evening of Viennese entertainment<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/96<\/td>\n<td class=\"xl70\">Braeden, Eric<\/td>\n<td class=\"xl65\" width=\"535\">An evening of Viennese entertainment<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/96<\/td>\n<td class=\"xl70\">Steiner, Joerg<\/td>\n<td class=\"xl65\" width=\"535\">SWISS WRITER-IN-RESIDENCE<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/96<\/td>\n<td class=\"xl70\">Hampe, Michael<\/td>\n<td class=\"xl65\" width=\"535\">Opera: the impossible art?<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/97<\/td>\n<td class=\"xl70\">Behle, Renate<\/td>\n<td class=\"xl65\" width=\"535\">An evening of Wagnerian music<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/97<\/td>\n<td class=\"xl70\">Robson, Mark<\/td>\n<td class=\"xl65\" width=\"535\">An evening of Wagnerian music<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/97<\/td>\n<td class=\"xl70\">Vendice, William<\/td>\n<td class=\"xl65\" width=\"535\">An evening of Wagnerian music<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/97<\/td>\n<td class=\"xl70\">Asper, Helmut<\/td>\n<td class=\"xl65\" width=\"535\">3 smart guys: Henry Koster, Joe Pasternak, Felix Jackson at Universal<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/97<\/td>\n<td class=\"xl70\">Koster, Henry<\/td>\n<td class=\"xl65\" width=\"535\">Henry Koster the painter<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/97<\/td>\n<td class=\"xl70\">Siodmak, Kurt<\/td>\n<td class=\"xl65\" width=\"535\">&#8220;I prefer the movie rabble in Hollywood&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/97<\/td>\n<td class=\"xl70\">Fehr, Rudy<\/td>\n<td class=\"xl65\" width=\"535\">&#8220;I prefer the movie rabble in Hollywood&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/97<\/td>\n<td class=\"xl70\">Kellen, Konrad<\/td>\n<td class=\"xl65\" width=\"535\">&#8220;I prefer the movie rabble in Hollywood&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/97<\/td>\n<td class=\"xl70\">Hauman, Constance<\/td>\n<td class=\"xl65\" width=\"535\">&#8220;Ich bin von Kopf bis Fu\u00df&#8230;&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/97<\/td>\n<td class=\"xl70\">Goldin, Daniel<\/td>\n<td class=\"xl65\" width=\"535\">Papirene Kinder &#8211; dance event<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/97<\/td>\n<td class=\"xl70\">Barnouw, Dagmar<\/td>\n<td class=\"xl65\" width=\"535\">Hannah Arendt: Exile, identity, politics<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/97<\/td>\n<td class=\"xl70\">Alioth, Gabrielle<\/td>\n<td class=\"xl65\" width=\"535\">SWISS WRITER-IN-RESIDENCE<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/97<\/td>\n<td class=\"xl70\">Braeden, Eric<\/td>\n<td class=\"xl65\" width=\"535\">Shakespeare with Eric Braeden<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/97<\/td>\n<td class=\"xl70\">Fantasia, Louis<\/td>\n<td class=\"xl65\" width=\"535\">Shakespeare with Eric Braeden<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/97<\/td>\n<td class=\"xl70\">Linhardt, Christine<\/td>\n<td class=\"xl65\" width=\"535\">Shakespeare with Eric Braeden<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/97<\/td>\n<td class=\"xl70\">Baer, John<\/td>\n<td class=\"xl65\" width=\"535\">Witness for a generation: a Kristallnacht remembrance<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/99<\/td>\n<td class=\"xl70\">Koller, Xavier<\/td>\n<td class=\"xl65\" width=\"535\">SWISS WRITER-IN-RESIDENCE<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/99<\/td>\n<td class=\"xl70\">Roland, Johnson, Colf, Puccinelli, Punt, Braeden<\/td>\n<td class=\"xl65\" width=\"535\">The immortal beloved &#8211; an evening of Lider and chamber music by Beethoven<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/99<\/td>\n<td class=\"xl70\">Schell, Maximilian<\/td>\n<td class=\"xl65\" width=\"535\">Goethe&#8217;s Faust comes to Grand Avenue<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/99<\/td>\n<td class=\"xl70\">Hill, Shana Blake<\/td>\n<td class=\"xl65\" width=\"535\">Goethe&#8217;s Faust comes to Grand Avenue<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/99<\/td>\n<td class=\"xl70\">Deytoth, Meagen<\/td>\n<td class=\"xl65\" width=\"535\">Goethe&#8217;s Faust comes to Grand Avenue<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/99<\/td>\n<td class=\"xl70\">Sledge, Bruce<\/td>\n<td class=\"xl65\" width=\"535\">Goethe&#8217;s Faust comes to Grand Avenue<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/99<\/td>\n<td class=\"xl70\">Jan, In Joon<\/td>\n<td class=\"xl65\" width=\"535\">Goethe&#8217;s Faust comes to Grand Avenue<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/99<\/td>\n<td class=\"xl70\">Vendice, William<\/td>\n<td class=\"xl65\" width=\"535\">Goethe&#8217;s Faust comes to Grand Avenue<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/99<\/td>\n<td class=\"xl70\">Linhardt, Christina<\/td>\n<td class=\"xl65\" width=\"535\">Goethe&#8217;s Faust comes to Grand Avenue<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/00<\/td>\n<td class=\"xl70\">Siodmak, Curt<\/td>\n<td class=\"xl65\" width=\"535\">Roundtable discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/00<\/td>\n<td class=\"xl70\">Sackl, Barbara<\/td>\n<td class=\"xl65\" width=\"535\">Fr\u00e4ulein Else<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/00<\/td>\n<td class=\"xl70\">Siblewski, Klaus<\/td>\n<td class=\"xl65\" width=\"535\">Literature and Ethics<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/00<\/td>\n<td class=\"xl70\">Siblewski, Klaus<\/td>\n<td class=\"xl65\" width=\"535\">Writing and editing in the European literary market<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/00<\/td>\n<td class=\"xl70\">Atkins, John<\/td>\n<td class=\"xl65\" width=\"535\">Die sch\u00f6ne Magelone<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/00<\/td>\n<td class=\"xl70\">Linhardt, Christina<\/td>\n<td class=\"xl65\" width=\"535\">Die sch\u00f6ne Magelone<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/00<\/td>\n<td class=\"xl70\">Vendice, William<\/td>\n<td class=\"xl65\" width=\"535\">Die sch\u00f6ne Magelone<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/00<\/td>\n<td class=\"xl70\">Schreiber, Marion<\/td>\n<td class=\"xl65\" width=\"535\">Discussion about her book &#8220;Stille Rebellen&#8221;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n            \n                      <\/div>\n        <\/li>\n\n              <li>\n          <button type=\"button\" class=\"accordion-trigger \" id=\"heading-1-6-u2AjfhqiqQ\" aria-controls=\"section-1-6-u2AjfhqiqQ\" aria-expanded=\"false\" aria-disabled=\"false\">\n                          <span class=\"item-title\">EVENTS 2001 &#8211; 2010<\/span>\n            \n                      <\/button>\n\n          <div id=\"section-1-6-u2AjfhqiqQ\" role=\"region\" aria-labelledby=\"heading-1-6-u2AjfhqiqQ\" class=\"accordion-panel\">\n\n                            \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--rich-text \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--rich-text\"\n    \n      >\n\n    \n      \n<div class=\"f--field f--wysiwyg\">\n\n    \n  <table style=\"border-collapse: collapse; width: 100%;\" border=\"1\">\n<tbody>\n<tr>\n<td class=\"xl69\" height=\"17\">Date<\/td>\n<td class=\"xl70\">Presenter<\/td>\n<td class=\"xl65\" width=\"535\">Presentation<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/01<\/td>\n<td class=\"xl70\">Biedenkopf, Kurt<\/td>\n<td class=\"xl65\" width=\"535\">Germany&#8217;s role in Europe<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/01<\/td>\n<td class=\"xl70\">Sackl, Barbara<\/td>\n<td class=\"xl65\" width=\"535\">Die letzten Tage der Menschheit<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/01<\/td>\n<td class=\"xl70\">Lillard, Tom<\/td>\n<td class=\"xl65\" width=\"535\">Days of Dresden: Stage reading &#8220;Richard and Felix&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/01<\/td>\n<td class=\"xl70\">Kneipp, Mary Audrey<\/td>\n<td class=\"xl65\" width=\"535\">Days of Dresden: Stage reading &#8220;The Lesson&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/01<\/td>\n<td class=\"xl70\">Linhardt, Christina<\/td>\n<td class=\"xl65\" width=\"535\">Days of Dresden: Stage reading &#8220;The Lesson&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/01<\/td>\n<td class=\"xl70\">Moses, Tom<\/td>\n<td class=\"xl65\" width=\"535\">Days of Dresden: Stage reading &#8220;The Lesson&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/01<\/td>\n<td class=\"xl70\">Beach, Francisca Bonita<\/td>\n<td class=\"xl65\" width=\"535\">Days of Dresden: Stage reading &#8220;The Lesson&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/01<\/td>\n<td class=\"xl70\">Braeden, Eric<\/td>\n<td class=\"xl65\" width=\"535\">Days of Dresden: Stage reading &#8220;The Nibelungen Saga&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/01<\/td>\n<td class=\"xl70\">Schnauber, Cornelius<\/td>\n<td class=\"xl65\" width=\"535\">Days of Dresden: Lecture &#8220;How anti-semitic was Richard Wagner?&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/01<\/td>\n<td class=\"xl70\">Schell, Maximilian<\/td>\n<td class=\"xl65\" width=\"535\">Days of Dresden: Misc. films and discussions<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/01<\/td>\n<td class=\"xl70\">Lillard, Tom<\/td>\n<td class=\"xl65\" width=\"535\">Days of Dresden: Reading of Siodmak&#8217;s &#8220;Even a man who is pure in heart&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/01<\/td>\n<td class=\"xl70\">Landsberger, Henry<\/td>\n<td class=\"xl65\" width=\"535\">Days of Dresden: Lecture and film<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/01<\/td>\n<td class=\"xl70\">Schnauber, Cornelius<\/td>\n<td class=\"xl65\" width=\"535\">Days of Dresden: Reading of novel &#8220;Wo ist dein Silber?&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/01<\/td>\n<td class=\"xl70\">Robson, Mark<\/td>\n<td class=\"xl65\" width=\"535\">Days of Dresden: Concert (piano music by Carl Maria von Weber etc.)<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/01<\/td>\n<td class=\"xl70\">Atkins, John<\/td>\n<td class=\"xl65\" width=\"535\">Days of Dresden: &#8220;Dichterliebe&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/01<\/td>\n<td class=\"xl70\">Vendice, William<\/td>\n<td class=\"xl65\" width=\"535\">Days of Dresden: &#8220;Dichterliebe&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">06\/03<\/td>\n<td class=\"xl70\">Moore, Latonia (soprano)<\/td>\n<td class=\"xl65\" width=\"535\">) International Forum for Culture and Economics concert<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">06\/03<\/td>\n<td class=\"xl70\">Sledge, Bruce (tenor)<\/td>\n<td class=\"xl65\" width=\"535\">) International Forum for Culture and Economics concert<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">06\/03<\/td>\n<td class=\"xl70\">Jang, In Joon (bass-baritone)<\/td>\n<td class=\"xl65\" width=\"535\">) International Forum for Culture and Economics concert<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">06\/03<\/td>\n<td class=\"xl70\">Vendice, William (piano)<\/td>\n<td class=\"xl65\" width=\"535\">) International Forum for Culture and Economics concert<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/03<\/td>\n<td class=\"xl70\">Davis \/ Heatherton \/ Linhardt<\/td>\n<td class=\"xl65\" width=\"535\">A fool&#8217;s past in literature and opera<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">06\/04<\/td>\n<td class=\"xl70\">Braeden \/ Koyama \/ Franoscek<\/td>\n<td class=\"xl65\" width=\"535\">Hollywood meets Dresden<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">06\/04<\/td>\n<td class=\"xl70\">Braeden \/ Franoszek \/ Linhardt \/ Schnauber<\/td>\n<td class=\"xl65\" width=\"535\">Kom\u00f6die Dresden: Hollywoodstars in Dresden<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">06\/04<\/td>\n<td class=\"xl70\">Schnauber \/ Braeden \/ Linhardt \/ Mayer<\/td>\n<td class=\"xl65\" width=\"535\">Kunstverein Panitzsch: Sommerabend<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/04<\/td>\n<td class=\"xl70\">Schoenberg, Ronald<\/td>\n<td class=\"xl65\" width=\"535\">Jause&#8217; party for cast of Ariadne auf Naxos<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/04<\/td>\n<td class=\"xl70\">AATG<\/td>\n<td class=\"xl65\" width=\"535\">AATG-SC Professional Day<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/04<\/td>\n<td class=\"xl70\">Kagan, Morris<\/td>\n<td class=\"xl65\" width=\"535\">German-Jewish Dialogue (Nov. 2004 &#8211; April 2005)<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/05<\/td>\n<td class=\"xl70\">Rubinstein<\/td>\n<td class=\"xl65\" width=\"535\">Anton G. Rubinstein International Piano Competition<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/05<\/td>\n<td class=\"xl70\">Braeden, Eric<\/td>\n<td class=\"xl65\" width=\"535\">International Forum for Culture and Economics &#8211; discussion<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">06\/05<\/td>\n<td class=\"xl70\">Schnauber, Cornelius<\/td>\n<td class=\"xl65\" width=\"535\">Strolling through the Hollywood of the Emigres (GACS event)<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">08\/05<\/td>\n<td class=\"xl70\">Bassett \/ Linhardt \/ Vollmer \/ Schnauber \/ Klock \/ Bath \/ Casas \/ van der Byl \/ Strasser<\/td>\n<td class=\"xl65\" width=\"535\">Happy Birthday, Wanda June<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/05<\/td>\n<td class=\"xl70\">Linhardt \/ Ariondo \/ Braeden<\/td>\n<td class=\"xl65\" width=\"535\">Eine kleine Sunday Music<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/06<\/td>\n<td class=\"xl70\">Schnauber \/ James \/ Constantine \/ Starr \/ Fantasia<\/td>\n<td class=\"xl65\" width=\"535\">&#8220;Irma and Emma&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/06<\/td>\n<td class=\"xl70\">Schnauber \/ Fantasia<\/td>\n<td class=\"xl65\" width=\"535\">&#8220;Richard and Felix&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/06<\/td>\n<td class=\"xl70\">Alioth, Gabrielle<\/td>\n<td