{"id":561,"date":"2023-07-18T10:39:59","date_gmt":"2023-07-18T17:39:59","guid":{"rendered":"https:\/\/live-usc-dornsife.pantheonsite.io\/alexander-zholkovsky\/?page_id=561"},"modified":"2023-07-18T10:40:12","modified_gmt":"2023-07-18T17:40:12","slug":"spislit","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/spislit\/","title":{"rendered":"\u0421\u041f\u0418\u0421\u041e\u041a \u041b\u0418\u0422\u0415\u0420\u0410\u0422\u0423\u0420\u042b"},"content":{"rendered":"\n\n \n \n\n\n\n\n\n\n\n
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\u043a \u043a\u043d\u0438\u0433\u0435\u00a0\u0411\u0430\u0431\u0435\u043b\u044c\/Babel.\u00a0\u041c\u043e\u0441\u043a\u0432\u0430: Carte Blanche, 1994.<\/strong><\/p>\n

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\u0410. \u041a. \u0416\u043e\u043b\u043a\u043e\u0432\u0441\u043a\u0438\u0439<\/em><\/strong><\/p>\n<\/div>\n

\u0427\u0430\u0441\u0442\u044c I<\/strong><\/p>\n

    \n
  1. \u0410\u0440\u0445\u0430\u043d\u0433\u0435\u043b\u044c\u0441\u043a\u0438\u0439 \u0410.<\/strong>\u00a0\u041f\u0430\u0440\u043e\u0434\u0438\u0438. \u042d\u043f\u0438\u0433\u0440\u0430\u043c\u043c\u044b. \u2013 \u041c.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1988.<\/li>\n
  2. \u0410\u043d\u0434\u0440\u0435\u0435\u0432 \u041b.<\/strong>\u00a0\u0421\u043e\u0431\u0440. \u0441\u043e\u0447. \u0432 6-\u0442\u0438 \u0442\u043e\u043c\u0430\u0445. \u0422. 2. \u2013 \u041c.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1990.<\/li>\n
  3. \u0411\u0430\u0431\u0430\u044f\u043d \u042d.\u0418.<\/strong>\u00a0\u0420\u0430\u043d\u043d\u0438\u0439 \u0413\u043e\u0440\u044c\u043a\u0438\u0439. \u0423 \u0438\u0434\u0435\u0439\u043d\u044b\u0445 \u0438\u0441\u0442\u043e\u043a\u043e\u0432 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0430. \u2013 \u041c.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1973.<\/li>\n
  4. \u0411\u0430\u0431\u0435\u043b\u044c \u0418.<\/strong>\u00a0\u0420\u0430\u0441\u0441\u043a\u0430\u0437\u044b. \u2013 \u041c.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1936.<\/li>\n
  5. \u0411\u0430\u0431\u0435\u043b\u044c<\/strong>\u00a0\u2013 Babel I. Collected Stories. \u2013 New York: Criterion, 1955.<\/li>\n
  6. \u0411\u0430\u0431\u0435\u043b\u044c<\/strong>\u00a0\u2013 Babel I. The Lonely Years 1925-1939. Unpublished Stories and Private Correspondence. \u2013 New York: Farrar, Straus & Co, 1964.<\/li>\n
  7. \u0411\u0430\u0431\u0435\u043b\u044c \u0418<\/strong>. \u0418\u0437\u0431\u0440\u0430\u043d\u043d\u043e\u0435. \u2013 \u041a\u0435\u043c\u0435\u0440\u043e\u0432\u0441\u043a\u043e\u0435 \u043a\u043d\u0438\u0436\u043d\u043e\u0435 \u0438\u0437\u0434-\u0432\u043e, 1966.<\/li>\n
  8. \u0411\u0430\u0431\u0435\u043b\u044c<\/strong>\u00a0\u2013 Babel I. You Must Know Everything. Stories 1915-1937. \u2013 New York: Farrar, Straus and Giroux, 1969.<\/li>\n
  9. \u0411\u0430\u0431\u0435\u043b\u044c \u0418<\/strong>.\/ \u041f\u043e\u0434 \u0440\u0435\u0434. \u041d. \u0421\u0442\u0440\u043e\u0443\u0442\u0430. \u2013 Ann Arbor: Ardis, 1979.<\/li>\n
  10. \u0411\u0430\u0431\u0435\u043b\u044c \u0418.<\/strong>\u00a0\u0421\u043e\u0447. \u0432 2-\u0445 \u0442\u043e\u043c\u0430\u0445\/ \u0421\u043e\u0441\u0442. \u0438 \u0440\u0435\u0434. \u0410.\u041d. \u041f\u0438\u0440\u043e\u0436\u043a\u043e\u0432\u0430. \u2013 \u041c.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1990.<\/li>\n
  11. \u0411\u0430\u043b\u044c\u0437\u0430\u043a \u041e\u043d\u043e\u0440\u0435 \u0434\u0435.<\/strong>\u00a0\u041e\u0442\u0435\u0446 \u0413\u043e\u0440\u0438\u043e\/ \u041f\u0435\u0440. \u041d. \u0421\u043e\u0431\u043e\u043b\u0435\u0432\u0441\u043a\u043e\u0433\u043e. \u2013 \u041c.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1937.<\/li>\n
  12. \u0411\u0435\u0439\u0431\u0435\u043b<\/strong>\u00a0\u2013 Babel N. Introduction\/\/ I. Babel. The Lonely Years 1925-1939. \u2013 New York: Farrar, Straus & Co, 1964, p. ix-xxviii.<\/li>\n
  13. \u0411\u0435\u0440\u043d\u0445\u0430\u0439\u043c\u0435\u0440<\/strong>\u00a0\u2013 Bernheimer Ch. Figures of Ill Repute. Representing Prostitution in Nineteenth-Century France. \u2013 Cambridge, Mass.: Harvard UP, 1989.<\/li>\n
  14. \u0411\u0435\u0440\u043d\u0445\u0430\u0439\u043c\u0435\u0440<\/strong>\u00a0\u2013 Bernheimer Ch. Prostitution in the Novel\/\/ A New History of French Literature\/ Ed. by D. Hollier. \u2013 Cambridge, Mass.: Harvard UP, 1989, p. 780-785.<\/li>\n
  15. \u0411\u043b\u0443\u043c<\/strong>\u00a0\u2013 Bloom H., ed. Isaac Babel (Modern Critical Views). \u2013 New York: Chelsea House, 1987.<\/li>\n
  16. \u0411\u043e\u0434\u043b\u0435\u0440<\/strong>\u00a0\u2013 Baudelaire Ch. Oeuvres. 2 vols\/\u00a0Ed. by Y.-G. Le Dantec. \u2013 Paris: NRF (Pl\u00e9iade), 1935.<\/li>\n
  17. \u0411\u043e\u0434\u043b\u0435\u0440 \u0428.<\/strong>\u00a0\u0426\u0432\u0435\u0442\u044b \u0437\u043b\u0430: \u041f\u043e \u0430\u0432\u0442. \u043f\u0440\u043e\u0435\u043a\u0442\u0443 3-\u0433\u043e \u0438\u0437\u0434\u0430\u043d\u0438\u044f\/ \u0420\u0435\u0434. \u041d.\u0418. \u0411\u0430\u043b\u0430\u0448\u043e\u0432, \u0418.\u0421. \u041f\u043e\u0441\u0442\u0443\u043f\u0430\u043b\u044c\u0441\u043a\u0438\u0439. \u2013 \u041c.: \u041d\u0430\u0443\u043a\u0430, 1970 (\u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u044b\u0435 \u043f\u0430\u043c\u044f\u0442\u043d\u0438\u043a\u0438).<\/li>\n
  18. \u0411\u043e\u0440\u0440\u044d\u0441<\/strong>\u00a0\u2013 Borras F.M. Maxim Gorky the Writer. An Interpretation. \u2013 Oxford: Clarendon, 1967.<\/li>\n
  19. \u0411\u0440\u0435\u043c\u043e\u043d<\/strong>\u00a0\u2013 Bremond Cl. Les bons recompens\u00e9s et les mechants punis: morphologie du conte merveilleux populaire fran\u00e7ais. \u2013 S\u00e9miotique narrative et textuelle\/ Ed. by Cl. Chabrole. \u2013 Paris: Librairie Larousse, 1973, p. 96-121.<\/li>\n
  20. \u0411\u044d\u0440\u0440\u044d\u0442\u0442<\/strong>\u00a0\u2013 Barratt A. The Early Fiction of Maxim Gorky. Six Essays in Interpretation. \u2013 Cotgrave, Nottingham, England: Astra Press, 1993.<\/li>\n
  21. \u0412\u0430\u0441\u0438\u043e\u043b\u0435\u043a<\/strong>\u00a0\u2013 Wasiolek E. Tolstoy\u2019s Major Fiction. \u2013 The Chicago UP, 1978.<\/li>\n
  22. \u0412\u0435\u043d\u0446\u043b\u043e\u0432\u0430 \u0422.<\/strong>\u00a0\u041a \u0434\u0435\u043c\u043e\u043d\u043e\u043b\u043e\u0433\u0438\u0438 \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u0441\u0438\u043c\u0432\u043e\u043b\u0438\u0437\u043c\u0430. \u2013 1994 (\u0412 \u043f\u0435\u0447\u0430\u0442\u0438).<\/li>\n
