{"id":2667,"date":"2023-07-10T23:42:46","date_gmt":"2023-07-10T23:42:46","guid":{"rendered":"https:\/\/live-usc-dornsife.pantheonsite.io\/eascenter\/?page_id=2667"},"modified":"2023-10-05T17:33:47","modified_gmt":"2023-10-05T17:33:47","slug":"east-asia-visual-cultures-series","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/eascenter\/programs\/past-projects\/east-asia-visual-cultures-series\/","title":{"rendered":"East Asia Visual Cultures Series"},"content":{"rendered":"\n\n \n \n\n\n\n\n\n\n\n
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The East Asia Visual Cultures series, initially funded by EASC\u2019s past Department of Education Title VI grant, sponsors events related to East Asian arts, film, media, and popular culture. The series aims to bring together art and media industry experts, filmmakers, scholars, and the wider community. In years past, EASC has invited renowned film directors such as Li Yang (China), Feng Xiao Gang (China), Im Kwon-Taek (Korea), Iwai Shunji (Japan), and many others.<\/p>\n\n\n\n<\/div>\n\n\n <\/div><\/div>\n\n\n\n\n \n \n \n\n\n\n\n\n\n\n

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\n Past Events\n <\/h2>\n\n\n<\/div>\n \n <\/div>\n \n
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\n “Storm Children: Book One” –\u00a0Film Screening and Q&A with Director Lav Diaz<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Monday, March 2, 2020<\/em>
\nFilm screening of Storm Children: Book One<\/em> about Typhoon Yolanda in 2013, considered the strongest storm in history that struck the Philippines. It left in its path apocalyptic devastation. A few months later, Lav Diaz visited Tacloban Island to film children’s lives in the aftermath. The screening was followed by a Q&A with Director Lav Diaz.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n “Americaville” –\u00a0Film Screening and Q&A with Director Adam James Smith<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Thursday, January 16, 2020<\/em>
\nFilm screening of Americaville<\/em> which follows Annie Liu who escapes China’s increasingly uninhabitable capital city to pursue happiness, freedom, romance, and spiritual fulfillment in Jackson Hole, only to find the American idyll harder to attain than what was promised to her. The screening was followed by a Q&A with Director Adam James Smith<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n “Jeronimo” –\u00a0Film Screening and Q&A with Director Joseph Juhn<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Wednesday, November 6, 2019<\/em>
\nFilm screening of Jeronimo<\/em> which follows the life of Jeronimo Lim Kim who was born to Korean immigrant parents freed from indentured servitude in early twentieth-century Mexico. He joins the Cuban Revolution with his law school classmate Fidel Castro and becomes an accomplished government official in the Castro regime until he rediscovers his ethnic roots and dedicates his later life to reconstructing his Korean Cuban identity. This feature-length documentary highlights the history and current state of Koreans living in Cuba. The screening was followed by a Q&A with Director Joseph Juhn.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n “Shusenjo: The Main Battleground of the Comfort Women Issue”\u00a0– Film Screening and Q&A with Director Miki Dezaki<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Friday, October 11, 2019<\/em>
\nFilm screening of Shusenjo: The Main Battleground of the Comfort Women Issue<\/em>. The\u00a0\u201ccomfort women\u201d issue is perhaps Japan\u2019s most contentious present-day diplomatic quandary. Inside Japan, the issue is dividing the country across clear ideological lines. Supporters and detractors of \u201ccomfort women\u201d are caught in a relentless battle over empirical evidence, the validity of oral testimony, the number of victims, the meaning of sexual slavery\u00a0and the definition of coercive recruitment.\u00a0The screening was followed by a Q&A with Director Miki Dezaki.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n “The Great Buddha+” –\u00a0Film Screening and Q&A with Director HUANG Hsin-yao<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Thursday, November 29, 2018<\/em>
\nFilm screening of\u00a0The Great Buddha+<\/em>, the award-winning 2017 Taiwanese dark comedy and Taiwan’s entry for Best Foreign Language in the 91st Oscars.\u00a0The film follows a night security guard named Pickle who works at\u00a0a Buddha statue factory and his colleague\u00a0Belly Bottom, a recyclables collector. Their dull lives suddenly change when they stumble across videos that document promiscuous meetings of their wealthy, politically well-connected boss. The screening was followed by a Q&A with Director HUANG Hsin-yao.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n “Paradox”\u00a0– Filmed Screening followed by Q&A with Alex Dong<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Friday, August 24, 2018<\/em>
\nA film screening of\u00a0Paradox,<\/em>\u00a0which follows Hong Kong police negotiator Lee Chung-Chi who has learned that his 16-year-old daughter has disappeared while in Thailand.\u00a0He travels to Thailand and teams up with a Chinese officer, Tsui Kit, and his partner, Tak, as they face off against an American gangster, who is operating a black market organ smuggling ring. The screening was followed by a Q&A with Alex Dong, CEO of Sun Entertainment Culture.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n “Woman Sesame Oil Maker”\u00a0– Film Screening followed by Q&A with Director Xie Fei<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Tuesday, June 5, 2018<\/em>