class=\"xl65\" width=\"535\">Angelica Kauffmann<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/06<\/td>\n<td class=\"xl70\">Linhardt \/ Ariondo \/ Heatherton \/ Miles \/ Esquerra \/ Schnauber<\/td>\n<td class=\"xl65\" width=\"535\">&#8220;Dresden Cabaret&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">12\/06<\/td>\n<td class=\"xl70\">Film<\/td>\n<td class=\"xl65\" width=\"535\">Song of Love<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"20\">12\/06<\/td>\n<td class=\"xl70\">Sousa \/ Robson<\/td>\n<td class=\"xl65\" width=\"535\">Live concert with music by composers who lived and worked in Dresden<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">01\/07<\/td>\n<td class=\"xl70\">Linhardt \/ Ariondo \/ Heatherton \/ Miles \/ Esquerra \/ Schnauber<\/td>\n<td class=\"xl65\" width=\"535\">&#8220;Dresden Cabaret&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">02\/07<\/td>\n<td class=\"xl70\">Schnauber \/ Paul \/ Weil \/ Daddio \/ Edrei \/ Esquerra<\/td>\n<td class=\"xl65\" width=\"535\">Wagner and Mendelssohn, Music and Women<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/07<\/td>\n<td class=\"xl70\">Desinger, Bernd<\/td>\n<td class=\"xl65\" width=\"535\">Reading: &#8220;Der Sch\u00fctze&#8221; and &#8220;Unhadronic Matter&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/07<\/td>\n<td class=\"xl70\">Schnauber, Cornelius<\/td>\n<td class=\"xl65\" width=\"535\">Reading: &#8220;Philemon undBaucis im Exilantenheim&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/07<\/td>\n<td class=\"xl70\">Schnauber, Cornelius<\/td>\n<td class=\"xl65\" width=\"535\">Reading: &#8220;Die drei Weisen aus dem Morgenlande&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">11\/07<\/td>\n<td class=\"xl70\">Schnauber, Cornelius<\/td>\n<td class=\"xl65\" width=\"535\">Reading: &#8220;Der Terrorist und wie er sich verriet&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/08<\/td>\n<td class=\"xl70\">Linhardt \/ Mansour \/ Ariondo \/ Acevedo \/ Schnauber<\/td>\n<td class=\"xl65\" width=\"535\">Fairies, ghosts and witches in German and Austrian literature and music<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/08<\/td>\n<td class=\"xl70\">Schnauber \/ Linhardt \/ Flores \/ Fiebach<\/td>\n<td class=\"xl65\" width=\"535\">Von Sachsen nach Hollywood\u00a0 (location: Museum Leipzig)<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/08<\/td>\n<td class=\"xl70\">Schnauber \/ Flores \/ Linhardt \/ Fiebach<\/td>\n<td class=\"xl65\" width=\"535\">Von Dresden bis Hollywood\u00a0 (location: Coselpalais, Dresden)<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/09<\/td>\n<td class=\"xl70\">Franoszek \/ Linhardt \/ Kirsch \/ Schnauber<\/td>\n<td class=\"xl65\" width=\"535\">Annette von Droste-H\u00fclshoff: &#8220;Between Biedermeier and Revolution&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">06\/09<\/td>\n<td class=\"xl70\">Sappington \/ Funke \/ Ohngemach \/ Fantasia \/ Lechner \/ Desinger \/ Jackson \/ Burger \/ Levin \/ Linhardt \/ Schnauber<\/td>\n<td class=\"xl65\" width=\"535\">New Mastodon benefit<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/09<\/td>\n<td class=\"xl70\">Schnauber \/ Baccari \/ Beck \/ Dewey \/ Paul \/ Finn \/ Gonzalez \/ Robins \/ Sherman \/ Esquerra<\/td>\n<td class=\"xl65\" width=\"535\">Heydrich \/ Hitler \/ Holocaust<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/09<\/td>\n<td class=\"xl70\">Baccari, Ed<\/td>\n<td class=\"xl65\" width=\"535\">Heydrich \/ Hitler \/ Holocaust<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/09<\/td>\n<td class=\"xl70\">Beck, Joseph<\/td>\n<td class=\"xl65\" width=\"535\">Heydrich \/ Hitler \/ Holocaust<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/09<\/td>\n<td class=\"xl70\">Dewey, Scott<\/td>\n<td class=\"xl65\" width=\"535\">Heydrich \/ Hitler \/ Holocaust<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/09<\/td>\n<td class=\"xl70\">Paul, Don DeForest<\/td>\n<td class=\"xl65\" width=\"535\">Heydrich \/ Hitler \/ Holocaust<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/09<\/td>\n<td class=\"xl70\">Finn, Oliver<\/td>\n<td class=\"xl65\" width=\"535\">Heydrich \/ Hitler \/ Holocaust<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/09<\/td>\n<td class=\"xl70\">Gonzalez, Michelle<\/td>\n<td class=\"xl65\" width=\"535\">Heydrich \/ Hitler \/ Holocaust<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/09<\/td>\n<td class=\"xl70\">Robins, Ryan<\/td>\n<td class=\"xl65\" width=\"535\">Heydrich \/ Hitler \/ Holocaust<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/09<\/td>\n<td class=\"xl70\">Sherman, Jessica<\/td>\n<td class=\"xl65\" width=\"535\">Heydrich \/ Hitler \/ Holocaust<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/09<\/td>\n<td class=\"xl70\">Schnauber \/ Paul \/ Johnson \/ Guzelimian \/ Linhardt<\/td>\n<td class=\"xl65\" width=\"535\">Richard Wagner&#8217;s Love and Death<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/09<\/td>\n<td class=\"xl70\">Paul, Don DeForest<\/td>\n<td class=\"xl65\" width=\"535\">Richard Wagner&#8217;s Love and Death<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/09<\/td>\n<td class=\"xl70\">Johnson, Gretchen<\/td>\n<td class=\"xl65\" width=\"535\">Richard Wagner&#8217;s Love and Death<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/09<\/td>\n<td class=\"xl70\">Guzelimian, Armen<\/td>\n<td class=\"xl65\" width=\"535\">Richard Wagner&#8217;s Love and Death<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">10\/09<\/td>\n<td class=\"xl70\">Linhardt, Christina<\/td>\n<td class=\"xl65\" width=\"535\">Richard Wagner&#8217;s Love and Death<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/10<\/td>\n<td class=\"xl70\">Schnauber \/ Chatman \/ Daddio \/ Paul \/ Weil \/ Esquerra<\/td>\n<td class=\"xl65\" width=\"535\">Richard and Felix: Twilight in Venice<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/10<\/td>\n<td class=\"xl70\">Chatman, Kelley<\/td>\n<td class=\"xl65\" width=\"535\">Richard and Felix: Twilight in Venice<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/10<\/td>\n<td class=\"xl70\">Daddio, Addie<\/td>\n<td class=\"xl65\" width=\"535\">Richard and Felix: Twilight in Venice<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/10<\/td>\n<td class=\"xl70\">Paul, Don DeForest<\/td>\n<td class=\"xl65\" width=\"535\">Richard and Felix: Twilight in Venice<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">03\/10<\/td>\n<td class=\"xl70\">Weil, Jerry<\/td>\n<td class=\"xl65\" width=\"535\">Richard and Felix: Twilight in Venice<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/10<\/td>\n<td class=\"xl70\">Roper, William \/ Linhardt \/ Sykes \/ Durnin \/ Childers<\/td>\n<td class=\"xl65\" width=\"535\">From the Dorf to the Hood<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/10<\/td>\n<td class=\"xl70\">Linhardt, Christina<\/td>\n<td class=\"xl65\" width=\"535\">From the Dorf to the Hood<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/10<\/td>\n<td class=\"xl70\">Sykes, Carolyn<\/td>\n<td class=\"xl65\" width=\"535\">From