{"id":156,"date":"2023-06-22T17:53:10","date_gmt":"2023-06-23T00:53:10","guid":{"rendered":"https:\/\/live-usc-dornsife.pantheonsite.io\/alexander-zholkovsky\/?page_id=156"},"modified":"2026-03-11T19:08:50","modified_gmt":"2026-03-12T02:08:50","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"\n\n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--rich-text \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--rich-text\"\n    \n      >\n\n    \n      \n<div class=\"f--field f--wysiwyg\">\n\n    \n  <p><strong>LIST OF PUBLICATIONS<\/strong><\/p>\n<p>The following list consists of two sections:\u00a0<strong>BOOKS<\/strong> (39 items) and <strong>ARTICLES\u00a0<\/strong>(481 items), the latter comprising two areas: <strong>linguistics\u00a0<\/strong>&#8212; Russian, Somali, and general (44 articles) and\u00a0<strong>literature\u00a0<\/strong>&#8212; scholarly articles and critical essays (400 items) and memoiristic and other creative writing (43 items: \u2116\u2116 139, 154, 185, 189, 196, 205, 208-211, 215, 252, 273, 286, 293, 296, 298, 303, 309, 310, 323, 331, 335, 339, 342, 347, 350, 356, 359, 365, 370, 372, 374, 387, 394, 402, 406, 416, 428, 429, 438, 442).<\/p>\n<p><strong>1. BOOKS<\/strong><\/p>\n<ol>\n<li><a href=\"https:\/\/djvu.online\/file\/eiqyEuJCclLsA\" target=\"_blank\" rel=\"noopener\"><em>Sintaksis somali. Glubinnye i poverkhnostnye struktury<\/em><\/a>\u00a0[Somali syntax. Deep and surface structures]. Moscow: Nauka, 1971;\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Sinkaksis_somali_compressed.pdf\">PDF-version<\/a>; Second ed. &#8211; Moscow: LKI, 2007. 272 pp. Pirate\u00a0<a href=\"https:\/\/archive.org\/details\/DTIC_ADA091302\/mode\/2up\" target=\"_blank\" rel=\"noopener\">English translation by Emery W. Tetrault<\/a>.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Somali_Syntax_Translation.pdf\">PDF-version<\/a>\u00a0of the translation.<\/li>\n<li><em>Matematika i iskusstvo (poetika vyrazitel&#8217;nosti)<\/em>\u00a0[Mathematics and art: A poetics of expressiveness; co-author Iu. K. Shcheglov]. Moscow: Znanie, 1976. 65 pp. Engl. version in No. 8.<\/li>\n<li><em><a href=\"\/alexander-zholkovsky\/poet03-index\/\">Poetika vyrazitel&#8217;nosti<\/a>. Sbornik statei<\/em>\u00a0[Poetics of expressiveness: Essays; co-author Iu.K. Shcheglov.\u00a0<em>Wiener Slawistischer Almanach<\/em>, Sonderband 2. Vienna, 1980. 257 pp.<\/li>\n<li>[Essays in a Poetics of Expressiveness; co-author Iu.K. Shcheglov].\u00a0<a href=\"https:\/\/www.sciencedirect.com\/journal\/russian-literature\/vol\/11\/issue\/1\" target=\"_blank\" rel=\"noopener\"><em>Russian Literature<\/em>, Special Issue XI-1<\/a>\u00a0\u00a0<em>Developments of the Theory of Literature II\u00a0<\/em>(1982).\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Essays_in_a_Poetics-Vvedenie.pdf\">Vvedenie: Poetika vyrazitel&#8217;nosti<\/a>\u00a0[Instroduction: Poetics of Expressiveness] (p. 1-17);\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Essays_in_a_Poetics_-_Ex_ungue_leonem.pdf\">Ex ungue leonem: Invarianty Tolstogo i struktura ego detskikh rasskazov<\/a>\u00a0[(co-author Iu.K. Shcheglov)\u00a0<em>Ex ungue leonem<\/em>: Leo Tolstoy&#8217;s Invariants and the Structure of his Stories for Children] (p. 19-47);\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Essays_in_a_Poetics_-Poeticheskii_mir.pdf\">Poeticheskii mir kak sistema invariantov i zadachi sopostavitel&#8217;noi poetiki<\/a>\u00a0[&#8220;Poetic World&#8221; as a System of Invariants and\u00a0 the Issues of Comparative Poetics] (p. 91-110);\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Essays_in_a_Poetics_-_Bibliography.pdf\">Bibliografiia rabot po poetike vyrazitel&#8217;nosti<\/a>\u00a0[A Bibliogrpahy of Works in the Poetics of Exressiveness] (p. 111-116).<\/li>\n<li><a href=\"https:\/\/www.google.com\/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=&amp;cad=rja&amp;uact=8&amp;ved=2ahUKEwjTsMacq5OEAxXtDkQIHVtWB94QFnoECBMQAQ&amp;url=http%3A%2F%2Folst.ling.umontreal.ca%2Fpdf%2FMelcuk_Zholkovsky_1984.pdf&amp;usg=AOvVaw2OfphpBNes89MVivi8MQ_G&amp;opi=89978449\"><em>Tolkovo-kombinatornyj slovar&#8217; russkogo jazyka<\/em><\/a>\u00a0[Explanatory and combinatorial dictionary of Modern Russian; co-author I. A. Mel&#8217;chuk].\u00a0<em>Wiener Slawistischer Almanach<\/em>, Sonderband 14. Vienna, 1984, 992 pp.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/themes-and-texts\"><em>Themes and Texts: Toward a Poetics of Expressiveness<\/em><\/a>. Ithaca and London: Cornell University Press, 1984. 300 pp.<\/li>\n<li><em><a href=\"\/alexander-zholkovsky\/strukt-index\/\">Mir avtora i struktura teksta. Stat&#8217;i o russkoi literature<\/a><\/em>\u00a0[The author&#8217;s world and the structure of the text: Essays on Russian literature; co-author Iu. Shcheglov]. Tenafly, N.J.: Hermitage, 1986. 348 pp.<\/li>\n<li><em>Poetics of Expressiveness: A Theory and Applications<\/em>\u00a0[co-author Yu. Shcheglov; intro. and ed. A. Zholkovsky]. Amsterdam and Philadelphia: John Benjamins, 1987. 361 pp.<\/li>\n<li><em><a href=\"\/alexander-zholkovsky\/story-index\/\">NRZB. Rasskazy<\/a><\/em>\u00a0[&#8220;Illegible&#8221;. Fictions]. Moscow: Vesy, 1991. 134 pp.<\/li>\n<li><em>Bluzhdaiushchie sny<\/em>\u00a0[Wandering dreams]. Moscow: Sovetskii pisatel&#8217;, 1992. 430 pp.<\/li>\n<li><em><a href=\"\/alexander-zholkovsky\/bluzh-index\/\">Bluzhdaiushchie sny i drugie raboty<\/a><\/em>\u00a0[Wandering dreams and other studies]. Moscow: Nauka &#8211; Vostochnaia literatura, 1994. 428 pp.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/bluzhdayushie_sny_i_drugie_raboty.pdf\">The book in PDF<\/a>.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/tct-index\/\"><em>Text Counter Text. Rereadings in Russian Literary History<\/em>.\u00a0<\/a>Stanford: Stanford University Press, 1994 (cloth), 1995 (paper). 370 pp.<\/li>\n<li><em><a href=\"\/alexander-zholkovsky\/babel-index\/\">Babel&#8217;\/Babel<\/a><\/em>\u00a0[ Isaak Babel; co-author M. B. Yampolsky]. Moscow: Carte blanche, 1994. 444 pp.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/poetik-index\/\"><em>Raboty po poetike vyrazitel&#8217;nosti. Invarianty &#8211; tema &#8211; priemy &#8211; tekst<\/em><\/a>\u00a0[Studies in a poetics of expressiveness: Invariants &#8211; theme &#8211; device &#8211; text; co-author Iu. K. Shcheglov]. Moscow: Progress-Univers, 1996. 344 pp.<\/li>\n<li><em><a href=\"\/alexander-zholkovsky\/inven-index\/\">Inventsii<\/a><\/em>\u00a0[Inventions]. Moscow: Gendalf, 1995. 248 pp.<\/li>\n<li><em><a href=\"\/alexander-zholkovsky\/zosh-index\/\">Mikhail Zoshchenko: Poetika nedoveriia<\/a><\/em>\u00a0[Mikhail Zoshchenko: A Poetics of Mistrust]. M.: Shkola &#8220;Iazyki Russkoi Kul&#8217;tury,&#8221; 1999. 393 pp.; Moscow: LKI, 2007. 392 pp.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/vin\/\"><em>Memuarnye vin&#8217;etki i drugie non-fictions<\/em><\/a>\u00a0[Memoiristic vignettes and other non-fictions]. St.Petersburg, Nizhini Novgorod: URBI, 2000. 244 pp.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/erosip\/\"><em>Erosiped i drugie vin&#8217;etki<\/em><\/a>\u00a0[Erosiped and other vignettes]. Moscow: Vodolei, 2003. 624 pp.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/invariants\/\"><em>Izbrannye stat&#8217;i o russkoi poezii: Invarianty, struktury, strategii, interteksty<\/em><\/a>\u00a0[Selected Essays on Russian Poetry: Invariants, Structures, Strategies, Intertexts]. Moscow: RGGU, 2005: 654 pp.<\/li>\n<li><em><a href=\"\/alexander-zholkovsky\/mafio-index\/\">NRZB (Rasskazy). Allegro Mafioso( Vin\u2019etki)<\/a><\/em>\u00a0[Illegible ( fictions). Allegro mafioso (vignettes)]. Moscow: OGI, 2005. 272 pp.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/babel2-index\/\"><em>Poltora rasskaza Babelia: &#8220;Giui de Mopassan&#8221; i &#8220;Spravka\/Gonorar&#8221;. Struktura, smysl, fon<\/em><\/a>\u00a0[Isaak Babel&#8217;s a Story and a Half: &#8220;Guy de Maupassant&#8221; and &#8220;Anwer to Inquiry\/First Fee&#8221;. Structure, meaning, background]. Moscow: Komkniga (URSS), 2006. 288 P.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/zvezdy-vrem\/\">Zvezdy i nemnogo nervno<\/a>. Memuarnye vin&#8217;etki [Stars and somewhat nervous. Memoiristic vignettes], Moscow: Vremia, 2008. 320 pp.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/russianpoetry-index\">Novaia i noveishaia russkaia poeziia<\/a>\u00a0[Modern and Recent\u00a0<a href=\"\/alexander-zholkovsky\/russianpoetry-index\">Russian<\/a>\u00a0Poetry]. Moscow: RGGU. 2009. 366 p.<a href=\"http:\/\/biblio.imli.ru\/images\/abook\/russliteratura\/ZHolkovskij_A.K._Novaya_i_novejshaya_russkaya_poeziya._2009.pdf\">The book in PDF<\/a>\u00a0in IMLI RAN Online Library.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/tren-index\">Ostorozhno, trenozhnik!<\/a>\u00a0[Beware of the Tripod!]\u00a0See\u00a0<a href=\"http:\/\/books.vremya.ru\/index.php?newsid=1263\">here<\/a>.\u00a0Moscow: Vremia, 2010. 496 pp.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/oglavlpast\">Poetika Borisa Pasternaka: Invarianty, struktury, interteksty<\/a>\u00a0[Pasternak&#8217;s poetics: Invariants, structures, intertexts]. Moscow: NLO [New Literary Survey], 2011, 608 pp.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Poetika_Pasternaka.pdf\">Full PDF version.<\/a><\/li>\n<li><a href=\"\/alexander-zholkovsky\/ochnye_stavki\">Ochnye stavki s vlastitelem i drugie razbory<\/a>. Stat&#8217;i o russkoi literature [Confronting power figures: Essays on Russian prose]. Moscow: RGGU, 2011, 637 pp.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/ochnye-PDF-final.pdf\">Full PDF version<\/a>.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/sh-index\">Iurii Shecheglov. Prosa. Poeziia. Poetika<\/a>. Izbrannye raboty [Prose. Poetry. Poetics. Selected studies]. Ed. by A. K. Zholkovskii and V. A. Shcheglova. Moscow: NLO [New Literary Survey], 2012. 576 pp.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/08\/Sheglov-Proza-Poeziia-Poetika.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/book.pdf\">Iurii Shecheglov. Izbrannye trudy<\/a>\u00a0[Selected works]. Ed. by A. K. Zholkovsky and V. A. Shcheglova. Moscow: RGGU [RSUH], 2014. 960 pp.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/poetika_za_stolom\">Poetika za chainym stolom i drugie raboty<\/a>\u00a0[Poetics at five o\u2019clock and other analyses]. Moscow: NLO [New Literary Survey], 2014. 820 pp.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/soderzhanie.docx\">Content page in Russian in Word<\/a>.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Poetika_za_chainym_stolom.pdf\">Full PDF version<\/a>.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/napras-index\">Naprasnye sovershenstva i drugie vin\u2019etki<\/a> [Futile perfections and other vignettes]. Moscow: AST, 2015. <a href=\"https:\/\/audioboo.org\/biogr\/81833-zholkovskij-aleksandr-naprasnye-sovershenstva-i-drugie-vinetki.html\">Audiobook &#8211; performed by Mikhail Rosliakov (2024).<\/a><\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/third_edition.pdf\">Bluzhdaiushchie sny. Stat\u2019i raznykh let<\/a> [Wandering dreams. Essays old and new]. St.-Petersburg: Azbuka, Azbuka-Attikus(Cultural code), 2016. 512 pp. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/bluzhdaiushchie-sny-3ed-predisl.pdf\" target=\"_blank\" rel=\"noopener\">Cover, Introduction, Contents<\/a>. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/08\/Bluzhdaiuschie-sny-2016-3ed-ed.pdf\" target=\"_blank\" rel=\"noopener\">Full PDF-version<\/a>.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/Ex_ungue-index\">(co-author Yuri Shcheglov) Ex ungue leonem: Detskie rasskazy L\u2019va Tolstogo i poetika vyrazitel\u2019nosti<\/a>\u00a0[Ex ungue leonem: Leo Tolstoy\u2019s children\u2019s stories and the poetics of expressiveness]. Compiled by A. Zholkovsky; ed. by A. Bodrova. Moscow: NLO Publishers, 2016. 288 p.;\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/ExUngueContent.pdf\">Content page in Russian<\/a>\u00a0(in PDF);\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/ExUngueOtSost.pdf\">Compiler&#8217;s Preface<\/a>\u00a0in Russian (in PDF).\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Ex_ungue_leonem.pdf\">Full PDF version<\/a>.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/Vyb_mesta-index\">Vybrannye mesta, ili Siuzhety raznykh let<\/a>\u00a0[Selected passages, or Narratives of Many Years]. \u041coscow: \u041a\u043eLibri, 2016. 576 pp.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Vybrannye_mesta-Soderzhanie.pdf\">Content page in Russian<\/a>\u00a0(in PDF);\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Vybrannye-ot-avt.pdf\">Author&#8217;s Preface in Russian<\/a>\u00a0(in PDF);\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Vybrannye_mesta-Vinetki.pdf\">Vignettes<\/a>\u00a0(In Russian; in PDF);\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Vybrannye_mesta-Rasskazy.pdf\">Short Stories. Essys. Articles<\/a>\u00a0\u00a0(In Russian; in PDF); In Lieu of a Conclusion\u00a0(In Russian;\u00a0<a href=\"http:\/\/booknik.ru\/yesterday\/ithappens\/nosorog-se-mua\/\" target=\"_blank\" rel=\"noopener\">a journal version<\/a>);\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Astvatsaturov-Vybrannye_mesta.pdf\">Afterword by Andrei Astvataturov<\/a>\u00a0(In Russian; in PDF).