{"id":2938,"date":"2024-07-12T11:17:33","date_gmt":"2024-07-12T18:17:33","guid":{"rendered":"https:\/\/dornsife.usc.edu\/anth\/?page_id=2938"},"modified":"2025-07-16T11:27:23","modified_gmt":"2025-07-16T18:27:23","slug":"alumni","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/anth\/graduate\/alumni\/","title":{"rendered":"Anthropology Alumni"},"content":{"rendered":"\n\n\n\n        \n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--accordions \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--accordions\"\n    \n      >\n\n    \n      <div class=\"header-container\">\n\n                  \n<div class=\"f--field f--section-title\">\n\n    \n  <h2>\n          Degrees\n      <\/h2>\n\n\n<\/div>\n      \n      \n      \n    <\/div>\n  \n      <ul>\n              <li>\n          <button type=\"button\" class=\"accordion-trigger \" id=\"heading-1-1-XyUbIaCbHR\" aria-controls=\"section-1-1-XyUbIaCbHR\" aria-expanded=\"false\" aria-disabled=\"false\">\n                          <span class=\"item-title\">PhD<\/span>\n            \n                      <\/button>\n\n          <div id=\"section-1-1-XyUbIaCbHR\" role=\"region\" aria-labelledby=\"heading-1-1-XyUbIaCbHR\" class=\"accordion-panel\">\n\n                            \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--rich-text \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--rich-text\"\n    \n      >\n\n    \n      \n<div class=\"f--field f--wysiwyg\">\n\n    \n  <p><strong>Christian Hammons<\/strong><br \/>\n2010<br \/>\n<em>Sakaliou: Reciprocity, Mimesis, and the Cultural Economy of Tradition in Siberut, Mentawai Islands, Indonesia<\/em><\/p>\n<p><strong>Patricia Gilson<\/strong><br \/>\n2009<br \/>\n<em>Rituals of a Nation\u2019s Identity: Archaeology and Genealogy in Antiquities Museums of Rome<\/em><\/p>\n<p><strong>Jennifer Cool<\/strong><br \/>\n2008<br \/>\n<em>Communities of Innovation: Cyborganic and the Birth of Networked Social Media<\/em><\/p>\n<p><strong>Claudia Cuevas<\/strong><br \/>\n2008<br \/>\n<em>Organizational Development and Coalition Building Among Domestic Violence Agencies in California&#8230;<\/em><\/p>\n<p><strong>Teresa Kuan<\/strong><br \/>\n2008<br \/>\n<em>Adjusting the Bonds of Love: Parenting, Expertise and Social Change in a Chinese City<\/em><\/p>\n<p><strong>Sadie Moore<\/strong><br \/>\n2008<br \/>\n<em>It\u2019s Not Just Nice, It\u2019s Necessary: Authentic Leadership in the New Economy<\/em><\/p>\n<p><strong>Zhifang Song<\/strong><br \/>\n2008<br \/>\n<em>Flow into Eternity: Patriarchy, Marriage and Socialism in a North China Village<\/em><\/p>\n<p><strong>Christian Anderson<\/strong><br \/>\n2007<br \/>\n<em>Betel Nut Chewing Culture: The Social and Symbolic Life of an Indigenous Commodity in Taiwan and Hainan<\/em><\/p>\n<p><strong>Erica Angert<\/strong><br \/>\n2007<br \/>\n<em>Hybrid Networks and Urban Spaces in Post-Socialist Cuba<\/em><\/p>\n<p><strong>Bartelt Brian<\/strong><br \/>\n2007<br \/>\n<em>Healers and Witches in Oku: An Occult System of Knowledge in Northwest Cameroon<\/em><\/p>\n<p><strong>Ilda Jimenez y West<\/strong><br \/>\n2007<br \/>\n<em>Good Hosts