the Dorf to the Hood<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/10<\/td>\n<td class=\"xl70\">Durnin, Steve<\/td>\n<td class=\"xl65\" width=\"535\">From the Dorf to the Hood<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">04\/10<\/td>\n<td class=\"xl70\">Childers, Luis Abert Clifford<\/td>\n<td class=\"xl65\" width=\"535\">From the Dorf to the Hood<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/10<\/td>\n<td class=\"xl70\">Braeden \/ Meyer \/ Schnauber \/ Linhardt \/ Guzelimian \/ Miller \/ DeAlmeida<\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/10<\/td>\n<td class=\"xl70\">Schnauber, Tom<\/td>\n<td class=\"xl65\" width=\"535\">Wotan&#8217;s Ring Parable<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/10<\/td>\n<td class=\"xl70\">Linhardt, Christina<\/td>\n<td class=\"xl65\" width=\"535\">Wotan&#8217;s Ring Parable<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/10<\/td>\n<td class=\"xl70\">Braeden, Eric<\/td>\n<td class=\"xl65\" width=\"535\">The Nibelungen Saga. Richard Wagner&#8217;s original story of his Ring Tetralogy<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/10<\/td>\n<td class=\"xl70\">Meyer, Michael<\/td>\n<td class=\"xl65\" width=\"535\">Inventing Germany: Wagner and the National Imagination<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/10<\/td>\n<td class=\"xl70\">Schnauber, Cornelius<\/td>\n<td class=\"xl65\" width=\"535\">How Anti-Semitic was Richard Wagner?<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/10<\/td>\n<td class=\"xl70\">Miller, J.G.<\/td>\n<td class=\"xl65\" width=\"535\">Fasolt and Fafner paint the town (Wagner tuba)<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">05\/10<\/td>\n<td class=\"xl70\">DeAlmeida, Marco<\/td>\n<td class=\"xl65\" width=\"535\">Fasolt and Fafner paint the town (Wagner tuba)<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">06\/10<\/td>\n<td class=\"xl70\">Schnauber, Cornelius<\/td>\n<td class=\"xl65\" width=\"535\">A reading of &#8220;Richard and Felix: Twilight in Venice&#8221;<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\">09\/10<\/td>\n<td class=\"xl70\">Mialazi \/ Gordon \/ Gruner \/ Schnauber<\/td>\n<td class=\"xl65\" width=\"535\">Panel discussion in honor of Banned Books Week (Lion Feuchtwanger)<\/td>\n<\/tr>\n<tr>\n<td class=\"xl69\" height=\"17\"><\/td>\n<td class=\"xl70\"><\/td>\n<td class=\"xl65\" width=\"535\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n            \n                      <\/div>\n        <\/li>\n\n              <li>\n          <button type=\"button\" class=\"accordion-trigger \" id=\"heading-1-7-u2AjfhqiqQ\" aria-controls=\"section-1-7-u2AjfhqiqQ\" aria-expanded=\"false\" aria-disabled=\"false\">\n                          <span class=\"item-title\">EVENTS 2011 &#8211; 2020<\/span>\n            \n                      <\/button>\n\n          <div id=\"section-1-7-u2AjfhqiqQ\" role=\"region\" aria-labelledby=\"heading-1-7-u2AjfhqiqQ\" class=\"accordion-panel\">\n\n                            \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--rich-text \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--rich-text\"\n    \n      >\n\n    \n      \n<div class=\"f--field f--wysiwyg\">\n\n    \n  <table style=\"border-collapse: collapse; width: 100%;\" border=\"1\">\n<tbody>\n<tr>\n<td class=\"xl69\" height=\"17\">Date<\/td>\n<td class=\"xl70\">Presenter<\/td>\n<td class=\"xl65\" width=\"535\">Presentation<\/td>\n<\/tr>\n<tr>\n<td width=\"49\">01\/11<\/td>\n<td width=\"317\">Zale \/ Motzenbacher \/\u00a0 Schnauber \/ Fantasia<\/td>\n<td width=\"564\">The Beverly Hills Psychiatrist\u00a0 (1\/28\/11 &#8211; 3\/6\/11)<\/td>\n<\/tr>\n<tr>\n<td>01\/11<\/td>\n<td>Pedersen \/ Schnauber \/ Fantasia<\/td>\n<td width=\"564\">Jessica&#8217;s Monologue, an excerpt from the play &#8216;Highway One&#8217;\u00a0 (1\/28\/11 &#8211; 3\/6\/11)<\/td>\n<\/tr>\n<tr>\n<td>09\/11<\/td>\n<td>Schnauber, Cornelius<\/td>\n<td width=\"564\">Dr. Schnauber was honored by the &#8220;Friends of Goethe&#8221; and the City of Los Angeles (Councilman Tom LaBonge) for his exile studies.<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td width=\"564\"><\/td>\n<\/tr>\n<tr>\n<td>03\/12<\/td>\n<td>Braeden, Eric<\/td>\n<td width=\"564\">&#8220;Speak German! You are in Hollywood&#8221;<\/td>\n<\/tr>\n<tr>\n<td>05\/12<\/td>\n<td>Schnauber \/ Bates \/ Beck \/ Bickford \/ Koslo \/ Reese \/ Esquerra<\/td>\n<td width=\"564\">Aphrodite 2:\u00a0 An erotic comedy mystery<\/td>\n<\/tr>\n<tr>\n<td>09\/12<\/td>\n<td>Schnauber, Cornelius<\/td>\n<td width=\"564\">Hitler&#8217;s secrets. What Albert Speer told me in confidence 35 years ago.<\/td>\n<\/tr>\n<tr>\n<td>09\/12<\/td>\n<td>Braeden \/ Linhardt \/ Tatum \/ Schnauber<\/td>\n<td width=\"564\">Shakespeare and German Romanticism with Eric Braeden and the Angels of Venice<\/td>\n<\/tr>\n<tr>\n<td>09\/12<\/td>\n<td>Schnitzler \/ Gurwitch \/ Tsoutsouvas<\/td>\n<td width=\"564\">Arthur Schnitzler &#8211; being Jewish<\/td>\n<\/tr>\n<tr>\n<td>10\/12<\/td>\n<td>Schuetze-Coburn \/ Lerner<\/td>\n<td width=\"564\">Celebrating Marta Feuchtwanger<\/td>\n<\/tr>\n<tr>\n<td>11\/12<\/td>\n<td>Lerner<\/td>\n<td width=\"564\">German Studies History workshop<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td width=\"564\"><\/td>\n<\/tr>\n<tr>\n<td>02\/13<\/td>\n<td>Berkowitz, Michael<\/td>\n<td width=\"564\">What&#8217;s missing from this picture?\u00a0 The holocaust and the decimation of the Jewish engagement with photography<\/td>\n<\/tr>\n<tr>\n<td>02\/13<\/td>\n<td>Thompson \/ Tajder<\/td>\n<td width=\"564\">Between communism and capitalism<\/td>\n<\/tr>\n<tr>\n<td>04\/13<\/td>\n<td>Max Kade Institute Open House<\/td>\n<td width=\"564\"><\/td>\n<\/tr>\n<tr>\n<td>05\/13<\/td>\n<td>Schnauber \/ Paul \/ Weil \/ Chase \/ Chatman \/ Linhardt<\/td>\n<td width=\"564\">Richard and Felix: Twilight in Venice (Goethe Institut)<\/td>\n<\/tr>\n<tr>\n<td>06\/13<\/td>\n<td>Lerner \/ Adams \/ Simms \/ Luke \/ Perloff \/ Levitz \/ Benson<\/td>\n<td width=\"564\">Keeping score &#8211; Hans Richter&#8217;s filmic encounters with music (LACMA)<\/td>\n<\/tr>\n<tr>\n<td>12\/13<\/td>\n<td>Bierhoff<\/td>\n<td width=\"564\">GDR artists in West German exile in the 1980s<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td width=\"564\"><\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td width=\"564\"><\/td>\n<\/tr>\n<tr>\n<td>01\/14<\/td>\n<td>Hasan-Rokem \/ Rokem<\/td>\n<td width=\"564\">Dramas of exile: Feuchtwanger and Brecht<\/td>\n<\/tr>\n<tr>\n<td>02\/14<\/td>\n<td width=\"317\">Biedermann \/ Bahr \/ Wheatland \/ Schuetze-Ciburn \/ Ullmann \/ Deverell \/ Wilson \/ Berger \/ Fear \/ Berghoff \/ Spiekermann \/ Feeley \/ Schnauber \/ Steinberg \/ Goodstein \/ Schenderlein \/ Hoyt \/ Ross \/ Neuman \/ Froelich \/ Kemper \/ Lerner \/ Stanca mustea \/ Schl\u00f6r<\/td>\n<td width=\"564\">Los Angeles as a site of German-American Crossings<br \/>\n2\/2\/14 at the Max Kade Institute and<br \/>\n2\/8\/14 at Villa Aurora<\/td>\n<\/tr>\n<tr>\n<td>03\/14<\/td>\n<td>Stih \/ Schnock<\/td>\n<td