{"id":2827,"date":"2023-04-04T16:59:52","date_gmt":"2023-04-04T16:59:52","guid":{"rendered":"https:\/\/dornsife.usc.edu\/iacs\/?p=2827"},"modified":"2023-06-21T17:39:03","modified_gmt":"2023-06-21T17:39:03","slug":"what-were-reading-image-journal","status":"publish","type":"post","link":"https:\/\/dornsife.usc.edu\/iacs\/2023\/04\/04\/what-were-reading-image-journal\/","title":{"rendered":"What We\u2019re Reading: Image Journal"},"content":{"rendered":"\n\n\n\n\n \n \n\n\n\n\n\n\n\n
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What We\u2019re Reading: Image Journal<\/h1>\n\n\n<\/div>\n \n \n By<\/span>By Becky King Cerling, Ph.D., Executive Director<\/strong>\n \n April 4, 2023<\/span>\n <\/div>\n<\/div>\n\n\n <\/div><\/div>\n\n \n \n\n\n\n\n\n\n\n
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Image Journal: Art \u2013 Faith \u2013 Mystery<\/strong><\/p>\n

My copy of the Fall 2007 issue of Image<\/span><\/em><\/a> has survived several moves and currently lives in the bookcase with the texts I use when I teach seminary courses. The more recent issues of Image <\/em>are downstairs on the stack of newspapers and books waiting to be read and absorbed. Why tote a back copy of a lesser-known literary journal around for 16-odd years? And keep stacks of copies next to the fireplace? An easy answer is that Image<\/em> is gorgeous. The cover always features an intriguing piece of visual art. Inside, printed on weighty paper, there are images and poetry and short stories and essays and a conversation \u2014 each that explore the intersection of art and faith.<\/p>\n

\"An<\/a>
Image Journal is a literary and arts quarterly published by the Center for Religious Humanism located at Seattle Pacific University<\/figcaption><\/figure>\n

A better answer to the question of why hang on to old issues is that Image<\/em> almost always does what it sets out to do, namely \u201cfoster contemporary art and writing that grapple with the mystery of being human by . . . celebrating work that explores religious faith and spiritual questions.\u201d Each issue includes works of both visual and literary art.<\/p>\n

For example, the Winter 2022 issue<\/a><\/span> features Rowan Williams<\/a> <\/span>and Shane McCrae<\/a> <\/span>in conversation<\/span><\/a> about their poetry and the ways that both poetry and theology provide space and language for thinking about God. In the same issue, Wendy Kiyom<\/span>i<\/a> writes about the pain of walking with an adopted child<\/span><\/a>, unable to be healed. One of the visual artists featured is John Descarfino<\/span><\/a>, whose recent work depicts windows<\/a><\/span> and invites an encounter with how we see.\u00a0 Complementing the visual art work, the issue also includes a conversation with curator Aaron Rosen<\/a><\/span> who has transformed a 19th<\/sup>-century parsonage<\/a><\/span> in Maine into an art gallery.\u00a0 And as in every issue, poetry graces multiple pages. My favorite in Winter 2022 is \u201cThe Situation<\/span><\/a>\u201d by Leslie Williams<\/a><\/span>.<\/p>\n

Image<\/em> is published four times a year by the Center for Religious Humanism located at Seattle Pacific University. The masthead includes the disclaimer that the \u201cviews and opinions expressed in the journal do not necessarily reflect those of the university trustees, administration, faculty, or staff.\u201d I get that disclaimer. I don\u2019t always understand \u2014 or even like \u2014 the images or the writing. Sometimes I shut the thing and put it away until later. The content in Image<\/em> can be encouraging, challenging, awe-inspiring \u2014 and sometimes perplexing . Which is okay. And which is another reason to keep back issues around \u2014 available for return visits.<\/p>\n

The content in Image<\/em> can be encouraging, challenging, awe-inspiring \u2014 and sometimes perplexing .<\/p><\/blockquote>\n

The best artists work to tell the truth, but as Emily Dickinson famously wrote, artists \u201ctell it slant<\/span><\/a>.\u201d And in so doing help the rest of us to hear and see. Perhaps we won\u2019t hear or see the truth immediately, but that truth, like sunlight seen through shadow, will eventually break through.<\/p>\n

Regardless of how the content of any given issue is received, Image<\/em> demonstrates that fine art can originate from people with serious religious sensibilities. Indeed, the broader purpose of Image<\/em> is crucial: \u201cImage<\/em> is animated by our vision to be a\u00a0vibrant thread in the fabric of culture, contributing to mainstream literary and artistic communities by demonstrating\u00a0the vitality of contemporary art and literature invigorated by religious faith.\u201d Of the many gifts of the Church to our divided world, this is one of the most important.<\/p>\n

Artists and scholars<\/span><\/a> across disciplines sing the praises of Image<\/em>. One prominent theologian wrote:<\/p>\n

\u201cImage<\/em>\u00a0occupies a unique place in the religion\/arts world. No other journal manages to maintain such academic integrity while at the same time avoiding theological jargon. No other journal manages to offer such depth while still remaining comprehensible to a general readership. No other journal manages to be so provocative while also being so full of common sense. And no other journal in this field begins to match\u00a0Image<\/em>\u00a0for quality of presentation. A major achievement with a rich and promising future.\u201d<\/p>\n

\u2014 Jeremy Begbie<\/span><\/a>, Thomas A. Langford Distinguished Research Professor of Theology, Duke Divinity School<\/p>\n\n\n\n<\/div>\n\n\n <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":68,"featured_media":2844,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,176],"tags":[32,145,36],"class_list":["post-2827","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-insights","category-what-were-reading","tag-book","tag-book-reviews","tag-iacs"],"acf":[],"yoast_head":"\nWhat We\u2019re Reading: Image Journal<\/title>\n<meta name=\"description\" content=\"IACS Executive Director Beck King Cerling, Ph.D., reviews Image, an arts quarterly published by the Center for Religious Humanism at Seattle Pacific University.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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