{"id":215,"date":"2023-09-04T11:48:35","date_gmt":"2023-09-04T18:48:35","guid":{"rendered":"https:\/\/live-usc-dornsife.pantheonsite.io\/cwphd\/?page_id=215"},"modified":"2024-02-26T12:59:36","modified_gmt":"2024-02-26T20:59:36","slug":"faculty-publications-2","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/cwphd\/faculty-publications-2\/","title":{"rendered":"Faculty Publications"},"content":{"rendered":"\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n\n\n\n\n\n\n
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\n Explore Faculty Publications\n <\/h2>\n\n\n<\/div>\n \n
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See below for a selection of our faculty\u2019s numerous published works. Only the three most recently published works for each writer are displayed. For more comprehensive information about faculty members and their publications, please visit our Faculty profiles page.<\/p>\n

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\n \n THE BUTTERFLY LAMPSHADE | Aimee Bender\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n AN INVISIBLE SIGN OF MY OWN | Aimee Bender\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n THE PARTICULAR SADNESS OF LEMON CAKE | Aimee Bender\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n BLUE SKIES | T.C. Boyle\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n I WALK BETWEEN THE RAINDROPS | T.C. Boyle\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n TALK TO ME | T.C. Boyle\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n JEFF IN VENINE, DEATH IN VARANASI | Geoff Dyer\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n THE LAST DAYS OF ROGER FEDERER | Geoff Dyer\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n SEE SAW: LOOKING AT PHOTOGRAPHS | Geoff Dyer\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n DR. NO | Percival Everett\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n TELEPHONE | Percival Everett\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n THE TREES | Percival Everett\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n LARGE WHITE HOUSE SPEAKING | Mark Irwin\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n A PASSION ACCORDING TO GREEN | Mark Irwin\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n TALL IF | Mark Irwin\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n BREAK ANY WOMAN DOWN | Dana Johnson\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n ELSEWHERE, CALIFORNIA | Dana Johnson\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n IN THE NOT QUITE DARK | Dana Johnson\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n THE ATHIEST WORE GOAT SILK | Anna Journey\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n THE JUDAS EAR | Anna Journey\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n VULGAR REMEDIES | Anna Journey\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n INHABITANTS AND VISITORS | Robin Coste Lewis\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n TO THE REALIZATION OF PERFECT HELPLESSNESS | Robin Coste Lewis\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n VOYAGE OF THE SABLE VENUS | Robin Coste Lewis\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n DESCARTES’ NIGHTMARE | Susan McCabe\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n H.D. & BRYHER: AN UNTOLD LOVE STORY OF MODERNISM | Susan McCabe\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n SWIRL | Susan McCabe\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n THE ARGONAUTS | Maggie Nelson\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n THE ART OF CRUELTY: A RECKONING | Maggie Nelson\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n ON FREEDOM: FOUR SONGS OF CARE AND CONSTRAINT | Maggie Nelson\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n COLORED TELEVISION | Danzy Senna\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n NEW PEOPLE | Danzy Senna\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n YOU ARE FREE | Danzy Senna \n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n THE AURORAS | David St. John\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n THE FACE | David St. John\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n THE LAST TROUBADOUR | David St. John\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n THE HEARTBEAT OF WOUNDED KNEE | David Treuer\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n PRUDENCE | David Treuer\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n \n
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\n \n REZ LIFE | David Treuer\n\n <\/h3>\n \n <\/div>\n\n\n <\/div>\n <\/div>\n \n\n <\/div><\/div>\n\n\n \n \n\n\n\n\n\n\n\n
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\n Contact Us\n <\/h2>\n\n\n<\/div>\n \n \n <\/div>\n \n \n
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Ph.D. in Creative Writing & Literature<\/h3>\n \n \n
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Taper Hall of Humanities 431<\/p>\n

Los Angeles, CA\u00a0 90089-0354<\/p>\n

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