{"id":1058,"date":"2023-05-01T22:41:55","date_gmt":"2023-05-02T05:41:55","guid":{"rendered":"https:\/\/dornsife.usc.edu\/consortium\/?page_id=1058"},"modified":"2026-02-27T13:34:50","modified_gmt":"2026-02-27T21:34:50","slug":"the-arts-of-racial-reckoning","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/consortium\/podcasts\/the-arts-of-racial-reckoning\/","title":{"rendered":"The Arts of Racial Reckoning"},"content":{"rendered":"\n\n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--rich-text \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--rich-text\"\n    \n      >\n\n    \n      \n<div class=\"f--field f--wysiwyg\">\n\n    \n  <p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1004 size-full aligncenter\" src=\"https:\/\/dornsife.usc.edu\/consortium\/wp-content\/uploads\/sites\/161\/2023\/05\/tarr_banner_2.png\" alt=\"\" width=\"1200\" height=\"309\" srcset=\"https:\/\/dornsife.usc.edu\/consortium\/wp-content\/uploads\/sites\/161\/2023\/05\/tarr_banner_2.png 1200w, https:\/\/dornsife.usc.edu\/consortium\/wp-content\/uploads\/sites\/161\/2023\/05\/tarr_banner_2-200x52.png 200w, https:\/\/dornsife.usc.edu\/consortium\/wp-content\/uploads\/sites\/161\/2023\/05\/tarr_banner_2-150x39.png 150w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/p>\n<p style=\"font-size: 1.4vw;\"><em>The Arts of Racial Reckoning<\/em>\u00a0is executive produced by Dorinne Kondo.<\/p>\n<p style=\"font-size: 1.4vw;\">In the aftermath of the 1992 LA Uprisings, Anna Deavere Smith crafted\u00a0<i>TWILIGHT: LOS ANGELES 1992<\/i>, a play based on Smith\u2019s interviews with over 200 Los Angeles residents.<\/p>\n<p style=\"font-size: 1.4vw;\">30 years later, through the lens of\u00a0<i>TWILIGHT<\/i>, we ask: how can the arts advance social justice? Can they help us understand structural racism, as more than individual prejudice? Can they provide models for working through conflict? Can they show us both possibilities and limits to our strategies for social change?<\/p>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n\n\n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--spacer \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--spacer\"\n    \n      >\n\n    \n\n  <\/div><\/div>\n\n\n\n\n\n  \n  \n    \n    \n  \n    \n    \n  \n    \n  \n\n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--interactive-content-pane \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--interactive-content-pane\"\n    \n      >\n\n    \n<div class=\"inner-wrapper\">\n  <div class=\"left\">\n              \n<div class=\"f--field f--section-title\">\n\n    \n  <h2>\n          Episodes\n      <\/h2>\n\n\n<\/div>\n      \n    <div class=\"pagination-wrapper\">\n      <ul class=\"interactive-content-pane-pagination\"><\/ul>\n    <\/div>\n  <\/div>\n\n  <div class=\"right\">\n          <div class=\"swiper\">\n        <div class=\"swiper-wrapper\">\n                      <div class=\"swiper-slide\">\n              <h3 class=\"pane-title\">\n                Episode 3\n              <\/h3>\n                                  \n<div class=\"f--field f--description\">\n\n    \n  <p><iframe loading=\"lazy\" title=\"Embed Player\" src=\"https:\/\/play.libsyn.com\/embed\/episode\/id\/24326826\/height\/128\/theme\/modern\/size\/standard\/thumbnail\/no\/custom-color\/2d2a29\/time-start\/00:00:00\/playlist-height\/200\/direction\/backward\" height=\"128\" width=\"100%\" scrolling=\"no\" allowfullscreen=\"\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" oallowfullscreen=\"true\" msallowfullscreen=\"true\" style=\"border: none;\"><\/iframe><\/p>\n<p style=\"font-size: 1em;\"><i>Release Date: 09\/09\/2022<\/i><\/p>\n<p>Today we are in conversation with Dr. Elizabeth Alexander, distinguished poet and President of the Mellon Foundation. Dr. Alexander was one of the dramaturgs on <i>Twilight<\/i>; at the time she was teaching at the University of Chicago. Dr. Alexander shows us the transformative power of the arts, humanities, and progressive philanthropy to transform the present and help to create more just, more equitable futures.<\/p>\n\n\n\n<\/div>\n                          \n  \n                          <\/div>\n                      <div class=\"swiper-slide\">\n              <h3 class=\"pane-title\">\n                Episode 2\n              <\/h3>\n                                  \n<div class=\"f--field f--description\">\n\n    \n  <p><iframe loading=\"lazy\" title=\"Embed Player\" src=\"https:\/\/play.libsyn.com\/embed\/episode\/id\/24326775\/height\/128\/theme\/modern\/size\/standard\/thumbnail\/no\/custom-color\/2d2a29\/time-start\/00:00:00\/playlist-height\/200\/direction\/backward\" height=\"128\" width=\"100%\" scrolling=\"no\" allowfullscreen=\"\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" oallowfullscreen=\"true\" msallowfullscreen=\"true\" style=\"border: none;\"><\/iframe><\/p>\n<p style=\"font-size: 1em;\"><i>Release Date: 09\/09\/2022<\/i><\/p>\n<p>Today we speak with two other dramaturgs who are prominent figures in their respective fields of theater, journalism, and literature: Oskar Eustis, Artistic Director of the Public Theater\/New York Shakespeare Festival and H&eacute;ctor Tobar, Pulitzer Prize-winning author and journalist. What was their experience with the making of TWILIGHT? What changes do they see since 1993, both in their fields and in terms of race relations in this country?