as Ideal Citizens: Crafting Identity on Isla de Mujeres, Mexico<\/em><\/p>\n<p><strong>Courtney Everts Mykytyn<\/strong><br \/>\n2007<br \/>\n<em>Executing Aging: An Ethnography of Process and Event in Anti-Aging Medicine<\/em><\/p>\n<p><strong>Steven Rousso-Schindler<\/strong><br \/>\n2007<br \/>\n<em>Israeli and Palestinian National Narratives: National and Individual Constructions, Social Suffering Narratives&#8230;<\/em><\/p>\n<p><strong>Jeanne Fitzsimmons<\/strong><br \/>\n2006<br \/>\n<em>Negotiating Modernity: Power, Gender, &amp; Education in North India<\/em><\/p>\n<p><strong>Gerald (Jay) Hasbrouck Jr.<\/strong><br \/>\n2006<br \/>\n<em>Primitive Dissidents: Earth Liberation and the Making of a Radical Anthropology<\/em><\/p>\n<p><strong>Raquel Hernandez-Aguilar<\/strong><br \/>\n2006<br \/>\n<em>Ecology and Nesting Patterns of Chimpanzees (Pan troglodytes) in Issa, Ugalla, Western Tanzania<\/em><\/p>\n<p><strong>Gaelyn Aguilar<\/strong><br \/>\n2005<br \/>\n<em>Image(a)nation: Dance and the Parapolitics of Being in the Republic of Macedonia<\/em><\/p>\n<p><strong>Scott Frank<br \/>\n<\/strong>2005<br \/>\n<em>Lab Coats in the Dream Factory: Science and Scientists in Hollywood<\/em><\/p>\n<p><strong>Arianne Gaetano<br \/>\n<\/strong>2005<br \/>\n<em>Off the Farm: Rural Chinese Women\u2019s Experiences of Labor Mobility and Modernity in Post-Mao China<\/em><\/p>\n<p><strong>Charles Scull<\/strong><br \/>\n2005<br \/>\n<em>Identity Configurations: Re-inventing Samoan Youth Identities in Urban California<\/em><\/p>\n<p><strong>Quinta Seward<\/strong><br \/>\n2005<br \/>\n<em>Tracing My Father\u2019s Footprints: Embracing a Legacy<\/em><\/p>\n<p><strong>Pushpa Tulachan<\/strong><br \/>\n2005<br \/>\n<em>The Lobas of Monthang: Loba Ethnography and Tourism as Development<\/em><\/p>\n<p><strong>Todd White<\/strong><br \/>\n2005<br \/>\n<em>Out of Many\u2026A Social History of the Homosexual Rights Movement as Originated and Continued in Los Angeles, California<\/em><\/p>\n<p><strong>Upjeet Chandan<\/strong><br \/>\n2004<br \/>\n<em>A Place-in-Between: Narratives of Gender, Violence and Identity in a South African Township<\/em><\/p>\n<p><strong>Pensri Ho<\/strong><br \/>\n2003<br \/>\n<em>(E)racing the Model Minority: Racial Ideology Among Young Urbanized Asian American Professionals<\/em><\/p>\n<p><strong>Michelle Oram<\/strong><br \/>\n2003<br \/>\n<em>The Culture of Beauty: Agency and Socialization within the Sorority System<\/em><\/p>\n<p><strong>Sean Roberts<\/strong><br \/>\n2003<br \/>\n<em>Uyghur Neighborhoods and Nationalisms in the former Sino-Soviet Borderland: An Historical Ethnography&#8230;<\/em><\/p>\n<p><strong>Stacy Rowe<\/strong><br \/>\n2003<br \/>\n<em>Practicing Policy and Making Myth: Applied Anthropology and Homeless Service Delivery in Glendale&#8230;<\/em><\/p>\n<p><strong>Martin Muller<\/strong><br \/>\n2002<br \/>\n<em>Endocrine Aspects of Aggression and Dominance in Chimpanzees of the Kibale Forest<\/em><\/p>\n<p><strong>Lene Pedersen<\/strong><br \/>\n2002<br \/>\n<em>The Sphere of the Keris: Power and People in a Balinese Princedom<\/em><\/p>\n<p><strong>Armida