<\/li>\n<li>(co-author Igor Mel&#8217;chuk) Tolkovo-kombinatornyi slovar&#8217; russkogo iazyka. Opyty semantiko-sintaksicheskogo opisaniia russkoi leksiki [Explanatory-Combinatorial Dictionary of Modern Russian]. 2nd edition, corrected and improved [of Book \u2116 5] Moscow: Global Com, 2016.<a href=\"http:\/\/www.ozon.ru\/context\/detail\/id\/139101181\/\">\u00a0For more details<\/a>\u00a0(in Russian) see Ozon.ru; full\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/TKS_2.WORD.2016.04.15.pdf\">PDF of the dictionary<\/a>.<\/li>\n<li><a href=\"https:\/\/www.nlobooks.ru\/books\/nauchnaya_biblioteka\/21654\/\" target=\"_blank\" rel=\"noopener\">Russkaia infinitivnaia poeziia XVIII-XX vekov.<\/a>\u00a0Antologiia [Russian infinitive poetry of the 18th-20th centuries. An Anthology]. Compiled, introduced and annotated by Alexander Zholkovsky, edited by Marina Akimova. Moscow: NLO Publishers, 2020. 560 p.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Infinitivnaia-Antol-Cover.pdf\">Cover<\/a>.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Infinit-Antol-Soderzhenie.pdf\">Contents<\/a>.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Infinit-Antol-Ob-Inf-Poezii.pdf\">Introduction<\/a>.<\/li>\n<li><a href=\"https:\/\/www.nlobooks.ru\/books\/kritika_i_esseistika\/22674\/\" target=\"_blank\" rel=\"noopener\">Vse svoi. 60 vin&#8217;etok i 2 rasskaza<\/a>\u00a0[Our Folks All. 60 vignettes and 2 short stories].\u00a0Moscow: NLO Publishers, 2020.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/VseSvoiCover.pdf\">The cover<\/a>.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/VseSvoiVinetkaVseSvoi.pdf\">The title vignette<\/a>.<\/li>\n<li>A<a href=\"https:\/\/audioboo.org\/memuari\/20418-zholkovskiy-aleksandr-iz-memuarnyh-vinetok.html\">udiobook<em>\u00a0Iz memuarnykh vin&#8217;etok<\/em><\/a> [From memoiristic vignettes]. Performed by Liudmila Larionova. 2011.<\/li>\n<li><a href=\"https:\/\/www.nlobooks.ru\/books\/nauchnaya_biblioteka\/26981\/\">Kak eto sdelano. Temy, priemy, labirinty stseplenii<\/a> [How It Is Made. Themes, Devices, Labyrinths of Concatenations]. Moscow: Novoe literaturnoe obozrenie [New Literary Survey], 2024. 504 p.<\/li>\n<li><a href=\"https:\/\/www.nlobooks.ru\/books\/nauchnaya_biblioteka\/28973\/\" target=\"_blank\" rel=\"noopener\">Prostye teksty: \u201cAgu\u201d, \u201cKholos\u2019o\u201d, \u201cPodmoskovnye vechera\u201d i drugie<\/a> [Simple Texts: \u201cAgu,\u201d \u201cKholos\u2019\u00f3,\u201d \u201cMoscow Nights,\u201d and Other Texts]. Moscow: Novoe literaturnoe obozrenie [New Literary Observer], 2025. 472 p.<\/li>\n<\/ol>\n<p>Collective Monograph<\/p>\n<ol>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/MASH-PER-8-1964.pdf\">Mashinnyi Perevod i Prikladnaia Lingvistika. Vyp. 8<\/a>. Raboty sotrudnikov Laboratorii Mashinnogo Perevoda I MGPIiIA [Machine Translation and Applied Linguistics. Vol. 8. Papers of the Laboratory of\u00a0Machine Translation\u00a0of the First Moscow State Pedagogical Institue of Foreign Languages]. Moscow, 1964. Introduction and 4 articles by Alexander Zholkovsky.<\/li>\n<\/ol>\n<p><strong>2. ESSAYS<\/strong><\/p>\n<p><strong>A. Linguistics<\/strong><\/p>\n<p>1. O printsipial&#8217;nom ispol&#8217;zovanii smysla pri mashinnom perevode [On the relevance of meaning to machine translation; co-authors N. N. Leont&#8217;eva, Iu. S. Martem&#8217;ianov]. In:\u00a0<em>Mashinnyi perevod. Trudy ITM i VT AN SSSR<\/em>\u00a0[Machine translation. Papers of the Precision Mechanics and Computation Institute, USSR Academy of Sciences], v. 2, 1960; English version in:\u00a0<em>Essays on Lexical Semantics<\/em>, V. Ju. Rozencvejg ed., 2 vols., Stockholm: Skriptor, 1974, , v. 1.<br \/>\n2. Raboty Charni po strukturnoi semantike [Elisabeth Charney&#8217;s work in structural semantics].\u00a0<em>Voprosy iazykoznaniia<\/em>\u00a0[Problems of linguistics], 1961, 6.<br \/>\n3. Raboty Kembridzhskoi gruppy po mashinnomu perevodu [Cambridge Language Research Unit&#8217;s papers on and in machine translation].\u00a0<em>Mashinnyi perevod i prikladnaia lingvistika<\/em>\u00a0[Machine translation and applied linguistics], 1961, 5.<br \/>\n4.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/mashinnyj_perevod_i_prikladnaja_lingvistika_1962_vyp_7-80-93-4.pdf\" target=\"_blank\" rel=\"noopener\">Soveshchanie po izucheniiu poeticheskogo iazyka (Obzor dokladov)<\/a>\u00a0[Session on Study of Poetic Language (Overview of Papers)]\u00a0<i>Mashinnyi perevod i prikladnaia lingvistika<\/i>\u00a0[Machine translation and applied linguistics], 7 (1962): 88-101.<br \/>\n5. O pravilakh semanticheskogo analiza [On rules for semantic analysis], <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/MASH-PER-8-1964.pdf\"><em>Mashinnyi Perevod i Prikladnaia Lingvistika<\/em><\/a>, 1964, 8: 17-32; Engl. version in Rozencvejg ed., 1974, v. 1.<br \/>\n6. Leksika tselesoobraznoi deiatel&#8217;nosti [The vocabulary of purposeful activity], <em><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/MASH-PER-8-1964.pdf\">Mashinnyi Perevod i Prikladnaia Lingvistika<\/a><\/em>, 1964, 8: 67-103; Engl. version in Rozencvejg ed., 1974, v. 1.<br \/>\n7. Raboty Sepira po strukturnoi semantike [Sapir&#8217;s work in structural semantics], <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/MASH-PER-8-1964.pdf\"><em>Mashinnyi Perevod i Prikladnaia Lingvistika<\/em><\/a> 1964, 8: 184-198; Engl. version in Rozencvejg ed., 1974, v. 1.<br \/>\n8.\u00a0<a href=\"https:\/\/textarchive.ru\/c-1187196.html\">Predislovie<\/a> [Introduction (to the collected papers of the Laboratory of Machine Translation of the Moscow Institute of Foreign Languages)]. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/MASH-PER-8-1964.pdf\"><em>Mashinnyi Perevod i Prikladnaia Lingvistika<\/em><\/a><em>,<\/em> 1964, 8: 3-16; Engl. version in Rozencvejg ed., 1974, v. 1.<br \/>\n9. O vozmozhnom metode i instrumentakh semanticheskogo sinteza [On a possible method and tools for the semantic synthesis of texts; co-author I. A. Mel&#8217;chuk].\u00a0<em>Nauchno-tekhnicheskaia informatsiia<\/em>\u00a0[Scientific-technological information], 1966, 11.<br \/>\n10. O sisteme semanticheskogo sinteza, I. Stroenie slovaria [On a system for the semantic synthesis of texts, I. The structure of the dictionary; co-author I. A. Mel&#8217;chuk].\u00a0<em>Nauchno-tekhnicheskaia informatsiia<\/em>, 1966, 11.<br \/>\n11. Posledovatel&#8217;nosti predglagol&#8217;nykh chastits v jazyke somali [Sequences of preverbal particles in Somali]. In:\u00a0<em>Jazyki Afriki<\/em>\u00a0[The Languages of Africa], B. A. Uspenskii ed., Moscow: Nauka, 1966.<br \/>\n12. K leksikograficheskomu opisaniiu somaliiskikh sushchestvitel&#8217;nykh [On the lexicographic description of Somali nouns].\u00a0<em>Narody Asii i Afriki<\/em>\u00a0[The peoples of Asia and Africa], 1967, 1.<br \/>\n13. O semanticheskom sinteze [On the semantic synthesis of texts; co-author I. A. Mel&#8217;chuk].\u00a0<em>Problemy kibernetiki<\/em>\u00a0[Problems of cybernetics], 1967, 19; French version,\u00a0<em>T. A. informations<\/em>, 1970, N2.<br \/>\n14. O sisteme semanticheskogo sinteza, II. Pravila perifrazirovaniia [On a system for the semantic synthesis, II. Periphrasing rules; co-author I. A. Mel&#8217;chuk],\u00a0<em>Nauchno-tekhnicheskaia informatsija<\/em>, series 2, 1967, 2.<br \/>\n15.<em>\u00a0Sintaksis nezavisimogo utverditel&#8217;nogo predlozheniia v jazyke somali<\/em>\u00a0[The syntactic structure of the independent affirmative sentence in Somali; abstract of the Ph. D. dissertation]. Moscow: MGU, 1968.<br \/>\n16. O sisteme semanticheskogo sinteza, III. Obraztsy slovarnykh statei [On a system for the semantic synthesis of texts, III. Samples of dictionary entries; co-authors Iu. D. Apresian, I. A. Mel&#8217;chuk].\u00a0<em>Nauchno-tekhnicheskaia informatsiia<\/em>, series 2, 1968, 11.<br \/>\n17. K postroeniiu deistvuiushchei modeli jazyka &#8220;Smysl &#8211; Tekst&#8221; [Towards a functioning &#8216;Meaning &#8211; Text&#8217; model of language; co-author I. A. Mel&#8217;chuk].\u00a0<em>Mashinnyi perevod i prikladnaia lingvistika<\/em>, 1969, 11; and in:\u00a0<em>Sign, Language, Culture<\/em>, A. J. Greimas et al. eds., The Hague: Mouton, 1970; Engl. version in\u00a0<em>Linguistics<\/em>, 1970, 57, May, and in Rozencvejg ed., 1974, v. 2.<br \/>\n18. Ob odnom sposobe izucheniia sochetaemosti slov [On a method for the study of lexical co-occurence; co-authors Ju. D. Apresian, I. A. Mel&#8217;chuk].\u00a0<em>Russkii jazyk v natsional&#8217;noi shkole<\/em>\u00a0[The Russian language in an ethnic school], 1969, 6.<br \/>\n19. Materialy k russko-somaliiskomu slovariu [Materials for a Russian-Somali dictionary].\u00a0<em>Mashinnyi perevod i prikladnaia lingvistika<\/em>, 1970, 13. Also in:\u00a0<em>Voprosy afrikanskoi filologii<\/em>\u00a0[Problems of African philology], N. V. Okhotina ed., Moscow: Nauka, 1974; Engl. version in Rozencvejg ed., 1974, v. 2.<br \/>\n20. O glubinnom i poverkhnostnom sintaksise (na materiale jazyka somali) [On the deep and surface syntax (as applied to Somali material)],\u00a0<em>Predvaritel&#8217;nye publikatsii&#8230;<\/em>, 5 (1970), and in\u00a0<em>Izvestiia Akademii Nauk SSSR<\/em>, Seriia literatury i jazyka [Communications of the Academy of Sciences, USSR, Literary and linguistic series], 29 (1970), 5.<br \/>\n21-34. Vyrazhenie v jazyke somali gruppy znachenii, sviazannykh s ideei stepeni [The expression in Somali of the idea of grading]. In:\u00a0<em>Problemy afrikanskogo jazykoznaniia<\/em>\u00a0[Problems of African linguistics], N. V. Okhotina and B. A. Uspenskii eds., Moscow: Nauka, 1971.<\/p>\n<ul>\n<li>Materialy k tolkovo-kombinatornomu slovariu russkogo jazyka [Materials for an explanatory and combinatorial dictionary of Modern Russian; co-authors Ju. D. Apresian, I. A. Mel&#8217;chuk, et. al.].\u00a0<em>Predvaritel&#8217;nye publikatsii Problemnoi Gruppy po Eksperimental&#8217;noi i Prikladnoi Lingvistike Instituta Russkogo Jazyka AN SSSR\u00a0\u00a0<\/em>[Preliminary publications of the Problem Group for the Experimental and Applied Linguistics of the Institute of the Russian Language of the USSR Academy of Sciences], 1970, 2, 4; 1971, 14, 23; 1972, 26, 28, 29; 1973, 34, 35, 42; 1976, 30; Engl. version of some of these in No. 33.<\/li>\n<\/ul>\n<p>35. Eksperimental&#8217;nyi fragment anglo-russkogo tolkovo-kombinatornogo slovaria v protsesse perevoda [An experimental fragment of an English-Russian automatic explanatory and combinatorial dictionary in the process of (simulated automatic) translation; co-authors I. A. Mel&#8217;chuk, Z. M. Shaliapina].\u00a0<em>Predvaritel&#8217;nye publikatsii&#8230;<\/em>, 16 (1971).<br \/>\n36. O sisteme semanticheskogo sinteza, IV. Obraztsy slovarnykh statei [On a system for the semantic synthesis of texts, IV. Samples of dictionary entries; co-author I. A. Mel&#8217;chuk].\u00a0<em>Nauchno-tekhnicheskaia informatsiia<\/em>, series 2, 1972, 9.<br \/>\n37.<em>\u00a0Into<\/em>\u00a0i\u00a0<em>out of<\/em>\u00a0&#8211; k semanticheskomu tolkovaniiu dvukh angliiskikh predlogov [<em>Into<\/em>\u00a0and\u00a0<em>out of<\/em>: Towards a semantic definition of two English prepositions; co-author T. V. Pivovarova],\u00a0<em>Informatsionnye voprosy semiotiki, lingvistiki i avtomaticheskogo perevoda<\/em>\u00a0[Informatic problems of semiotics, linguistics and automatic translation (Moscow: VINITI)], 1972, v. 3.<br \/>\n38. Semantics and lexicography: towards a new type of unilingual dictionary [co-authors Ju. D. Apresian, I. A. Mel&#8217;chuk]. In:\u00a0<em>Studies in Syntax and Semantics<\/em>, F. Kiefer ed., Dordrecht-Holland: D. Reidel, 1970.<br \/>\n39. Proba objasniajaco-kombinatorycznego slownika jezyka rosyjskiego [Compiling an explanatory-combinatory dictionary of modern Russian; co-authors Ju. D. Apresian, I.A. Mel&#8217;chuk]. In:\u00a0<em>Semantyka i Slownik<\/em>\u00a0[Semantics and the dictionary], M.-R. Mayenowa ed.; Warszawa: Ossolineum, 1972.<br \/>\n40. Materials for an explanatory-combinatory dictionary of modern Russian [co-authors Ju. D. Apresian, I. A. Mel&#8217;chuk]. In:\u00a0<em>Trends in Soviet Theoretical Linguistics<\/em>, F. Kiefer ed., Dordrecht, Holland, and Boston, USA: D. Reidel, 1973.<br \/>\n41. O sisteme semanticheskogo sinteza, V. Obraztsy slovarnykh statei [On a system for the semantic synthesis of texts, V. Samples of dictionary entries; co-author E. E. Razlogova].\u00a0<em>Informatsionnye voprosy semiotiki, lingvistiki i avtomaticheskogo perevoda<\/em>, 1974, v. 4.<br \/>\n42. O nekotorykh utochneniiakh i popravkakh k sisteme perifrazirovaniia [Perfecting the periphrasing system].\u00a0<em>Nauchno-tekhnicheskaia informatsiia<\/em>, 1977, 5.