width=\"564\">Hannah Arendt was here<\/td>\n<\/tr>\n<tr>\n<td>03\/14<\/td>\n<td>A tribute to Cornelius Schnauber<\/td>\n<td width=\"564\"><\/td>\n<\/tr>\n<tr>\n<td>03\/14<\/td>\n<td>Weigel<\/td>\n<td width=\"564\">Discovering a Fascinating Author \u2013 Introduction into the Life and Work of Susan Taubes<\/td>\n<\/tr>\n<tr>\n<td>04\/14<\/td>\n<td>Levitt<\/td>\n<td width=\"564\">In the Dark Times: Eric Bentley&#8217;s Brecht-Eisler Song Book<\/td>\n<\/tr>\n<tr>\n<td>04\/14<\/td>\n<td>Leppert<\/td>\n<td width=\"564\">Adorno, Chamber Music (Brahms), &amp; the Visual-Acoustic Imaginary of Bildung<\/td>\n<\/tr>\n<tr>\n<td>04\/14<\/td>\n<td>Meckel<\/td>\n<td width=\"564\">A reception to celebrate The Hon. Markus Meckel<\/td>\n<\/tr>\n<tr>\n<td>06\/14<\/td>\n<td>Alioth<\/td>\n<td width=\"564\">Jahrestagung des PEN Zentrums deutschsprachiger Autoren im Ausland: &#8220;American Traces in Contemporary Literature in German&#8221;<\/td>\n<\/tr>\n<tr>\n<td>06\/14<\/td>\n<td>Alioth<\/td>\n<td width=\"564\">Jahrestagung des PEN Zentrums deutschsprachiger Autoren im Ausland: &#8220;Emigration and Emigrants&#8221;<\/td>\n<\/tr>\n<tr>\n<td>06\/14<\/td>\n<td>Celan<\/td>\n<td width=\"564\">Reading: &#8220;Woyzeck von Sarajevo&#8221; by Kaca Celan<\/td>\n<\/tr>\n<tr>\n<td>09\/14<\/td>\n<td width=\"317\">Forster-Hahn, Haxthausen, Chapman, Shiff, Versari, Facos, Hume, Buelens, Forgacs, Pshaw, Nieslony, Mrawska-Muthesius<\/td>\n<td width=\"564\">Locating Expressionism (at LACMA)<\/td>\n<\/tr>\n<tr>\n<td>09\/14<\/td>\n<td>Falkner<\/td>\n<td width=\"564\">Poetry. Entrances and Exits<\/td>\n<\/tr>\n<tr>\n<td>09\/14<\/td>\n<td>Schulz<\/td>\n<td width=\"564\">A reading with Torsten Schulz<\/td>\n<\/tr>\n<tr>\n<td>11\/14<\/td>\n<td>Bretschneider<\/td>\n<td width=\"564\">AG Geige: Ein Amateurfilm with special guest: Frank Bretschneider (film screening and discussion)<\/td>\n<\/tr>\n<tr>\n<td>11\/14<\/td>\n<td>Bretschneider<\/td>\n<td width=\"564\">Frank Bretschneider: Sinn + Form (Meaning and Form) With Virons and Gregg Kowalsky<\/td>\n<\/tr>\n<tr>\n<td>11\/14<\/td>\n<td>Film<\/td>\n<td width=\"564\">Outdoor film screening of the Documentary &#8220;Behind The Wall&#8221;<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td width=\"564\"><\/td>\n<\/tr>\n<tr>\n<td>01\/15<\/td>\n<td>Lieber<\/td>\n<td width=\"564\">Germany&#8217;s future: European, Atlantic, or global?<\/td>\n<\/tr>\n<tr>\n<td>02\/15<\/td>\n<td>Fischer<\/td>\n<td width=\"564\">Methods of Diplomacy: Lion Feuchtwanger on the Diplomatic Assignment of Benjamin Franklin in Paris<\/td>\n<\/tr>\n<tr>\n<td>03\/15<\/td>\n<td>Agneskirchner<\/td>\n<td width=\"564\">Film screening: An apartment in Berlin<\/td>\n<\/tr>\n<tr>\n<td>04\/15<\/td>\n<td>Schaefer<\/td>\n<td width=\"564\">States of division: when and how was Germany divided?<\/td>\n<\/tr>\n<tr>\n<td>04\/15<\/td>\n<td>Goto<\/td>\n<td width=\"564\">An evening of Brahms. Violin and piano sonatas performed by musicians form the Thornton School of Music.<\/td>\n<\/tr>\n<tr>\n<td>04\/15<\/td>\n<td>Cuevas-Wolf<\/td>\n<td width=\"564\">(Re)presenting cold war Hungary: encounters between photography and the visual arts<\/td>\n<\/tr>\n<tr>\n<td>05\/15<\/td>\n<td>Conference<\/td>\n<td width=\"564\">Conference at the German Historical Institute, Washington, DC: Jewish Consumer Cultures in 19th and 20th Century Europe and America<\/td>\n<\/tr>\n<tr>\n<td>09\/15<\/td>\n<td>Kiss<\/td>\n<td width=\"564\">Tarzan, the Ape Man Meets the Earth Trembles: Discourses on non-actors in Classic Hollywood and Neo-Realist Cinema<\/td>\n<\/tr>\n<tr>\n<td>09\/15<\/td>\n<td>Conference<\/td>\n<td width=\"564\">International Feuchtwanger Conference &#8211; Feuchtwanger &amp; Judaism<\/td>\n<\/tr>\n<tr>\n<td>10\/15<\/td>\n<td>Goto<\/td>\n<td width=\"564\">An evening of Swiss music\u00a0 (Midori Goto)<\/td>\n<\/tr>\n<tr>\n<td>11\/15<\/td>\n<td>Lerner<\/td>\n<td width=\"564\">An all-consuming story: Writing the history of consumer culture in modern Germany<\/td>\n<\/tr>\n<tr>\n<td>11\/15<\/td>\n<td>Eizenstat<\/td>\n<td width=\"564\">The 35th Annual Jerome Nemer Lecture: How to provide imperfect justice for Holocaust victims in the 21st Century (Stuart Eizenstat)<\/td>\n<\/tr>\n<tr>\n<td>11\/15<\/td>\n<td>Film<\/td>\n<td width=\"564\">The 35th Annual Jerome Nemer Lecture:\u00a0 Film &#8220;Defiant requiem&#8221;<\/td>\n<\/tr>\n<tr>\n<td>11\/15<\/td>\n<td>Cseh-Varga \/ Cuevas-Wolf<\/td>\n<td width=\"564\">Katalin Cseh-Varga and Cristina Cuevas-Wolf: Keeping the Promise: A Method for a Critical Historiography of Event-based and Intermedia Art in East\u2010Central\u2010Europe<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td width=\"564\"><\/td>\n<\/tr>\n<tr>\n<td>02\/16<\/td>\n<td>Goto<\/td>\n<td width=\"564\">Midori Goto: Ludwig van Beethoven. Sonatas for Piano and Violin<\/td>\n<\/tr>\n<tr>\n<td>02\/16<\/td>\n<td>Zirkle<\/td>\n<td width=\"564\">Alexandra Zirkle: Bellicose Exegete: Heinrich Graetz and His Critique of Protestant Biblical Criticism<\/td>\n<\/tr>\n<tr>\n<td>04\/16<\/td>\n<td>Grossmann<\/td>\n<td width=\"564\">Atina Grossmann:\u00a0 Remapping Survival. Jewish Refugees and Lost Memories in the Soviet Union, Iran, and India<\/td>\n<\/tr>\n<tr>\n<td>04\/16<\/td>\n<td>G\u00f6ring<\/td>\n<td width=\"564\">Michael G\u00f6ring:\u00a0 The Refugee Crisis in Germany<\/td>\n<\/tr>\n<tr>\n<td>04\/16<\/td>\n<td>Isenberg<\/td>\n<td width=\"564\">&#8220;Casablanca&#8221; &#8211; film screening and discussion with Noah Isenberg<\/td>\n<\/tr>\n<tr>\n<td>09\/16<\/td>\n<td>Spera<\/td>\n<td width=\"564\">Danielle Spera: Jewish Vienna &#8211; just a museum or a living community?<\/td>\n<\/tr>\n<tr>\n<td>09\/16<\/td>\n<td>Stephanie Coche<\/td>\n<td width=\"564\">Stephanie Coch\u00e9: How Madness Works: Labor in the Process of Psychiatric Commitment in Germany (1941-1963).<\/td>\n<\/tr>\n<tr>\n<td>09\/16<\/td>\n<td>Denning<\/td>\n<td width=\"564\">Andrew Denning: Skiing into Modernity: A Cultural and Environmental History<\/td>\n<\/tr>\n<tr>\n<td>10\/16<\/td>\n<td>Holian<\/td>\n<td width=\"564\">Anna Holian: Afterimages of the Holocaust<\/td>\n<\/tr>\n<tr>\n<td>10\/16<\/td>\n<td>Kieslowski<\/td>\n<td width=\"564\">No End: Twenty Years into Krzysztof Kieslowski&#8217;s Second Life<\/td>\n<\/tr>\n<tr>\n<td>10\/16<\/td>\n<td>Zaorski<\/td>\n<td width=\"564\">Janusz Zaorski &#8211; film: &#8220;Generations&#8221;<\/td>\n<\/tr>\n<tr>\n<td>11\/16<\/td>\n<td>Stach<\/td>\n<td width=\"564\">Reiner Stach: Kafka: Legend and Reality<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td width=\"564\"><\/td>\n<\/tr>\n<tr>\n<td>01\/17<\/td>\n<td>Goto<\/td>\n<td width=\"564\">Midori Goto: Schubert&#8217;s Violin works in Concert<\/td>\n<\/tr>\n<tr>\n<td>03\/17<\/td>\n<td>Schatte<\/td>\n<td width=\"564\">Katja Schatte: Between Scholarship and Community Engagement: exploring pre- and post-reunification Jewish Life in East Berlin<\/td>\n<\/tr>\n<tr>\n<td>03\/17<\/td>\n<td>Ohler<\/td>\n<td width=\"564\">Norman Ohler: Blitzed: Drugs in the Third Reich<\/td>\n<\/tr>\n<tr>\n<td>03\/17<\/td>\n<td>Thompson \/ Haffter \/ Petrova<\/td>\n<td width=\"564\">Angela Thompson and Petra Haffter:\u00a0 an evening devoted to Fanny Mendelssohn&#8217;s life and music.