  23. \u0412\u043e\u0440\u043e\u043d\u0441\u043a\u0438\u0439 \u0410.<\/strong>\u00a0\u0411\u0430\u0431\u0435\u043b\u044c\/\/ \u0410. \u0412\u043e\u0440\u043e\u043d\u0441\u043a\u0438\u0439. \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e \u0432\u0438\u0434\u0435\u0442\u044c \u043c\u0438\u0440. \u2013 1987 [1924], \u0441. 146-162.<\/li>\n
  24. \u0412\u043e\u0441\u043f\u043e\u043c\u0438\u043d\u0430\u043d\u0438\u044f<\/strong>\u00a0\u043e \u0411\u0430\u0431\u0435\u043b\u0435\/ \u0421\u043e\u0441\u0442. \u0410.\u041d. \u041f\u0438\u0440\u043e\u0436\u043a\u043e\u0432\u0430 \u0438 \u041d.\u041d. \u042e\u0440\u0433\u0435\u043d\u0435\u0432\u0430. \u2013 \u041c.: \u041a\u043d\u0438\u0436\u043d\u0430\u044f \u043f\u0430\u043b\u0430\u0442\u0430, 1989.<\/li>\n
  25. \u0412\u044b\u0433\u043e\u0442\u0441\u043a\u0438\u0439 \u041b.\u0421.<\/strong>\u00a0\u041f\u0441\u0438\u0445\u043e\u043b\u043e\u0433\u0438\u044f \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430. \u2013 \u041c.: \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e, 1965.<\/li>\n
  26. \u0413\u0430\u0440\u0448\u0438\u043d \u0412.\u041c.<\/strong>\u00a0\u0421\u043e\u0447\u0438\u043d\u0435\u043d\u0438\u044f. \u0420\u0430\u0441\u0441\u043a\u0430\u0437\u044b. \u041e\u0447\u0435\u0440\u043a\u0438. \u0421\u0442\u0430\u0442\u044c\u0438. \u041f\u0438\u0441\u044c\u043c\u0430\/ \u0421\u043e\u0441\u0442. \u0412.\u0418. \u041f\u043e\u0440\u0443\u0434\u043e\u043c\u0438\u043d\u0441\u043a\u0438\u0439. \u2013 \u041c.: \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0430\u044f \u0420\u043e\u0441\u0441\u0438\u044f, 1984.<\/li>\n
  27. \u0413\u0435\u0439\u043d\u0435 \u0413.<\/strong>\u00a0\u0418\u0437\u0431\u0440\u0430\u043d\u043d\u044b\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f. \u2013 \u041c.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1950.<\/li>\n
  28. \u0413\u0435\u0439\u043d\u0435 \u0413.<\/strong>\u00a0\u041e \u0413\u0435\u0440\u043c\u0430\u043d\u0438\u0438\/\/ \u0421\u043e\u0431\u0440. \u0441\u043e\u0447., \u0442. 9. \u2013 \u041c.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1959.<\/li>\n
  29. \u0413\u0438\u043d\u0437\u0431\u0443\u0440\u0433 \u041b.<\/strong>\u00a0\u041e \u043f\u0441\u0438\u0445\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u043f\u0440\u043e\u0437\u0435. \u2013 \u041b.: \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044c, 1971.<\/li>\n
  30. \u0413\u0438\u043d\u0437\u0431\u0443\u0440\u0433 \u041b.<\/strong>\u00a0\u0427\u0435\u043b\u043e\u0432\u0435\u043a \u0437\u0430 \u043f\u0438\u0441\u044c\u043c\u0435\u043d\u043d\u044b\u043c \u0441\u0442\u043e\u043b\u043e\u043c. \u2013 \u041b.: \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044c, 1989.<\/li>\n
  31. \u0413\u0438\u0442\u043e\u0432\u0438\u0447 \u041d.\u0418.<\/strong>\u00a0\u0441\u043e\u0441\u0442.\/\/ \u0410.\u041f. \u0427\u0435\u0445\u043e\u0432 \u0432 \u0432\u043e\u0441\u043f\u043e\u043c\u0438\u043d\u0430\u043d\u0438\u044f\u0445 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0438\u043a\u043e\u0432. \u2013 \u041c.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1986.<\/li>\n
  32. \u0413\u043e\u0433\u043e\u043b\u044c \u041d.\u0412.<\/strong>\u00a0\u0421\u043e\u0431\u0440. \u0441\u043e\u0447. \u0432 6-\u0442\u0438 \u0442\u043e\u043c\u0430\u0445. \u2013 \u041c.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1952.<\/li>\n
  33. \u0413\u043e\u0440\u0431\u0430\u0447\u0435\u0432 \u041d.\u0412<\/strong>. \u0418\u0441\u0442\u043e\u0440\u0438\u044f \u043f\u0438\u0441\u0430\u043d\u0438\u044f \u0438 \u043f\u0435\u0447\u0430\u0442\u0430\u043d\u0438\u044f \u201c\u041f\u0440\u0435\u0434\u0438\u0441\u043b\u043e\u0432\u0438\u044f \u043a \u0441\u043e\u0447\u0438\u043d\u0435\u043d\u0438\u044f\u043c \u0413\u044e\u0438 \u0434\u0435 \u041c\u043e\u043f\u0430\u0441\u0441\u0430\u043d\u0430\u201d\/\/ \u041b.\u041d. \u0422\u043e\u043b\u0441\u0442\u043e\u0439. \u041f\u043e\u043b\u043d. \u0441\u043e\u0431\u0440. \u0441\u043e\u0447. \u0432 90-\u0430 \u0442\u043e\u043c\u0430\u0445, \u0442. 30. \u2013 \u041c.: \u0413\u0418\u0425\u041b, 1951, \u0441. 487-504.<\/li>\n
  34. \u0413\u043e\u0440\u044c\u043a\u0438\u0439 \u041c.<\/strong>\u00a0\u0421\u043e\u0431\u0440 \u0441\u043e\u0447. \u0432 30 \u0442\u043e\u043c\u0430\u0445. \u0422. 24. \u0421\u0442\u0430\u0442\u044c\u0438, \u0440\u0435\u0447\u0438, \u043f\u0440\u0438\u0432\u0435\u0442\u0441\u0442\u0432\u0438\u044f (1907-1928). \u2013 \u041c.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1949-1955.<\/li>\n
  35. \u0413\u043e\u0440\u044c\u043a\u0438\u0439 \u041c.<\/strong>\u00a0\u041f\u043e\u043b\u043d. \u0441\u043e\u0431\u0440. \u0441\u043e\u0447. \u0445\u0443\u0434. \u043f\u0440\u043e\u0438\u0437\u0432. \u0432 25 \u0442\u043e\u043c\u0430\u0445. \u2013 \u041c.: \u041d\u0430\u0443\u043a\u0430, 1968-1976.<\/li>\n
  36. \u0413\u0440\u043e\u0439\u0441<\/strong>\u00a0\u2013 Groys B. The Total Art of Stalinism. \u2013 Princeton UP, 1992.<\/li>\n
  37. \u0413\u0443\u0441\u0435\u0432 \u041d.\u041d.<\/strong>\u00a0\u041b\u0435\u0442\u043e\u043f\u0438\u0441\u044c \u0436\u0438\u0437\u043d\u0438 \u0438 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0430 \u041b.\u041d. \u0422\u043e\u043b\u0441\u0442\u043e\u0433\u043e. \u0422. 1: 1828-1890. \u0422. 2: 1891-1910. \u041c.: \u0410\u041d \u0421\u0421\u0421\u0420, 1958.<\/li>\n
  38. \u0414\u0435 \u041c\u0430\u043d<\/strong>\u00a0\u2013 De Man P. Excuses (\u201cConfessions\u201d)\/\/ Allegories of Reading. \u2013 New Haven: Yale UP, 1979, p. 278-301.<\/li>\n
  39. \u0414\u0436\u043e\u043d\u0441\u043e\u043d<\/strong>\u00a0\u2013 Johnson P. Intellectuals. \u2014 New York: Harper and Row (Perennial Library), 1988.<\/li>\n
  40. \u0414\u0436\u044d\u043a\u0441\u043e\u043d<\/strong>\u00a0\u2013 Jackson R.L. Dostoevsky\u2019s Underground Man in Russian Literature\/\/ Slavistic Printings and Reprintings\/ Ed. by C.H. Van Schooneveld, vol. 10. \u2013 \u2019S-Gravenhage : Mouton, 1958.<\/li>\n
  41. \u0414\u043e\u0441\u0442\u043e\u0435\u0432\u0441\u043a\u0438\u0439 \u0424.\u041c.<\/strong>\u00a0\u041f\u043e\u043b\u043d. \u0441\u043e\u0431\u0440. \u0441\u043e\u0447. \u0432 30 \u0442\u043e\u043c\u0430\u0445. \u0422. 1\u201317. \u2013 \u041b.: \u041d\u0430\u0443\u043a\u0430, 1972\u20131976.<\/li>\n
  42. \u0414\u043e\u0441\u0442\u043e\u0435\u0432\u0441\u043a\u0438\u0439<\/strong>\u00a0\u2013 Dostoevsky F. Notes From the Underground\/ Transl. and ed. by M.R. Katz. — New York: W.W. Norton, 1989.<\/li>\n
