{"id":1837,"date":"2023-11-30T14:29:02","date_gmt":"2023-11-30T22:29:02","guid":{"rendered":"https:\/\/dornsife.usc.edu\/cmbs\/?page_id=1837"},"modified":"2025-08-27T12:24:35","modified_gmt":"2025-08-27T19:24:35","slug":"oneka-labennett-es","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/cmbs\/oneka-labennett-es\/","title":{"rendered":"Facultad"},"content":{"rendered":"\n\n\n\n \n \n\n\n\n\n\n\n\n
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English<\/em><\/a><\/h5>\n\n\n\n<\/div>\n\n\n <\/div><\/div>\n\n\n\n \n \n\n\n\n\n\n\n\n
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\n Oneka LaBennett, Ph.D.\n <\/h2>\n\n\n<\/div>\n \n \n
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Profesora de Estudios Americanos y Etnia Estudios de G\u00e9nero y Sexualidad<\/strong>
\nUSC Dornsife<\/em>
\nCorreo electr\u00f3nico: labennet@usc.edu<\/a><\/span><\/p>\n

Oneka LaBennett es Profesora de Estudios Americanos y Etnia, y Estudios de G\u00e9nero y Sexualidad. Es autora de She’s Mad Real: cultura popular y chicas antillanas en Brooklyn (NYU Press 2011) y coeditora de Formaci\u00f3n racial en el siglo XXI (UC Press 2012). She’s Mad Real, la \u00fanica monograf\u00eda etnogr\u00e1fica sobre las mediaciones identitarias de las adolescentes caribe\u00f1as de Brooklyn frente a la cultura popular, anticip\u00f3 el subcampo emergente de los estudios sobre la ni\u00f1ez negra como un punto de partida cr\u00edtico para abordar cuestiones relacionadas con la mayor\u00eda de edad en la di\u00e1spora africana, feminismo Negro y la delimitaci\u00f3n del poder racial\/g\u00e9nero\/basado en la edad\/clase.Los art\u00edculos de opini\u00f3n y los comentarios p\u00fablicos de LaBennett han aparecido en plataformas como Ms. Magazine, The Guardian y Politico. La revista Elle clasific\u00f3 su curso, \u201cMujeres en el Hip Hop\u201d, entre los diez primeros en una lista de \u201cClases universitarias que nos dan esperanza para la pr\u00f3xima generaci\u00f3n\u201d.Su pr\u00f3ximo libro, Global Guyana: Formando la raza, el g\u00e9nero y el medio ambiente en el Caribe y m\u00e1s all\u00e1, ser\u00e1 publicado por NYU Press (2024).<\/p>\n\n\n\n<\/div>\n \n \n

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\n\n \n\n <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":180,"featured_media":1053,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1837","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nFacultad - Center for Music, Brain and Society<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dornsife.usc.edu\/cmbs\/oneka-labennett-es\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Facultad - Center for Music, Brain and Society\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dornsife.usc.edu\/cmbs\/oneka-labennett-es\/\" \/>\n<meta property=\"og:site_name\" content=\"Center for Music, Brain and Society\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-27T19:24:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dornsife.usc.edu\/cmbs\/wp-content\/uploads\/sites\/398\/2023\/11\/HERO-BANNER-.png\" \/>\n\t<meta property=\"og:image:width\" content=\"4962\" \/>\n\t<meta property=\"og:image:height\" content=\"3408\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dornsife.usc.edu\/cmbs\/oneka-labennett-es\/\",\"url\":\"https:\/\/dornsife.usc.edu\/cmbs\/oneka-labennett-es\/\",\"name\":\"Facultad - 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