<br \/>\nVioleta Petrova will play several of Fanny Mendelssohn&#8217;s compositions.<\/td>\n<\/tr>\n<tr>\n<td>10\/17<\/td>\n<td>Pasdzierny<\/td>\n<td width=\"564\">Matthias Pasdzierny: Returning emigr\u00e9s and the reconstruction of Germany&#8217;s musical life after 1945<\/td>\n<\/tr>\n<tr>\n<td>10\/17<\/td>\n<td>Hwang<\/td>\n<td width=\"564\">Schubertiade Series: Gunyoung Hwang will play works by Schumann, Mozart and Beethoven<\/td>\n<\/tr>\n<tr>\n<td>10\/17<\/td>\n<td>Wajda<\/td>\n<td width=\"564\">Andrzej Wajda\u00a0 &#8211;\u00a0 Man of Cinema: Wajda for the Twenty-First Century<\/td>\n<\/tr>\n<tr>\n<td>10\/17<\/td>\n<td>Rossmer Gropman \/ Gropman<\/td>\n<td width=\"564\">Gabrielle Rossmer Gropman and Sonya Gropman:\u00a0 The German-Jewish Cookbook: Recipes &amp; History of a Cuisine<\/td>\n<\/tr>\n<tr>\n<td>10\/17<\/td>\n<td>Buono<\/td>\n<td width=\"564\">Schubertiade Series: Mariacristina Buono will play works by Schumann, Mendelssohn and Brahms<\/td>\n<\/tr>\n<tr>\n<td>11\/17<\/td>\n<td>Marx<\/td>\n<td width=\"564\">Schubertiade Series: Daniel Valentin Marx will play works by Molinaro, Zamboni, Paganini, Scarlatti and Regondi<\/td>\n<\/tr>\n<tr>\n<td>11\/17<\/td>\n<td>Feuchtwanger<\/td>\n<td width=\"564\">Edgar Feuchtwanger&#8217;s Hitler, My Neighbor: Memories of a Jewish Childhood<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td width=\"564\"><\/td>\n<\/tr>\n<tr>\n<td>03\/18<\/td>\n<td>Range<\/td>\n<td width=\"564\">Regina Range: The Invisible Ones &#8211; Reconstructing the Hollywood Lives and Careers of Three Female Austrian-Jewish Exiles<\/td>\n<\/tr>\n<tr>\n<td>03\/18<\/td>\n<td>Kerstein \/ Hwang<\/td>\n<td width=\"564\">Schubertiade Series: Elizabeth Kerstein and Gunyoung Hwang will play works by Schubert and Brahms<\/td>\n<\/tr>\n<tr>\n<td>04\/18<\/td>\n<td>Basili<\/td>\n<td width=\"564\">Schubertiade Series: Cristina Basili<\/td>\n<\/tr>\n<tr>\n<td>04\/18<\/td>\n<td><\/td>\n<td width=\"564\">4\/16 &#8211; 4\/17\/18:\u00a0 Conference: Alternative Realities: Utopian Thought in Times of Political Rupture<\/td>\n<\/tr>\n<tr>\n<td>10\/18<\/td>\n<td>Kessel<\/td>\n<td width=\"564\">Martina Kessel: Performing Germanness &#8211; Laughter and Violence in Nazi Germany<\/td>\n<\/tr>\n<tr>\n<td>10\/18<\/td>\n<td>Schuetze \/ Seminatore \/ Pisturino<\/td>\n<td width=\"564\">Michael Sch\u00fctze, Gerald Seminatore, Ariel Pisturino: From Broadway to Berlin &#8211; Classical and musical theater selections with a German flair<\/td>\n<\/tr>\n<tr>\n<td>10\/18<\/td>\n<td>Petrone<\/td>\n<td width=\"564\">Karen Petrone: &#8220;Remembering and Forgetting the Soviet Union&#8217;s Great Patriotic War: Politics and Memory in Putin&#8217;s Russia&#8221;<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td width=\"564\"><\/td>\n<\/tr>\n<tr>\n<td>02\/19<\/td>\n<td>Bischoff<\/td>\n<td width=\"564\">Doerte Bischoff: The passport as life story.\u00a0 Identity papers in exile literature.<\/td>\n<\/tr>\n<tr>\n<td>02\/19<\/td>\n<td>Sukrow<\/td>\n<td width=\"564\">Oliver Sukrow: Re-reading socialist environments. The space and place in utopia in 1960&#8217;s GDR.<\/td>\n<\/tr>\n<tr>\n<td>02\/19<\/td>\n<td>Schivelbusch<\/td>\n<td width=\"564\">Wolfgang Schivelbusch:\u00a0 On perception, time and space.<\/td>\n<\/tr>\n<tr>\n<td>02\/19<\/td>\n<td>Stoler<\/td>\n<td width=\"564\">Ann Stoler:\u00a0 Vital lies. The aesthetics and politics of disregard.\u00a0 2\/28 + 3\/31\/2019.<\/td>\n<\/tr>\n<tr>\n<td>03\/19<\/td>\n<td>Lessing<\/td>\n<td width=\"564\">Hannah Lessing: Holocaust remembrance in a time of rising antisemitism.<\/td>\n<\/tr>\n<tr>\n<td>03\/19<\/td>\n<td>Marglin<\/td>\n<td width=\"564\">Working Group on Jews in the Maghreb and Middle East\u00a0 (Jessica Marglin)<\/td>\n<\/tr>\n<tr>\n<td>04\/19<\/td>\n<td width=\"317\">Pohlmann \/ Kempf \/ Hertz \/ Ganor \/ Friedman \/ Nye \/ Dentler \/ Marcuse \/ Yu \/ Samols<\/td>\n<td width=\"564\">West Coast Germanists:\u00a0 German History in a Fractious World<\/td>\n<\/tr>\n<tr>\n<td>04\/19<\/td>\n<td>Reichardt<\/td>\n<td width=\"564\">Sven Reichardt: Fascism&#8217;s global moments. New perspectives on entanglements and tensions between fascists regimes in the 1930s and 1940s.<\/td>\n<\/tr>\n<tr>\n<td>04\/19<\/td>\n<td>Waschnig \/ Zieher<\/td>\n<td width=\"564\">Women at Work &#8211; K\u00e4the Leichter and Marie Jahoda (with actresses Brigitta Waschnig and Anita Zieher, Portraittheather, Austria)<\/td>\n<\/tr>\n<tr>\n<td>04\/19<\/td>\n<td>Brown<\/td>\n<td width=\"564\">Kate Brown: Manual for Survival &#8211; A Chernobyl Guide to the Future.<\/td>\n<\/tr>\n<tr>\n<td>10\/19<\/td>\n<td>Sch\u00fctze<\/td>\n<td width=\"564\">Michael Schuetze: Goons, ghouls and goofs.\u00a0 An early musical Halloween celebration with Ryan Reithmeyer and Michael Sch\u00fctze performing songs by Schubert, Schumann, Duke and Ravel<\/td>\n<\/tr>\n<tr>\n<td>10\/19<\/td>\n<td>Verheyen<\/td>\n<td width=\"564\">Nina Verheyen: Beyond the pressure to perform. On the concept of &#8220;Leistung&#8221; in 19th Century Germany.<\/td>\n<\/tr>\n<tr>\n<td>10\/19<\/td>\n<td>Lowenstein<\/td>\n<td width=\"564\">An evening in celebration of Professor Steve Lowenstein.<\/td>\n<\/tr>\n<tr>\n<td>11\/19<\/td>\n<td>Feuchtwanger<\/td>\n<td width=\"564\">Paul Lerner, Marje Schuetze-Coburn, Adrian Feuchtwanger: Feuchtwanger &amp; Judaism.<\/td>\n<\/tr>\n<tr>\n<td>12\/19<\/td>\n<td>Keppler-Tasaki<\/td>\n<td width=\"564\">Stefan Keppler-Tasaki: with the eyes of a global citizen.\u00a0 Alfred D\u00f6blin as Berliner and Cosmopolitan.\u00a0 Doeblin<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td width=\"564\"><\/td>\n<\/tr>\n<tr>\n<td>01\/20<\/td>\n<td>Sneeringer<\/td>\n<td width=\"564\">Julia Sneeringer: From burlesque to Beatles. Hamburg and the early history of rock &#8216;n&#8217; roll in Germany.<\/td>\n<\/tr>\n<tr>\n<td>02\/20<\/td>\n<td>Lieber<\/td>\n<td width=\"564\">Robert Lieber: Germany, Europe and the problem of American indispensability.<\/td>\n<\/tr>\n<tr>\n<td>03\/20<\/td>\n<td>Kun\u00a0 &#8212;\u00a0 cancelled<\/td>\n<td width=\"564\">Josh Kun: A migrant sound. Listening to the 21st century<\/td>\n<\/tr>\n<tr>\n<td>04\/20<\/td>\n<td>Peselmann\u00a0 &#8212;\u00a0 cancelled<\/td>\n<td width=\"564\">Veronica Peselmann: Handling history: memorial objects of the Holocaust in contemporary art and artists&#8217; books.<\/td>\n<\/tr>\n<tr>\n<td>10\/20<\/td>\n<td>Morel \/ Kamuf<\/td>\n<td width=\"564\">Olivier Morel (via Zoom): &#8220;However, HowEver, How Ever?&#8221; Helene Cixous&#8217;s Jewish-German odysseys; a conversation with Olivier Morel and Peggy Kamuf around the film &#8220;Ever, Reve, Helene Cixous&#8221;<\/td>\n<\/tr>\n<tr>\n<td>10\/20<\/td>\n<td>Finchelstein \/ Neiman<\/td>\n<td width=\"564\">Federico Finchelstein and Susan Neiman (via Zoom): Fascism, racism, and historical analogy: Perspectives from the past and present.<\/td>\n<\/tr>\n<tr>\n<td>10\/20<\/td>\n<td>Ross<\/td>\n<td width=\"564\">Alex Ross (via Zoom): Wagnerism. Art and politics in the shadow of music.