{"id":776,"date":"2023-11-11T17:51:30","date_gmt":"2023-11-11T17:51:30","guid":{"rendered":"https:\/\/live-usc-dornsife.pantheonsite.io\/goldlinepress\/?page_id=776"},"modified":"2023-11-27T16:47:33","modified_gmt":"2023-11-27T16:47:33","slug":"among-margins","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/goldlinepress\/among-margins\/","title":{"rendered":"AMONG MARGINS: CRITICAL &#038; LYRICAL WRITING ON AESTHETICS"},"content":{"rendered":"  \n\n            \n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--stacking-cards \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--stacking-cards\"\n    \n      >\n\n    \n            <div class=\"header-container\">\n                                \n<div class=\"f--field f--section-title\">\n\n    \n  <h2>\n          Fox Frazier-Foley &#038; Diana Arterian (eds.)\n      <\/h2>\n\n\n<\/div>\n            \n                    <\/div>\n    \n            <div class=\"cards-container\">\n            \n                <div class=\"card\">\n\n                    <div class=\"title-description\">\n\n                                                      \n<div class=\"f--field f--cta-title\">\n\n    \n  <h3>\n          <a href=\"https:\/\/dtspayment.usc.edu\/OnlinePayment\/goldline\/purchase.cfm\" \n         target=\"_blank\"                 class=\"\" \n      >ADD TO CART<\/a>\n      <\/h3>\n\n\n<\/div>\n                        \n                                                        \n<div class=\"f--field f--description\">\n\n    \n  <p>ISBN 9781938900143<br \/>\nPublication date: September 2016<br \/>\n413 pages, 6.3&#8243; x 8&#8243;<br \/>\n<a href=\"\/goldlinepress\/wp-content\/uploads\/sites\/114\/2023\/11\/RE_AmongMargins.pdf\" target=\"_blank\" rel=\"noopener\">Read Press Release (PDF)<\/a><em><br \/>\n<\/em><\/p>\n<p><strong>OVERVIEW<\/strong><\/p>\n<p class=\"p1\">This anthology is a collection of some of the most exciting voices in the field of writing, art, and activism. Each contributor considers different aspects of aesthetics, from what beauty means to them to how disability has informed their practice. Here artists and writers dive deep into how notions of identity, language, and history play out in their work.<\/p>\n<p>&nbsp;<\/p>\n\n\n\n<\/div>\n                        \n                    <\/div>\n\n\n                    \n                        \n                            \n<div class=\"f--field f--image\">\n\n    \n        <a href=\"https:\/\/dtspayment.usc.edu\/OnlinePayment\/goldline\/purchase.cfm\" target=\"_blank\" aria-label=\"Read more about ADD TO CART\">\n  \n    \n    \n    \n    \n              \n      <img decoding=\"async\"\n                            src=\"https:\/\/dornsife.usc.edu\/goldlinepress\/wp-content\/uploads\/sites\/114\/2023\/11\/AmongMargins-768x1024.jpg\"\n          srcset=\"https:\/\/dornsife.usc.edu\/goldlinepress\/wp-content\/uploads\/sites\/114\/2023\/11\/AmongMargins-1280x1707.jpg 1280w,https:\/\/dornsife.usc.edu\/goldlinepress\/wp-content\/uploads\/sites\/114\/2023\/11\/AmongMargins-768x1024.jpg 768w\"          sizes=\"(min-width:1024px) 50vw, (min-width:768px) 100vw, 100vw\"\n        \n                  role=\"none\"\n        \n        \n                                      \/>\n\n    \n    \n  \n      <\/a>\n  \n\n<\/div>\n\n                    \n                <\/div>\n\n            \n                <div class=\"card\">\n\n                    <div class=\"title-description\">\n\n                        \n                                                        \n<div class=\"f--field f--description\">\n\n    \n  <p><strong>CONTRIBUTORS<\/strong><\/p>\n<p>Kazim Ali,\u00a0Jennifer Bartlett,\u00a0Josh