{"id":757,"date":"2023-11-18T18:34:21","date_gmt":"2023-11-18T18:34:21","guid":{"rendered":"https:\/\/live-usc-dornsife.pantheonsite.io\/goldlinepress\/?page_id=757"},"modified":"2023-11-21T22:29:01","modified_gmt":"2023-11-21T22:29:01","slug":"one-way-to-listen","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/goldlinepress\/one-way-to-listen\/","title":{"rendered":"ONE WAY TO LISTEN"},"content":{"rendered":"  \n\n            \n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--stacking-cards \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--stacking-cards\"\n    \n      >\n\n    \n            <div class=\"header-container\">\n                                \n<div class=\"f--field f--section-title\">\n\n    \n  <h2>\n          by Asa Drake\n      <\/h2>\n\n\n<\/div>\n            \n                    <\/div>\n    \n            <div class=\"cards-container\">\n            \n                <div class=\"card\">\n\n                    <div class=\"title-description\">\n\n                                                      \n<div class=\"f--field f--cta-title\">\n\n    \n  <h3>\n          <a href=\"https:\/\/dtspayment.usc.edu\/OnlinePayment\/goldline\/purchase.cfm\" \n         target=\"_blank\"                 class=\"\" \n      >ADD TO CART<\/a>\n      <\/h3>\n\n\n<\/div>\n                        \n                                                        \n<div class=\"f--field f--description\">\n\n    \n  <p>&nbsp;<\/p>\n<p>ISBN: 978-1-938900-45-7<br \/>\nRelease date: Spring 2023<br \/>\nPerfect-bound<br \/>\n46 pages, 5.3\u201d x 7\u201d<br \/>\n<a href=\"\/goldlinepress\/wp-content\/uploads\/sites\/114\/2023\/11\/GLP_OneWayToListen.pdf\" target=\"_blank\" rel=\"noopener\">Read Press Release (PDF)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>SYNOPSIS<\/strong><\/p>\n<p>Examining consumption culture, workplace microaggressions, and intergenerational experiences, <em>One Way to Listen<\/em> explores a fragmented experience in a setting defined by capitalism and diaspora. These poems study the border and how it is defined through the body, ornament, and nationhood. They seek a better understanding of what we risk by speaking in a geography that is both familiar and divisive. Navigating the difficulties of a marginalized body in a public space, these poems ask, what do we choose for ourselves and with what success?<\/p>\n\n\n\n<\/div>\n                        \n                    <\/div>\n\n\n                    \n                        \n                            \n<div class=\"f--field f--image\">\n\n    \n        <a href=\"https:\/\/dtspayment.usc.edu\/OnlinePayment\/goldline\/purchase.cfm\" target=\"_blank\" aria-label=\"Read more about ADD TO CART\">\n  \n    \n    \n    \n    \n              \n      <img decoding=\"async\"\n                            src=\"https:\/\/dornsife.usc.edu\/goldlinepress\/wp-content\/uploads\/sites\/114\/2023\/11\/One-Way-to-Listen-768x1024.jpg\"\n          srcset=\"https:\/\/dornsife.usc.edu\/goldlinepress\/wp-content\/uploads\/sites\/114\/2023\/11\/One-Way-to-Listen-1280x1707.jpg 1280w,https:\/\/dornsife.usc.edu\/goldlinepress\/wp-content\/uploads\/sites\/114\/2023\/11\/One-Way-to-Listen-768x1024.jpg 768w\"          sizes=\"(min-width:1024px) 50vw, (min-width:768px) 100vw, 100vw\"\n        \n                  role=\"none\"\n        \n        \n                                      \/>\n\n    \n    \n  \n      <\/a>\n  \n\n<\/div>\n\n                    \n                <\/div>\n\n            \n                <div class=\"card\">\n\n                    <div class=\"title-description\">\n\n                        \n                                                        \n<div class=\"f--field f--description\">\n\n    \n  <p><strong>PRAISE<\/strong><\/p>\n<p>Asa Drake\u2019s incisive debut chapbook<em>, One Way to Listen,<\/em> carves through simplistic narratives, filling in the new space with \u201cnests of small animals,\u201d surreal details that promote curiosity, and \u201croom for uncertainty.\u201d Operating with furious imagination, these poems return to interlocking loves: of family, place, and self\u2014love especially in resistance to rising violence that this speaker, a Filipina American woman, is positioned to live in acute awareness of. Through such tenderness, Drake opens vital questions about relation and grief. In response to the 2021 Atlanta spa shooting, Drake\u2019s speaker asks what outfit is appropriate to wear after a loss \u201cno one will recognize.