<\/td>\n<\/tr>\n<tr>\n<td>11\/20<\/td>\n<td>Velmet \/ Rogaski \/ Accampo<\/td>\n<td width=\"564\">Aro Velmet, Ruth Rogaski, Elinor Accampo (via Zoom): Pasteur&#8217;s Empire: Bacteriology and politics in France, its colonies, and the world.<br \/>\n[JP Daughton was scheduled to attend as well but had to cancel]<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n            \n                      <\/div>\n        <\/li>\n\n              <li>\n          <button type=\"button\" class=\"accordion-trigger \" id=\"heading-1-8-u2AjfhqiqQ\" aria-controls=\"section-1-8-u2AjfhqiqQ\" aria-expanded=\"false\" aria-disabled=\"false\">\n                          <span class=\"item-title\">EVENTS 2021 &#8211; 2023<\/span>\n            \n                      <\/button>\n\n          <div id=\"section-1-8-u2AjfhqiqQ\" role=\"region\" aria-labelledby=\"heading-1-8-u2AjfhqiqQ\" class=\"accordion-panel\">\n\n                            \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--rich-text \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--rich-text\"\n    \n      >\n\n    \n      \n<div class=\"f--field f--wysiwyg\">\n\n    \n  <table style=\"border-collapse: collapse; width: 100%; height: 1656px;\" border=\"1\">\n<tbody>\n<tr style=\"height: 24px;\">\n<td class=\"xl69\" style=\"height: 24px;\" height=\"17\">Date<\/td>\n<td class=\"xl70\" style=\"height: 24px;\">Presenter<\/td>\n<td class=\"xl65\" style=\"height: 24px;\" width=\"535\">Presentation<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"height: 72px;\" width=\"49\">04\/21<\/td>\n<td style=\"height: 72px;\" width=\"317\">Otto<\/td>\n<td style=\"height: 72px;\" width=\"564\">Elizabeth Otto: Haunted Bauhaus &#8211; Gender, Sexuality, and Politics\u00a0 (via zoom)<\/td>\n<\/tr>\n<tr style=\"height: 96px;\">\n<td style=\"height: 96px;\">04\/21<\/td>\n<td style=\"height: 96px;\">von Moltke<\/td>\n<td style=\"height: 96px;\" width=\"564\">Dorothea &amp; Johannes von Moltke: Last Letters &#8211; The Prison correspondence between Helmuth James and Freya von Moltke 1944-1945\u00a0 (via zoom)<\/td>\n<\/tr>\n<tr style=\"height: 96px;\">\n<td style=\"height: 96px;\">05\/21<\/td>\n<td style=\"height: 96px;\">Peselmann<\/td>\n<td style=\"height: 96px;\" width=\"564\">Veronica Peselmann: Handling matters.How format and scale constitute meaning in the arts (via zoom)<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"height: 72px;\">11\/21<\/td>\n<td style=\"height: 72px;\">Fazili and Hussaini<\/td>\n<td style=\"height: 72px;\" width=\"564\">Hassan Fazili and Fatima Hussaini:\u00a0 Midnight Traveler &#8211; Capturing the Global Refugee Crisis on Film<\/td>\n<\/tr>\n<tr style=\"height: 96px;\">\n<td style=\"height: 96px;\">12\/21<\/td>\n<td style=\"height: 96px;\">Academy Museum of Motion Pictures<\/td>\n<td style=\"height: 96px;\" width=\"564\">Symposium: Vienna in Hollywood &#8211; the influence and impact of Austrians on the Hollywood film industry, 1920s &#8211; 2020s<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px;\"><\/td>\n<td style=\"height: 24px;\"><\/td>\n<td style=\"height: 24px;\" width=\"564\"><\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"height: 72px;\">03\/22<\/td>\n<td style=\"height: 72px;\">English, Lerner, Brylak, Pisarska, Seifrid, Swerdlow<\/td>\n<td style=\"height: 72px;\" width=\"564\">Ukraine Crisis Briefing<\/td>\n<\/tr>\n<tr style=\"height: 96px;\">\n<td style=\"height: 96px;\">03\/22<\/td>\n<td style=\"height: 96px;\">Kolb and Valencia<\/td>\n<td style=\"height: 96px;\" width=\"564\">3\/3-3\/6\/22: Keynote speakers Anjuli Fatima Raza Kolb and Sayak Valencia: Illness &#8211; Getting Sick in\/of Colonial Empires and Post-Colonial Worlds<\/td>\n<\/tr>\n<tr style=\"height: 120px;\">\n<td style=\"height: 120px;\">03\/22<\/td>\n<td style=\"height: 120px;\">Film<\/td>\n<td style=\"height: 120px;\" width=\"564\">The Milk of Sorrow, directed by Claudia Llosa at transformative arts, followed by a discussion with Dr. jill moniz, Mercedes Dorame, and Giancarlo Cornejo<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"height: 72px;\">03\/22<\/td>\n<td style=\"height: 72px;\">Penny<\/td>\n<td style=\"height: 72px;\" width=\"564\">H. Glenn Penny: Future Visions from the Past, or How to Salvage Ethnological Museums for the Future<\/td>\n<\/tr>\n<tr style=\"height: 48px;\">\n<td style=\"height: 48px;\">03\/22<\/td>\n<td style=\"height: 48px;\">Classen<\/td>\n<td style=\"height: 48px;\" width=\"564\">Albrecht Classen: Germany in the contemporary world East and West<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"height: 72px;\">04\/22<\/td>\n<td style=\"height: 72px;\">Hajkova<\/td>\n<td style=\"height: 72px;\" width=\"564\">Anna Hajkova: Between Love and Coercion: Queer Desire, Sexual Barter and the Holocaust.<\/td>\n<\/tr>\n<tr style=\"height: 48px;\">\n<td style=\"height: 48px;\">04\/22<\/td>\n<td style=\"height: 48px;\">Kun<\/td>\n<td style=\"height: 48px;\" width=\"564\">Josh Kun: A migrant sound. Listening to the 21st Century<\/td>\n<\/tr>\n<tr style=\"height: 96px;\">\n<td style=\"height: 96px;\">04\/22<\/td>\n<td style=\"height: 96px;\">Hansen<\/td>\n<td style=\"height: 96px;\" width=\"564\">Jan Hansen: Making the Modern Individual: Urban Infrastructure and Daily Life in Los Angeles and Berlin, 1850\u20131940.<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"height: 72px;\">10\/22<\/td>\n<td style=\"height: 72px;\">Hajjat<\/td>\n<td style=\"height: 72px;\" width=\"564\">Abdellali Hajjat discusses his book &#8220;The Wretched of France &#8211; the 1983 March for Equality and against Racism&#8221;<\/td>\n<\/tr>\n<tr style=\"height: 48px;\">\n<td style=\"height: 48px;\">10\/22<\/td>\n<td style=\"height: 48px;\">Kaljundi<\/td>\n<td style=\"height: 48px;\" width=\"564\">Linda Kaljundi: Removing Statues in the age of the war in Ukraine<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr style=\"height: 96px;\">\n<td style=\"height: 96px;\">02\/23<\/td>\n<td style=\"height: 96px;\">Kargl, Pestel<\/td>\n<td style=\"height: 96px;\">Silvia Kargl and Friedemann Pestel: The German Reich&#8217;s other flagship orchestra? The Vienna Philharmonic, National Socialism and Beyond.<\/td>\n<\/tr>\n<tr style=\"height: 96px;\">\n<td style=\"height: 96px;\">02\/23<\/td>\n<td style=\"height: 96px;\">Benjamin<\/td>\n<td style=\"height: 96px;\">Ross Benjamin: On translating Kafka&#8217;s diaries: a reading and conversation with award-winning translator Ross Benjamin.<\/td>\n<\/tr>\n<tr style=\"height: 72px;\">\n<td style=\"height: 72px;\">03\/23<\/td>\n<td style=\"height: 72px;\">Marriott<\/td>\n<td style=\"height: 72px;\">David Marriott: CSLC annual symposium 2023: Thinking, Crisis &#8211; The crisis of truth<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px;\">03\/23<\/td>\n<td style=\"height: 24px;\">Steinmetz<\/td>\n<td style=\"height: 24px;\">Willibald Steinmetz: Outrageous comparisons in modern history and contemporary politics. Gerda Henkel Lecture Tour.