<br \/>\n43. Vokabula &#8220;CHUVSTVO&#8221; v tolkovo-kombinatornom slovare sovremennogo russkogo jazyka [The entry &#8220;FEELING&#8221; in the explanatory combinatorial dictionary of Modern Russian; co-authors L. Iordanskaia, I. Mel&#8217;chuk],\u00a0<em>Wiener Slawistischer Almanach<\/em>, 13, 1984, 87-109.<br \/>\n44. The Explanatory Combinatorial Dictionary (co-author I. Mel&#8217;chuk), in\u00a0<em>Relational Models of the Lexicon<\/em>, ed. by Martha Evans, Cambridge: Cambridge University Press, 1988, 41-74.<\/p>\n<p><strong>B. Literature<\/strong><\/p>\n<ol>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/ObUsileniya.pdf\" target=\"_blank\" rel=\"noopener\">Ob usilenii\u00a0<\/a>[On amplification]. In:\u00a0<em>Strukturno-tipologicheskie issledovaniia<\/em>\u00a0[Structural-typological studies], T. Moloshnaia ed., Moscow: Institut Slavianovedeniia AN SSSR, 1962, 161-171; Italian version in:\u00a0<em>I sistemi di segni e lo strutturalismo Sovietico<\/em>, R. Faccani, U. Eco, eds., Milano: Bompiani, 1969.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/DeusExMachina.pdf\" target=\"_blank\" rel=\"noopener\">Deus ex machina<\/a>.\u00a0<em>Trudy po znakovym sistemam<\/em>\u00a0[Studies in sign sistems (Tartu: TGU)], 3 (1967), 146-155, and in:\u00a0<em>Sign, Language, Culture<\/em>, A. J. Greimas ed., The Hague: Mouton, 539-547; Italian version in:\u00a0<em>I sistemi di segni e lo structturalismo Sovietico<\/em>, R. Faccani, U. Eco eds., Milano: Bompiani, 1969; Engl. version in Book No. 6.<\/li>\n<li>Iz predystorii sovetskikh rabot po strukturnoi poetike [From the prehistory of the Soviet research in structural poetics, co-author Iu. K. Shcheglov].\u00a0<em>Trudy po znakovym sistemam<\/em>, 3 (1967), 367-377; Engl. version in\u00a0<em>Soviet Studies in Literature. A Journal of Translations<\/em>, 31 (1985), No. 3-4, Carol Any guest ed.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/strukt\/\">Strukturnaia poetika &#8211; porozhdaiushchaia poetika<\/a>\u00a0[Structural poetics is\u00a0 generative poetics; co-author Iu. K. Shcheglov].\u00a0<em>Voprosy literatury<\/em>\u00a0[Problems of literature], 1967, 1, 74-89; German version in:\u00a0<em>Literaturwissenschaft und Linguistik<\/em>, J. Ihwe ed., Frankfurt am Main: Athenaum Fischer, 1972; English version in:\u00a0<em>Soviet Semiotics<\/em>, D. Lucid ed., Baltimore &amp; London: Johns Hopkins University Press, 1978.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/eiz\/\">Porozhdaiushchaia poetika v rabotakh S.M. Eizenshteina<\/a>\u00a0[A generative poetics in the works of S. M. Eisenstein]. In:\u00a0<em>Sign, Language, Culture<\/em>. A. J. Greimas et al. ed., The Hague: Mouton, 1970, 451-468, and in Book No. 14&lt;; Ital. version in:\u00a0<em>Cinema e Film<\/em>, 1967, 1 (3); French version in:\u00a0<em>Ca (Cinema)<\/em>, 1975, 7\/8; Span. version in:\u00a0<em>Semiologia del Teatro<\/em>, J. M. D. Borque and L. Lorenzo eds., Barcelona: Planeta; Engl. version in\u00a0<em>Russian Poetics in Translation<\/em>, 8 (1981), 40-61, and in Book No. 6.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/somal\/\">Somaliiskii rasskaz &#8220;Ispytanie proritsatelia.&#8221; Opyt porozhdaijushchego opisaniia<\/a>\u00a0[The Somali story &#8220;A Soothsayer&#8217;s Trial&#8221;. An attempt of a generative analysis]. Narody Asii i Afriki [The peoples of Asia and Africa], 1970, 1:104-115; Spanish version in Prohemio, 1 (1970),3; French version in: Analyse et validation dans l&#8217;etude des donnees textuelles, M. Borillo, J. Virbel eds., Paris: CNRS, 1977; Engl. version in Book\u00a0<a href=\"\/alexander-zholkovsky\/themes\/\">No. 6<\/a>, pp. 85-98;\u00a0<em><a href=\"\/alexander-zholkovsky\/bib6\/\">short Engl. version<\/a><\/em>\u00a0in: A Soothsayer Tested.\u00a0Somali Folktales, ed. and transl. by G.L. Kapchits, Moscow: The Way, 2006, pp. 205-217.\u00a0<strong>6\u0430.<\/strong>\u00a0&#8220;<a href=\"\/alexander-zholkovsky\/proric\/\">Ispytanie proritsatelia<\/a>&#8221; [A Soothsayer&#8217;s Triial]. Transl. from Somali A. Zholkovskii. In: Skazki Narodov Afriki [Folktales of Africa]. Eds. A.A. Zhukov and S. Kotliar. Moscow: Nauka, 1976. P. 522-534.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Otsutstvuiushchaia_struktura_Umberto_Eco.pdf\">&#8220;Otsutstvuiushchaia struktura&#8221;: Umberto Eco,\u00a0<em>La Struttura assente, 1968<\/em><\/a>\u00a0[The Absent Structure (review of Umberto Eco&#8217;s\u00a0<em>La struttura assent<\/em>e].\u00a0<em>Voprosy filosofii<\/em>\u00a0[Problems of philosophy], 1970, 2: 171-177.<\/li>\n<li><em>K opisaniiu smysla sviaznogo teksta (na materiale khudozestvennykh tekstov)<\/em>\u00a0[Describing the meaning of a coherent text (as applied to artistic texts); co-author Iu. K. Shcheglov.\u00a0<em>Predvaritel&#8217;nye publikatsii&#8230;<\/em>, 22 (1971); Spanish version in\u00a0<em>Prohemio<\/em>, 3 (1972), 2; Engl. version in\u00a0<em>Russian Poetics in Translation<\/em>, 1 (1975).<\/li>\n<li><em>K opisaniiu&#8230;, II. Tema i priemy vyrazitel&#8217;nosti. Primer vyvoda teksta iz temy<\/em>. [II. Theme and expressive devices. An example of Theme-Text derivation; co-author Iu. K. Shcheglov].\u00a0<em>Predvaritel&#8217;nye publikatsii&#8230;<\/em>, 33 (1972).<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/PriemyVyrazitelnosti1973.pdf\"><em>K opisaniiu&#8230;, III. Priemy vyrazitel&#8217;nosti<\/em><\/a>, c. 1 [III. Expressive devices, pt. 1; co-author Iu. K. Shcheglov].\u00a0<em>Predvaritel&#8217;nye publikatsii&#8230;<\/em>, 39 (1973).<\/li>\n<li><em>K opisaniiu&#8230;, IV. Priemy vyrazitel&#8217;nosti<\/em>, c. 2 [IV. Expressive devices, pt. 2; co-author Iu. K. Shcheglov].\u00a0<em>Predvaritel&#8217;nye publikatsii&#8230;<\/em>, 49 (1974).<\/li>\n<li><em>K opisaniiu&#8230;, V. O poeticheskom mire Pasternaka<\/em>\u00a0[V. On Pasternak&#8217;s poetic world].\u00a0<em>Predvaritel&#8217;nye publikatsii&#8230;<\/em>, 61 (1974); a\u00a0<a href=\"\/alexander-zholkovsky\/bib12\/\">revised version<\/a>\u00a0in Book No. 3, 205-244.<\/li>\n<li>K opisaniiu sviazi mezhdu glybinnymi i poverkhnostnymi urovniami khudozhestvennogo teksta [Describing the links between the deep and surface levels of a literary text]. In:\u00a0<em>Materialy Vsesoiuznogo Simpoziuma po Vtorichnym Modeliruiushchim Sistemam<\/em>\u00a0[Materials of the All-Union Symposium on Secondary Modelling Systems], I, 5 (1974), Tartu: TGU, 161-167.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib14\/\">K poniatiiam &#8220;tema&#8221; i &#8220;poeticheskii mir&#8221;<\/a>\u00a0[Towards the concepts of &#8220;theme&#8221; and &#8220;poetic world&#8221;; co-author Iu. K. Shcheglov].\u00a0<em>Trudy po znakovym sistemam<\/em>, 7 (1975), 143-167; Engl. version in\u00a0<em>Russian Poetics in Translation,<\/em>\u00a01 (1975).<\/li>\n<li>Poetics as a theory of expressiveness: Towards a &#8220;Theme &#8211; Expressiveness Devices &#8211; Text&#8221; model of literary structure [co-author Iu. K. Shcheglov].\u00a0<em>Poetics<\/em>, 5 (1976), 207-246.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/KOpisaniiuOdnogoTipa1976.pdf\">K opisaniiu odnogo tipa semioticheskikh sistem (poeticheskii mir kak sistema invariantov)<\/a>\u00a0[Describing one type of semiotic system: poetic world as a system of invariants].\u00a0<em>Semiotika i informatika<\/em>\u00a0[Semiotics and informatics], 7 (1976), 27-61. A different version\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Essays_in_a_Poetics_-Poeticheskii_mir.pdf\">Poeticheskii mir kak sistema invariantov i zadachi sopostavitel&#8217;noi poetiki<\/a>\u00a0in Book No. 4.<\/li>\n<li><em>K opisaniiu&#8230;, VI. Poeticheskii mir Pushkina i &#8220;Ia vas liubil&#8230;&#8221;,\u00a0<\/em>ch. 1-3 [VI, pts. 1-3. Pushkin&#8217;s poetic world and &#8220;I loved you once&#8230;&#8221;].\u00a0<em>Predvaritel&#8217;nye publikatsii&#8230;<\/em>, 76-78 (1976).<\/li>\n<li><a href=\"\/alexander-zholkovsky\/zamet-pod-06161\/\">Zametki o tekste, podtekste i tsitatsii u Pasternaka<\/a>\u00a0[Notes on text, subtext and quoting in Pasternak]. In:\u00a0<em>Boris Pasternak. Essays,<\/em>\u00a0N. A. Nilsson ed., Stockholm: Almqvist &amp; Wicksell, 1976, 67-84.<\/li>\n<li>K opisaniiu priema vyrazitel&#8217;nosti VAR&#8217;IROVANIE [Describing the expressive device of VARIATION; co-author Iu. K. Shcheglov].\u00a0<em>Semiotika i informatika<\/em>, 9 (1977), 106-150; Engl. version in Book No. 8.<\/li>\n<li>On three analogies between linguistics and poetics (semantic invariance, obligatoriness of grammatical meanings, competence\u00a0<em>vs<\/em>. performance).\u00a0<em>Poetics<\/em>, 6 (1977), 77-106; Russian version in:\u00a0<em>Semiotika i informatika<\/em>, 10 (1977).<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib21\">Razbor stikhotvoreniia Pushkina &#8220;Ia vas liubil..<\/a>.&#8221; [An analysis of Pushkin&#8217;s poem &#8220;I loved you once&#8230;&#8221;].\u00a0<em>Izvestiia Akademii Nauk SSSR, Seriia literatury i iazyka<\/em>\u00a0[Communications of the Academy of Sciences, USSR, Literary and linguistic series], 36 (1977), 3, 252-263; an expanded Russian version in\u00a0<em>Russian literature<\/em>, 7 (1979), 1-25 (both are short versions of No. 17), and in Book No. 19: 46-59;\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/razbor-stikhotvoreniia.pdf\" target=\"_blank\" rel=\"noopener\">Engl. version\u00a0<\/a>in\u00a0<em>N<\/em><em>ew Literary History<\/em>, 9 (1977-78), 264-278, and in Book No. 6.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib22\/\">The poetic structure of a maxim by La Rochefoucauld: An essay in &#8220;Theme &#8211; Text&#8221; poetics<\/a>\u00a0[co-author Iu. K. Shcheglov].\u00a0<em>Poetics and Theory of Literature<\/em>\u00a03 (1978), 549-592; Russian version in:\u00a0<em>Paremiologicheskii sbornik<\/em> [Essays on paremiology], G. L. Permjakov ed., Moscow: Nauka, 1978 (revised version of No. 9) and in Book No 28, 734-784 (<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2026\/03\/RazborOdnoiAvtorskoiParemiiLarochfuko.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>).<\/li>\n<li>Sovremennaia lingvistika i metodologiia izucheniia literaturnogo proizvedeniia [Modern linguistics and the methodology of the study of literary works; co-author Iu. K. Shcheglov].\u00a0<em>Tekst. Jezyk. Poetyka<\/em>, M.-R. Mayenowa ed., Warzawa: Ossolineum, 1978, 217-239.<\/li>\n<li><em><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Voina-i-mir.pdf\">K opisaniiu&#8230;, VIII. &#8220;Voina i mir&#8221; dlia detskogo chteniia.\u00a0<\/a>Invariantnaia tematiko-vyrazitel&#8217;naia struktura detskikh rasskazov L. N. Tolstogo<\/em>, ch. 1-3 [VIII. &#8220;War and Peace&#8221; for children&#8217;s reading: The invariant thematic-expressive structure of L. N. Tolstoy&#8217;s children&#8217;s stories, pts. 1-3; co-author Iu. K. Shcheglov].\u00a0<em>Predvaritel&#8217;nye publikatsii&#8230;<\/em>, 104-106 (1978); Engl. version in Book No. 8.<\/li>\n<li><a href=\"https:\/\/dornsialexander-zholkovsky\/howtonew\/\" target=\"_blank\" rel=\"noopener\">How to show things with words (ob ikonicheskoi realizacii tem sredstvami plana vyrazheniia)<\/a>\u00a0[On the iconic representation of themes by expression plane means].\u00a0<em>Wiener Slawistischer Almanach<\/em>, 2 (1978), 5-24, and in\u00a0<a href=\"\/alexander-zholkovsky\/poetik-index\/\">Book No. 14<\/a>; Engl. version in\u00a0<em>Poetics<\/em>, 8 (1979), 405-430, and in Book No. 6.<\/li>\n<li>The window in the poetic world of Boris Pasternak.\u00a0<em>New Literary History<\/em>, 9 (1977-78), 279-314, and in Book No. 6;\u00a0<a href=\"\/alexander-zholkovsky\/okno\/\">Russian version<\/a>\u00a0in\u00a0<em>Russian Literature<\/em>, 6 (1978), 1, 1-38 and in Book No. 14.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2026\/03\/at-the-intersection-of-linguistics-paremiology.pdf\" target=\"_blank\" rel=\"noopener\">At the intersection of linguistics, paremiology and poetics: on the artistic structure of proverbs<\/a>.\u00a0<em>Poetics<\/em>, 7 (1978), 309-332; <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2026\/03\/K-opisaniiu-vyrazitelnoi-struktury-paremii.pdf\" target=\"_blank\" rel=\"noopener\">Russian version<\/a> in\u00a0<em>Paremiologicheskii sbornik<\/em>, G. L. Permjakov ed., Moscow: Nauka, 1978, 136-162.<\/li>\n<li><a href=\"https:\/\/periodika.digitale-sammlungen.de\/wsa\/Blatt_bsb00000470,00125.html\" target=\"_blank\" rel=\"noopener\">O podgotovke rifmy: PREDVESTIIA i OTKAZY v rifmovke\u00a0<\/a>[On the preparation of rhymes: PRESAGES and RECOILS in rhyming].\u00a0<em>Wiener Slawistischer Almanach<\/em>, 4 (1979), 125-151; Engl. version in Book No. 6.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/okud\/\">Rai, zamaskirovannyi pod dvor: Zametki o poeticheskom mire Bulata Okudzhavy<\/a>\u00a0[Paradise disguised as a courtyard: Notes on the poetic world of Bulat Okudzhava].\u00a0<em>Neue Russische Literatur<\/em>\u00a01 (1979), 101-120 (Russian version; also in Books No. 7: 279-308,\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 109-135), 281-306 (German version).