  43. \u0414\u0443\u0448\u0435\u043d<\/strong>\u00a0\u2013 Douchin J.-J. La vie \u00e9rotique de Guy de Maupassant. \u2013 Paris: Suger, 1986.<\/li>\n
  44. \u0415\u043b\u0438\u0437\u0430\u0440\u043e\u0432\u0430 \u041c.<\/strong>\u00a0\u201c\u041c\u043e\u043f\u0430\u0441\u0441\u0430\u043d\u201d\/\/ \u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u0430\u044f \u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f, \u0442. 7, 1934, \u0441. 470\u2013483.<\/li>\n
  45. \u0415\u0440\u043e\u0444\u0435\u0435\u0432 \u0412.<\/strong>\u00a0\u041d\u0430 \u0433\u0440\u0430\u043d\u0438 \u0440\u0430\u0437\u0440\u044b\u0432\u0430 (\u201c\u041c\u0435\u043b\u043a\u0438\u0439 \u0431\u0435\u0441\u201d \u0424. \u0421\u043e\u043b\u043e\u0433\u0443\u0431\u0430 \u043d\u0430 \u0444\u043e\u043d\u0435 \u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u0440\u0435\u0430\u043b\u0438\u0441\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0438)\/\/ \u0412\u043e\u043f\u0440\u043e\u0441\u044b \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b, 1985, \u2116 2, \u0441. 140\u2013158.<\/li>\n
  46. \u0416\u0438\u0440\u0430\u0440<\/strong>\u00a0\u2013 Girard R. Triangular Desire\/\/ Deceit, Desire, and the Novel. \u2013 Baltimore: Johns Hopkins UP, 1965, p. 1\u201352.<\/li>\n
  47. \u0416\u043e\u043b\u043a\u043e\u0432\u0441\u043a\u0438\u0439 \u0410.\u041a.<\/strong>\u00a0\u201c\u042f \u043f\u044c\u044e \u0437\u0430 \u0432\u043e\u0435\u043d\u043d\u044b\u0435 \u0430\u0441\u0442\u0440\u044b\u2026<\/a>\u201d: \u043f\u043e\u044d\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0430\u0432\u0442\u043e\u043f\u043e\u0440\u0442\u0440\u0435\u0442 \u041c\u0430\u043d\u0434\u0435\u043b\u044c\u0448\u0442\u0430\u043c\u0430\/\/ \u0410.\u041a. \u0416\u043e\u043b\u043a\u043e\u0432\u0441\u043a\u0438\u0439, \u042e.\u041a. \u0429\u0435\u0433\u043b\u043e\u0432. \u041c\u0438\u0440 \u0430\u0432\u0442\u043e\u0440\u0430 \u0438 \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0430 \u0442\u0435\u043a\u0441\u0442\u0430. \u2013 Tenafly N.J.: Hermitage, 1986, \u0441. 204\u2013227.<\/li>\n
  48. \u0416\u043e\u043b\u043a\u043e\u0432\u0441\u043a\u0438\u0439 \u0410.\u041a.<\/strong>\u00a0\u041e \u0433\u0435\u043d\u0438\u0438 \u0438 \u0437\u043b\u043e\u0434\u0435\u0439\u0441\u0442\u0432\u0435, \u043e \u0431\u0430\u0431\u0435 \u0438 \u043e \u0432\u0441\u0435\u0440\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u043e\u043c \u043c\u0430\u0441\u0448\u0442\u0430\u0431\u0435<\/a>\u00a0(\u041f\u0440\u043e\u0433\u0443\u043b\u043a\u0438 \u043f\u043e \u041c\u0430\u044f\u043a\u043e\u0432\u0441\u043a\u043e\u043c\u0443)\/\/ \u0410.\u041a. \u0416\u043e\u043b\u043a\u043e\u0432\u0441\u043a\u0438\u0439, \u042e.\u041a. \u0429\u0435\u0433\u043b\u043e\u0432. \u041c\u0438\u0440 \u0430\u0432\u0442\u043e\u0440\u0430 \u0438 \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0430 \u0442\u0435\u043a\u0441\u0442\u0430. \u2013 Tenafly N.J.: Hermitage, 1986, \u0441. 255\u2013278.<\/li>\n
  49. \u0416\u043e\u043b\u043a\u043e\u0432\u0441\u043a\u0438\u0439 \u0410.\u041a.<\/strong>\u00a0\u0411\u043b\u0443\u0436\u0434\u0430\u044e\u0449\u0438\u0435 \u0441\u043d\u044b<\/a>. \u0418\u0437 \u0438\u0441\u0442\u043e\u0440\u0438\u0438 \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0437\u043c\u0430. \u2013 \u041c.: \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044c, 1992.<\/li>\n
  50. \u0416\u043e\u043b\u043a\u043e\u0432\u0441\u043a\u0438\u0439<\/strong>\u00a0\u2013\u00a0Zholkovsky A. On the Use of Taste. \u2013 Le Mot, les mots, les bon mots. Word, Words, Witty Words (Hommage \u00e0 Igor A. Mel\u2019\u010duck \u00e0\u00a0l\u2019occasion de son soixanti\u00e8me anniversaire)\/ Ed. by A. Clas with M. Cormier and D. Colignon. \u2013 Monreal: Les Presses Universitaires, 1992, p. 51\u201360.<\/li>\n
  51. \u0416\u043e\u043b\u043a\u043e\u0432\u0441\u043a\u0438\u0439<\/strong>\u00a0\u2013 Zholkovsky A. \u2019Slaughterhouse\u2019 Motives in Mandelstam\u2019s \u201cThe Egyptian Stamp\u201d and Environs\/\/ The Language and Verse in Russia. In Honor of Dean S. Worth. On his Sixty-Fifth Birthday\/ Ed. by H. Birnbaum and M. Flier. \u2013 Moscow: Vostochnaya Literatura; Los Angeles: UCLA Slavic Studies. New Series. Vol. 2. , 1993, p. 304-310.<\/li>\n
  52. \u0416\u043e\u043b\u043a\u043e\u0432\u0441\u043a\u0438\u0439 \u0410.\u041a.<\/strong>\u00a0Eccola! \u0417\u0430\u043c\u0435\u0442\u043a\u0438 \u043e \u043d\u0435\u043a\u043e\u0442\u043e\u0440\u044b\u0445 \u043f\u043e\u0434\u0442\u0435\u043a\u0441\u0442\u0430\u0445 \u0417o\u0449\u0435\u043d\u043a\u043e\/\/ \u041f\u043e\u044d\u0437\u0438\u044f \u0438 \u0436\u0438\u0432\u043e\u043f\u0438\u0441\u044c. \u0421\u0431\u043e\u0440\u043d\u0438\u043a \u0442\u0440\u0443\u0434\u043e\u0432 \u043f\u0430\u043c\u044f\u0442\u0438 \u041d. \u0418. \u0425\u0430\u0440\u0434\u0436\u0438\u0435\u0432\u0430\/ \u0421\u043e\u0441\u0442. \u0438 \u0440\u0435\u0434. \u041c.\u0411. \u041c\u0435\u0439\u043b\u0430\u0445, \u0414.\u0412. \u0421\u0430\u0440\u0430\u0431\u044c\u044f\u043d\u043e\u0432. \u2014 \u041c.: \u042f\u0437\u044b\u043a\u0438 \u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b, 2000, \u0441. 821-834.<\/li>\n
  53. \u0416\u043e\u043b\u043a\u043e\u0432\u0441\u043a\u0438\u0439<\/strong>\u00a0\u2013 Zholkovsky A.\u00a0Text Counter Text. Rereadings in Russian Literary History.<\/a>\u00a0\u2013 Stanford UP, 1994.<\/li>\n
  54. \u0416\u043e\u043b\u043a\u043e\u0432\u0441\u043a\u0438\u0439 \u0410.\u041a.<\/strong>,\u00a0\u0429\u0435\u0433\u043b\u043e\u0432 \u042e.\u041a<\/strong>.\u00a0\u041c\u0438\u0440 \u0430\u0432\u0442\u043e\u0440\u0430 \u0438 \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0430 \u0442\u0435\u043a\u0441\u0442\u0430: \u0421\u0442\u0430\u0442\u044c\u0438 \u043e \u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0435<\/a>. \u2013 Tenafly N.J.: Hermitage, 1986.<\/li>\n
  55. \u0417\u0438\u0445\u0435\u0440<\/strong>\u00a0\u2013 Sicher E. Style and Structure in the Prose of Isaak Babel\u2019. \u2013 Columbus, Ohio: Slavica, 1986.<\/li>\n
  56. \u0417\u0438\u0445\u0435\u0440<\/strong>\u00a0\u2013 Midrash and History: A Key to the Babelesque Imagination\/\/ \u0411\u043b\u0443\u043c [15, \u0441. 215\u2013230].<\/li>\n
  57. \u0417\u043e\u043b\u044f \u042d<\/strong>. \u041d\u0430\u043d\u0430\/ \u041f\u0435\u0440. \u0422. \u0418\u0440\u0438\u043d\u043e\u0432\u043e\u0439\/\/ \u0420\u0443\u0433\u043e\u043d-\u041c\u0430\u043a\u043a\u0430\u0440\u044b. \u2013 \u0412 18 \u0442\u043e\u043c\u0430\u0445. \u0422. 7, 1957, \u0441. 261\u2013606.<\/li>\n