<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px;\">04\/23<\/td>\n<td style=\"height: 24px;\">Nekola<\/td>\n<td style=\"height: 24px;\">Martin Nekola: post-war Czechoslovakia, communist coup and the cold war exile.<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px;\">04\/23<\/td>\n<td style=\"height: 24px;\">Kalczewiak<\/td>\n<td style=\"height: 24px;\">Mariusz Kalczewiak: Men of valor and anxiety. Polish-Jewish masculinities and the challenge of modernity.<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px;\">04\/23<\/td>\n<td style=\"height: 24px;\">Almadhoun, Duong<\/td>\n<td style=\"height: 24px;\">Ghayath Almadhoun and Lan Duong: The poetry of exile.<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px;\">05\/23<\/td>\n<td style=\"height: 24px;\">Lerner, Zubovich, Demshuk, Normand, Kojanic, Hansen, Kei, Sukrow, Grant, Jovanovic, Serna, Muide, Greiner<\/td>\n<td style=\"height: 24px;\">Concrete Dreams: urban infrastructure and the regulation of human behavior in the global 20th Century. A 2-day workshop (5\/14\/23 &#8211; 5\/15\/23)<\/td>\n<\/tr>\n<tr>\n<td>05\/23<\/td>\n<td>Rothberg, Ratskoff, Samudzi<\/td>\n<td>Civilization breaks. Colonialism, slavery, and the Holocaust (5\/22\/23 &#8211; 5\/23\/23)<\/td>\n<\/tr>\n<tr>\n<td>05\/23<\/td>\n<td>Lessmann<\/td>\n<td>Stefan Lessmann: Say Gay &#8211; Ludwig Marcuse and the right of literature to sex.<\/td>\n<\/tr>\n<tr>\n<td>10\/23<\/td>\n<td>Spera<\/td>\n<td>Danielle Spera: Shoah commemoration and cultures of remembrance in Austria.<\/td>\n<\/tr>\n<tr>\n<td>10\/23<\/td>\n<td>McLaughlin<\/td>\n<td>Kevin McLaughlin: Gehalt Theory. Benjamin on Goethe<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px;\">10\/23<\/td>\n<td style=\"height: 24px;\">Millstein, Cheli<\/td>\n<td style=\"height: 24px;\">Adam Millstein (violin), Dominic Cheli (piano): Exiles in Hollywood: Music of film composers suppressed by the Nazis. The music of Korngold, Castelnuovo-Tedesco, Tansman, and Weinberg.<\/td>\n<\/tr>\n<tr style=\"height: 24px;\">\n<td style=\"height: 24px;\">10\/23<\/td>\n<td style=\"height: 24px;\">Harrison<\/td>\n<td style=\"height: 24px;\">Olivia Harrison: Natives against nativism. Antiracism and indigenous critique in postcolonial France.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n            \n                      <\/div>\n        <\/li>\n\n          <\/ul>\n  \n  \n\n  <\/div><\/div>\n\n\n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--spacer \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--spacer\"\n    \n      >\n\n    \n\n  <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-content-detail.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-193","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Prior Events - Max Kade Institute for Austrian-German-Swiss Studies<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dornsife.usc.edu\/max-kade\/2022-events-and-prior\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Prior Events - Max Kade Institute for Austrian-German-Swiss Studies\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dornsife.usc.edu\/max-kade\/2022-events-and-prior\/\" \/>\n<meta property=\"og:site_name\" content=\"Max Kade Institute for Austrian-German-Swiss Studies\" \/>\n<meta property=\"article:modified_time\" content=\"2023-12-11T17:57:05+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dornsife.usc.edu\/max-kade\/2022-events-and-prior\/\",\"url\":\"https:\/\/dornsife.usc.edu\/max-kade\/2022-events-and-prior\/\",\"name\":\"Prior Events - Max Kade Institute for Austrian-German-Swiss Studies\",\"isPartOf\":{\"@id\":\"https:\/\/dornsife.usc.edu\/max-kade\/#website\"},\"datePublished\":\"2022-11-17T01:05:21+00:00\",\"dateModified\":\"2023-12-11T17:57:05+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/dornsife.usc.edu\/max-kade\/2022-events-and-prior\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/dornsife.usc.edu\/max-kade\/2022-events-and-prior\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/dornsife.usc.edu\/max-kade\/2022-events-and-prior\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/dornsife.usc.edu\/max-kade\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Prior Events\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dornsife.usc.edu\/max-kade\/#website\",\"url\":\"https:\/\/dornsife.usc.edu\/max-kade\/\",\"name\":\"Max Kade Institute for Austrian-German-Swiss Studies\",\"description\":\"USC Dornsife Max Kade Institute for Austrian-German-Swiss Studies\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dornsife.usc.edu\/max-kade\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Prior Events - Max Kade Institute for Austrian-German-Swiss Studies","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/dornsife.usc.edu\/max-kade\/2022-events-and-prior\/","og_locale":"en_US","og_type":"article","og_title":"Prior Events - Max Kade Institute for Austrian-German-Swiss Studies","og_url":"https:\/\/dornsife.usc.edu\/max-kade\/2022-events-and-prior\/","og_site_name":"Max Kade Institute for Austrian-German-Swiss Studies","article_modified_time":"2023-12-11T17:57:05+00:00","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/dornsife.usc.edu\/max-kade\/2022-events-and-prior\/","url":"https:\/\/dornsife.usc.edu\/max-kade\/2022-events-and-prior\/","name":"Prior Events - Max Kade Institute for Austrian-German-Swiss Studies","isPartOf":{"@id":"https:\/\/dornsife.usc.edu\/max-kade\/#website"},"datePublished":"2022-11-17T01:05:21+00:00","dateModified":"2023-12-11T17:57:05+00:00","breadcrumb":{"@id":"https:\/\/dornsife.usc.edu\/max-kade\/2022-events-and-prior\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dornsife.usc.edu\/max-kade\/2022-events-and-prior\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/dornsife.usc.edu\/max-kade\/2022-events-and-prior\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/dornsife.usc.edu\/max-kade\/"},{"@type":"ListItem","position":2,"name":"Prior Events"}]},{"@type":"WebSite","@id":"https:\/\/dornsife.usc.edu\/max-kade\/#website","url":"https:\/\/dornsife.usc.edu\/max-kade\/","name":"Max Kade Institute for Austrian-German-Swiss Studies","description":"USC Dornsife Max Kade Institute for Austrian-German-Swiss Studies","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dornsife.usc.edu\/max-kade\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/dornsife.usc.edu\/max-kade\/wp-json\/wp\/v2\/pages\/193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dornsife.usc.edu\/max-kade\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dornsife.usc.edu\/max-kade\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dornsife.usc.edu\/max-kade\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/dornsife.usc.edu\/max-kade\/wp-json\/wp\/v2\/comments?post=193"}],"version-history":[{"count":61,"href":"https:\/\/dornsife.usc.edu\/max-kade\/wp-json\/wp\/v2\/pages\/193\/revisions"}],"predecessor-version":[{"id":837,"href":"https:\/\/dornsife.usc.edu\/max-kade\/wp-json\/wp\/v2\/pages\/193\/revisions\/837"}],"wp:attachment":[{"href":"https:\/\/dornsife.usc.edu\/max-kade\/wp-json\/wp\/v2\/media?parent=193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}