{"id":147,"date":"2023-09-16T18:45:11","date_gmt":"2023-09-16T18:45:11","guid":{"rendered":"https:\/\/live-usc-dornsife.pantheonsite.io\/goldlinepress\/?page_id=147"},"modified":"2025-08-11T16:39:06","modified_gmt":"2025-08-11T16:39:06","slug":"ricochet-catalog","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/goldlinepress\/ricochet-catalog\/","title":{"rendered":"Ricochet Catalog"},"content":{"rendered":"\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n\n\n\n\n
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\n \n \n AMONG MARGINS: CRITICAL & LYRICAL WRITING ON AESTHETICS | Fox Frazier-Foley & Diana Arterian (eds.)\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n AS I SAID: A DISSENT | Abby Minor\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n ASSUMPTIONS WE MIGHT MAKE ABOUT THE POSTWORLD | Katharine Haake\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n BINDLE | Elisabeth Frost & Dianne Kornberg\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n THE BOOK OF SCAB | Danielle Pafunda\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n DIORAMA OF A PEOPLE, BURNING | Bradley Harrison \n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n THE EXILES | Matthew Kirkpatrick\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n FEATHERBONE | Erica Mena\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n FUGUE MEADOW | Keith Jones\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n GHOST\/HOME: A BEGINNER’S GUIDE TO BEING HAUNTED | Dennis James Sweeney\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n GO FIND YOUR FATHER\/ A FAMOUS BLUES | Harmony Holiday\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n THE GREEN CONDITION | Elizabeth J. Colen\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n THE HATCHET AND THE HAMMER | Caitlin Scarano\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n JOY BUZZER | Henry Goldkamp\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n LET THE RIVERS CLAP THEIR HANDS | Katherine Zlabek\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n LOCALLY MADE PANTIES | Arielle Greenberg\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n NESTUARY | Molly Sutton Kiefer\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n OF BEING NEIGHBORS | Daniel Biegelson\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n OMBLIGO \/ INTAGLIO | V\u00f6r G\u00f6tte\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n PACT-BLOOD, FEVER GRASS | Miriam Bird Greenberg\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n PEOPLE I’VE MET FROM THE INTERNET | Stephen van Dyck\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n RYMAN | Christian Schlegel\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n SIX TONES OF WATER | Vi Khi Nao & Sun Yung Shin\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n SYMPATHETIC LITTLE MONSTER | Cameron Awkward-Rich\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n TEMPORAL ANOMALIES | Matt Broaddus\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n \n UNCHECKED SAVAGERY | Glenn Shaheen\n\n <\/a>\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n <\/div>\n \n\n <\/div><\/div>\n\n\n \n \n \n\n\n\n\n\n\n\n
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