  58. \u0417\u043e\u0449\u0435\u043d\u043a\u043e \u041c.<\/strong>\u00a0\u0421\u043e\u0431\u0440. \u0441\u043e\u0447. \u0432 3-\u0445 \u0442\u043e\u043c\u0430\u0445. \u2013 \u041b.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1987.<\/li>\n
  59. \u0418\u0432\u0430\u0441\u043a \u042e.\u041f.<\/strong>\u00a0\u0412\u0441\u0442\u0443\u043f\u0438\u0442\u0435\u043b\u044c\u043d\u0430\u044f \u0441\u0442\u0430\u0442\u044c\u044f\/\/ \u0420\u043e\u0437\u0430\u043d\u043e\u0432 [102, \u0441. 59].<\/li>\n
  60. \u0418\u0433\u043d\u043e\u0442\u0443\u0441<\/strong>\u00a0\u2013 Ignotus P. The Paradox of Maupassant. \u2013 Funk and Wagnalls, 1968.<\/li>\n
  61. \u041a\u0430\u043b\u043b\u0435\u0440<\/strong>\u00a0\u2013 Culler J. The Turns of Metaphor\/\/ The Pursuit of Signs. Semiotics, Literature, Deconstruction. \u2013 Ithaca, N.Y.: Cornell UP, 1981, p. 188\u2013209.<\/li>\n
  62. \u041a\u0430\u0440\u0434\u0435\u043d<\/strong>\u00a0\u2013 Carden P. The Art of Isaac Babel. \u2013 Ithaca and London: Cornell UP, 1972.<\/li>\n
  63. \u041a\u0443\u0437\u043c\u0438\u043d \u041c.\u0410.<\/strong>\u00a0\u041a\u0440\u044b\u043b\u044c\u044f\/\/ \u041f\u0440\u043e\u0437\u0430. \u0422. 1. \u041f\u0435\u0440\u0432\u0430\u044f \u043a\u043d\u0438\u0433\u0430 \u0440\u0430\u0441\u0441\u043a\u0430\u0437\u043e\u0432\/ \u0421\u043e\u0441\u0442. \u0412.\u0424. \u041c\u0430\u0440\u043a\u043e\u0432. \u2013 Berkeley: Berkeley Slavic Specialties, 1984, \u0441. 181\u2013231.<\/li>\n
  64. \u041a\u0443\u043f\u0440\u0438\u043d \u0410.\u0418.<\/strong>\u00a0\u0421\u043e\u0431\u0440. \u0441\u043e\u0447. \u0432 9-\u0438 \u0442\u043e\u043c\u0430\u0445. \u0422. 6. \u2013 \u041c.: \u041f\u0440\u0430\u0432\u0434\u0430, 1964.<\/li>\n
  65. \u041b\u0430\u043a\u0448\u0438\u043d \u0412.<\/strong>\u00a0\u0422\u043e\u043b\u0441\u0442\u043e\u0439 \u0438 \u0427\u0435\u0445\u043e\u0432. \u2013 \u041c.: \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044c, 1975.<\/li>\n
  66. \u041b\u0430\u043d\u0443<\/strong>\u00a0\u2013 Lanoux A. Maupassant. Le Bel-Ami. \u2013 Paris: Bernard Grasset, 1979.<\/li>\n
  67. \u041b\u0435\u0432\u0438\u043d<\/strong>\u00a0\u2013 Levin D. Stormy Petrel: The Life and Work of Maxim Gorky. \u2013 New York: Appleton\u2013Century, 1965.<\/li>\n
  68. \u041b\u0435\u0432\u0438\u043d<\/strong>\u00a0\u0424.<\/strong>\u00a0\u0418.\u0411\u0430\u0431\u0435\u043b\u044c. \u041e\u0447\u0435\u0440\u043a \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0430. \u2013 \u041c.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1972.<\/li>\n
  69. \u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u0430\u044f \u044d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f<\/strong>\u00a0(\u041b\u042d)\/ \u0420\u0435\u0434. \u041f.\u0418. \u041b\u0435\u0431\u0435\u0434\u0435\u0432-\u041f\u043e\u043b\u044f\u043d\u0441\u043a\u0438\u0439 \u0438 \u0434\u0440. \u2013 \u041c.: \u041a\u043e\u043c\u043c\u0443\u043d\u0438\u0441\u0442\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u0410\u043a\u0430\u0434\u0435\u043c\u0438\u044f, 1930\u20131939.<\/li>\n
  70. \u041b\u043e\u0442\u043c\u0430\u043d \u042e.\u041c.<\/strong>\u00a0\u0420\u0443\u0441\u0441\u043e \u0438 \u0440\u0443\u0441\u0441\u043a\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430 XVIII \u2013 \u043d\u0430\u0447\u0430\u043b\u0430 XIX \u0432\u0435\u043a\u0430\/\/\u0416\u0430\u043d-\u0416\u0430\u043a \u0420\u0443\u0441\u0441\u043e. \u0422\u0440\u0430\u043a\u0442\u0430\u0442\u044b. \u2013 \u041c.: \u041d\u0430\u0443\u043a\u0430, 1969, \u0441. 554\u2013604.<\/li>\n
  71. \u041c\u0430\u043d\u0434\u0435\u043b\u044c\u0448\u0442\u0430\u043c \u041e.<\/strong>\u00a0\u0421\u043e\u0447. \u0432 2-\u0445 \u0442\u043e\u043c\u0430\u0445\/ \u0421\u043e\u0441\u0442. \u041f.\u041c. \u041d\u0435\u0440\u043b\u0435\u0440, \u043a\u043e\u043c\u043c. \u0410.\u0414. \u041c\u0438\u0445\u0430\u0439\u043b\u043e\u0432, \u041f.\u041c. \u041d\u0435\u0440\u043b\u0435\u0440. \u2013 \u041c.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1990.<\/li>\n
  72. \u041c\u0430\u0440\u043a\u043e\u0432 \u0412.\u0424.<\/strong>\u00a0\u0411\u0435\u0441\u0435\u0434\u0430 \u043e \u043f\u0440\u043e\u0437\u0435 \u041a\u0443\u0437\u043c\u0438\u043d\u0430\/\/ \u041c.\u0410. \u041a\u0443\u0437\u043c\u0438\u043d. \u041f\u0440\u043e\u0437\u0430. \u0422. 1. \u041f\u0435\u0440\u0432\u0430\u044f \u043a\u043d\u0438\u0433\u0430 \u0440\u0430\u0441\u0441\u043a\u0430\u0437\u043e\u0432. \u2013 Berkeley: Berkeley Slavic Specialties, 1984, \u0441. vii-xviii.<\/li>\n
  73. \u041c\u0430\u0442\u0438\u0447<\/strong>\u00a0\u2013 Matich O. A Typology of Fallen Women in Ninteenth-Century Russian Literature\/\/ American Contributions to the Ninth International Congress of Slavists (Kiev, 1983). Vol. 2 (Literature, Poetics, History)\/ Ed. by P. Debreczeny. \u2013 Columbus: Slavica, 1983, p. 325\u2013343.<\/li>\n
  74. \u041c\u0435\u043d\u0438\u0430\u043b\u044c<\/strong>\u00a0\u2013\u00a0Maynial E. La Vie et l\u2019oeuvre de Guy de Maupassant. Quatri\u00e8me \u00e9dition. \u2013 Paris: Mercure de France, 1907.<\/li>\n
  75. \u041c\u0435\u043d\u0438\u0430\u043b\u044c<\/strong>\u00a0\u2013 \u041c\u044d\u043di\u0430\u043b\u044c \u042d\u0434. \u0416\u0438\u0437\u043d\u044c \u0438 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e \u0413\u044e\u0438 \u0434\u0435 \u041c\u043e\u043f\u0430\u0441\u0441\u0430\u043d\u0430\/\/ \u0413. \u0434\u0435 \u041c\u043e\u043f\u0430\u0441\u0441\u0430\u043d. \u041f\u043e\u043b\u043d. \u0441\u043e\u0431\u0440. \u0441\u043e\u0447. \u0432 30 \u0442\u043e\u043c\u0430\u0445. \u0422. 30, 1912 [1910].<\/li>\n
  76. \u041c\u0435\u0440\u0435\u0436\u043a\u043e\u0432\u0441\u043a\u0438\u0439 \u0414.\u0421.<\/strong>\u00a0\u041f\u043e\u043b\u043d. \u0441\u043e\u0431\u0440. \u0441\u043e\u0447. \u0422. 1\u201324. \u2013 \u041c.: \u0422-\u0432\u043e \u0418.\u0414. \u0421\u044b\u0442\u0438\u043d\u0430, 1914.<\/li>\n
  77. \u041c\u0438\u043b\u043b\u0435\u0440<\/strong>\u00a0\u2013 Miller R.F. Dostoevsky and Rousseau: The Morality of Confession Reconsidered\/\/ Dostoevsky. New Perspectives\/ Ed. by R.L. Jackson. \u2013 Englewood Cliffs: Prentice-Hall, N.J., 1984 [1979], p. 82\u201398.<\/li>\n
  78. \u041c\u043e\u043f\u0430\u0441\u0441\u0430\u043d \u0413\u044e\u0438 \u0434\u0435<\/strong>. \u041f\u043e\u043b\u043d. \u0441\u043e\u0431\u0440. \u0441\u043e\u0447. \u0432 4-\u0445 \u0442\u043e\u043c\u0430\u0445. \u2013 \u041a\u0438\u0435\u0432, \u0425\u0430\u0440\u044c\u043a\u043e\u0432: \u0424.\u0410. \u0418\u043e\u0433\u0430\u043d\u0441\u043e\u043d, 1904\u20131907.<\/li>\n