Ayala<\/strong><br \/>\n1999<br \/>\n<em>Mexican Immigrant Women, Sex Work, and Health<\/em><\/p>\n<p><strong>Manuel Fernandez<\/strong><br \/>\n1999<br \/>\n<em>An ethnography of the macho\/loca relationship<\/em><\/p>\n<p><strong>Joseph Hawkins<\/strong><br \/>\n1999<br \/>\n<em>Invisible People: An Ethnography of Same-sexuality in Contemporary Japan<\/em><\/p>\n<p><strong>Carolyn Rouse<\/strong><br \/>\n1999<br \/>\n<em>Engaged Surrender: Consciousness and Empowerment in the Conversion Experience of African-American&#8230;<\/em><\/p>\n<p><strong>Wilton Martinez<\/strong><br \/>\n1998<br \/>\n<em>Imaging Alterity: Discourse, Pedagogy, and the Reception of Ethnographic Film<\/em><\/p>\n<p><strong>Young Kim<\/strong><br \/>\n1996<br \/>\n<em>The Commodification of a Ritual Process: An Ethnography of the Wedding Industry in Las Vegas<\/em><\/p>\n<p><strong>Rebecca Lachter<\/strong><br \/>\n1996<br \/>\n<em>Distant Cousins: The Relationship Between Jews from the Former-Soviet Union and American Jewish&#8230;<\/em><\/p>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n            \n                      <\/div>\n        <\/li>\n\n              <li>\n          <button type=\"button\" class=\"accordion-trigger \" id=\"heading-1-2-XyUbIaCbHR\" aria-controls=\"section-1-2-XyUbIaCbHR\" aria-expanded=\"false\" aria-disabled=\"false\">\n                          <span class=\"item-title\">MVA<\/span>\n            \n                      <\/button>\n\n          <div id=\"section-1-2-XyUbIaCbHR\" role=\"region\" aria-labelledby=\"heading-1-2-XyUbIaCbHR\" class=\"accordion-panel\">\n\n                            \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--rich-text \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--rich-text\"\n    \n      >\n\n    \n      \n<div class=\"f--field f--wysiwyg\">\n\n    \n  <p><strong>Laura Findlay<\/strong><br \/>\n2024<br \/>\n<em>Object 9402: Neferrenpet\u2019s Servant for Eternity<\/p>\n<p><\/em><strong>Shelby Hanson<\/strong><br \/>\n2024<br \/>\n<em>Souvenirs of Youth<\/em><\/p>\n<p><strong>Alice Reiner\u00a0<\/strong><br \/>\n2024<br \/>\n<em>Brotherhood and Unity: Miniature Yugoslavia in L.A.<\/em><\/p>\n<p><strong>Sara Schwartz<\/strong><br \/>\n2024<br \/>\n<em>Gert\u2019s Boys<\/em><\/p>\n<p><strong>Zayna Wassem<\/strong><br \/>\n2024<br \/>\n<em>A Rhythm of Our Own<\/em><\/p>\n<p><strong>Kayla Cao<\/strong><br \/>\n2023<br \/>\n<em>Cleaving East Pender<\/em><\/p>\n<p><strong>Laura Catania<\/strong><br \/>\n2023<br \/>\n<em>Bonnie Brae &amp; 6th, Los Angeles<\/em><\/p>\n<p><strong>Rachael Geary<\/strong><br \/>\n2023<br \/>\n<em>We Are A Garden<\/em><\/p>\n<p><strong>Eric Hensley<\/strong><br \/>\n2023<br \/>\n<em>Re-memory-ing Blueboy<\/em><\/p>\n<p><strong>Qira Kong<\/strong><br \/>\n2023<br \/>\n<em>You Never Die<\/em><\/p>\n<p><strong>Tanya Mathews<\/strong><br \/>\n2023<br \/>\n<em>Feeling Freedom<\/em><\/p>\n<p><strong>Gabriela Novogratz<\/strong><br \/>\n2023<br \/>\n<em>All You Cannot See<\/em><\/p>\n<p><strong>Leonardo Nussenzveig<\/strong><br \/>\n2023<br \/>\n<em>Longing is Not Enough<\/em><\/p>\n<p><strong>Fefe Smith<\/strong><br \/>\n2023<br \/>\n<em>Ujima Means Community<\/em><\/p>\n<p><strong>Anna Weiler<\/strong><br \/>\n2023<br \/>\n<em>Where to Find Witches in the San Fernando Valley<\/em><\/p>\n<p><strong>Elaine Wong<\/strong><br \/>\n2022<br \/>\n<em>Pursuing Play<\/em><\/p>\n<p><strong>Sanaya Dhablania<\/strong><br \/>\n2022<br \/>\n<em>Crafting Brown Beauty<\/em><\/p>\n<p><strong>Symon Braun Freck<\/strong><br \/>\n2022<br \/>\n<em>Working with the Inevitable<\/em><\/p>\n<p><strong>Monique Yamaguchi<\/strong><br \/>\n2022<br \/>\n<em>Constructing Cosplay<\/em><\/p>\n<p><strong>Chandler Owen Zausner<\/strong><br \/>\n2021<br \/>\n<em>Indigenous Illusions Come to Life<\/em><\/p>\n<p><strong>Faith Dearborn<\/strong><br \/>\n2021<br \/>\n<em>OnlyWork<\/em><\/p>\n<p><strong>Yiwei Lu<\/strong><br \/>\n2021<br \/>\n<em>Photography Collecting: The Still Point of the Turning World<\/em><\/p>\n<p><strong>Sophie Pegrum<\/strong><br \/>\n2021<br \/>\n<em>The Last Lullaby<\/em><\/p>\n<p><strong>Alejandro Perez<\/strong><br \/>\n2021<br \/>\n<em>Makuyeika: Wixaritari in the City<\/em><\/p>\n<p><strong>Jack Sukimoto<\/strong><br \/>\n2021<br \/>\n<em>Being In-Between<\/em><\/p>\n<p><strong>Daniel Venegas<\/strong><br \/>\n2020<br \/>\n<em>Towards Matriarchy<\/em><\/p>\n<p><strong>Ekua Armah<\/strong><br \/>\n2020<br \/>\n<em>Memory<\/em><\/p>\n<p><strong>Ashley Ascencio<\/strong><br \/>\n2020<br \/>\n<em>A Struggle Buddy Story: Health and Self-Care During Covid-19<\/em><\/p>\n<p><strong>Alejandra Chaisson<\/strong><br \/>\n2020<br \/>\n<em>Virtu(al)-so: Internet Parties in Response to COVID-19<\/em><\/p>\n<p><strong>Lydia Erickson<\/strong><br \/>\n2020<br \/>\n<em>Holding It Together<\/em><\/p>\n<p><strong>Betty Gebregzabheir<\/strong><br \/>\n2020<br \/>\n<em>[AMHARIC] You for us<\/em><\/p>\n<p><strong>Yumeng He<\/strong><br \/>\n2020<br \/>\n<em>Kite<\/em><\/p>\n<p><strong>Apryl Lundsten<\/strong><br \/>\n2020<br \/>\n<em>The Third Act is for Activism<\/em><\/p>\n<p><strong>Ithalia Price<\/strong><br \/>\n2019<br \/>\n<em>Laugh Now, Cry Later<\/em><\/p>\n<p><strong>Amanda Broder-Hahn<\/strong><br \/>\n2019<br \/>\n<em>Changing Hands: Land in Transition<\/em><\/p>\n<p><strong>Marissa Dimitrion<\/strong><br \/>\n2019<br \/>\n<em>To Be Anything, Animating Possible Selves<\/em><\/p>\n<p><strong>Maleia Mikesell<\/strong><br \/>\n2019<br \/>\n<em>It Takes a Village: Polyamory in the Family<\/em><\/p>\n<p><strong>Kayla Sotomil<\/strong><br \/>\n2019<br \/>\n<em>The Modern Mambabatok: Lane Wilcken and Filipino Tattooing in the Diaspora<\/em><\/p>\n<p><strong>Rebecca Truszkowski<\/strong><br \/>\n2019<br \/>\n<em>Webs of Compassion<\/em><\/p>\n<p><strong>Qihao Wang<\/strong><br \/>\n2019<br \/>\n<em>Obligation &amp; Self: Chinese International Students and the One-Child Policy<\/em><\/p>\n<p><strong>Yehoshua Zepeda<\/strong><br \/>\n2018<br \/>\n<em>Bind It As A Sign: Learning the Jewish Tefillin Ritual<\/em><\/p>\n<p><strong>Sean David Christensen<\/strong><br \/>\n2018<br \/>\n<em>Ghost Tape #10<\/em><\/p>\n<p><strong>Christina Keller<\/strong><br \/>\n2018<br \/>\n<em>DNA of a Donor<\/em><\/p>\n<p><strong>Kevin