<\/li>\n<li>Materialy k opisaniiu poeticheskogo mira Pushkina [Materials towards a description of Pushkin&#8217;s poetic world]. In:\u00a0<em>Russian Romanticism. Studies in the Poetic Codes<\/em>, N. A. Nilsson ed., Stockholm: Almqvist &amp; Wicksell, 1979, 45-93 (revised version of No. 17);\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/k-opisaniiu-poet-mira-Pushkina.doc\">updated version<\/a>\u00a0in Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 13-45;\u00a0<a href=\"http:\/\/www.ruthenia.ru\/document\/529633.html\" target=\"_blank\" rel=\"noopener\">short Russian version<\/a>\u00a0in\u00a0<em>Trudy po znakovym sistemam<\/em>\u00a011 (1979), 3-25; revised Engl. versions in\u00a0<em>Russian Poetics in Translation<\/em>\u00a08 (1981), 62-107, and in Book No. 6, 159-178.<\/li>\n<li>Invarianty i struktura teksta. Mandel&#8217;shtam: &#8220;Ia p&#8217;iu za voennye astry&#8221; [Invariant motifs and the text structure. Mandelstam&#8217;s &#8220;I drink to the military asters&#8230;&#8221;].\u00a0<em>Slavica Hierosolymitana,<\/em>\u00a04 (1979), 159-184, and in Books No. 7 and 19: 60-82 (\u00a0<a href=\"\/alexander-zholkovsky\/bib31\/\">&#8220;Ia p&#8217;u za voennye astry..&#8221;: Poeticheskii avtoportret Mandel&#8217;shtama&#8221;<\/a>\u00a0[&#8220;I drink to the military asters: Mandelstam&#8217; s poetic self-portrait&#8221;]). Shorter version in:\u00a0<em>Slovo i sud&#8217;ba: Osip Mandel&#8217;shtam. Issledovaniia i materialy<\/em>\u00a0[Word and destiny: Osip Mandelstam. Studies and materials], Z. S. Papernyi ed., Moscow: Nauka, 1991, pp. 413-427.<\/li>\n<li>Ex ungue leonem: The invariant structure of Leo Tolstoy&#8217;s children&#8217;s stories [co-author Iu. K. Shcheglov].\u00a0<em>VS (Versus)<\/em>\u00a024 (1979), 3-36;\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Essays_in_a_Poetics_-_Ex_ungue_leonem.pdf\">Russian version in Book No. 4<\/a>\u00a0(both are short versions of No. 24).<\/li>\n<li>The &#8220;Eclipsing&#8221; construction and its place in the structure of L. Tolstoy&#8217;s children&#8217;s stories [co-author Iu. K. Shcheglov].\u00a0<em>Russian Literature<\/em>, 7 (1979), 121-159; Russian version in Book No. 3, 115-144, and in Book No. 14.<\/li>\n<li>Comparing poetic worlds.\u00a0<em>Diacritics<\/em>, 1980, Winter, 60-74, and in Book No. 6; Russian version in Book No. 4.<\/li>\n<li><em>An Essay in Arch Poetics: The Deep and Surface Structures of the Archpoet of Cologne&#8217;s &#8220;Confession&#8221; in Service of an Ambivalent Theme<\/em>\u00a0[co-author Yu. Shcheglov].\u00a0<em>Working Papers and Pre-publications of the International Center for Linguistics and Semiotics<\/em>, Urbino: Universita di Urbino, 1981, series B, 103-105, and in Book No. 8, 255-304; Russian version in Book No. 3.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib36\/\">&#8216;Obstoiatel&#8217;stva velikolepiia&#8217;: ob odnoi pasternakovskoi chasti rechi<\/a>\u00a0[&#8216;Circumstances of magnificence&#8217;: on one Pasternakian part of speech]. In:\u00a0<em>Voz&#8217;mi na radost&#8217;. To Honour Jeanne van der Eng<\/em>, W. Weststeijn et al. eds., Amsterdam: Slavic Seminar, 1980: 157-168.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/OTKAZ.pdf\">O prieme vyrazitel&#8217;nosti OTKAZ\u00a0<\/a>[On the expressive device of RECOIL; co-author Iu. K. Shcheglov].\u00a0<em>Slavica Hierosolymitana<\/em>\u00a05-6 (1981), 109-36 and in Book No. 14; Engl. version in Book No. 8.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/zametki-o-tsarskoselskoi-statue.pdf\">Zametki o &#8220;Tsarskosel&#8217;skoi statue&#8221;<\/a>\u00a0[Notes on &#8220;A Statue in Tsarskoe Selo&#8221;].\u00a0<em>Russian Literature Journal<\/em>, 35 (1981), 120 [special Pushkin issue, S. Senderovich guest ed.]: 127-149, and in Book No. 19: 371-389.<\/li>\n<li>&#8216;Distributive contact&#8217;: a syntactic invariant in Pasternak.\u00a0<em>Wiener Slawistischer Almanach<\/em>, 9 (1982), 119-147.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib401\" target=\"_blank\" rel=\"noopener\">Poeziia i grammatika pasternakovskogo &#8220;Vetra&#8221;<\/a>\u00a0[Poetry and grammar in Pasternak&#8217;s &#8220;Wind&#8221;].\u00a0<em>Russian Literature<\/em>\u00a014 (1983), 241-286.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib41\/\">October 19, 1982, or: The semiotics of a Soviet cookie wrapper<\/a>.\u00a0<em>Wiener Slawistischer Alamanach<\/em>\u00a011 (1983; special Mel&#8217;chuk issue), 341-354.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/mel\/\">O Mel&#8217;chuke<\/a>\u00a0[About Mel&#8217;chuk].\u00a0<em>Wiener Slawistischer Almanach<\/em>\u00a011 (1983; special Mel&#8217;chuk issue), 341-354, in\u00a0<a href=\"\/alexander-zholkovsky\/inven-index\/\">Book No. 15<\/a>, and in\u00a0<em>Ocherki istorii informatiki v Rossii<\/em>\u00a0[Essays in the history of informatics in Russia]. Eds. D. A. Pospelov, Ia. I. Fet. Novosibrsik: Nauchno-izdatel&#8217;skii Tsentr OIGGM SO RAN, 1998. P. 351-358 and in Book No. 17.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/russel\/\" target=\"_blank\" rel=\"noopener\">Pun and Punishment: The Structure of a Bertrand Russell Aphorism<\/a>. In Book No. 6, pp. 112-131. Early Russian version in Book No. 3, pp. 47-60,\u00a0complete Russian version in Book No. 15: 134-142, and Book No. 26: 94-102.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib43\/\">The &#8216;sinister&#8217; in the poetic world of Pasternak<\/a>.\u00a0<em>International Journal of Slavic Linguistics and Poetics<\/em>\u00a029 (1984), 109-131. Russian version in Book No. 25: 65-91<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib44\/\">Seven &#8220;winds&#8221;: translations of Pasternak&#8217;s &#8220;Veter.&#8221;<\/a>\u00a0In\u00a0<em>Language and Literary Theory<\/em>, B. Stolz et al. eds., Ann Arbor: University of Michigan Press, 1984, 623-643.<\/li>\n<li>&#8220;Pobeda&#8221; Vasiliia Aksenova [Aksenov&#8217;s &#8220;Victory&#8221;].\u00a0<em>Dvadtsat&#8217; dva<\/em>\u00a0[Twenty two] 36 (1984), 194-208;\u00a0<a href=\"\/alexander-zholkovsky\/poetik-aksen\">revised version<\/a>\u00a0in Books No. 7, 14; Engl. version in\u00a0<em>To Honor Vasilij Aksenov<\/em>, E. Mozejko ed., Columbus, Ohio: Slavica, 1986.<\/li>\n<li>Poems. In\u00a0<em>Discourse and Literature<\/em>, T.A. van Dijk ed., Amsterdam: John Benjamins, 1985, 105-119.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib47\/\">Iz zapisok po poezii grammatiki [From notes on the poetry of grammar]: On Pasternak&#8217;s figurative voices<\/a>.\u00a0<em>Russian Linguistics<\/em>\u00a0(special Zalizniak issue; W. Lehfeldt guest ed.), 9 (1985), 375-386.\u00a0<a href=\"http:\/\/www.philology.nsc.ru\/journals\/kis\/content.php?vol=12\" target=\"_blank\" rel=\"noopener\">Russian version\u00a0<\/a>in\u00a0<em>Kritika i semiotika<\/em>, 7 (2004), 203-216, and in Book No. 19: 489-501<\/li>\n<li>Chuzhikh pevtsov bluzhdaiushchie sny. O tsitatnykh pereklichkakh poetov [The wandering dreams of alien bards. On intertextuality in Russian poetry].\u00a0<em>Russkaia mysl&#8217;<\/em>\u00a0[Russian thought (Paris)], 3572-3574 (1985) and in Books No. 10, 11.<\/li>\n<li>&#8220;Fro&#8221;: piat&#8217; prochtenii [(Platonov&#8217;s) &#8220;Fro&#8221;: five readings].\u00a0<em>Voprosy literatury<\/em>\u00a0[Problems of literature], 1989, 12, 23-49, and\u00a0<a href=\"\/alexander-zholkovsky\/bib66\/\">&#8220;Dusha, dal&#8217; i tekhnologiia chuda (Piat&#8217; prochtenii &#8220;Fro&#8221;)&#8221;<\/a>\u00a0[Soul, distance and the technology of miracle (Five readings of &#8220;Fro&#8221;)] in Andrei Platonov. Mir tvorchestva [Andrei Platonov: His creative world), N. Kornienko. E. Shubina eds., Moscow: Sovremenyi pisatel&#8217;, 1994: 373-396; Engl. version,\u00a0<a href=\"\/alexander-zholkovsky\/bib66a\/\">The codes and contexts of Platonov&#8217;s &#8220;Fro&#8221;<\/a>, in Book No. 12: 270-296. Brief early Russian version: Tekhnologiia chuda i ee razoblachenie (zametki o Platonove) [The technology of miracle and its unmasking (notes on Platonov)].\u00a0<em>Russkaia mysl&#8217;<\/em>, 3600 (1985).<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Mekhanizmy-vtorogo-Sintaxis_14_1985-77-97.pdf\">Mekhanizmy vtorogo rozhdeniia<\/a>\u00a0[The dynamics of the second birth<a href=\"\/alexander-zholkovsky\/past\/\">]<\/a>.\u00a0<em>Sintaksis<\/em>\u00a0[Syntax (Paris)] 14 (1985), 77-97,\u00a0<em>Literaturnoe obozrenie<\/em>\u00a0[Literary survey], 1990, 2, 35-41;\u00a0<a href=\"\/alexander-zholkovsky\/bib51\">revised version (&#8220;Mne khochetsia domoi, v ogromnost&#8217;&#8230;&#8221; Pasternaka: sotsial&#8217;nyi zakaz, tematika, struktura\u00a0<\/a>[Pasternak&#8217;s &#8220;I Want to Go Home, into the Hugeness&#8230;&#8221;: Social command, thematics, structure] in\u00a0<em>Izvestiia Akademii Nauk SSSR, Seriia literatury i iazyka<\/em>\u00a0[Communications of the Academy of Sciences, USSR, Literary and linguistic series], 50 (1991) (1): 20-34; French vers. (Instruments pour l&#8217;analyse thematique appliques a un poeme de Pasternak) in\u00a0<em>Strumenti Critici<\/em>, 4 (1989), 2, 179-91. Expanded Engl. version &#8220;<a href=\"\/alexander-zholkovsky\/eng-bookch-past\" target=\"_self\">The dynamics of adaptation: Pasternak&#8217;s Second birth<\/a>&#8221; in Book No. 12: 213-238. Expanded\u00a0Russian\u00a0version\u00a0in\u00a0Book\u00a0\u2116 25,\u00a0<a href=\"\/alexander-zholkovsky\/oglavlpast\" target=\"_blank\" rel=\"noopener\"><em>Poetika\u00a0Borisa\u00a0Pasternaka<\/em><\/a>,\u00a0pp. 298-337 (P<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Poetika_Pasternaka.pdf\">DF version of the book<\/a>).<\/li>\n<li><a href=\"\/alexander-zholkovsky\/isk-prisp-11\" target=\"_blank\" rel=\"noopener\">Iskusstvo prisposobleniia<\/a>\u00a0[The art of adaptation].\u00a0<em>Grani<\/em>\u00a0[Facets], 38 (1985), 78-97,\u00a0<em>Literaturnoe obozrenie<\/em>\u00a0[Literary survey], 1990, 6, 6-51, and in Books No. 10, 11.<\/li>\n<li>Writing in the wilderness: on Brodskii and a sonnet.\u00a0<em>Slavic and East European Journal<\/em>, 30 (1986), 3, 404-419;\u00a0<a href=\"\/alexander-zholkovsky\/chap5\/\">revised Engl. version: De- and re-constructing a classic: \u201cI loved you\u201d by Joseph Brodsky<\/a>\u00a0in Book\u00a0<a href=\"\/alexander-zholkovsky\/tct-index\">No. 12<\/a>: 117-146; Russian version in Poetika Brodskogo [Brodsky&#8217;s Poetics], L. Losev ed., Tenafly, N.J.: Hermitage, 1986, 38-62, and in Books No. 10,\u00a0<a href=\"\/alexander-zholkovsky\/bluzh-index\/\">11<\/a>\u00a0(&#8220;<a href=\"\/alexander-zholkovsky\/bib52\/\">Ia vas liubil\u2026&#8221; Brodskogo<\/a>\u00a0[Joseph Brodsky&#8217;s &#8220;I loved you once\u2026&#8221;]); pp. 205-224, and\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">Book No. 19<\/a>: 292-308.<\/li>\n<li><a href=\"http:\/\/ka2.ru\/nauka\/limonov.html\">Grafomanstvo kak priem: Lebiadkin, Khlebnikov, Limonov i drugie<\/a>\u00a0[Graphomania as Technique: Lebiadkin, Khlebnikov, Limonov and others]. In:\u00a0<em>Velimir Chlebnikov: Myth and Reality. 1885-1985<\/em>, W. Weststeijn ed., Amsterdam: Rodopi, 1986, 573-593, and in Books No. 10, 11 <em><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/bluzh-index\/\">Bluzhdaiushchie sny i drugie raboty<\/a><\/em> (1994: 54-68) and No 31 <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/third_edition.pdf\">Bluzhdaiushchie sny. Stat\u2019i raznykh let<\/a> (3 ed., 2016: 205-216). Also <a href=\"https:\/\/ka2.ru\/nauka\/limonov.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Khlebnikova pole&#8221;<\/a> [Velimir Khlebnikov&#8217;s Field.]; also in: <a href=\"https:\/\/russianway.rhga.ru\/section\/katalog\/v-khlebnikov-pro-et-contra-tom-2.html\" target=\"_blank\" rel=\"noopener\">V<em>. Khlebnikov: pro et contra<\/em>. Vol. 2.<\/a> St. Petersburg: RKhGA [Russian Christian Academy for Humanities], 2018: 201\u2013210. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/09\/iz-stati-Grafomanstvo-kak-priem.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Loseff-Review.pdf\" target=\"_blank\" rel=\"noopener\">Review of<\/a>: O<em>n the Beneficence of Censorship: Aesopian Language in Modern Russian Literature<\/em>\u00a0by Lev Loseff.\u00a0\u00a0<em>The Russian Review<\/em>, vol. 45, No. 3 (Jul., 1986), p. 349-351.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/orwell\" target=\"_blank\" rel=\"noopener\">Zamiatin, Orvell i Khvorob&#8217;ev. O snakh novogo tipa<\/a>\u00a0[Zamiatin, Orwell, and Khvorob&#8217;ev: On a new type of dream].\u00a0<em>Grani<\/em>\u00a0[Facets], 140 (1986), 178-212, and in Books No. 11, 12. Engl. version\u00a0<a href=\"\/alexander-zholkovsky\/chap9\/\">A dystopian \u201cNewdream\u201d Fivefold: Analyzing Ilf and Petrov\u2019s Closet Monarchist<\/a>\u00a0in Book\u00a0<a href=\"\/alexander-zholkovsky\/tct-index\/\">No. 12<\/a>: 241-269, and in\u00a0<em>Slavic Review<\/em>\u00a048 (1989), 1, 36-53.<\/li>\n<li>Lev Tolstoi i Mikhail Zoshchenko kav zerkalo i zazerkal&#8217;e russkoi revoliutsii [Leo Tolstoy, Mikhail Zoshchenko, and the Russian Revolution].