<\/p>\n\n\n\n<\/div>\n                          \n  \n                          <\/div>\n                      <div class=\"swiper-slide\">\n              <h3 class=\"pane-title\">\n                Episode 1\n              <\/h3>\n                                  \n<div class=\"f--field f--description\">\n\n    \n  <p><iframe loading=\"lazy\" title=\"Embed Player\" src=\"https:\/\/play.libsyn.com\/embed\/episode\/id\/22905623\/height\/128\/theme\/modern\/size\/standard\/thumbnail\/no\/custom-color\/2d2a29\/time-start\/00:00:00\/playlist-height\/200\/direction\/backward\" height=\"128\" width=\"100%\" scrolling=\"no\" allowfullscreen=\"\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" oallowfullscreen=\"true\" msallowfullscreen=\"true\" style=\"border: none;\"><\/iframe><\/p>\n<p style=\"font-size: 1em;\"><i>Release Date: 04\/25\/2022<\/i><\/p>\n\n\n\n<\/div>\n                          \n  \n                          <\/div>\n                  <\/div>\n      <\/div>\n      <\/div>\n  \n<\/div>\n\n\n\n  <div class=\"background-images\">\n          <div class=\"swiper swiper-background-images\">\n        <div class=\"swiper-wrapper\">\n                      <div class=\"swiper-slide\">\n                          <\/div>\n\n                      <div class=\"swiper-slide\">\n                          <\/div>\n\n                      <div class=\"swiper-slide\">\n                          <\/div>\n\n                  <\/div>\n      <\/div>\n      <\/div>\n\n\n\n  <\/div><\/div>\n\n\n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--spacer \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--spacer\"\n    \n      >\n\n    \n\n  <\/div><\/div>\n\n\n      \n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--contact-details \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--contact-details\"\n    \n      >\n\n    \n  <div class=\"inner-wrapper\">\n\n          <div class=\"header-container\">\n\n                      \n<div class=\"f--field f--section-title\">\n\n    \n  <h2>\n           \n      <\/h2>\n\n\n<\/div>\n        \n        \n      <\/div>\n    \n    \n      <div class=\"contacts-container\">\n\n        \n                      <div class=\"contact-card\">\n\n              \n                                  \n<div class=\"f--field f--description\">\n\n    \n  <p style=\"font-size: 1.4vw;\">Gender &amp; Sexuality Studies<br \/>\nUniversity of Southern California<br \/>\nMark Taper Hall of Humanities, 422<br \/>\n3501 Trousdale Parkway<br \/>\nLos Angeles, California 90089-4352<\/p>\n<p><a style=\"font-size: 1.4vw; color: #770000;\" href=\"mailto:gssconsortium@usc.edu\">gssconsortium@usc.edu<\/a><\/p>\n\n\n\n<\/div>\n              \n              \n              \n            <\/div>\n                    \n                      <div class=\"contact-card\">\n\n              \n                                  \n<div class=\"f--field f--description\">\n\n    \n  <table style=\"width: 100%;\" border=\"0\" cellspacing=\"10\" cellpadding=\"0\" align=\"left\">\n<tbody>\n<tr>\n<td style=\"width: 25%;\"><a href=\"https:\/\/twitter.com\/usc_consortium\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dornsife.usc.edu\/consortium\/wp-content\/uploads\/sites\/161\/2023\/04\/twitter.png\" alt=\"twitter\" width=\"500\" \/><\/a><\/td>\n<td style=\"width: 25%;\"><a href=\"https:\/\/www.instagram.com\/usc_consortium\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dornsife.usc.edu\/consortium\/wp-content\/uploads\/sites\/161\/2023\/04\/instagram.png\" alt=\"instagram\" \/><\/a><\/td>\n<td style=\"width: 25%;\"><a href=\"https:\/\/www.facebook.com\/Consortium-for-Gender-Sexuality-Race-and-Public-Culture-101783678974833\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/dornsife.usc.edu\/consortium\/wp-content\/uploads\/sites\/161\/2023\/04\/facdebook.png\" alt=\"facebook\" \/><\/a><\/td>\n<td style=\"width: 25%;\"><a href=\"https:\/\/www.youtube.com\/playlist?list=PLASNsZoDpbC3oFrmstpPl3UlTxf8mYlWP\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/dornsife.usc.edu\/consortium\/wp-content\/uploads\/sites\/161\/2023\/04\/youtube.png\" alt=\"youtube\" width=\"512\" height=\"512\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<\/div>\n              \n              \n              \n            <\/div>\n                    \n                      <div class=\"contact-card\">\n\n              \n                                  \n<div class=\"f--field f--description\">\n\n    \n  <p style=\"font-size: 1.4vw;\"><a style=\"font-size: 1.4vw; 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text-align: center;\">The Consortium for Gender, Sexuality, Race and Public Culture is generously funded by <a style=\"color: #770000;\" href=\"https:\/\/dornsife.usc.edu\/\">USC Dornsife<\/a>\u00a0and\u00a0<a style=\"color: #770000;\" href=\"https:\/\/mellon.org\/\">The Andrew W. Mellon Foundation<\/a>.<\/p>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":236,"featured_media":0,"parent":997,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1058","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Arts of Racial Reckoning - Consortium for Gender, Sexuality, Race and Public Culture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dornsife.usc.edu\/consortium\/podcasts\/the-arts-of-racial-reckoning\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Arts of Racial Reckoning - 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