  79. \u041c\u043e\u043f\u0430\u0441\u0441\u0430\u043d<\/strong>\u00a0\u2013 Maupassant G. de. Oeuvres compl\u00e8tes. 29 vols\/ Ed. L. Conard. \u2013 Paris,\u00a01908\u20131910.<\/li>\n
  80. \u041c\u043e\u043f\u0430\u0441\u0441\u0430\u043d \u0413\u044e\u0438 \u0434\u0435.<\/strong>\u00a0\u041f\u043e\u043b\u043d. \u0441\u043e\u0431\u0440. \u0441\u043e\u0447. \u0432 30 \u0442\u043e\u043c\u0430\u0445 (\u0442\u043e\u043c\u0430 1\u201329 \u0441\u043e\u043e\u0442\u0432. \u0442\u043e\u043c\u0430\u043c 1\u201329 \u0432 \u0438\u0437\u0434. \u041c\u043e\u043f\u0430\u0441\u0441\u0430\u043d [79]; \u0442. 30 \u2013 \u0441\u0442\u0430\u0442\u044c\u0438 \u042d\u0434. \u041c\u044d\u043di\u0430\u043b\u044f, \u041f. \u041d\u0435\u0432\u044d \u0438 \u0424. \u0421\u043e\u043b\u043e\u0433\u0443\u0431\u0430). \u2013 \u0421\u041f\u0431: \u0428\u0438\u043f\u043e\u0432\u043d\u0438\u043a, 1909\u20131912.<\/li>\n
  81. \u041c\u043e\u043f\u0430\u0441\u0441\u0430\u043d \u0413\u044e\u0438 \u0434\u0435.<\/strong>\u00a0\u0421\u043e\u0431\u0440. \u0441\u043e\u0447. \u0432 3-\u0445 \u0442\u043e\u043c\u0430\u0445\/ \u041f\u0435\u0440. \u043f\u043e\u0434 \u0440\u0435\u0434. \u0418. \u0411\u0430\u0431\u0435\u043b\u044f. \u2013 \u041c.: \u0417\u0435\u043c\u043b\u044f \u0438 \u0444\u0430\u0431\u0440\u0438\u043a\u0430, 1926\u20131927.<\/li>\n
  82. \u041c\u043e\u043f\u0430\u0441\u0441\u0430\u043d \u0413\u044e\u0438 \u0434\u0435.<\/strong>\u00a0\u0418\u0437\u0431\u0440\u0430\u043d\u043d\u044b\u0435 \u043d\u043e\u0432\u0435\u043b\u043b\u044b. \u2013 \u041c.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1946.<\/li>\n
  83. \u041c\u043e\u043f\u0430\u0441\u0441\u0430\u043d<\/strong>\u00a0\u2013 Maupassant G. de. Contes et nouvelles. 2 vols\/ Pref. A. Lanoux, annot. L. Forestier. \u2013 Paris: Gallimard (Pl\u00e9iade). Vol. 1 (1875\u20131884) \u2013 1974; Vol. 2 (1884\u20131893) \u2013 1979.<\/li>\n
  84. \u041c\u043e\u043f\u0430\u0441\u0441\u0430\u043d \u0413\u0438 \u0434\u0435.<\/strong>\u00a0\u041c\u0438\u043b\u044b\u0439 \u0434\u0440\u0443\u0433\/ \u041f\u0435\u0440. \u041d. \u041b\u044e\u0431\u0438\u043c\u043e\u0432\u0430\/\/ \u0416\u0438\u0437\u043d\u044c. \u041c\u0438\u043b\u044b\u0439 \u0434\u0440\u0443\u0433. \u2013 \u041c.: \u041f\u0440\u0430\u0432\u0434\u0430, 1981, \u0441. 203\u2013479.<\/li>\n
  85. \u041d\u0435\u043a\u0440\u0430\u0441\u043e\u0432 \u041d.\u0410.<\/strong>\u00a0\u041f\u043e\u043b\u043d. \u0441\u043e\u0431\u0440. \u0441\u0442\u0438\u0445\u043e\u0442\u0432. \u0432 3-\u0445 \u0442\u043e\u043c\u0430\u0445 [\u0411\u043e\u043b\u044c\u0448\u0430\u044f \u0411\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0430 \u043f\u043e\u044d\u0442\u0430]. \u2013 \u041b.: \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044c, 1967.<\/li>\n
  86. \u041d\u0438\u043b\u044c\u0441\u0441\u043e\u043d<\/strong>\u00a0\u2013 Nilsson N.A. Isaac Babel\u2019s Story \u201cGuy de Maupassant\u201d\/\/ Studies in 20th<\/sup>\u00a0Century Russian Prose\/ Ed. by N.A. Nilsson. \u2013 Stockholm: Almqvist and Wicksell International, 1982, p. 212\u2013227.<\/li>\n
  87. \u041d\u0438\u0446\u0448\u0435<\/strong>\u00a0\u2013 The Portable Nietzsche\/ Ed. by W. Kaufmann. \u2013 New York: The Viking Press, 1968.<\/li>\n
  88. \u041e\u2019\u041a\u043e\u043d\u043d\u043e\u0440<\/strong>\u00a0\u2013 O\u2019Connor F. The Romanticism of Violence\/ \u0411\u043b\u0443\u043c [15, p. 57\u201366].<\/li>\n
  89. \u041e\u043b\u0435\u0448\u0430 \u042e.<\/strong>\u00a0\u041d\u0438 \u0434\u043d\u044f \u0431\u0435\u0437 \u0441\u0442\u0440\u043e\u0447\u043a\u0438. \u2013 \u041c.: \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0430\u044f \u0420\u043e\u0441\u0441\u0438\u044f, 1965.<\/li>\n
  90. \u041e\u043f\u0443\u043b\u044c\u0441\u043a\u0430\u044f \u041b.\u0414.<\/strong>\u00a0\u041f\u0435\u0440\u0432\u0430\u044f \u043a\u043d\u0438\u0433\u0430 \u041b\u044c\u0432\u0430 \u0422\u043e\u043b\u0441\u0442\u043e\u0433\u043e\/\/ \u041b.\u041d. \u0422\u043e\u043b\u0441\u0442\u043e\u0439. \u0414\u0435\u0442\u0441\u0442\u0432\u043e. \u041e\u0442\u0440\u043e\u0447\u0435\u0441\u0442\u0432\u043e. \u042e\u043d\u043e\u0441\u0442\u044c. \u2013 \u041c.: \u041d\u0430\u0443\u043a\u0430, 1978, \u0441. 479\u2013508.<\/li>\n
  91. \u041f\u0430\u043f\u0435\u0440\u043d\u043e<\/strong>\u00a0\u2013 Paperno I. Chernyshevsky and the Age of Realism. A Study in the Semiotics of Behavior. \u2013 Stanford UP, 1988.<\/li>\n
  92. \u041f\u0430\u043f\u0435\u0440\u043d\u043e \u0418.<\/strong>\u00a0\u041e \u043f\u0440\u0438\u0440\u043e\u0434\u0435 \u043f\u043e\u044d\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0441\u043b\u043e\u0432\u0430. \u0411\u043e\u0433\u043e\u0441\u043b\u043e\u0432\u0441\u043a\u0438\u0435 \u0438\u0441\u0442\u043e\u0447\u043d\u0438\u043a\u0438 \u0441\u043f\u043e\u0440\u0430 \u041c\u0430\u043d\u0434\u0435\u043b\u044c\u0448\u0442\u0430\u043c\u0430 \u0441 \u0441\u0438\u043c\u0432\u043e\u043b\u0438\u0437\u043c\u043e\u043c \u2013\u2013 \u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0435 \u043e\u0431\u043e\u0437\u0440\u0435\u043d\u0438\u0435, 1991, \u2116 1, \u0441. 29\u201336.<\/li>\n
  93. \u041f\u0430\u0441\u0442\u0435\u0440\u043d\u0430\u043a \u0411.<\/strong>\u00a0\u041e\u0431 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435. \u201c\u041e\u0445\u0440\u0430\u043d\u043d\u0430\u044f \u0433\u0440\u0430\u043c\u043e\u0442\u0430\u201d \u0438 \u0437\u0430\u043c\u0435\u0442\u043a\u0438 \u043e \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u043c \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0435\/ \u0421\u043e\u0441\u0442. \u0438 \u043f\u0440\u0438\u043c. \u0415.\u0411. \u0438 \u0415.\u0412. \u041f\u0430\u0441\u0442\u0435\u0440\u043d\u0430\u043a. \u2013 \u041c.: \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e, 1990.<\/li>\n
  94. \u041f\u043e\u0434\u0436\u043e\u043b\u0438<\/strong>\u00a0\u2013 Poggioli R. Isaak Babel in Retrospect\/\/ \u0411\u043b\u0443\u043c [15, p. 47\u201356].<\/li>\n
  95. \u041f\u043e\u043b\u043e\u043d\u0441\u043a\u0438\u0439 \u0412.<\/strong>\u00a0\u0411\u0430\u0431\u0435\u043b\u044c\/\/ \u0415\u0433\u043e \u0436\u0435. \u041e \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0435: \u0418\u0437\u0431\u0440\u0430\u043d\u043d\u044b\u0435 \u0440\u0430\u0431\u043e\u0442\u044b. \u2013 \u041c.: \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044c, 1988 [1927], \u0441. 57\u201378.<\/li>\n