Bell, CAConrad,\u00a0Camille T. Dungy,\u00a0Mary Gaitskill,\u00a0Maria Mazziotti Gillan,\u00a0Carmen Gim\u00e9nez Smith,\u00a0Arielle Greenberg,\u00a0Elizabeth Hall,\u00a0Brenda Hillman,\u00a0Bob Holman,\u00a0Kenyatta A.C. Hinkle,\u00a0Bhanu Kapil,\u00a0Douglas Kearney, Paul Legault,\u00a0Sandra Lim,\u00a0MANDEM, Shane McCrae,\u00a0Lynn Melnick,\u00a0Philip Metres,\u00a0Ben Mirov, Eileen Myles,\u00a0Hoa Nguyen,\u00a0Alice Notley,\u00a0Mark Nowak,\u00a0James Romberger, giovanni singleton, Molly Sutton Kiefer,\u00a0Mathew Timmons, Marguerite Van Cook,\u00a0Derek White,\u00a0Simone White,\u00a0Joshua Marie Wilkinson,\u00a0Emily Wolahan,\u00a0Maged Zaher<\/p>\n\n\n\n<\/div>\n                        \n                    <\/div>\n\n\n                    \n                <\/div>\n\n            \n                <div class=\"card\">\n\n                    <div class=\"title-description\">\n\n                        \n                                                        \n<div class=\"f--field f--description\">\n\n    \n  <p><strong>EDITORS<\/strong><\/p>\n<p><strong>Fox Frazier-Foley<\/strong>\u00a0is author of two prize-winning poetry collections, <em>Exodus in X Minor<\/em> (Sundress Publications, 2014) and <em>The Hydromantic Histories<\/em> (Bright Hill Press, 2015), and editor of two anthologies, <em>Political Punch<\/em> (Sundress Publications, 2016) and this, <em>Among Margins<\/em> (Ricochet Editions, 2016). She is co-creator, with Hoa Nguyen, of the forthcoming Tough Gal Tarot deck and book. Fox is founding EIC of the indie-lit press <a href=\"http:\/\/agapeeditions.com\">Agape Editions<\/a>, which is an imprint of Sundress Publications (a registered 501(c)3 non-profit organization) dedicated to publishing literary works that engage with concepts of the mystical, ecstatic, interfaith\/ intercultural, and the Numinous. Fox was graduated Phi Beta Kappa from Binghamton University, was honored with merit-based fellowships at Columbia University, where she earned an MFA, and was a Provost\u2019s Fellow at the University of Southern California, where she was a founding member of the small press Ricochet Editions and earned a PhD in Literature &amp; Creative Writing.<\/p>\n<p><strong>Diana Arterian <\/strong>is the author of <em>Playing Monster:: Seiche <\/em>(1913 Press<em>, <\/em>2017), and the chapbooks<em> With Lightness &amp; Darkness and Other Brief Pieces (<\/em>Essay Press<em>, <\/em>2017<em>)<\/em> and<em> Death Centos <\/em>(Ugly Duckling Presse<em>, <\/em>2013). She is also a Poetry Editor at Noemi Press and a Managing Editor at Ricochet. Her work has been recognized with fellowships from Caldera, Vermont Studio Center, and Yadoo, and her poetry, essays, and translations have appeared in<em> Apogee<\/em>, <em>Black Warrior Review<\/em>, <em>Boston Review<\/em>, <em>Circumference<\/em>, <em>Denver Quarterly<\/em>, <em>DIAGRAM<\/em>, <em>Los Angeles Review of Books<\/em>, <em>Two Serious Ladies<\/em>, and <em>The Volta<\/em>, among others.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>DESIGNER<\/strong><\/p>\n<p>Book design by <strong><a href=\"http:\/\/cargocollective.com\/cindikusuda\" target=\"_blank\" rel=\"noopener\">Cindi Kusuda<\/a>.