\u00a0<em>Sintaksis<\/em>, 16 (1986), 103-129,\u00a0<em>Voprosy literatury<\/em>\u00a0[Problems of literature], 1990, 4, 54-76, and in Books No. 10, 11; Engl. version\u00a0<a href=\"\/alexander-zholkovsky\/chap2\/\">Through Revolution\u2019s looking-glass: Tolstoy into Zoshchenko<\/a>\u00a0in Book\u00a0<a href=\"\/alexander-zholkovsky\/tct-index\/\">No. 12<\/a>: 35-57.<\/li>\n<li>Liubovnaia lodka, upriazh&#8217; dlia Pegasa i pokhoronnaia kolybel&#8217;naia: tri stikhotvoreniia i tri perioda Pasternaka [A love boat, a harness for Pegassus, and a funereal lullaby: three poems and three periods of Pasternak] in Book 7: 228-254; short French version: La poetique de Pasternak. In:\u00a0<em>Histoire de la literature russe. Le XX-e siecle. Gels et degeles<\/em>. Ed. by E. Etkind, G. Nivat, I. Serman, V. Strada. Paris: Fayard, 1990: 488-504.\u00a0<a href=\"\/alexander-zholkovsky\/bib56\/\">Short Russian version<\/a>\u00a0in Book 25: 10-24.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/maiak\/\">O genii i zlodeistve, o babe i vserossiiskom masshtabe<\/a>\u00a0(Progulki po Maiakovskomu) [About genius and villainy, about stupid women, and the all-Russian scale] in Books No. 7: 255-278, No. 11: 247-275, and\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 195-220.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/poetu-nastoiashchemu-spasibo\" target=\"_self\">Poetu nastoiashchemu spasibo&#8230; (O novykh stikhakh B. Okudzhavy)<\/a>\u00a0[Many thanks to a genuine poet&#8230; (On B. Okudzava&#8217;s new poems)].\u00a0<em>Strana i mir<\/em>\u00a0[The nation and the world], 1987, 4 [40], 133-140.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/dialog-bulgakova.pdf\" target=\"_blank\" rel=\"noopener\">Dialog Bulgakova i Oleshi o kolbase, parade chuvstv i Golgofe<\/a>\u00a0[The dialogue between Olesa and Bulgakov about salami, the parade of emotions, and the Calvary].\u00a0<em>Sintaksis<\/em>\u00a020 (1987), 90-117; revised version in Books No, 11, 12; revised Engl. version\u00a0<a href=\"\/alexander-zholkovsky\/chap7\/\">A duet in three movements: Bulgakov \u2014 Olesha \u2013 Bulgakov<\/a>\u00a0in Book\u00a0<a href=\"\/alexander-zholkovsky\/tct-index\/\">No. 12<\/a>: 181-212.<\/li>\n<li>Vliublenno-blednye nartsissy o vremeni i o sebe [Pale enamoured narcissi on time and themselves].\u00a0<em>Beseda<\/em>\u00a0[Conversation (Paris)] 6 (1987), 144-177; revised version in Books No. 10, 11.<\/li>\n<li>[Review of] O. Ronen,\u00a0<em>An Approach to Mandel&#8217;stam<\/em>, Jerusalem, 1983.\u00a0<em>Slavic and East European Journal<\/em>\u00a031 (1987): 115-117.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/intertextuality-review-smirnov.pdf\" target=\"_blank\" rel=\"noopener\">Intertextuality, its content and discontents\u00a0<\/a>(review article of I. P. Smirnov&#8217;s\u00a0<em>Porozhdenie intertexta<\/em>\u00a0[Generating the intertext]).\u00a0<em>Slavic Review<\/em>, 47 (1988) 4, 726-729.<\/li>\n<li>Three on courtship, corpses, and culture (Tolstoy, &#8220;After the Ball,&#8221; Zoshchenko, &#8220;Lady with Flowers,&#8221; E. Ginzburg, &#8220;Paradise under the Microscope).&#8221;\u00a0<em>Wiener Slawistischer Almanach<\/em>\u00a022 (1989), 7-24; revised version in Book No. 12: 66-87; Russ. version in Books No. 11, 12.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/chap6\/\">The beauty mark and the &#8216;I&#8217;s of the beholder<\/a>.\u00a0<em>Russian Literature and Psychoanalysis<\/em>, D. Rancour-Laferriere ed., Amsterdam: John Benjamins 1989, 329-352, revised version in Book\u00a0<a href=\"\/alexander-zholkovsky\/tct-index\">No. 12<\/a>: 147-163, short Russian version Book No. 11: 234-242, complete Russian version (forthcoming) to appear as:\u00a0<a href=\"\/alexander-zholkovsky\/bib64\/\">Intertekstual ponevole (Limonov&#8217;s &#8220;Ia v mysliakh poderzhu drugogo cheloveka\u2026<\/a>&#8221; [Intertextual\u00a0<em>malgre lui<\/em>\u00a0(Limonov&#8217;s &#8220;I will hold another person in my thoughts\u2026&#8221;)] in Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 309-326.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/palissandria\/\">The stylistic roots of\u00a0<em>Palisandria<\/em><\/a>.\u00a0<em>Canadian-American Slavic Studies<\/em>\u00a0(special Sasha Sokolov issue; D. Barton Johnson guest ed.) 21, Nos. 3-4 (Fall-Winter 1987 [actually publ. 1990], 369-400).\u00a0<a href=\"\/alexander-zholkovsky\/palisandr\">Russian version<\/a>\u00a0in:\u00a0<em>Vos&#8217;maia mezhdunarodnaia letniaia shkola po russkoi literature. Sbornik statei<\/em>. Red.-sost. A. Kobrinskii i dr. [The Eighth International Summer School in Russian literature]. St.-Petersburg\/ Kaukolepiaa (Tsvelodubovo): Svoe izdatel&#8217;stvo, 2012. P. 29-60; also in Book\u00a0<a href=\"\/alexander-zholkovsky\/poetika_za_stolom\">No. 29<\/a>: 454-486.<\/li>\n<li>&#8220;Legkoe dykhanie&#8221; i &#8220;Stantsionnyi smotritel&#8217;&#8221;: Problemy kompozitsii [&#8220;Light Breathing&#8221; and &#8220;The Station Master&#8221;: Problems of composition].\u00a0<em>Cultural Mythologies of Russian Modernism: From the Golden Age to the Silver Age<\/em>, ed. by Boris Gasparov, Robert P. Hughes, and Irina Paperno, Berkeley, Los Angeles, and Oxford, University of California Press, 1992: 293-314; also in\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/legkoe-dykhanie-vygotskogo.pdf\" target=\"_blank\" rel=\"noopener\">Books No. 10, 11, 31<\/a>\u00a0&#8220;&#8221;Legkoe dykhanie&#8221; Bunina-Vygotskogo sem&#8217;desiat let spustia&#8221; [&#8220;Light Breathing&#8221; by Bunin-Vygotsky 70 years later]; expanded Engl. version\u00a0<a href=\"\/alexander-zholkovsky\/chap4\/\">A study in framing: Pushkin, Bunin, Nabokov, and theories of story and discourse<\/a>\u00a0in Book\u00a0<a href=\"\/alexander-zholkovsky\/tct-index\/\">No. 12<\/a>: 88-116.<\/li>\n<li>Poetry of grammar, poetic worlds and grammatical motifs.\u00a0<em>Semiotics 1982<\/em>, John Deely and Jonathan Evans eds., Bloomington: Lanham, New York and London: University Press of America, 1987: 129-138.<\/li>\n<li>Levels, domains, invariants: A format for the description of poems. In\u00a0<em>Semiotics 1983<\/em>, John Deely and Jonathan Evans eds. Lanham, New York and London: University Press of America, 1987: 333-345.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/ginz\/\">Mezhdu zhanrami<\/a>\u00a0[Between genres] in: Tsel&#8217;nost&#8217;. O tvorchestve L. Ia. Ginzburg [Integrity. On the work of L. Ja Ginzburg; by several participants].\u00a0<em>Literaturnoe obozrenie<\/em>\u00a0[Literary survey], 1989 (10): 78-86 (p. 83) and in Books No. 9: 131-133,\u00a0<a href=\"\/alexander-zholkovsky\/inven-index\/\">15<\/a>: 154-157,\u00a0<a href=\"\/alexander-zholkovsky\/erosip\/\">18<\/a>: 580-586; English version,\u00a0<a href=\"\/alexander-zholkovsky\/between\/\">&#8220;Between Genres,&#8221;<\/a>\u00a0in a collection of essays on Ginzburg, ed. by Jane Harris as a special issue of\u00a0<em>Canadian-American Slavic Studies<\/em>\u00a028 (1994) 2-3: 157-160.<\/li>\n<li>The terrible armor-clad general line: A new profile of Eisenstein&#8217;s poetics.\u00a0<em>Wiener Slawistischer Almanach<\/em>, special volume 31 (<em>Psychopoetik. Beitraege zur Tagung &#8220;Psychologie und Literatur,&#8221; Muenchen 1991<\/em>, ed. by A. Hansen-Loeve) 1992: 481-502; a revised version,\u00a0<a href=\"\/alexander-zholkovsky\/eis\/\">Eisenstein&#8217;s poetics: dialogical or totalitarian?<\/a>\u00a0in:\u00a0<em>Laboratory of Dreams: The Russian Avant-Garde and Cultural Experiment<\/em>, ed. by John E. Bowlt and Olga Matich, Stanford UP, 1996: 245-256; Russ. version in\u00a0<em>Kinovedcheskie zapiski<\/em>\u00a016, in Book No. 11: 296-311. Russian version:\u00a0<a href=\"\/alexander-zholkovsky\/eizenstein\">Poetika Eizenshteina: dialogicheskaia ili totalitarnaia?<\/a>\u00a0<i>Kinovedcheskie zapiski<\/i>\u00a016 (1992): 118-136, and in Book No. 11: 296-311;also in the books:\u00a0<em>Bluzhdaiushchie sny. Stat\u2019i raznykh let<\/em>\u00a0[Wandering dreams. Essays old and new], 358-374;\u00a0<em>S.M. Eisenstein: pro et contra. Antologiia<\/em>\u00a0[S.M. Eisenstein: pro et contra. Anthology]. 2nd edition. Ed. By D. K. Bogatyrev. Comp. and comment. by N. S. Skorokhod et al.; intro. By O. L. Kovalova. SPb.: Izd-vo RKhGA (Russkii put\u2019), 2015: 739-751.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/gog\/\">Rereading Gogol&#8217;s miswritten book: notes on\u00a0<em>Selected Passages from Correspondence with Friends<\/em><\/a>, in\u00a0<em>Essays on Gogol: Logos and the Russian Word<\/em>, ed. by S. Fusso and P. Meyer, Evanston, Illinois: Nothwestern University Press, 1992: 172-84, and in\u00a0<a href=\"\/alexander-zholkovsky\/tct-index\/\">Book No. 12<\/a>: 17-34;\u00a0<a href=\"\/alexander-zholkovsky\/opisk1\/\">Russian version<\/a>\u00a0in Books No. 10,\u00a0<a href=\"\/alexander-zholkovsky\/bluzh-index\/\">11<\/a>.<\/li>\n<li>Morfologiia i istoricheskie korni &#8220;Posle bala&#8221; L. N. Tolstogo (iazychestvo i khristianstvo) [The Morphology and Historical Roots of L. N. Tolstoy&#8217;s &#8220;After the Ball&#8221; (Paganism and Christianity)].\u00a0<em>Christianity and the Eastern Slavs<\/em>, 3 vls, ed. by B. Gasparov, R. Hughes, I. Paperno, and O. Raevsky-Hughes, UC Press, v. 3 (16-38), in\u00a0<em>Daugava<\/em>\u00a0[Riga] 1990, 12: 80-93, and in Books No. 10,\u00a0<a href=\"\/alexander-zholkovsky\/bib73\/\">11: 87-102<\/a>; short Engl. version in\u00a0<em>Sprache &#8211; Text &#8211; Kultur<\/em>, ed. by K. Eimermacher and P. Grzybek, Bochum: Brockmeyer, 1991: 271-9; revised\u00a0<a href=\"\/alexander-zholkovsky\/after\/\">Engl. version in Book No. 12: 59-87<\/a>.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib74\/\">Biografiia, struktura, tsitatsiia<\/a>\u00a0(eshche neskol&#8217;ko puskinskikh podtekstov) [Biography, structure, quoting: some Pushkinian subtexts]. In:\u00a0<em>Tainy remesla. Akhmatovskie chteniia, II\u00a0<\/em>[Craft&#8217;s secrets. Akhmatova studies, II], ed. by N. Koroleva and S. A. Kovalenko, Moscow: Nasledie, 1992: 20-29, and in Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 271-279. Expanded Engl. version:\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/To-Cross.pdf\">To Cross or Not to Cross: Akhmatova&#8217;s &#8220;Sacred Boundary&#8221;<\/a>, in:\u00a0<em>Approaches to Poetry: Some Aspects of Textuality, Intertextuality and Intermediality<\/em>, ed. by Janos Petofi and Terry Olivi, Berlin and New York: Walter de Gruyter, 1994: 248-264.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/mark120\/\">Philosophy of composition: O nekotorykh aspektakh struktury odnogo literaturnogo teksta<\/a>\u00a0[&#8230; On some aspects of the structure of a literary text], in\u00a0<em>Readings in Russian Modernism [Kul&#8217;tura russkogo modernizma] To Honor V. F. Markov&#8217;<\/em>, ed. by J. Malmstad and R. Vroon. UCLA Slavic Studies. New Series. Vol. 1. Moscow: Nauka. Oriental Literature Publishers, 1993: 390-399, in\u00a0<em>Zolotoi vek<\/em>\/\u00a0<em>The Golden Age<\/em>\u00a0(Moscow), 1992, 3: 69-73, and in\u00a0<a href=\"\/alexander-zholkovsky\/inven-index\/\">Book No. 15<\/a>: 45-56.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/piatig75\/\">Metashtrikhi k portretu A. M. Piatigorskogo<\/a>\u00a0[Meta-sketches for the portrait of A. M. Piatigorsky].\u00a0<em>A. M. Piatigorsky Festschrif<\/em>t, ed. by I. Smirnov and T. Pomerantseva,\u00a0<em>Wiener Slawistischer Almanach<\/em>\u00a023 (1989): 233-40, and in\u00a0<a href=\"\/alexander-zholkovsky\/inven-index\/\">Book No. 15<\/a>: 171-178.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib77\/\">Limonov na literaturnykh Olimpiks<\/a>\u00a0\u00a0(O rasskaze &#8220;Krasavitsa, vdokhnovliavsaia poeta&#8221;).\u00a0<em>Panorama<\/em>\u00a0(Los Angeles) 497, October 19-26, 1990: 18-19 (also in\u00a0<em>Sintaksis<\/em>\u00a029 [1991]: 150-160, and\u00a0<em>Literaturnoe obozrenie<\/em>\u00a0[Literary survey] 1991, 7: 22-25; expanded version in Book\u00a0<a href=\"\/alexander-zholkovsky\/inven-index\/\">No. 15<\/a>:72-87, and Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 232-245; expanded Engl. version in Book\u00a0<a href=\"\/alexander-zholkovsky\/tct-index\/\">No. 12<\/a>: 163-180:\u00a0<a href=\"\/alexander-zholkovsky\/chap6\/\">Limonov at literary Olympics \u00a0(On his short story &#8220;The Belle Who Had Inspired the Poet&#8221;<\/a>).<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib78\/\">Ekstaticheckie motivy Pasternaka v svete ego lichnoi mifologii (kompleks Iakova\/ Akteona\/ Gerakla)<\/a>.\u00a0<em>Boris Pasternak. 1890-1990<\/em>, ed. by Lev Loseff, Northfield VT, The Russian School of Norwich University: 52-74, and in Book No. 11; short version in\u00a0<em>Literaturnoe obozrenie<\/em>\u00a0(Literary survey], 1991, 11: 87-91.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/taman\/\">Semiotika &#8220;Tamani&#8221;<\/a>\u00a0[The semiotics of [Lermontov&#8217;s] &#8220;Taman&#8217;&#8221;].