Pobjoy<\/strong><br \/>\n2018<br \/>\n<em>Perfecting the Body<\/em><\/p>\n<p><strong>Matthew Purifoy<\/strong><br \/>\n2018<br \/>\n<em>Into Man&#8217;s Country<\/em><\/p>\n<p><strong>Chong Zhang<\/strong><br \/>\n2017<br \/>\n<em>Floating Raft<\/em><\/p>\n<p><strong>Luli Garcia<\/strong><br \/>\n2017<br \/>\n<em>Faces of Redemption<\/em><\/p>\n<p><strong>Dayna Jessie Meyer<\/strong><br \/>\n2017<br \/>\n<em>The Pursuit of Hope in Higher Education<\/em><\/p>\n<p><strong>Jack Sample<\/strong><br \/>\n2017<br \/>\n<em>Thee Commons: Ni de Aqu\u00ed, Ni de All\u00e1<\/em><\/p>\n<p><strong>Marika Stanford-Moore<\/strong><br \/>\n2016<br \/>\n<em>Dance of Three<\/em><\/p>\n<p><strong>Toni A. Bell<\/strong><br \/>\n2016<br \/>\n<em>Vegan Noir: Black Vegans of Los Angeles<\/em><\/p>\n<p><strong>Ileana de Cardenas<\/strong><br \/>\n2016<br \/>\n<em>Muerte Querida<\/em><\/p>\n<p><strong>Joe Garrett<\/strong><br \/>\n2016<br \/>\n<em>Beyond the Wall<\/em><\/p>\n<p><strong>Andie Lee<\/strong><br \/>\n2016<br \/>\n<em>How We Imagine Ourselves: K-pop, Fandom, and Identity<\/em><\/p>\n<p><strong>Jiaqi Yu<\/strong><br \/>\n2015<br \/>\n<em>Sounds Unbound: Being an Independent Musician in the Digital Age<\/em><\/p>\n<p><strong>Lucy Copp<\/strong><br \/>\n2015<br \/>\n<em>Once a Marine<\/em><\/p>\n<p><strong>Wanwan Lu<\/strong><br \/>\n2015<br \/>\n<em>Youth Group<\/em><\/p>\n<p><strong>Julie C. Perrin<\/strong><br \/>\n2015<br \/>\n<em>Drowning in the Mainstream: Adults with Invisible Disabilities<\/em><\/p>\n<p><strong>Amy Lynn Wolpert<\/strong><br \/>\n2015<br \/>\n<em>Cel-Shaded Nirvana<\/em><\/p>\n<p><strong>Qingzhi Zhang<\/strong><br \/>\n2014<br \/>\n<em>Hmongness<\/em><\/p>\n<p><strong>Kara Clemins<\/strong><br \/>\n2014<br \/>\n<em>L.A. Bamba: An Exploration of Son Jarocho in Southern California<\/em><\/p>\n<p><strong>Samantha Close<\/strong><br \/>\n2014<br \/>\n<em>I Am Handmade<\/em><\/p>\n<p><strong>Jessie Davidson<\/strong><br \/>\n2014<br \/>\n<em>Our Piece of the Sky<\/em><\/p>\n<p><strong>Patrick Gadut<\/strong><br \/>\n2014<br \/>\n<em>Ameri\u2010Pino: Recognizing Filipino Heritage in America<\/em><\/p>\n<p><strong>Mirtha Garcia<\/strong><br \/>\n2014<br \/>\n<em>\u00bfC\u00f3mo SER mujer? How TO BE a Woman?<\/em><\/p>\n<p><strong>Adrienne Gerard<\/strong><br \/>\n2014<br \/>\n<em>Peanut Butter et Confiture<\/em><\/p>\n<p><strong>Stephanie Mulcihy<\/strong><br \/>\n2014<br \/>\n<em>This Might Not Be Your Kink<\/em><\/p>\n<p><strong>Robert Raad<\/strong><br \/>\n2014<br \/>\n<em>Sea &amp; Market<\/em><\/p>\n<p><strong>Shirin Raban<\/strong><br \/>\n2014<br \/>\n<em>The Fifth Question: Why is this Passover Different?<\/em><\/p>\n<p><strong>Francesca Santos<\/strong><br \/>\n2014<br \/>\n<em>Lifted<\/em><\/p>\n<p><strong>George Villanueva<\/strong><br \/>\n2013<br \/>\n<em>Making Belief Visible: The Cultural and Civic Work behind the Annual Santo Ni\u00f1o Ati-Atihan Festival in the Philippines<\/em><\/p>\n<p><strong>Brittany V. Gates<\/strong><br \/>\n2013<br \/>\n<em>Something Funny<\/em><\/p>\n<p><strong>Bianca Hernandez<\/strong><br \/>\n2013<br \/>\n<em>Central Seasons<\/em><\/p>\n<p><strong>Rachel