\nFilm screening of the 1993 Chinese film\u00a0Woman Sesame Oil Maker<\/i> (\u9999\u9b42\u5973). The film tells the story of a woman in a small village who buys a peasant wife for her mentally disabled son after her sesame oil business becomes unexpectedly successful. The screening was followed by a Q&A with the Director Xie Fei (\u8c22\u98de).<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \n \"Two\n\n \n \n \n <\/a>\n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n “Nobody Knows”\u00a0– Film Screening followed by Q&A with Director Hirokazu Kore-eda<\/a>\n <\/h3>\n\n\n<\/div>\n \n \n
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Wednesday, October 25, 2017<\/em>
\nA film screening of Nobody Knows<\/em> based on a true story. Four siblings live happily with their mother in a small apartment in Tokyo.\u00a0The children all have different fathers and have never been to school. The very existence of three of them has been hidden from the landlord. One day, the mother leaves behind a little money and a note, charging her oldest boy to look after the others. And so begins the children’s odyssey, a journey nobody knows.The screening was followed by a Q&A with Director and Producer Hirokazu Kore-eda.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n “Kamome Diner”\u00a0– Film Screening\n <\/h3>\n\n\n<\/div>\n \n \n
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Tuesday, September 13, 2016<\/em>
\nA film screening of\u00a0Kamome Diner<\/em>\u00a0(Ruokala lokki) – a tale of three Japanese women afoot in Helsinki who open a Japanese eatery. Her only customer, day after day, is a geeky Finnish boy obsessed with Japanese anime.\u00a0Kamome Diner\u00a0<\/em>conveys the topsy-turvy sensation of being a stranger in a strange land and presents food, no matter how alien, as the center of community and cultural understanding.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n Female Spirit Mediums and the Cult of “Uncle Ho” in Today’s Vietnam with Prof. Hue-Tam Ho Tai\n <\/h3>\n\n\n<\/div>\n \n \n
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Wednesday, April 6, 2016<\/em>
\nA lecture with Prof. Hue-Tam Ho Tai, Harvard University discussing the deification of Ho Chi Minh in Northern Vietnam and the gender-based social roles involved.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n From Our Eyes: Community Media and Visual Ethnography in China\n <\/h3>\n\n\n<\/div>\n \n \n
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Tuesday, April 5, 2016<\/em>
\nThis event showcased three recent documentary films; a collaboratively produced short by art students and a Baiku Yao filmmaker, a feature-length documentary by a first-time Tibetan filmmaker, and a film about the resurgence of Ami cultural traditions and ethnic identity in Taiwan.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n “Born With It”\u00a0\u2013 A Film Screening and Discussion with filmmaker Emmanuel Osei-Kuffour, Jr.\n <\/h3>\n\n\n<\/div>\n \n \n
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Tuesday, March 29, 2016
\n<\/em>A screening of\u00a0Born With It<\/em> – a short film that follows the story of a 9-year-old Ghanina-Japanese boy, Keishuke. The film highlights the experience of mixed race individuals and their families in Japan. The screening was followed by a Q&A with the filmmaker Emmanuel Osei-Kuffour Jr.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n Many Faces of K-pop Music Videos: Reflections of Broadway, Motown, and Revue\n <\/h3>\n\n\n<\/div>\n \n \n
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Thursday, November 19, 2015<\/em>
\nA lecture with Prof. Suk-Young Kim, Santa Barbara discussing\u00a0how K-pop music videos strategically create means to reach out to a wide range of global audiences\u00a0through a comparative reading of the music video “Twinkle” by Taetiseo and the 1946 MGM film version of\u00a0Ziegfeld Follies.<\/em><\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n New Perspectives on the Cultural History of 1980s South Korea\n <\/h3>\n\n\n<\/div>\n \n \n
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Friday, November 6 – Saturday, November 7, 2015<\/em>
\nA conference aimed at exploring new critical perspectives on the cultural history of 1980s South Korea through a transnational intellectual dialogue among some of the most distinguished international experts on the period.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n “The Assassin”: Screening and Q&A with HOU Hsiao Hsien\n <\/h3>\n\n\n<\/div>\n \n \n
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Friday, October 16, 2015<\/em>
\nA screening and Q&A session with world-renowned Director Hou, Hsiao-Hsien followed by a presentation of the Eisenstein Award to Director Hou.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n Ideas of Asia in the Museum – An International Symposium\n <\/h3>\n\n\n<\/div>\n \n \n
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Friday-Saturday, January 23-24, 2015<\/em>
\nA symposium to examine the collecting and display of Asian art in relation to different conceptualization of Asia that gained currency in the cultural and geopolitical milieu of the modern world.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n Korean Shaman Performance and Screening\n <\/h3>\n\n\n<\/div>\n \n \n
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Friday-Sunday, January 16-18, 2015<\/em>