\u00a0<em>Sbornik statej k 70-letiiu prof. Iu. M. Lotmana<\/em> [A collection of essays for Prof. Iu. M. Lotman&#8217;s 70th birthday], ed. by A. Mal&#8217;ts, Tartu: TGU, 1992: 248-56, and in Book No. 11: 276-282. Also in: <em>Lermontov: pro et contra<\/em>. Vol. 2. St. Petersburg: RKhGA [<em>Russian Christian Academy for Humanities<\/em>], 2014: 681-689 (on <a href=\"https:\/\/russianway.rhga.ru\/section\/katalog\/m-yu-lermontov-pro-et-contra-t-2.html\" target=\"_blank\" rel=\"noopener\">\u201c<em>Russian Christian Academy for Humanities<\/em>\u201d<\/a> web-site, on <a href=\"https:\/\/imwerden.de\/pdf\/lermontov_pro_et_contra_tom2_2014__izd.pdf\" target=\"_blank\" rel=\"noopener\">\u201cImWerden\u201d<\/a> web-site). <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/09\/Semiotika-Tamanoi-lermontov_pro_et_contra.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/li>\n<li>ZH\/Z: Notes of an ex-pre-poststructuralist.\u00a0<em>Wiener Slawistischer Almanach<\/em>, Sonderband 33 (1992) 283-91; Russ. version in\u00a0<em>Literaturnoe obozrenie<\/em>\u00a0[Literary survey] 1991, 10: 31-35, and in Book No. 15: 6-17.<\/li>\n<li>On the use of taste.\u00a0<em>Le mot, les mots, les bons mots. Words, Words, Witty Words<\/em>.<em>\u00a0Hommage a Igor Mel&#8217;chuk par ses amis, collegues et eleves a l&#8217;occasion de son 60-eme anniversaire<\/em>, ed. by Andre Clas, Montreal: Les [presses de l&#8217;Universite de Montreal, 1992: 51-60. Russian version &#8220;O pol&#8217;ze vkusa&#8221; in:\u00a0<em>Zolotoi vek\/ The Golden Age<\/em>, 5 (1994), and in\u00a0<a href=\"\/alexander-zholkovsky\/inven-index\/\">Book No. 15<\/a>: 18-31.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/pasternak\/\">O trekh grammaticheskikh motivakh Pasternaka<\/a>\u00a0[On three grammatical motifs in Pasternak]. In\u00a0<em>Byt&#8217; znamenitym nekrasivo&#8230; Pasternakovskie chteniia, I<\/em>\u00a0[Being famous is unbeautiful&#8230;: Pasternak studies, 1], ed. by I. Podgaetskaia et al., Moscow: Nasledie, 1992: 55-66.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Six-Easy-Pieces.pdf\">Six easy pieces on grammar of poetry, grammar of love<\/a>.\u00a0<em>Literary Tradition and Practice in Russian Culture. Papers from an International Conference on the Occasion of the Seventieth Birthday of Yury Mikhailovich Lotman<\/em>. Russian Culture: Structure and Tradition. 2-6 July 1992, Keele University, UK, ed. by V. Polukhina, J. Andrew, and R. Reid, Amsterdam: Rodopi, 1993: 192-213; Russian version,\u00a0<a href=\"\/alexander-zholkovsky\/erot83\/\">Grammatika liubvi (shest&#8217; fragmentov)<\/a>, in\u00a0<em>Pasternakovskie chteniia, II<\/em>\u00a0[Pasternak studies, II], ed. by I. Podgaetskaia, Moscow: Nasledie, 1998, S. 132-151, and in\u00a0<a href=\"\/alexander-zholkovsky\/inven-index\/\">Book No. 15<\/a>: 105-121.<\/li>\n<li>&#8216;Slaughterhouse&#8217; motifs in Mandelstam&#8217;s &#8220;The Egyptian Stamp&#8221; and environs.\u00a0<em>The Language and Verse in Russia<\/em>, H. Birnbaum and M. Flier eds., Moscow and Los Angeles: UCLA Slavic Studies, New Series, Vol. 2, 1995: 304-310.<\/li>\n<li>Beyond &#8220;Form\u00a0<em>vs.<\/em>\u00a0Theme.&#8221;\u00a0<em>The Return of Thematic Criticism<\/em>, ed. by Werner Sollors, Cambridge, Mass.: Harvard University Press (<em>Harvard English Studies<\/em>, v. 18), 1993: 297-298.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/MandelshtamsEgyptianStamp.pdf\">Mandelstam&#8217;s\u00a0<em>Egyptian Stamp<\/em>: a study in\u00a0<em>Envy<\/em>?<\/a>\u00a0<em>Slavic and East European Journal<\/em>\u00a038, 2 (1994): 224-44; Russian version in Books No. 10, 11.<\/li>\n<li>A memo from the underground.\u00a0<em>Elementa<\/em>\u00a01, 4 (1994): 305-20; an expanded Russian version:\u00a0<a href=\"\/alexander-zholkovsky\/glava5\/\">Mezhdu Dostoevskim i Russo<\/a>\u00a0[Between Dostoevsky and Rousseau] in\u00a0<a href=\"\/alexander-zholkovsky\/babel-index\/\">Book No. 13<\/a>: 89-121.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/mop\/\">How a Russian Maupassant was made in Odessa and Yasnaya Polyana: Isaak Babel and the Tolstoy legacy.<\/a>\u00a0<em>Slavic Review<\/em>, 53, 3 (1994): 671-693; Russ. version:\u00a0<a href=\"\/alexander-zholkovsky\/glava2\/\">Tolstoi i Babel&#8217;, avtory Mopassana<\/a>\u00a0[Tolstoi and Babel&#8217;, authors of Maupassant] in\u00a0<a href=\"\/alexander-zholkovsky\/babel-index\/\">Book No. 13<\/a>: 30-56.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/musc89\/\">Muskat 1883 goda<\/a>\u00a0[Muscat-1883]. In\u00a0<a href=\"\/alexander-zholkovsky\/babel-index\/\">Book No. 13<\/a>: 76-88.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/glava3\/\">Kak sdelan Mopassan Babelia<\/a>\u00a0[How Babel&#8217;s Maupassant was made].\u00a0<em>Novoe literaturnoe obozrenie<\/em>\u00a0[New literary survey] 4 (1993): 215-227, and in\u00a0<a href=\"\/alexander-zholkovsky\/babel-index\/\">Book No. 13<\/a>: 57-75.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/glava6\/\">Diurua, Drei, Peredonov i drugie<\/a>\u00a0[Duroy, Drei, Peredonov and others]. In\u00a0<a href=\"\/alexander-zholkovsky\/babel-index\/\">Book No. 13<\/a>: Ch. 6, pp. 122-148.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/sex\">Seks v ramkakh<\/a>\u00a0[Sex framed].\u00a0<em>Novoe literaturnoe obozrenie<\/em>\u00a0[New literary survey] 6 (1994): 15-24, and in\u00a0<a href=\"\/alexander-zholkovsky\/inven-index\">Book No. 15<\/a>: 143-153.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/majak\/\" target=\"_blank\" rel=\"noopener\">Poetika proizvola i proizvol&#8217;nost&#8217; poetiki. Maiakovskii: &#8220;Dachnyi sluchai&#8221;-1928<\/a>\u00a0[Poetics of arbitrariness and arbitrariness of poetics. Mayakovsky-1928: The case of the &#8220;The Episode at the dacha&#8221;].\u00a0<em>Znamia<\/em>\u00a0[The Banner] 1993, 11: 195-202, and in Book No. 15: 122-133, and Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 100-108.<\/li>\n<li>&#8216;Immortality for a while&#8217;: Pasternak&#8217;s poetry of tense and time.\u00a0<em>Elementa<\/em>, 2 (1996): 331-341.\u00a0<a href=\"\/alexander-zholkovsky\/bib93\/\">Russian version<\/a>\u00a0in:\u00a0<em>Tekst. Intertekst. Kul&#8217;tura. Sbornik dokladov mezhdunarodnoi konferentsii<\/em>\u00a0<em>(Moskva 4-7 aprelia 2001 goda).<\/em>[Text. Intertext. Culture. Papers from the International Conference\u00a0<em>(Moscow, April 4-7, 2001)<\/em>]. Ed. by V. P. Grigor&#8217;ev, N. A. Fateeva. Moscow: Azbukovnik, 2001. P. 66-77.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/reform\/\">Na fone megaform<\/a>\u00a0[Against the background of megaforms].\u00a0<em>Semiotika. Lingvistika. Poetika. K stoletiiu so dnia rozhdeniia A. A. Reformatskogo<\/em>\u00a0[Semiotics. Linguistics. Poetics. On the occasion of his 100th birthday]. Ed. by V. A. Vinogradov. Moscow: Iazyki Slavianskoi Kul&#8217;tury, 2004. P. 517-528.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/part1\/\">Nevidimye miru strakhi: Zoshchenko-iumorist v sumerechnom svete &#8220;Pered voskhodom solntsa&#8221;<\/a>\u00a0[Invisible fears: Zoshchenko&#8217;s laughter in the crepuscular light of\u00a0<em>Before Sunrise<\/em>].\u00a0<em>Mir Mikhaila Zoshchenko<\/em>\u00a0[The World of Mikhail Zoshchenko], ed. by G. A. Belaia and A. M. Ushakov, Moscow: Nasledie (forthcoming), and in\u00a0<a href=\"\/alexander-zholkovsky\/zosh-index\/\" target=\"_blank\" rel=\"noopener\">Book No. 16<\/a>: 13-28.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/zosh-part6\/\">Ruka blizhnego i ee mesto v poetike Zoshchenko<\/a>. [The arm\/hand of your neighbor and its place in Zoshchenko&#8217;s poetics].\u00a0<em>Novoe literaturnoe obozrenie<\/em>\u00a0[New literary survey], 1995, 15: 262-286, and in\u00a0<a href=\"\/alexander-zholkovsky\/zosh-index\/\">Book 16<\/a>: 107-131<\/li>\n<li><a href=\"\/alexander-zholkovsky\/babgo\/\">Spravka-rodoslovnaia<\/a>\u00a0(K teme Babel&#8217; i Gor&#8217;kii) [A memo and a genealogy (On the Babel-Gorky relationship)].\u00a0<em>Wiener Slawistischer Almanach<\/em>, 34 (1994): 1-35, and in\u00a0<a href=\"\/alexander-zholkovsky\/babel-index\/\">Book No. 13<\/a>: 148-173.<\/li>\n<li>Isaac Babel, author of Guy de Maupassant. In a special Babel issue of\u00a0<em>Canadian-Slavonic Papers<\/em>, guest-ed. by R. L. Busch and Allan Reid, 36 (1994) 1-2: 89-106 (short. Engl. vers. of three chapters in\u00a0<a href=\"\/alexander-zholkovsky\/babel-index\/\">Book No. 13<\/a>: Ch. 1:\u00a0<a href=\"\/alexander-zholkovsky\/glava1\/\">Metaportret khudozhnika v iunosti<\/a>\u00a0[A metaportrait of the artist as a young man], pp. 15-29, and also Chs. 2-3 (=Nos. 88, 90), pp. 37-88.<\/li>\n<li>Of tarts and teas: Russian and Western motifs in an Isaac Babel Story.\u00a0<em>Thematics Reconsidered: Essays in Honor of Horst S. Daemmrich<\/em>, ed. by Frank Trommler, Amsterdam: Rodopi, 1994: 145-158.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/babel-whore\/\">Topos prostitutsii v literature<\/a>\u00a0[Prostitution topos in literature]. In<a href=\"\/alexander-zholkovsky\/babel-index\/\" target=\"_blank\" rel=\"noopener\">\u00a0Book No. 13<\/a>: 317-368.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/zaliz100\/\">Les mots: relire<\/a>.\u00a0<em>Rusistika. Slaviska. Indoevropeistika. Sbornik k 60-letiiu A. A. Zalizniaka<\/em>\u00a0[Russian, Slavic, and Indoeuropean Studies. A\u00a0<em>Festschrift<\/em>\u00a0for A. A. Zalizniak&#8217;s 60-th birthday], ed. by T. M. Nikolaeva, A. A. Gippius,, and V. N. Toporov. Moscow: Indrik, 1996: 669-689, and in\u00a0<a href=\"\/alexander-zholkovsky\/inven-index\/\">Book No. 15<\/a>: 88-104.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/smerd\/\">O Smerdiakove (Bulgakov i Dostoevskii<\/a>) [On Smerdyakov (Bulgakov and Dostoevsky)].\u00a0<em>Lotmanovskii sbornik. 1<\/em>\u00a0[The Lotman Series. 1], ed. by E. V. Permiakov, Moscow: ITs-Garant, 1994, 568-581, and in\u00a0<a href=\"\/alexander-zholkovsky\/inven-index\/\">Book No. 15<\/a>: 32-44.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/zosh-part15\/\">Eccola (k donzhuanskoi teme u Zoshchenko)<\/a>\u00a0[Eccola (on the Don-Juan theme in Zoshchenko)].\u00a0<em>Poeziia i zhivopis&#8217;. Sbornik trudov pamiati N.I. Khardzhieva<\/em>\u00a0[Poetry and painting. Essays in memory of N. I. Khardzhiev], ed. by M.B. Meilakh and D. V. Sarab&#8217;ianov. Moscow: Shkola Iazyki Russkoi Kul&#8217;tury, 2000. P. 821-834, and in Books No. 15: 57-71, 16: 288-303; also in\u00a0<a href=\"\/alexander-zholkovsky\/zosh-index\/\">Book No. 16<\/a>: 288-303.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/russel\/\">Ubiistvennyi kalambur Bertrana Rassela<\/a>\u00a0[Bertrand Russel&#8217;s deadly pun]. Various versions in Books No. 3, 6, and 15: 134-142.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/prevoshoditelny-pokoi-pushkin\" target=\"_self\">&#8216;Prevoskhoditel&#8217;nyi pokoi&#8217;: Ob odnom invariantnom motive Pushkina<\/a>\u00a0[&#8216;Superior peace&#8217;: On one invarian motif in Pushkin]. In Books No. 3, 14.<\/li>\n<li>K reinterpretatsii poetiki Mikhaila Zoshchenko: &#8216;Entsiklopediia strakha&#8217; i ideinaia struktura rasskaza &#8220;Dushevnaia prostota&#8221; [Reinterpreting Zoshchenko&#8217;s poetics: the &#8216;encyclopedia of fear&#8217; and the thematic structure of &#8220;Soul&#8217;s Simplicity&#8221;].\u00a0<em>Izvestiia Akademii Nauk. Seriia literatury i iazyka<\/em>\u00a0[Communications of the Academy of Sciences. Literary and linguistic series], 54 (1995), 5: 50-60; and in\u00a0<em>Slavica Tergentsia<\/em>, 1996, 4 (<em>Nasledie Iu. M. Lotmana: Nastoiashchee i budushchee<\/em>\u00a0[Iu. M. Lotman&#8217;s legacy: Present and future].<em>\u00a0Atti del Convengno Unibersita degli Studi di Bergamo, 3-5 Novembre 1994<\/em>, guest-ed. by P. Deotto, M. Nortman, and M. Pesenti): 233-250. English version in\u00a0<em>Russian Studies in Literature<\/em>, 33 (1997), 2 (<em>Studies of Mikhail Zoshchenko<\/em>, guest-ed. by D. Brown, Part II): 41-48;\u00a0<a href=\"\/alexander-zholkovsky\/zosh-part3\/\" target=\"_blank\" rel=\"noopener\">final Russian version<\/a>\u00a0in\u00a0<a href=\"\/alexander-zholkovsky\/zosh-index\/\">Book No. 16<\/a>: 48-57.<\/li>\n<li>Dematerializatsiia u Zoshchenko? [On dematerialization in Zoshchenko].\u00a0<em>Flug, Entfernung, Verschwinden. Konzeptuelle Moskauer Kunst<\/em>\u00a0[a catalogue on post-Soviet art], hgb. von K. Becker, D. Bienert, M. Slavicka. Berlin, Kiel and Prague: Cantz Verlag, 1996: 127-130 (in German), 293-296 (in Russian).<\/li>\n<li><a href=\"\/alexander-zholkovsky\/red\/\">O redaktorakh<\/a>\u00a0[Regarding editors].\u00a0<em>Znamia<\/em> [The banner], 1996, 2: 212-220, and in Book No. 17: 204-220, No. 18 <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/erosip\/\"><em>Erosiped i drugie vin\u2019etki<\/em><\/a>: 487-516 and No. 24 <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/tren-index\">Ostorozhno, trenozhnik!<\/a>\u00a0243-263.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/siren\/\">V minus pervom i minus vtorom zerkale: Tat&#8217;iana Tolstaia, Viktor Erofeev &#8212; akmatoviana i arhetipy<\/a>\u00a0[In the mirrors minus one and minus two: Tatiana Tolstaya and Viktor Erofeev &#8212; Akhmatoviana and archetypes].