Elizabeth Jones<\/strong><br \/>\n2013<br \/>\n<em>The Altarmakers<\/em><\/p>\n<p><strong>Nicole Miyahara<\/strong><br \/>\n2013<br \/>\n<em>The Making of a King<\/em><\/p>\n<p><strong>Jazmin Ontiveros<\/strong><br \/>\n2013<br \/>\n<em>Lowcura: The Creation of Family in Chicano Lowrider Car Clubs<\/em><\/p>\n<p><strong>Candice Rusch<\/strong><br \/>\n2013<br \/>\n<em>Where the Heart<\/em><\/p>\n<p><strong>Sabrina Skau<\/strong><br \/>\n2013<br \/>\n<em>Los Villanos of Villa Esperanza<\/em><\/p>\n<p><strong>Michele Sullivan<\/strong><br \/>\n2013<br \/>\n<em>Why We Burn<\/em><\/p>\n<p><strong>James Watson<\/strong><br \/>\n2012<br \/>\n<em>twixters<\/em><\/p>\n<p><strong>Audrey Fok<\/strong><br \/>\n2012<br \/>\n<em>Against the Grain<\/em><\/p>\n<p><strong>Rachel Quaill<\/strong><br \/>\n2012<br \/>\n<em>Behind Every Door<\/em><\/p>\n<p><strong>Jessica Roberts<\/strong><br \/>\n2011<br \/>\n<em>Moving in Love<\/em><\/p>\n<p><strong>Maren Elwood<\/strong><br \/>\n2011<br \/>\n<em>Stone and People<\/em><\/p>\n<p><strong>Dalton Gaudin<\/strong><br \/>\n2011<br \/>\n<em>I\u2019m a Trojan<\/em><\/p>\n<p><strong>Kai M. Green<\/strong><br \/>\n2011<br \/>\n<em>It Gets Messy in Here<\/em><\/p>\n<p><strong>Nicole Hernandez<\/strong><br \/>\n2011<br \/>\n<em>Destined Reign of Troy<\/em><\/p>\n<p><strong>Sarah Kirby<\/strong><br \/>\n2011<br \/>\n<em>One Child for All: Family Duty in Post-80s China<\/em><\/p>\n<p><strong>Alyssa Lucca<\/strong><br \/>\n2011<br \/>\n<em>Clearing Boundaries<\/em><\/p>\n<p><strong>Jim Monahan<\/strong><br \/>\n2011<br \/>\n<em>Where the Trail Meets the Sky<\/em><\/p>\n<p><strong>Parisa Rezvani<\/strong><br \/>\n2011<br \/>\n<em>The Limbo Period For Quarter-lifers\/Emerging Adults\/Boomerang Kids<\/em><\/p>\n<p><strong>Emma Roll<\/strong><br \/>\n2010<br \/>\n<em>They Come in Waves: Surf Tourism in Latin America<\/em><\/p>\n<p><strong>Christian Maltbaek<\/strong><br \/>\n2010<br \/>\n<em>One Man\u2019s Trash Is Another Man\u2019s Treasure<\/em><\/p>\n<p><strong>Eric O\u2019Connell<\/strong><br \/>\n2010<br \/>\n<em>Cowboys: East Germany, Rebels of the Vogtland<\/em><\/p>\n<p><strong>Jamie Schreiber<\/strong><br \/>\n2010<br \/>\n<em>Los Extra\u00f1os del Camino Inca (Strangers of the Inca Trail)<\/em><\/p>\n<p><strong>Christina Strunk<\/strong><br \/>\n2010<br \/>\n<em>Death Care: An Unseen World<\/em><\/p>\n<p><strong>Briana Young<\/strong><br \/>\n2010<br \/>\n<em>Ladies of the Gridiron<\/em><\/p>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n            \n                      <\/div>\n        <\/li>\n\n              <li>\n          <button type=\"button\" class=\"accordion-trigger \" id=\"heading-1-3-XyUbIaCbHR\" aria-controls=\"section-1-3-XyUbIaCbHR\" aria-expanded=\"false\" aria-disabled=\"false\">\n                          <span class=\"item-title\">MAVA<\/span>\n            \n                      <\/button>\n\n          <div id=\"section-1-3-XyUbIaCbHR\" role=\"region\" aria-labelledby=\"heading-1-3-XyUbIaCbHR\" class=\"accordion-panel\">\n\n                            \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--rich-text \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--rich-text\"\n    \n      >\n\n    \n      \n<div class=\"f--field f--wysiwyg\">\n\n    \n  <p><strong>Erica Angert<\/strong><br \/>\n2007<\/p>\n<p><strong>Sharon Berman<\/strong><br \/>\n2006<\/p>\n<p><strong>Joseph Cha<\/strong><br \/>\n2006<\/p>\n<p><strong>Jeanne Fitzsimmons<\/strong><br \/>\n2006<\/p>\n<p><strong>Christine Snyder<\/strong><br \/>\n2006<\/p>\n<p><strong>Anita Kumar<\/strong><br \/>\n2005<\/p>\n<p><strong>Christian Anderson<\/strong><br \/>\n2004<\/p>\n<p><strong>Clark Arnwine<\/strong><br \/>\n2003<\/p>\n<p><strong>Shih-Ching Chiu<\/strong><br \/>\n2002<\/p>\n<p><strong>Kalanit Baumhaft<\/strong><br \/>\n2001<\/p>\n<p><strong>Kaarina Cleverley<\/strong><br \/>\n2001<\/p>\n<p><strong>Sean Roberts<\/strong><br \/>\n2001<\/p>\n<p><strong>Brian Bartelt<\/strong><br \/>\n2000<\/p>\n<p><strong>Gerald (Jay) Hasbrouck Jr.<\/strong><br \/>\n2000<\/p>\n<p><strong>Joseph Hawkins<\/strong><br \/>\n1999<\/p>\n<p><strong>Julie James<\/strong><br \/>\n1999<\/p>\n<p><strong>Chad Minnich<\/strong><br \/>\n1999<\/p>\n<p><strong>Laura Reiter<\/strong><br \/>\n1999<\/p>\n<p><strong>Simon Schorno<\/strong><br \/>\n1999<\/p>\n<p><strong>Pilar Wright<\/strong><br \/>\n1999<\/p>\n<p><strong>Charmaine Lewis<\/strong><br \/>\n1998<\/p>\n<p><strong>Nicole Rousso-Schindler<\/strong><br \/>\n1998<\/p>\n<p><strong>Steven Rousso-Schindler<\/strong><br \/>\n1998<\/p>\n<p><strong>Claudia South<\/strong><br \/>\n1998<\/p>\n<p><strong>Bernd Knoll<\/strong><br \/>\n1997<\/p>\n<p><strong>Anirban Roy<\/strong><br \/>\n1997<\/p>\n<p><strong>Ju-Hua Wu<\/strong><br \/>\n1997<\/p>\n<p><strong>Mary Beth Bresolin<\/strong><br \/>\n1996<\/p>\n<p><strong>Gomez Duron<\/strong><br \/>\n1996<\/p>\n<p><strong>Gillian Goslinga<\/strong><br \/>\n1996<\/p>\n<p><strong>Tiffany Hope<\/strong><br \/>\n1996<\/p>\n<p><strong>Susan Lewak<\/strong><br \/>\n1996<\/p>\n<p><strong>Kirsten Dougall<\/strong><br \/>\n1995<\/p>\n<p><strong>Eva Egensteiner<\/strong><br \/>\n1995<\/p>\n<p><strong>Jennifer Gaynor<\/strong><br \/>\n1995<\/p>\n<p><strong>Catherine LaBore<\/strong><br \/>\n1995<\/p>\n<p><strong>Joan LaDuca<\/strong><br \/>\n1995<\/p>\n<p><strong>Sarina Pearson<\/strong><br \/>\n1995<\/p>\n<p><strong>Laura Schroeter<\/strong><br \/>\n1995<\/p>\n<p><strong>Kaaren Shalom<\/strong><br \/>\n1995<\/p>\n<p><strong>Hsiang-Ling Chao<\/strong><br \/>\n1994<\/p>\n<p><strong>Mei-Juin Chen<\/strong><br \/>\n1994<\/p>\n<p><strong>Jennifer Cool<\/strong><br \/>\n1994<\/p>\n<p><strong>Susan Henson-Smith<\/strong><br \/>\n1994<\/p>\n<p><strong>Ahrin Mishan<\/strong><br \/>\n1994<\/p>\n<p><strong>SoYun Roe<\/strong><br \/>\n1994<\/p>\n<p><strong>Nicholas Rothenberg<\/strong><br \/>\n1994<\/p>\n<p><strong>Karin Stellwagen<\/strong><br \/>\n1994<\/p>\n<p><strong>Robin Bernstein<\/strong><br \/>\n1993<\/p>\n<p><strong>Alvaro (Perez) Betancourt<\/strong><br \/>\n1993<\/p>\n<p><strong>Lauren Amanda Crane<\/strong><br \/>\n1993<\/p>\n<p><strong>Mark Hornish<\/strong><br \/>\n1993<\/p>\n<p><strong>Kevin Kelpin<\/strong><br \/>\n1993<\/p>\n<p><strong>Patricia (Mercedes) Salazar<\/strong><br \/>\n1993<\/p>\n<p><strong>Pushpa