<\/strong><\/p>\n\n\n\n<\/div>\n                        \n                    <\/div>\n\n\n                    \n                <\/div>\n\n            \n        <\/div>\n    \n\n  <\/div><\/div>\n\n\n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--spacer \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--spacer\"\n    \n      >\n\n    \n\n  <\/div><\/div>\n\n\n      \n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--contact-details \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--contact-details\"\n    \n      >\n\n    \n  <div class=\"inner-wrapper\">\n\n          <div class=\"header-container\">\n\n                      \n<div class=\"f--field f--section-title\">\n\n    \n  <h2>\n          Contact Us\n      <\/h2>\n\n\n<\/div>\n        \n        \n      <\/div>\n    \n    \n      <div class=\"contacts-container\">\n\n        \n                      <div class=\"contact-card\">\n\n                              <h3>MAIL<\/h3>\n              \n                                  \n<div class=\"f--field f--description\">\n\n    \n  <p>Gold Line Press &amp; Ricochet Editions<\/p>\n<p>c\/o Ph.D. in Creative Writing &amp; Literature<\/p>\n<p>3501 Trousdale Parkway, THH 431<\/p>\n<p>Los Angeles, CA\u00a0 90089-0354<\/p>\n\n\n\n<\/div>\n              \n              \n              \n            <\/div>\n                    \n                      <div class=\"contact-card\">\n\n                              <h3>EMAIL<\/h3>\n              \n                                  \n<div class=\"f--field f--description\">\n\n    \n  <p><a href=\"mailto:editors@goldlinepress.com\" target=\"_blank\" rel=\"noopener\">editors@goldlinepress.com<\/a><\/p>\n<p><a href=\"mailto:editors@ricocheteditions.com\" target=\"_blank\" rel=\"noopener\">editors@ricocheteditions.com<\/a><\/p>\n\n\n\n<\/div>\n              \n              \n              \n            <\/div>\n                    \n                      <div class=\"contact-card\">\n\n                              <h3>SOCIAL MEDIA<\/h3>\n              \n                                  \n<div class=\"f--field f--description\">\n\n    \n  <p>Gold Line Press: <a href=\"https:\/\/www.facebook.com\/gold.line.chapbooks\" target=\"_blank\" rel=\"noopener\">Facebook<\/a> | <a href=\"https:\/\/twitter.com\/Gold_Line_Press\" target=\"_blank\" rel=\"noopener\">Twitter<\/a> | <a href=\"https:\/\/www.instagram.com\/goldlinepress\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a><\/p>\n<p>Ricochet Editions: <a href=\"https:\/\/www.facebook.com\/RicochetEditions\/\" target=\"_blank\" rel=\"noopener\">Facebook<\/a> | <a href=\"https:\/\/twitter.com\/RicochetEds\" target=\"_blank\" rel=\"noopener\">Twitter<\/a> | <a href=\"https:\/\/www.instagram.com\/ricocheteditions\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a><\/p>\n\n\n\n<\/div>\n              \n              \n              \n            <\/div>\n                    \n      <\/div>\n\n        \n     \n    \n  <\/div>\n\n\n  <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":149,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-776","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>AMONG MARGINS: CRITICAL &amp; LYRICAL WRITING ON AESTHETICS - Gold Line Press\/Ricochet Editions<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dornsife.usc.edu\/goldlinepress\/among-margins\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"AMONG MARGINS: CRITICAL &amp; LYRICAL WRITING ON AESTHETICS - Gold Line Press\/Ricochet Editions\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dornsife.usc.edu\/goldlinepress\/among-margins\/\" \/>\n<meta property=\"og:site_name\" content=\"Gold Line Press\/Ricochet Editions\" \/>\n<meta property=\"article:modified_time\" content=\"2023-11-27T16:47:33+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dornsife.usc.edu\/goldlinepress\/among-margins\/\",\"url\":\"https:\/\/dornsife.usc.edu\/goldlinepress\/among-margins\/\",\"name\":\"AMONG MARGINS: CRITICAL & LYRICAL WRITING ON AESTHETICS - Gold Line Press\/Ricochet