\u00a0<em>Literaturnoe obozrenie<\/em>\u00a0[Literary survey], 253 (1995), 6: 25-41, and in Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 246-268.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib111\" target=\"_blank\" rel=\"noopener\">Strakh, tiazhest&#8217;, mramor: iz materialov k zhiznetvorcheskoi biografii Akhmatovoi<\/a>\u00a0[Fear, weight, marble: materials for a life-as-art biography of Akhmatova].\u00a0<em>Wiener Slawistischer Almanach<\/em>\u00a036 (1995): 119-154; also in Book No. 29: 527-562.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/reed3\/\">Anna Akhmatova: scripts, not scriptures<\/a>\u00a0[Review Article].\u00a0<em>Slavic and East European Journal<\/em>\u00a040 (1996), 1: 135-141.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/instkostr\" target=\"_blank\" rel=\"noopener\">Moi vzgliad na institut kostra i drugie instituty, ili Khokhorony vtornik<\/a>\u00a0[My View on the Institution of the Bonfire and Other Institutions, or Funneral Tuesday],\u00a0<em>Zvezda<\/em>\u00a0[The Star], 1997, 4: 233-236; also in Book No. 24: 355-362.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/zosh\/\">Zoshchenko iz XXI veka, ili Poetika nedoveriia\u00a0<\/a>[Zoshchenko from the XXIst century, or A poetics of mistrust].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 1996, 5: 190-204 (repr. in:\u00a0<em>M. Zoshchenko. Rasskazy. Golubaia kniga (Kniga dlia uchenika i uchitelia)<\/em>. Comp. S. F. Dmitrenko. Moscow: Olimp, 1998. P. 502-532.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/aaa\/\">Anna Akhmatova piat&#8217;desiat let spustia\u00a0<\/a>[Anna Akhmatova fifty years later].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 1996, 9: 211-227, and in Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 139-174.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/food-foreigners-RL.pdf\">Food, Fear, Feigning, and Flight in Zoshchenko&#8217;s &#8220;Foreigners&#8221;<\/a>.\u00a0<em>Russian Literature<\/em>\u00a040 (1996), 3 (special Nilsson issue): 385-404; Russian version\u00a0<a href=\"\/alexander-zholkovsky\/zosh-inos\/\">&#8220;Inostrantsy&#8221; ili &#8220;vse v poriadke<\/a>&#8221; [\u201cForeigners\u201d, or Everything under control] in\u00a0<a href=\"\/alexander-zholkovsky\/zosh-index\/\">Book No. 16<\/a>: 247-261.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib115\/\">Tri inventsii na grani lingvistiki i poetiki<\/a>\u00a0[Three inventions on the borderline between linguistics and poetics].\u00a0<em>Moskovskii lingvisticheskii zhurnal<\/em>\u00a0[Moscow linguistic journal] (special Paducheva\u00a0<em>Festschrift<\/em>\u00a0issue), 1996, 2: 147-161.<\/li>\n<li>Dve konferentsii v Moskve [Two Moscow conferences [The Babel and Zoshchenko centennials]].\u00a0<em>Literaturnoe obozrenie<\/em>\u00a0[Literary survey] 1995, 1: 85-87.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/zocsh117\/\">&#8220;What is the author trying to say with his artistic work?&#8221;: rereading Zoshchenko&#8217;s oeuvre.<\/a>\u00a0<em>Slavic and East European Journal<\/em>, 40 (1996), 3: 458-474.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/lo\/\">&#8220;Ia po-prezhnemu oshchushchaiu sebia literaturovedom&#8230;&#8221;<\/a>\u00a0Beseda s Aleksandrom Zholkovskim [&#8220;I still see myself as a literary scholar&#8230;&#8221; An Interview with Alexander Zholkovsky].\u00a0<em>Literaturnoe obozrenie<\/em>\u00a0[Literary survey], 261 (1997), 1: 16-22.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/monter\/\">&#8220;Monter&#8221; Zoshchenko, ili slozhnyi teatral&#8217;nyi mekhanizm<\/a>\u00a0[Zoshchenko&#8217;s &#8220;The Electrician,&#8221; or: This complex theatrical mechanism]. In\u00a0<em>Tynianovskii Sbornik, 10. Shestye&#8211;Sed&#8217;mye&#8211;Vos&#8217;mye Tynianovskie chteniia<\/em>\u00a0[The Tynianov Collection, 10. The Sixth&#8211;Seventh&#8211;Eighth Tynianov Readings]. Ed. E. A. Toddes. Moscow: 1998. P. 335-356. English version in\u00a0<em>Russian Studies in Literature<\/em>, 33 (1996-1997), 1 (<em>Studies of Mikhail Zoshchenko<\/em>, guest-ed. by D. Brown, Part I): 59-79; and in\u00a0<a href=\"\/alexander-zholkovsky\/zosh-index\/\">Book No. 16<\/a>.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/mol\/\">Zubnoi vrach, korystnaia molochnitsa, intelligentnyi monter i ikh avtor: krepkovatyi brak v mire Zoshchenko<\/a>\u00a0[A dentist, a greedy dairy-woman, an intellectual electrician, and their author: the theme of &#8220;stablish&#8221; marriage in Zoshchenko].\u00a0<em>Literaturnoe obozrenie<\/em>\u00a0[Literary survey], 259-261 (1996), 5-6: 128-144; and in\u00a0<a href=\"\/alexander-zholkovsky\/zosh-index\/\">Book No. 16<\/a>: 80-106.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/vert\/\">Verter na koles&#8217;iakh<\/a>\u00a0[Werther on wheels].\u00a0<em>Lotmanovskii sbornik. 2<\/em>\u00a0[The Lotman Series. 2], ed. by E. V. Permiakov. Moscow: OGI-RGGU, 1997: 377-392; and in\u00a0<a href=\"\/alexander-zholkovsky\/zosh-index\/\">Book No. 16<\/a>.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/zosh-part12\/\">Eda u Zoshchenko<\/a>\u00a0[Eating in Zoshchenko].\u00a0<em>Novoe literaturnoe obozrenie<\/em>\u00a0[New literary survey], 1997, 21: 258-273; and in\u00a0<a href=\"\/alexander-zholkovsky\/zosh-index\/\">Book No. 16<\/a>: 233-246.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/am\/\">Akhmatova i Maiakovskii: K teorii parodii<\/a>\u00a0[Akhmatova and Maiakovskii: Towards a theory of parody].\u00a0<em>In memoriam. Sbornik pamiati Ia. S. Lur&#8217;e<\/em>\u00a0[In memoriam. A Collection tp honor the memory of Ia. S. Lur&#8217;e]. Ed. by N. Botvinnik and E. Vaneeva. St. Petersburg: Atheneum\/Feniks, 1997. P. 383-394, and in Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 221-231.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/semid\/\">Iz istorii vcherashnego dnia<\/a>\u00a0[From the history of yesterday].\u00a0<em>Rossia\/Russia<\/em>\u00a01998, 1 [9]. Semidesiatye gody kak predmet istorii russkoi kul&#8217;tury [The 1970s as a subject in the history of Russian culture]. Guest-ed. K. Iu. Rogov. P. 135-152 (also in Book No 17 (&#8220;Memuarnye vin&#8217;etki\u2026&#8221;): 221-241); and in Book No. 17: 221-241.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/mazlt126\/\">Kheppi-end v epokhu kul&#8217;ta lichnosti: Popytka tselostnogo analiza memuarnogo rasskaza L. A. Mazelia &#8220;Essentuki, 1952&#8221;<\/a>\u00a0[A happy ending in the times of the cult of personality: An essay in a comrehensive analysis of L. A. Mazel&#8217;s memoir tale &#8220;Essentuki, 1952&#8221;].\u00a0<em>Muzyka: Analiz i estetika. Sbornik k 90-letiiu L. A. Mazelia\u00a0<\/em>[Music: Analysis and aesthetics:\u00a0<em>Festschrift<\/em>\u00a0for L. A. Mazel&#8217;s 90th birthday], ed. by I. N. Baranova, R. A. Ostrovskii, K. I. Iuzhak. Petrozavodsk and St. Petersburg: SPbGK, 1997. P. 98-115. Appendix: L. A. Mazel&#8217;, &#8220;<a href=\"\/alexander-zholkovsky\/19521\/\">Essentuki, 1952<\/a>&#8220;,\u00a0<em>Znamia<\/em>\u00a0[The Banner], 1995, 10: 166-170.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/aawelt\/\">K tekhnologii vlasti v tvorchestve i zhiznetvorchestve Akhmatovoi<\/a>\u00a0[On the technology of power in Akhmatova&#8217;s life and works]. In\u00a0<em>Lebenskunst&#8211;Kunstleben. Zhiznetvorchestvo v russkoi kul&#8217;ture XVII-XX v.<\/em>\u00a0[Life&#8217;s art&#8211;artistic life: &#8220;Zhiznetvorchestvo&#8221; in Russian culture of the 18th&#8211;20th centuries]. Ed. Schamma Schahadat. Munich: Otto Sagner, 1998. P. 193-210.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/sholoma1\/\">Roman s gonorarom: K teme Babel&#8217; i Sholom-Aleikhem<\/a>\u00a0[Romance with an honorarium: Isaac Babel and Sholom Aleichem].\u00a0<em>Literaturnoe obozrenie<\/em>\u00a0[Literary survey], 264 (1997, 4): 43-54; also in:\u00a0<em>Oh Jerusalem!<\/em>\u00a0Eds. W. Moskovich, W. Schwarzband, G. dell&#8217;Agata, S. Garzonio. Pisa&#8211;Jerusalem, 1999: 255-278.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/fut129l\/\">Zoshchenko i Chekhov<\/a>\u00a0(sopostavitel&#8217;nye zametki) [Zoshchenko and Chekhov (comparative notes)]. In\u00a0<em>Chekhovskii sbornik<\/em>, ed. A. P. Chudakov. Moscow: Izd-vo Literaturnogo instituta im. A. M. Gor&#8217;kog\u043e, 1999. P. 175-190; in\u00a0<em>Revue d&#8217;Etudes Slaves<\/em>\u00a0(special Chekhov issue, guest-ed. by J. Bonamour; forthcoming), and in\u00a0<a href=\"\/alexander-zholkovsky\/zosh-index\/\">Book No. 16<\/a>: 174-187.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/z97\/\">ZH\/Z-97<\/a>. In:\u00a0<em>Moskovsko-tartuskaia semioticheskaia shkola. Istoriia, vospominaniia, razmyshleniia<\/em>. Ed. S. Iu. Nekliudov. Moscow: Shkola &#8220;Iazyki russkoi kul&#8217;tury&#8221;, 1998. P. 175-209.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/ballada\/\">Ballada samoobladan&#8217;ia: Stikh i smysl v neigauzovskoi &#8220;Ballade&#8221; Pasternaka<\/a>\u00a0[A ballade of self-discipline: Verse and meaning in Pasternak&#8217;s Neuhaus &#8220;Ballade&#8221;].\u00a0<em>Die Welt der Slaven<\/em>\u00a016 (1999): 1-26, and in Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 502-522.<\/li>\n<li>Kniga knig Pasternaka: K 75-letiiu &#8220;Sestry moei&#8211;zhizni&#8221; [Pasternak&#8217;s book of books: The 75-th anniversary of\u00a0<em>My Sister&#8211;Life<\/em>].\u00a0<em>Zvezda<\/em>\u00a0[Star], 1997, 12: 193-214. Another version,\u00a0<a href=\"\/alexander-zholkovsky\/ses\/\">&#8220;O zaglavnom trope knigi &#8216;Sestra moia &#8211; zhizn&#8217;<\/a>&#8216;&#8221; [The Title Trope of the book\u00a0<em>My Sister&#8211;Life<\/em>] in\u00a0<em>Stanford Slavic Studies<\/em>\u00a021 [<em>Poetry and Revolution. Boris Pasternak&#8217;s &#8220;My Sister Life&#8221;.<\/em>\u00a0Ed. Lazar Fleishman, 1999]: 26-65, and in Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\">No. 19<\/a>: 175-194.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/jakob\/\">Roman Osipovich Jakobson: Iz memuarnykh zametok<\/a>\u00a0[Roman Jakobson: Memoir notes].\u00a0<em>Roman Jakobson: Texts, Documents, Studies.<\/em>\u00a0Eds. Henryk Baran, Sergej Gindin, Elena Shumilova. Moscow: RGGU, 1999. P. 269-278; and in Book No. 17: 192-203.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/push134\/\">Pushkin Under Our Skin<\/a>.\u00a0<em>Alexander Pushkin: A Celebration of Russia&#8217;s Best-loved Writer<\/em>. Ed. A. D. P. Briggs. London: Hazar Publishing, 1999. P. 189-196.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/logozv\/\">O neiasnoi iasnosti: Logotsentricheskie zametki na poliakh stikhotvoreniia Mandel&#8217;shtama &#8220;Ne sravnivai: zhivushchii nesravnim&#8230;&#8221;<\/a>\u00a0[On Unclear clarity: Logocentric marginalia to Mandelstam&#8217;s poem &#8220;Do not compare: a living one is incomparable&#8230;&#8221;].\u00a0<em>Zvezda<\/em>\u00a0[The Star] 1999, 2: 177-191. A shorter version, &#8220;<a href=\"\/alexander-zholkovsky\/bib135\/\">Klavishnye progulki bez podorozhnoi<\/a>&#8220;.\u00a0<em>Zapiski Mandel&#8217;shtamovskogo obshchestva. Sokhrani moiu rech&#8217;. Publikatsii, stat&#8217;i<\/em>\u00a0[Notes of the Mandelstam Society. Keep my speech. Publications, essays], 3\/1. Eds. O. Lekmanov et al. Moscow, 2000. P. 160-184, and in Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 83-99.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/reth\/\">K pereosmysleniiu kanona: sovetskie klassiki-nonkonformisty v postsovetskoi perspektive\u00a0<\/a>[Rethinking the canon: Non-conformist Soviet classics in post-Soviet perspective],\u00a0<em>Novoe literaturnoe obozrenie<\/em>\u00a0[New literary survey] 29 (1998) 29: 55-68, and in Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 351-368.\u00a0<a href=\"\/alexander-zholkovsky\/rethi-sh\/\">An English version<\/a>\u00a0in the\u00a0<a href=\"http:\/\/cdclv.unlv.edu\/programs\/culture.html\" target=\"_blank\" rel=\"noopener\">Russian Culture at the Crossroads: Art and Society. Introduced and edited by Dmitri N. Shalin (UNLV: CDC Publications, 2005).<\/a><\/li>\n<li>Iz memuarnykh zametok [From memoiristic notes].\u00a0<em>Neprikosnovennyi zapas: Ocherki nravov kul&#8217;turnogo soobshchetsva<\/em>\u00a0[Private stock: Notes on Intellectuals], 1998, 2: 79-82; 1999,\u00a0<a href=\"http:\/\/magazines.russ.ru\/nz\/1999\/1\/zholt.html\">1 [3]: 77-81<\/a>; 2 [4]: 85-89; 3 [5]: 91-94.<\/li>\n<li><a href=\"http:\/\/www.vavilon.ru\/texts\/prim\/zholkovsky1.html\">Predislovie<\/a>\u00a0k kn.: Mark Freidkin.\u00a0<em>Opyty\u00a0<\/em>[Foreword to: Mark Freidkin.\u00a0<em>Essays].<\/em>\u00a0Moscow: Carte Blanche, 1994.<\/li>\n<li>Pamiati Viktora Iul&#8217;evicha Rozentsveiga [In memory of V. Iu. Rozentsveig], with Vl. Uspensky et al. [<em>NTI, ser. 2: Informatsionnye protsessy i sistemy<\/em>\u00a0[NTI, ser. 2: Information Processes and Systems] 1999, 6: 33-39.<\/li>\n<li>\u201c<a href=\"\/alexander-zholkovsky\/zosh-part4\/\">Ia besporiadkov ne narushaiu\u201d: Zoshchenko i vlast&#8217;<\/a>\u00a0[\u201cI don&#8217;t violate disorders\u201d: Zoshchenko and authority], in\u00a0<a href=\"\/alexander-zholkovsky\/zosh-index\/\">Book 16:<\/a>\u00a058-79; Zoscenko: Medecine et pouvoir [Zoshchenko: Medicine and power].