\nA film screening and exhibition featuring KIM Keum-hwa, a Korean shaman who was designated an “Important Intangible Cultural Property of Korea” in 1985. Manshin: Ten Thousand Spirits<\/em> is a dramatization of Ms. Kim’s life and career during the changing environment in Korea and the shifting views on shamanism.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n “Mao Zedong and Qi Baishi”\u00a0Screening and Q&A with Mr. Tang Guoqiang\n <\/h3>\n\n\n<\/div>\n \n \n
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Thursday, November 6, 2014<\/em>
\nA film screening to commemorate the 120th birthday of Mao Zedong and the 150th birthday of Qi Baishi and Q&A session with celebrated actor, Tang Guoqiang.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n 2014 KSI\/SCA Korean Film Festival\n <\/h3>\n\n\n<\/div>\n \n \n
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Saturday-Sunday, September 6-7, 2014<\/em>
\nTwo-day film festival showcasing cinema from and about North Korea, including film screenings and a panel discussion with directors, scholars and members of the film industry<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n From Ground Zero to Degree Zero: “Akira” as Origin and Oblivion\n <\/h3>\n\n\n<\/div>\n \n \n
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January 22, 2014<\/em>
\nTalk by Christopher Bolton, Associate Professor of Comparative and Japanese Literature at Williams College, exploring the limitations and strengths of manga and anime as media through a comparison of the animated film\u00a0Akira<\/em>\u00a0with the manga the film was based on.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n 2013 Korean Film Festival\n <\/h3>\n\n\n<\/div>\n \n \n
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March 1-2, 2013<\/em>
\nTwo-day film festival celebrating South Korean director, Choi Dong-Hoon, including film screenings and a panel discussion with the director, scholars and members of the film industry.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

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\n Visions and Voices: Nikkatsu at 100\n <\/h3>\n\n\n<\/div>\n \n \n
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October 26-28, 2012<\/em>
\nThree-day event in honor of the 100th anniversary of Japan’s Nikkatsu Film Studio including screenings and discussions with filmmakers, scholars and critics on Nikkatsu\u2019s enduring legacy in Japan and its historical place in the film world.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \"Movie\n\n \n \n \n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n Voices of Mono-ha Artists: Contemporary Art in Japan, Circa 1970\n <\/h3>\n\n\n<\/div>\n \n \n
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February 24, 2012<\/em>
\nSymposium featuring several artists of the Mono-ha art movement in Japan. Participants include artists Haraguchi Noriyuki, Koshimizu Susumu, Lee Ufan, Sekine Nobuo and Suga Kishio, as well as curators, art historians and scholars.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \"Multiple\n\n \n \n \n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n Sacred Striptease: A Rite of Renewal or Hadaka Matsuri\n <\/h3>\n\n\n<\/div>\n \n \n
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October 27, 2011<\/em>
\nScreening of an original documentary film by Joseph R. Hawkins, Director of the ONE National Gay and Lesbian Archives at USC. The film, shot in Ichinobe, Shiga Prefecture, Japan, explores an example of a local\u00a0hadaka matsuri<\/em>, or “naked festival,” a centuries-old Japanese ritual.<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \"A\n\n \n \n \n \n\n<\/div>\n\n \n <\/div>\n\n \n
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\n 2011 USC Korean Film Festival\n <\/h3>\n\n\n<\/div>\n \n \n
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February 18-20, 2011<\/em>
\nFilm festival focusing on future directions in Korean cinema and\u00a0screened six important modern Korean films in 35mm.\u00a0The festival also featured a panel discussion with Soojin Hwang (KOFIC USA), Nam Lee (Chapman University), Hoonam Lee (Joonang Ilbo), Martin Kim (CJ Entertainment\/CFV America), and moderator David James (USC).<\/p>\n\n\n\n<\/div>\n \n <\/div>\n\n\n \n \n \n

\n\n \n \n \n \n \n \n \n \"Two\n\n \n \n \n \n\n<\/div>\n\n \n <\/div>\n\n \n <\/div>\n \n\n <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":39,"featured_media":0,"parent":2640,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2667","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nEast Asia Visual Cultures Series - East Asian Studies Center<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dornsife.usc.edu\/eascenter\/programs\/past-projects\/east-asia-visual-cultures-series\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"East Asia Visual Cultures Series - East Asian Studies Center\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dornsife.usc.edu\/eascenter\/programs\/past-projects\/east-asia-visual-cultures-series\/\" \/>\n<meta property=\"og:site_name\" content=\"East Asian Studies Center\" \/>\n<meta property=\"article:modified_time\" content=\"2023-10-05T17:33:47+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dornsife.usc.edu\/eascenter\/programs\/past-projects\/east-asia-visual-cultures-series\/\",\"url\":\"https:\/\/dornsife.usc.edu\/eascenter\/programs\/past-projects\/east-asia-visual-cultures-series\/\",\"name\":\"East Asia Visual Cultures Series - 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