Editions\",\"isPartOf\":{\"@id\":\"https:\/\/dornsife.usc.edu\/goldlinepress\/#website\"},\"datePublished\":\"2023-11-11T17:51:30+00:00\",\"dateModified\":\"2023-11-27T16:47:33+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/dornsife.usc.edu\/goldlinepress\/among-margins\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/dornsife.usc.edu\/goldlinepress\/among-margins\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/dornsife.usc.edu\/goldlinepress\/among-margins\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/dornsife.usc.edu\/goldlinepress\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"AMONG MARGINS: CRITICAL &#038; LYRICAL WRITING ON AESTHETICS\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dornsife.usc.edu\/goldlinepress\/#website\",\"url\":\"https:\/\/dornsife.usc.edu\/goldlinepress\/\",\"name\":\"Gold Line Press\/Ricochet Editions\",\"description\":\"USC Dornsife Gold Line Press\/Ricochet Editions\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dornsife.usc.edu\/goldlinepress\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"AMONG MARGINS: CRITICAL & LYRICAL WRITING ON AESTHETICS - Gold Line Press\/Ricochet Editions","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/dornsife.usc.edu\/goldlinepress\/among-margins\/","og_locale":"en_US","og_type":"article","og_title":"AMONG MARGINS: CRITICAL & LYRICAL WRITING ON AESTHETICS - Gold Line Press\/Ricochet Editions","og_url":"https:\/\/dornsife.usc.edu\/goldlinepress\/among-margins\/","og_site_name":"Gold Line Press\/Ricochet Editions","article_modified_time":"2023-11-27T16:47:33+00:00","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/dornsife.usc.edu\/goldlinepress\/among-margins\/","url":"https:\/\/dornsife.usc.edu\/goldlinepress\/among-margins\/","name":"AMONG MARGINS: CRITICAL & LYRICAL WRITING ON AESTHETICS - Gold Line Press\/Ricochet Editions","isPartOf":{"@id":"https:\/\/dornsife.usc.edu\/goldlinepress\/#website"},"datePublished":"2023-11-11T17:51:30+00:00","dateModified":"2023-11-27T16:47:33+00:00","breadcrumb":{"@id":"https:\/\/dornsife.usc.edu\/goldlinepress\/among-margins\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dornsife.usc.edu\/goldlinepress\/among-margins\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/dornsife.usc.edu\/goldlinepress\/among-margins\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/dornsife.usc.edu\/goldlinepress\/"},{"@type":"ListItem","position":2,"name":"AMONG MARGINS: CRITICAL &#038; LYRICAL WRITING ON AESTHETICS"}]},{"@type":"WebSite","@id":"https:\/\/dornsife.usc.edu\/goldlinepress\/#website","url":"https:\/\/dornsife.usc.edu\/goldlinepress\/","name":"Gold Line Press\/Ricochet Editions","description":"USC Dornsife Gold Line Press\/Ricochet Editions","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dornsife.usc.edu\/goldlinepress\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/dornsife.usc.edu\/goldlinepress\/wp-json\/wp\/v2\/pages\/776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dornsife.usc.edu\/goldlinepress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dornsife.usc.edu\/goldlinepress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dornsife.usc.edu\/goldlinepress\/wp-json\/wp\/v2\/users\/149"}],"replies":[{"embeddable":true,"href":"https:\/\/dornsife.usc.edu\/goldlinepress\/wp-json\/wp\/v2\/comments?post=776"}],"version-history":[{"count":71,"href":"https:\/\/dornsife.usc.edu\/goldlinepress\/wp-json\/wp\/v2\/pages\/776\/revisions"}],"predecessor-version":[{"id":1548,"href":"https:\/\/dornsife.usc.edu\/goldlinepress\/wp-json\/wp\/v2\/pages\/776\/revisions\/1548"}],"wp:attachment":[{"href":"https:\/\/dornsife.usc.edu\/goldlinepress\/wp-json\/wp\/v2\/media?parent=776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}