  96. \u041f\u0440\u0438\u0433\u043e\u0432 \u0414.\u041c.<\/strong>\u00a0\u0421\u043b\u0435\u0437\u044b \u0433\u0435\u0440\u0430\u043b\u044c\u0434\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u0434\u0443\u0448\u0438. \u2013 \u041c.: \u041c\u043e\u0441\u043a\u043e\u0432\u0441\u043a\u0438\u0439 \u0440\u0430\u0431\u043e\u0447\u0438\u0439, 1990.<\/li>\n
  97. \u041f\u0440\u043e\u043f\u043f \u0412.<\/strong>\u00a0\u0418\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u043a\u043e\u0440\u043d\u0438 \u0432\u043e\u043b\u0448\u0435\u0431\u043d\u043e\u0439 \u0441\u043a\u0430\u0437\u043a\u0438. \u2013 \u041b.: \u041b\u0413\u0423, 1946.<\/li>\n
  98. \u041f\u0443\u0448\u043a\u0438\u043d \u0410.\u0421.<\/strong>\u00a0\u041f\u043e\u043b\u043d. \u0441\u043e\u0431\u0440. \u0441\u043e\u0447. \u0432 10 \u0442\u043e\u043c\u0430\u0445. \u0418\u0437\u0434. 4-\u0435. \u2013 \u041b.: \u041d\u0430\u0443\u043a\u0430, 1977\u20131979.<\/li>\n
  99. \u0420\u0435\u043c\u0438\u0437\u043e\u0432 \u0410.<\/strong>\u00a0\u0412\u0437\u0432\u0438\u0445\u0440\u0435\u043d\u043d\u0430\u044f \u0420\u0443\u0441\u044c. \u2013 \u041c.: \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044c, 1991, \u0441. 216\u2013533.<\/li>\n
  100. \u0420\u0438\u0444\u0444\u0430\u0442\u0435\u0440\u0440<\/strong>\u00a0\u2013 Riffaterre M. Semiotics of Poetry. \u2013 Bloomington: Indiana UP, 1978.<\/li>\n
  101. \u0420\u0438\u0447\u0430\u0440\u0434\u0441<\/strong>\u00a0\u2013 Richards D.,ed. The Penguin Book of Russian Short Stories. \u2013 Harmondsworth, England: Penguin, 1981.<\/li>\n
  102. \u0420\u043e\u0437\u0430\u043d\u043e\u0432 \u0412.\u0412.<\/strong>\u00a0\u0418\u0437\u0431\u0440\u0430\u043d\u043d\u043e\u0435\/ \u0421\u043e\u0441\u0442. \u042e.\u041f. \u0418\u0432\u0430\u0441\u043a. \u2013 \u041d\u044c\u044e-\u0419\u043e\u0440\u043a: \u0418\u0437\u0434-\u0432\u043e \u0438\u043c. \u0427\u0435\u0445\u043e\u0432\u0430, 1956.<\/li>\n
  103. \u0420\u043e\u043d\u0435\u043d<\/strong>\u00a0\u2013 Ronen O. A Functional Technique of Myth Transformation in Twentieth-Century Russian Lyrical Poetry\/\/ Myth in Literature\/ Ed. by A. Kodjak, K. Pomorska, S. Rudy. (New York Universaty Slavic Papers, vol. V). \u2013 Columbus, Ohio: Slavica, 1985, p. 110\u2013123.<\/li>\n
  104. \u0420\u043e\u043d\u0435\u043d<\/strong>\u00a0\u2013 Ronen O. Osip Mandelshtam (1891\u20131938)\/\/ European Writers: The Twentieth Century\/ Ed. by G. Stade. Vol. 10. \u2013 New York: Charles Scribner\u2019s Sons, 1990, p. 1619\u20131649.<\/li>\n
  105. \u0420\u0443\u0441\u0441\u043a\u0438\u0435 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u0438<\/strong>\u00a0(\u0420\u041f): \u0411\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0441\u043b\u043e\u0432\u0430\u0440\u044c. 1800\u20131917\/ \u041f\u043e\u0434 \u0440\u0435\u0434. \u041f.\u0410. \u041d\u0438\u043a\u043e\u043b\u0430\u0435\u0432\u0430. \u0422. 1 (\u0410\u2013\u0413). \u2013 \u041c.: \u0421\u043e\u0432\u0435\u0442\u0441\u043a\u0430\u044f \u042d\u043d\u0446\u0438\u043a\u043b\u043e\u043f\u0435\u0434\u0438\u044f, 1989.<\/li>\n
  106. \u0420\u0443\u0441\u0441\u043a\u0438\u0435 \u0447\u0430\u0441\u0442\u0443\u0448\u043a\u0438:<\/strong>\u00a0\u0418\u0437 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u0438 \u041d. \u0421\u0442\u0430\u0440\u0448\u0438\u043d\u043e\u0432\u0430. \u2013 \u041c.: \u0422\u0432\u0435\u0440\u0434\u044a, 1993.<\/li>\n
  107. \u0420\u0443\u0441\u0441\u043e<\/strong>\u00a0\u2013 Rousseau J.-J. Les Confessions\/ Pref. et annot. J.-L. Lecercle. \u2013 Gen\u00e8ve: Club des Amis du Livre Progressiste, 1962.<\/li>\n
  108. \u0421\u0438\u0433\u0435\u043b<\/strong>\u00a0\u2013 Siegel G. The Fallen Woman in Nineteenth-Century Russian Literature. \u2013 Harvard Slavic Studies, 5, 1970, p. 81\u2013107.<\/li>\n
  109. \u0421\u0438\u043d\u044f\u0432\u0441\u043a\u0438\u0439<\/strong>\u00a0\u2013 Sinyavsky A. Isaac Babel\/\/ \u0411\u043b\u0443\u043c [15, p. 87\u201395].<\/li>\n
  110. \u0421\u043e\u043b\u043e\u0433\u0443\u0431<\/strong>\u00a0\u2013 Sologub F. The Petty Demon. \u2013 Ann Arbor: Ardis, 1983.<\/li>\n
  111. \u0421\u043e\u043b\u043e\u0433\u0443\u0431 \u0424<\/strong>. \u041c\u0435\u043b\u043a\u0438\u0439 \u0431\u0435\u0441\/\/ \u0415\u0433\u043e \u0436\u0435. \u0421\u0432\u0435\u0442 \u0438 \u0442\u0435\u043d\u0438: \u0418\u0437\u0431\u0440\u0430\u043d\u043d\u0430\u044f \u043f\u0440\u043e\u0437\u0430. \u2013 \u041c\u0438\u043d\u0441\u043a: \u041c\u0430\u0441\u0442\u0430\u0446\u043a\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430, 1988, \u0441. 17\u2013218.<\/li>\n
  112. \u0421\u0442\u0430\u0439\u043d<\/strong>\u00a0\u2013 Stine P. Isaac Babel and Violence\/\/ \u0411\u043b\u0443\u043c [15, p. 231-248].<\/li>\n
  113. \u0421\u0442\u0430\u0440\u043e\u0431\u0438\u043d\u0441\u043a\u0438<\/strong>\u00a0\u2013 Starobinsky J. Jean-Jacques Rousseau: La Transparence et l\u2019obstacle. \u2013 Paris, 1971.<\/li>\n
  114. \u0422\u0430\u043b\u044c\u043c\u043e\u043d<\/strong>\u00a0\u2013 Talmon Sh. Daniel\/\/ The Literary Guide to the Bible\/ Ed. by R. Alter and F. Kermode. \u2013 Cambridge, Mass.: The Belknap Press of Harvard UP, 1987, p. 343\u2013356.<\/li>\n
  115. \u0422\u0435\u0440\u0440\u0430\u0441<\/strong>\u00a0\u2013 Terras V. Line and Color: The Structure of I. Babel\u2019s Short Stories in \u201cRed Cavalry\u201d\/\/ \u0411\u043b\u0443\u043c [15, p. 97\u2013111].<\/li>\n
  116. \u0422\u043e\u043b\u0441\u0442\u0430\u044f<\/strong>\u00a0\u2013 Tolstaya H. From Susanna to Sarra: Chekhov in 1886\u20131887. \u2014 Slavic Review 50 (3), 1991, p. 590\u2013600.<\/li>\n
  117. \u0422\u043e\u043b\u0441\u0442\u043e\u0439 \u041b.\u041d.<\/strong>\u041f\u0440\u0435\u0434\u0438\u0441\u043b\u043e\u0432\u0438\u0435 \u043a \u0441\u043e\u0447\u0438\u043d\u0435\u043d\u0438\u044f\u043c \u0413\u044e\u0438 \u0434\u0435 \u041c\u043e\u043f\u0430\u0441\u0441\u0430\u043d\u0430\/\/ \u0413. \u0434\u0435 \u041c\u043e\u043f\u0430\u0441\u0441\u0430\u043d. \u041d\u0430 \u0432\u043e\u0434\u0435: \u0421\u0431. \u0440\u0430\u0441\u0441\u043a\u0430\u0437\u043e\u0432. \u2013 \u041c.: \u041f\u043e\u0441\u0440\u0435\u0434\u043d\u0438\u043a, 1894.<\/li>\n
  118. \u0422\u043e\u043b\u0441\u0442\u043e\u0439 \u041b.\u041d.<\/strong>\u00a0\u041f\u043e\u043b\u043d. \u0441\u043e\u0431\u0440. \u0441\u043e\u0447. \u0432 90 \u0442\u043e\u043c\u0430\u0445. \u2013 \u041c.: \u0413\u0418\u0425\u041b, 1928\u20131958.<\/li>\n
  119. \u0422\u043e\u043b\u0441\u0442\u043e\u0439 \u041b.\u041d.<\/strong>\u00a0\u041f\u043e\u043b\u043d. \u0441\u043e\u0431\u0440. \u0441\u043e\u0447. \u0432 90-\u0430 \u0442\u043e\u043c\u0430\u0445. \u0422. 30. \u2013 \u041c.: \u0413\u0418\u0425\u041b, 1951.<\/li>\n