\u201d These poems demand recognition. They process aggressions through layered metaphor. As she lays clothed in snakes who shut their mouths to keep warm, the speaker identifies the risks, always, of being a speaker. Of letting in the cold. A brilliant emerging writer, Asa Drake\u2019s debut collection is urgent and unforgettable.<\/p>\n<p>\u2013Taneum Bambrick, author of <em>Vantage <\/em>and <em>Intimacies, Received<\/em><\/p>\n\n\n\n<\/div>\n                        \n                    <\/div>\n\n\n                    \n                <\/div>\n\n            \n                <div class=\"card\">\n\n                    <div class=\"title-description\">\n\n                        \n                                                        \n<div class=\"f--field f--description\">\n\n    \n  <p><strong>AUTHOR<\/strong><\/p>\n<p>Asa Drake is a Filipina American writer and poet in Central Florida. She is the recipient of fellowships and awards from the 92Y Discovery Poetry Contest, Tin House and Idyllwild Arts. Her poems can be found in <em>American Poetry Review<\/em>, <em>Copper Nickel<\/em>, <em>The Georgia Review<\/em> and <em>Poetry Northwest<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>DESIGNER<\/strong><\/p>\n<p>Book design by Sandra Rosales.<\/p>\n\n\n\n<\/div>\n                        \n                    <\/div>\n\n\n                    \n                <\/div>\n\n            \n        <\/div>\n    \n\n  <\/div><\/div>\n\n\n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--spacer \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--spacer\"\n    \n      >\n\n    \n\n  <\/div><\/div>\n\n\n      \n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--contact-details \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--contact-details\"\n    \n      >\n\n    \n  <div class=\"inner-wrapper\">\n\n          <div class=\"header-container\">\n\n                      \n<div class=\"f--field f--section-title\">\n\n    \n  <h2>\n          Contact Us\n      <\/h2>\n\n\n<\/div>\n        \n        \n      <\/div>\n    \n    \n      <div class=\"contacts-container\">\n\n        \n                      <div class=\"contact-card\">\n\n                              <h3>MAIL<\/h3>\n              \n                                  \n<div class=\"f--field f--description\">\n\n    \n  <p>Gold Line Press &amp; Ricochet Editions<\/p>\n<p>c\/o Ph.D. in Creative Writing &amp; Literature<\/p>\n<p>3501 Trousdale Parkway, THH 431<\/p>\n<p>Los Angeles, CA\u00a0 90089-0354<\/p>\n\n\n\n<\/div>\n              \n              \n              \n            <\/div>\n                    \n                      <div class=\"contact-card\">\n\n                              <h3>EMAIL<\/h3>\n              \n                                  \n<div class=\"f--field f--description\">\n\n    \n  <p><a href=\"mailto:editors@goldlinepress.com\" target=\"_blank\" rel=\"noopener\">editors@goldlinepress.com<\/a><\/p>\n<p><a href=\"mailto:editors@ricocheteditions.com\" target=\"_blank\" rel=\"noopener\">editors@ricocheteditions.com<\/a><\/p>\n\n\n\n<\/div>\n              \n              \n              \n            <\/div>\n                    \n                      <div class=\"contact-card\">\n\n                              <h3>SOCIAL MEDIA<\/h3>\n              \n                                  \n<div class=\"f--field f--description\">\n\n    \n  <p>Gold Line Press: <a href=\"https:\/\/www.facebook.com\/gold.line.chapbooks\" target=\"_blank\" rel=\"noopener\">Facebook<\/a> | <a href=\"https:\/\/twitter.com\/Gold_Line_Press\" target=\"_blank\" rel=\"noopener\">Twitter<\/a> | <a href=\"https:\/\/www.instagram.com\/goldlinepress\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a><\/p>\n<p>Ricochet Editions: <a href=\"https:\/\/www.facebook.com\/RicochetEditions\/\" target=\"_blank\" rel=\"noopener\">Facebook<\/a> | <a href=\"https:\/\/twitter.com\/RicochetEds\" target=\"_blank\" rel=\"noopener\">Twitter<\/a> | <a href=\"https:\/\/www.instagram.com\/ricocheteditions\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a><\/p>\n\n\n\n<\/div>\n              \n              \n              \n            <\/div>\n                    \n      <\/div>\n\n        \n     \n    \n  <\/div>\n\n\n  <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":149,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-757","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - 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