Tulachan<\/strong><br \/>\n1993<\/p>\n<p><strong>Ilisa Barbash<\/strong><br \/>\n1992<\/p>\n<p><strong>Suzanne Benson<\/strong><br \/>\n1992<\/p>\n<p><strong>Monica Frota<\/strong><br \/>\n1992<\/p>\n<p><strong>Steve Grossman<\/strong><br \/>\n1992<\/p>\n<p><strong>Michael Kowalski<\/strong><br \/>\n1992<\/p>\n<p><strong>Wilton Martinez<\/strong><br \/>\n1992<\/p>\n<p><strong>David Orenstein<\/strong><br \/>\n1992<\/p>\n<p><strong>Jennifer Rodes<\/strong><br \/>\n1992<\/p>\n<p><strong>Scott Sterling<\/strong><br \/>\n1992<\/p>\n<p><strong>Lucien Castaing-Taylor<\/strong><br \/>\n1992<\/p>\n<p><strong>Elise Fried<\/strong><br \/>\n1991<\/p>\n<p><strong>Rebecca Hantin<\/strong><br \/>\n1991<\/p>\n<p><strong>Jesse Lerner<\/strong><br \/>\n1991<\/p>\n<p><strong>Barhara Malcolm<\/strong><br \/>\n1991<\/p>\n<p><strong>Micah Van der Ryn<\/strong><br \/>\n1991<\/p>\n<p><strong>Thomas Luehrsen<\/strong><br \/>\n1989<\/p>\n<p><strong>Daniel Marks<\/strong><br \/>\n1989<\/p>\n<p><strong>Sylvia Sensiper<\/strong><br \/>\n1989<\/p>\n<p><strong>Cindy Hing-yuk Wong<\/strong><br \/>\n1989<\/p>\n<p><strong>Julie Wright<\/strong><br \/>\n1989<\/p>\n<p><strong>Nancy da Silveira<\/strong><br \/>\n1988<\/p>\n<p><strong>Nila Bogue<\/strong><br \/>\n1987<\/p>\n<p><strong>Ellen Frankenstein<\/strong><br \/>\n1987<\/p>\n<p><strong>Luis Perez-Tolon<\/strong><br \/>\n1987<\/p>\n<p><strong>Laura Scheerer<\/strong><br \/>\n1987<\/p>\n<p><strong>Ursula Koch<\/strong><br \/>\n1983<\/p>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n            \n                      <\/div>\n        <\/li>\n\n              <li>\n          <button type=\"button\" class=\"accordion-trigger \" id=\"heading-1-4-XyUbIaCbHR\" aria-controls=\"section-1-4-XyUbIaCbHR\" aria-expanded=\"false\" aria-disabled=\"false\">\n                          <span class=\"item-title\">MA<\/span>\n            \n                      <\/button>\n\n          <div id=\"section-1-4-XyUbIaCbHR\" role=\"region\" aria-labelledby=\"heading-1-4-XyUbIaCbHR\" class=\"accordion-panel\">\n\n                            \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--rich-text \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--rich-text\"\n    \n      >\n\n    \n      \n<div class=\"f--field f--wysiwyg\">\n\n    \n  <p><strong>Darlene Villacana<\/strong><br \/>\n2024<\/p>\n<p><strong>Juan Jurado<\/strong><br \/>\n2022<\/p>\n<p><strong>Elan Glasser<\/strong><br \/>\n2002<\/p>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n            \n                      <\/div>\n        <\/li>\n\n          <\/ul>\n  \n  \n\n  <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":681,"featured_media":0,"parent":146,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2938","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Anthropology Alumni - Department of Anthropology<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dornsife.usc.edu\/anth\/graduate\/alumni\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anthropology Alumni - Department of Anthropology\" \/>\n<meta property=\"og:url\" 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