  120. \u0422\u043e\u043b\u0441\u0442\u043e\u0439 \u041b.\u041d.<\/strong>\u00a0\u0421\u043e\u0431\u0440. \u0441\u043e\u0447. \u0432 14 \u0442\u043e\u043c\u0430\u0445. \u2013 \u0413\u0418\u0425\u041b, 1951\u20131953.<\/li>\n
  121. \u0422\u043e\u043b\u0441\u0442\u043e\u0439 \u041b.\u041d.<\/strong>\u00a0\u041e \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0435: \u0421\u0442\u0430\u0442\u044c\u0438. \u041f\u0438\u0441\u044c\u043c\u0430. \u0414\u043d\u0435\u0432\u043d\u0438\u043a\u0438. \u2013 \u041c.: \u0413\u0418\u0425\u041b, 1955.<\/li>\n
  122. \u0422\u043e\u043b\u0441\u0442\u043e\u0439 \u041b.\u041d.<\/strong>\u00a0\u0414\u0435\u0442\u0441\u0442\u0432\u043e. \u041e\u0442\u0440\u043e\u0447\u0435\u0441\u0442\u0432\u043e. \u042e\u043d\u043e\u0441\u0442\u044c\/ \u041f\u043e\u0434\u0433. \u041b.\u0414. \u041e\u043f\u0443\u043b\u044c\u0441\u043a\u0430\u044f. \u2013 \u041c.: \u041d\u0430\u0443\u043a\u0430, 1978 (\u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u044b\u0435 \u043f\u0430\u043c\u044f\u0442\u043d\u0438\u043a\u0438).<\/li>\n
  123. \u0422\u0440\u0438\u043b\u043b\u0438\u043d\u0433<\/strong>\u00a0\u2013 Trilling L. The Forbidden Dialectic: Introduction to \u201cThe Collected Stories of Isaac Babel\u201d\/\/ \u0411\u043b\u0443\u043c[15, p.23\u201340].<\/li>\n
  124. \u0422\u044b\u043d\u044f\u043d\u043e\u0432 \u042e.\u041d.<\/strong>\u00a0\u041f\u0440\u043e\u043c\u0435\u0436\u0443\u0442\u043e\u043a\/\/ \u041f\u043e\u044d\u0442\u0438\u043a\u0430. \u0418\u0441\u0442\u043e\u0440\u0438\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b. \u041a\u0438\u043d\u043e. \u2013 \u041c.: \u041d\u0430\u0443\u043a\u0430, 1977 [1924], \u0441. 168\u2013195.<\/li>\n
  125. \u0423\u0430\u0439\u043b\u044c<\/strong>\u00a0\u2013 Weil I. Gorky. His Literary Development and Influence on Soviet Intellectual Life. \u2013 New York: Random House, 1966.<\/li>\n
  126. \u0423\u043e\u043a\u0442\u0435\u043b<\/strong>\u00a0\u2013 Wachtel A. The Battle for Childhood. Creation of a Russian Myth. \u2013 Stanford UP, 1990.<\/li>\n
  127. \u0424\u0430\u0441\u043c\u0435\u0440 \u041c.<\/strong>\u00a0\u042d\u0442\u0438\u043c\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0441\u043b\u043e\u0432\u0430\u0440\u044c \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u044f\u0437\u044b\u043a\u0430. \u0412 4-\u0445 \u0442\u043e\u043c\u0430\u0445: \u041f\u0435\u0440. \u0441 \u043d\u0435\u043c. \u041e.\u041d. \u0422\u0440\u0443\u0431\u0430\u0447\u0435\u0432\u0430. \u2013 \u041c.: \u041f\u0440\u043e\u0433\u0440\u0435\u0441\u0441, 1967.<\/li>\n
  128. \u0424\u0435\u0439\u043b\u0435\u043d<\/strong>\u00a0\u2013 Falen J. Isaac Babel. Russian Master of the Short Story. \u2013 Knoxville: The University of Tennessee Press, 1974.<\/li>\n
  129. \u0424\u043b\u043e\u0431\u0435\u0440 \u0413.<\/strong>\u00a0\u0413\u043e\u0441\u043f\u043e\u0436\u0430 \u0411\u043e\u0432\u0430\u0440\u0438. \u041f\u0440\u043e\u0432\u0438\u043d\u0446\u0438\u0430\u043b\u044c\u043d\u044b\u0435 \u043d\u0440\u0430\u0432\u044b\/\/ \u0413\u043e\u0441\u043f\u043e\u0436\u0430 \u0411\u043e\u0432\u0430\u0440\u0438. \u0421\u0430\u043b\u0430\u043c\u0431\u043e\/ \u041f\u0435\u0440. \u041d. \u041b\u044e\u0431\u0438\u043c\u043e\u0432\u0430. \u2013 \u041c.: \u041c\u0438\u0440, 1984, \u0441. 7\u2013288.<\/li>\n
  130. \u0424\u043e\u0440\u043c\u044d\u043d<\/strong>\u00a0\u2013 Forman B. Y. Nietzsche and Gorky in the 1890s: The Case for an Early Influence\/\/ Western Philosophical Systems in Russian Literature: A Collection of Critical Studies\/ Ed. by A.M. Mlikotin. \u2013 Los Angeles: University of Southern California Press (University of Southern California Series in Slavic Humanities, 3), 1979, p. 153\u2013164.<\/li>\n
  131. \u0424\u0440\u0430\u043d\u043a \u0421.\u041b.<\/strong>\u00a0\u042d\u0442\u0438\u043a\u0430 \u043d\u0438\u0433\u0438\u043b\u0438\u0437\u043c\u0430\/\/ \u0412\u0435\u0445\u0438: \u0421\u0431. \u0441\u0442\u0430\u0442\u0435\u0439 \u043e \u0440\u0443\u0441\u0441\u043a\u043e\u0439 \u0438\u043d\u0442\u0435\u043b\u043b\u0438\u0433\u0435\u043d\u0446\u0438\u0438. \u2013 \u041c.: \u041d\u043e\u0432\u043e\u0441\u0442\u0438, 1990 [1909], \u0441. 150\u2013184.<\/li>\n
  132. \u0424\u0440\u0435\u0439\u0434\u0438\u043d<\/strong>\u00a0\u2013 Freidin G. Fat Tuesday in Odessa: Isaac Babel\u2019s \u201cDi Grasso\u201d as Testament and Manifesto\/ \u0411\u043b\u0443\u043c [15, p. 199\u2013214].<\/li>\n
  133. \u0424\u0440\u0435\u0439\u0434\u0438\u043d<\/strong>\u00a0\u2013 Freidin G. Isaac Babel (1894\u20131940)\/\/ European Writers: The Twentieth Century\/ Ed. by G. Stade. Vol. 11. \u2013 New York: Charles Scribner\u2019s Sons, 1990, p. 1885\u20131914.<\/li>\n
  134. \u0424\u0440\u0435\u0439\u0434\u0438\u043d \u0413.<\/strong>\u00a0\u0420\u0435\u0432\u043e\u043b\u044e\u0446\u0438\u044f \u043a\u0430\u043a \u044d\u0441\u0442\u0435\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0444\u0435\u043d\u043e\u043c\u0435\u043d \u2014 \u041d\u043e\u0432\u043e\u0435 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0435 \u043e\u0431\u043e\u0437\u0440\u0435\u043d\u0438\u0435, 1993, \u2116 4, \u0441. 228\u2013242.<\/li>\n
  135. \u0425\u0430\u0443\u0430\u0440\u0434<\/strong>\u00a0\u2013 Howard B.F. The Rhetoric of Confession: Dostoevskij\u2019s \u201cNotes from the Underground and Rousseau\u2019s \u201cConfessions\u201d\/\/ Critical Essays on Dostoevsky\/ Ed. by R.F. Miller. \u2013 Boston: G.K. Hall & Co., 1986 [1981], p. 64\u201372.<\/li>\n
  136. \u0425\u043e\u0434\u0430\u0441\u0435\u0432\u0438\u0447 \u0412.<\/strong>\u00a0\u0411\u0435\u043b\u044b\u0439 \u043a\u043e\u0440\u0438\u0434\u043e\u0440: \u0412o\u0441\u043f\u043e\u043c\u0438\u043d\u0430\u043d\u0438\u044f. \u0418\u0437\u0431\u0440\u0430\u043d\u043d\u0430\u044f \u043f\u0440\u043e\u0437\u0430. \u0412 2-\u0445 \u0442\u043e\u043c\u0430\u0445. \u0422. 1. \u2013 \u041d\u044c\u044e-\u0419\u043e\u0440\u043a: \u0421\u0435\u0440\u0435\u0431\u0440\u044f\u043d\u044b\u0439 \u0432\u0435\u043a, 1982.<\/li>\n
  137. \u0425\u043e\u0434\u0430\u0441\u0435\u0432\u0438\u0447 \u0412.<\/strong>\u00a0\u041a\u043e\u043b\u0435\u0431\u043b\u0435\u043c\u044b\u0439 \u0442\u0440\u0435\u043d\u043e\u0436\u043d\u0438\u043a. \u0418\u0437\u0431\u0440\u0430\u043d\u043d\u043e\u0435. \u2013 \u041c.: \u0421o\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044c, 1991.<\/li>\n
  138. \u0425\u043e\u043b\u043c\u0431\u0435\u0440\u0433<\/strong>\u00a0\u2013 Holmberg K. The Essence of Decadence: Flowers and Perfume in Huysmans\u2019 \u201cA Rebours\u201d and Sologub\u2019s \u201cMelkij bes\u201d: \u0420\u0443\u043a\u043e\u043f\u0438\u0441\u044c \u043a\u0443\u0440\u0441\u043e\u0432\u043e\u0439 \u0440\u0430\u0431\u043e\u0442\u044b. \u2013 \u0423\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 \u042e\u0436\u043d\u043e\u0439 \u041a\u0430\u043b\u0438\u0444\u043e\u0440\u043d\u0438\u0438, 1994.<\/li>\n
  139. \u0425\u044d\u043b\u043b\u0435\u0442<\/strong>\u00a0\u2013 Hallet R. Isaac Babel. \u2013 New York: Frederick Ungar, 1972.<\/li>\n
  140. \u0425\u044d\u044d\u0440<\/strong>\u00a0\u2013 Hare R. Maxim Gorky Romantic Realist and Conservative Revolutionary. \u2013 London: Oxford UP, 1962.<\/li>\n
  141. \u0427\u0435\u0440\u043d\u044b\u0448\u0435\u0432\u0441\u043a\u0438\u0439 \u041d.\u0413.<\/strong>\u00a0\u0427\u0442\u043e \u0434\u0435\u043b\u0430\u0442\u044c? \u0418\u0437 \u0440\u0430\u0441\u0441\u043a\u0430\u0437\u043e\u0432 \u043e \u043d\u043e\u0432\u044b\u0445 \u043b\u044e\u0434\u044f\u0445\/ \u041f\u043e\u0434\u0433. \u0422.\u0418. \u041e\u0440\u043d\u0430\u0442\u0441\u043a\u0430\u044f \u0438 \u0421.\u0410. \u0420\u0435\u0439\u0441\u0435\u0440. \u2013 \u041b.: \u041d\u0430\u0443\u043a\u0430, 1975. (\u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u044b\u0435 \u043f\u0430\u043c\u044f\u0442\u043d\u0438\u043a\u0438).<\/li>\n
  142. \u0427\u0435\u0445\u043e\u0432 \u0410.\u041f.<\/strong>\u00a0\u041f\u043e\u043b\u043d. \u0441\u043e\u0431\u0440. \u0441\u043e\u0447. \u0438 \u043f\u0438\u0441\u0435\u043c \u0432 30 \u0442\u043e\u043c\u0430\u0445. \u2013 \u041c.: \u041d\u0430\u0443\u043a\u0430, 1974\u20131983.<\/li>\n
  143. \u0427\u0443\u043a\u043e\u0432\u0441\u043a\u0438\u0439 \u041a.<\/strong>\u00a0\u0413\u0435\u043e\u043c\u0435\u0442\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0440\u043e\u043c\u0430\u043d \u2014 \u0420\u0435\u0447\u044c, 27 \u043c\u0430\u044f 1907 \u0433.<\/li>\n
  144. \u0427\u0443\u043a\u043e\u0432\u0441\u043a\u0438\u0439 \u041a.<\/strong>\u00a0\u0421\u043e\u0431\u0440. \u0441\u043e\u0447. \u0432 6 \u0442\u043e\u043c\u0430\u0445. \u0422. 6. \u0421\u0442\u0430\u0442\u044c\u0438 1906\u20131968 \u0433\u0433. \u2013 \u041c.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1969.<\/li>\n
  145. \u0428\u0435\u0440\u0440<\/strong>\u00a0\u2013 Scherr B. Maxim Gorky. \u2013 Boston: Twayne, 1988.<\/li>\n
  146. \u0428\u043a\u043b\u043e\u0432\u0441\u043a\u0438\u0439 \u0412<\/strong>. \u0411\u0430\u0431\u0435\u043b\u044c. \u041a\u0440\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0440\u043e\u043c\u0430\u043d\u0441\/\/ \u0413\u0430\u043c\u0431\u0443\u0440\u0433\u0441\u043a\u0438\u0439 \u0441\u0447\u0435\u0442: \u0421\u0442\u0430\u0442\u044c\u0438. \u0412\u043e\u0441\u043f\u043e\u043c\u0438\u043d\u0430\u043d\u0438\u044f. \u042d\u0441\u0441\u0435. \u2013 \u041c.: \u0421o\u0432\u0435\u0442\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044c, 1990 [1924].<\/li>\n
  147. \u042d\u0439\u0437\u0435\u043d\u0448\u0442\u0435\u0439\u043d \u0421.<\/strong>\u00a0\u0418\u0437\u0431\u0440\u0430\u043d\u043d\u044b\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f \u0432 6 \u0442\u043e\u043c\u0430\u0445. \u2013 \u041c.: \u0418\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e, 1964\u20131968.<\/li>\n
  148. \u042d\u0439\u0437\u0435\u043d\u0448\u0442\u0435\u0439\u043d<\/strong>\u00a0\u2013 Eisenstein S. Film Essays and a Lecture\/ Ed. by Jay Leyda. \u2013 Princeton UP, 1982.<\/li>\n
  149. \u042d\u0439\u0445\u0435\u043d\u0431\u0430\u0443\u043c \u0411<\/strong>. \u041b\u0435\u0432 \u0422\u043e\u043b\u0441\u0442\u043e\u0439. \u0421\u0435\u043c\u0438\u0434\u0435\u0441\u044f\u0442\u044b\u0435 \u0433\u043e\u0434\u044b. \u2013 \u041b.: \u0425\u0443\u0434\u043e\u0436. \u043b\u0438\u0442., 1974.<\/li>\n
  150. \u042d\u0440\u0435<\/strong>\u00a0\u2013 Ehre M. Isaac Babel. \u2013 Boston: Twayne, 1986.<\/li>\n
  151. \u042d\u0440\u0438\u043a\u0441\u043e\u043d<\/strong>\u00a0\u2013 Erikson E. The Legend of Maxim Gorky\u2019s Youth\/\/ E. Erikson. Childhood and Society. \u2013 New York: W.W. Norton, 1963, p. 359\u2013402.<\/li>\n
  152. \u042e\u0448\u043a\u0435\u0432\u0438\u0447 \u0421.<\/strong>\u00a0\u0420\u0430\u0441\u0441\u043a\u0430\u0437\u044b. \u0422. 1, 2. \u2013 \u0421\u041f\u0431: \u0417\u043d\u0430\u043d\u0438\u0435, 1903\u20131905.<\/li>\n
  153. \u042e\u0448\u043a\u0435\u0432\u0438\u0447 \u0421.<\/strong>\u00a0\u041b\u0435\u043e\u043d \u0414\u0440\u0435\u0439. \u0427. I, II\/\/ \u0415\u0433\u043e \u0436\u0435. \u041f\u043e\u043b\u043d. \u0441\u043e\u0431\u0440. \u0441\u043e\u0447., \u0442. 13, 14. \u2013 \u041f\u0435\u0442\u0440\u043e\u0433\u0440\u0430\u0434: \u0416\u0438\u0437\u043d\u044c \u0438 \u0417\u043d\u0430\u043d\u0438\u0435, 1914\u20131915.<\/li>\n
  154. \u042f\u043a\u043e\u0431\u0441\u043e\u043d \u0420.<\/strong>\u00a0\u041b\u0438\u043d\u0433\u0432\u0438\u0441\u0442\u0438\u043a\u0430 \u0438 \u043f\u043e\u044d\u0442\u0438\u043a\u0430\/\/ \u0421\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0430\u043b\u0438\u0437\u043c \u2013 \u201c\u0437\u0430\u201d \u0438 \u201c\u043f\u0440\u043e\u0442\u0438\u0432\u201d\/ \u0420\u0435\u0434. \u0415.\u042f. \u0411\u0430\u0441\u0438\u043d \u0438 \u041c.\u042f. \u041f\u043e\u043b\u044f\u043a\u043e\u0432. \u2013 \u041c.: \u041f\u0440\u043e\u0433\u0440\u0435\u0441\u0441, 1975, \u0441. 193\u2013230.<\/li>\n<\/ol>\n\n\n\n<\/div>\n\n\n <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":355,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-561","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\n\u0421\u041f\u0418\u0421\u041e\u041a \u041b\u0418\u0422\u0415\u0420\u0410\u0422\u0423\u0420\u042b - Alexander Zholkovsky<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/spislit\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0421\u041f\u0418\u0421\u041e\u041a \u041b\u0418\u0422\u0415\u0420\u0410\u0422\u0423\u0420\u042b - Alexander Zholkovsky\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/spislit\/\" \/>\n<meta property=\"og:site_name\" content=\"Alexander Zholkovsky\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-18T17:40:12+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/spislit\/\",\"url\":\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/spislit\/\",\"name\":\"\u0421\u041f\u0418\u0421\u041e\u041a \u041b\u0418\u0422\u0415\u0420\u0410\u0422\u0423\u0420\u042b - 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