\u00a0<em>Revue des Etudes Slaves<\/em>\u00a0(special issue on the Serapion Brothers, ed. E. Etkind) 71 (1999), 3: 571-583.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/obv99\/\">The obverse of Stalinism: Akhmatova&#8217;s self-serving charisma of Selflessness<\/a>.\u00a0<em>Self and Story in Russian History<\/em>, ed. by Laura Engelstein and Stephanie Sandler, Ithaca and London: Cornell University Press, 2000: 46-68.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/zooper142\/\">Mikhail Zoshchenko&#8217;s Shadow Operas.<\/a><em>\u00a0Russian Literature and the Other Arts.<\/em>\u00a0Ed. Catriona Kelly and Stephen Lovell. Cambridge University Press , 2000: 119-146.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/ochn\/\">Ochnye stavki s vlastitelem: Iz istorii odnoi &#8220;pushkinskoi&#8221; paradigmy<\/a>\u00a0[Eye-to-eye with Power Figures: From the History of a &#8220;Pushkinian&#8221; Paradigm].\u00a0<em>Pushkinskaia konferentsia v Stenforde. 1999. Materialy i issledovaniia<\/em>. Eds. David M. Bethea, A. L. Ospovat, N. G. Okhotin, L. S. Fleishman. M: OGI, 2001. P. 366-401.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/ivan\/\">The Power of Grammar and Grammar of Power in the Childhood Scenes of Eisenstein&#8217;s\u00a0<em>Ivan the Terrible<\/em><\/a>.\u00a0<em>Eisenstein at 100: A Reconsideration<\/em>. Eds. Al LaValley and Barry P. Scherr. New Brunswick, New Jersey and London: Rutgers UP. P. 253-267.<\/li>\n<li>Iz memuarnykh vin&#8217;etok [From memoiristic vignettes].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2000,\u00a0<a href=\"http:\/\/magazines.russ.ru\/zvezda\/2000\/3\/zholk.html\">3: 163-184<\/a>,\u00a0<a href=\"http:\/\/magazines.russ.ru\/zvezda\/2000\/4\/zholk.html\">4: 190-209<\/a>. An unauthorized translation (website: Gor&#8217;kii): &#8220;<span class=\"goog-text-highlight\">From Memoir Vignettes&#8221;<\/span>.\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2000,\u00a0<a href=\"https:\/\/qfly7aoohthisdcjp4hyeaf6ha-jj2cvlaia66be-magazines-gorky-media.translate.goog\/zvezda\/2000\/3\/iz-memuarnyh-vinetok.html\" target=\"_blank\" rel=\"noopener\">vol. 3<\/a>;\u00a0<a href=\"https:\/\/qfly7aoohthisdcjp4hyeaf6ha-jj2cvlaia66be-magazines-gorky-media.translate.goog\/zvezda\/2000\/4\/iz-memuarnyh-vinetok-okonchanie.html\" target=\"_blank\" rel=\"noopener\">vol. 4<\/a>.<\/li>\n<li><a href=\"http:\/\/magazines.russ.ru\/nlo\/2000\/45\/20.html\" target=\"_blank\" rel=\"noopener\">Brodskii i infinitivvnoe pis&#8217;mo (Materialy k teme)<\/a>\u00a0[Brodsky and infinitive writing (Preliminary materials)].\u00a0<em>Novoe literaturnoe obozrenie<\/em> [New literary survey], 2000, 45: 187-198. Also <a href=\"https:\/\/magazines.gorky.media\/nlo\/2000\/5\/brodskij-i-infinitivnoe-pismo.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal<\/a>.&#8221;<\/li>\n<li><a href=\"\/alexander-zholkovsky\/etk\/\">K probleme infinitivnoi poezii (Ob intertekstual&#8217;nom fone &#8220;Ustroit&#8217;sia na avtobazu&#8230;&#8221;&#8216; S. Gandlevskogo)<\/a>\u00a0[On infinitive poetry (A propos the intertextual background of S. Gandlevskii&#8217;s &#8220;To get a job as a trucker\u2026&#8221;]).\u00a0<em>Izvestiia RAN, Seriia Literatury i Iazyka<\/em>\u00a0[Communications of the Russian Academy of Sciences. Literary and Linguistic series], 61 (2002), 1: 34-42, also in\u00a0<a href=\"\/alexander-zholkovsky\/russianpoetry-index\">Book 23<\/a>\u00a0(<em>Novaia i noveishaia russkaia poeziia<\/em>): 213-232.<\/li>\n<li>Telega na slavistiku\u00a0[Trashing of Slavic studies].\u00a0<em>Novoe literaturnoe obozrenie<\/em> [New literary survey], 2001, 47: 340-345. Also <a href=\"https:\/\/magazines.gorky.media\/nlo\/2001\/1\/telega-na-slavistiku.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.<\/a>&#8220;<\/li>\n<li><a href=\"\/alexander-zholkovsky\/para\/\">Byt&#8217; ili ne byt&#8217; Bogom: K paradoksam avtorskoi vlasti u Dostoevskogo<\/a>\u00a0[To be or not to be God: On paradoxes of authorial power in Dostoevsky].\u00a0<em>Paradoksy russkoi literatury<\/em>\u00a0[Paradoxes of Russian Literature]. Ed. by Wolf Schmid and Vladimir Markovich. St.-Petersburg: Inapress, 2001. P. 234-247; also in book # 26\u00a0<em>Ochnye stavki&#8230;<\/em>, pp. 146-159; a revised English version of # 193.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/dvesite\" target=\"_blank\" rel=\"noopener\">Dve obez&#8217;iany, bochki zlata\u2026<\/a>\u00a0[Two monkeys, barrels of gold\u2026].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2001, 10: 202-214.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/nabpuzzl\/\">Poem, Problem, Prank<\/a>.\u00a0<em>The Nabokovian<\/em>\u00a047 (Fall 2001): 19-28.\u00a0<a href=\"\/alexander-zholkovsky\/bib153\">Russian version<\/a>\u00a0in:\u00a0<em>Imperiia. Naboklov i nasledniki. Sbornik statei<\/em>\u00a0[Empire N: Nabokov and Heirs. A Collection of Essays], ed. By Iurii Leving, and Evgenii Soshkin, Moscow: Novoe literaturnoe obozrenie, 2006. P. 429-441.<\/li>\n<li><a href=\"http:\/\/magazines.russ.ru\/zvezda\/2002\/1\" target=\"_blank\" rel=\"noopener\">Novye vin&#8217;etki<\/a>\u00a0[New vignettes].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2002, 1: 155-179.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/tropl\/\">Infinitivnoe pis&#8217;mo: Tropy i siuzhety (Materialy k teme)<\/a>\u00a0[Infinitive Writing: Tropes and Plots (Preliminary Materials)].\u00a0<em>Etkindovskie chteniya. I: Sbornik statei po materialam Chtenii pamyati E.G.Etkinda (27-29 iiunia 2000)<\/em>. Eds. P.L. Vakhtina, A.A. Dolinin, B.A. Kats i dr. SPb.: The European University at St.-Petersburg, 2003. P. 250-271.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/twover\/\">Dve versii strakha: Akhmatova i Zoshchenko<\/a>\u00a0[Two versions of fear: Akhmatova and Zoshchenko].\u00a0<em>Semiotika strakha<\/em>\u00a0[Semiotics of fear]. Ed. by Nora Buhks and Francis Conte. Moscow: Russkii Institut, &#8220;Evropa&#8221;, 2005. P. 249-260.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/yale\/\">Poetry of Grammar or Pragmatics of Poetry? (Confessions of a Compulsive Conservative)<\/a>. Paper at the Symposium\u00a0<em>Between History and System: Slavic Theory Today<\/em>, at Yale University, March 1-2, 2002.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib156\/\">Russkoe infinitivnoe pis&#8217;mo i kitaiskaia klassicheskaia poeziia<\/a>\u00a0[co-au. I. S. Smirnov; Infinitive Writing and Classical Chinese Poetry].\u00a0<em>Lotmanovskii sbornik<\/em>. 3. [The Lotman Series. 3]. Eds. L. N. Kiseleva, R. G. Leibov, T. N. Fraiman. Moscow: OGI, 2004. P. 674-695.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib157\/\">Ob infinitivnom pis&#8217;me Shershenevicha<\/a>\u00a0[Vadim Shershenevich&#8217;s Infinitive Writing].\u00a0<em>Russkii iazyk v nauchnom osveshchenii<\/em>\u00a0[The Russian Language in Scholarly Light] 6 (2), 2003: 100-117, and in:\u00a0<em>Russkii imazhinizm: Istoriia, teoriia, praktika<\/em>\u00a0[Russian Imaginism: History, theory, practice. Ed. V. A. Drozdkov et al. \u041coscow: Linor, 2003. P. 291-305, and in Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 444-459.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib158\/\">U istokov pasternakovskoi poetiki: O stikhotvorenii &#8220;Raskovannyi golos&#8221;<\/a>.\u00a0<em>Izvestiia RAN, Seriia Literatury i Iazyka<\/em>\u00a0[Communications of the Russian Academy of Sciences. Literary and Linguistic series], 62 (4), 2003: 10-22.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/liubit\/\">Ob odnom kazuse infinitivnogo pis&#8217;ma<\/a>\u00a0(Shershenevich &#8211; Pasternak &#8211; Kushner) [On One Interesting Case of Infinitive Writing (Shershenevich &#8211; Pasternak &#8211; Kushner)].\u00a0<em>Philologica,<\/em>\u00a02001\/02, v. 7, No. 17\/18: 261-270.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib160\/\">Piat&#8217; intertekstual&#8217;nykh etiduov<\/a>\u00a0(s memuarnym predisloviem) [Five Intertextual Pieces (with a Memoiristic Introduction)].\u00a0<em>Russian Literature<\/em>, 2003, vol. 54, No. 1-3.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib161\/\">Infinitivnoe pis&#8217;mo i analiz teksta: &#8220;Leiklos&#8221; Brodskogo\u00a0<\/a>[Infinitie Writing and Brodsky&#8217;s &#8220;Leiklos&#8221;].\u00a0<em>Poetika iskanii, ili poisk poetiki. Materialy mezhdunarodnoi konferentsii-festivalia &#8220;Poeticheskii iazyk rubezha XX-XXI vekov i sovremennye literaturnye strategii&#8221;<\/em>\u00a0[A Poetics of Search and a Search for a Poetics. Publications from the Conference-Festival &#8220;The Poetic Language of the Turn of the 20th-21st Centuries and Modern Literary Strategies&#8221;]. Ed. N. A. Fateeva. Moscow: Izd-vo Instituta russkogo jazyka RAN [Institute of the Russian Language of the Russian Academy of Sciences, 2004. P. 132-150 and in Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 460-488.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib162\/\">Motat&#8217;&#8211;Tait&#8217;: Ob odnom perevodnom tekste Khodasevicha<\/a>\u00a0[To Spin&#8211;To Conceal: On a Translated Text by Khodasevich]. In:\u00a0<em>Etkindovskiie Chteniia. II-III. Sbornik statei po materialam Chtenii pamyati E.G. Etkinda.<\/em>\u00a02002). Eds. P.L. Vakhtina, A.A. Dolinin, B.A. Kats. In 2 vols. Vol. 1. SPb.: The European University at St.-Petersburg, 2006. Pp. 158-171, and in Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 280-191.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib163\/\">Schast&#8217;e i prava sub specie infinitivi: &#8220;Iz Pindemonti&#8221; [Happiness and Rights Sub Specie Infinitivi: Pushkin&#8217;s &#8220;Iz Pindemonti&#8221;]<\/a>. In:\u00a0<em>Pushkin i ego sovremenniki&#8221; [Pushkin and His Contemporaries]<\/em>. SPb.: Akademicheskii proekt, 2005, issue 4 (43): 451-473; and in Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 432-443.<\/li>\n<li><a href=\"https:\/\/magazines.gorky.media\/zvezda\/2003\/12\/gandlevskij-brodskij-blok-tvardovskij.html\" target=\"_blank\" rel=\"noopener\">Gandlevskii, Brodskii, Blok, Tvardovskii. Iz zametok ob infinitivnoi poezii<\/a>\u00a0[Gandlevskii, Brodskii, Blok, Tvardovskii. From Notes on Infinitive Poetry].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2003, 12: 201-204.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib1650\/\" target=\"_blank\" rel=\"noopener\">Russkoe infinitivnoe pis&#8217;mo na rendez-vous: Fet\/ Miusse<\/a>\u00a0[Russian Infinitive Writing on a Rendez-vous: Fet\/ Musset].\u00a0<em>De la litt\u00e9rature russe: m\u00e9langes offerts \u00e0 Michel Aucouturier<\/em>. Ed.\u00a0Catherine Depretto. Paris: Institut d&#8217;\u00e9tudes slaves, 2005. P.\u00a034-49. Also in:\u00a0<em>Slavianskii stikh. Stikh, iazyk, smysl. VIII<\/em>. Ed. by A.V. Prokhorov, T.V. Skulacheva. M.: Iazyki slavianskikh kul&#8217;tur, 2009.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Fet-Musset-inf.pdf\" target=\"_blank\" rel=\"noopener\">Pp. 132-148<\/a>.<\/li>\n<li><a href=\"https:\/\/magazines.gorky.media\/km\/2004\/1\/eduard-limonov-stihotvoreniya.html\" target=\"_blank\" rel=\"noopener\">&#8220;Dorozhit on etim znakom &#8212; byt&#8217; kak vse ne khochet&#8230;&#8221;<\/a> [&#8220;He treasures this token &#8212; doesn&#8217;t want to be like others&#8230;&#8221;]. Rets. na kn. Eduard Limonov,\u00a0<em>Stikhotvoreniia.<\/em>\u00a0Moscow: Ul&#8217;tra. Kul&#8217;tura, 2004. 416 s. 3000 ekz. [Review article of Eduard Limonov, Poems].\u00a0<em>Kritichsekaia massa<\/em>\u00a0[Critical mass], 2004, 1: 35.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/babnab1\/\">Towards a typology of \u201cdebut\u201d narratives: Babel, Nabokov and Others<\/a>: Paper at the conference on The Enigma of Isaac Babel. Stanford University, 29 February-2 March 2004.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib168\/\">Intertekstual&#8217;noe potomstvo &#8220;Ia vas liubil Pushkina\u2026&#8221;<\/a>\u00a0[On the intertextual progeny of Pushkin&#8217;s poem &#8220;I loved you once\u2026&#8221;] in Book\u00a0<a href=\"\/alexander-zholkovsky\/invariants\">No. 19<\/a>: 309-326.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib169\/\">Tema i variatsii (Pasternak\/ Okudzhava)<\/a>\u00a0[A Theme and Variations (Pasternak\/ Okudzhava)]. in Books No. 3 and\u00a0<a href=\"\/alexander-zholkovsky\/invariants\/\">No. 19<\/a>: 327-350.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=415\" target=\"_blank\" rel=\"noopener\">Ob infinitivnykh \u201cStikhakh uklonista B. Ryzhego\u201d<\/a> [The infinitive \u201cVerses of the Deviationist B. Ryzhii\u201d], <em>Zvezda<\/em>\u00a0[Star], 2005, 12, and also in:\u00a0<em>Shipovnik: Istoriko-literaturnyi sbornik k 60-letiiu\u00a0<\/em><em>Romana Timenchika<\/em> [Briar. A Festschrift for Roman Timenchik\u2019s 60th birthday], ed. by Iu. Leving et al., Moscow: Vodolei, 2005, pp. 96-111. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2005\/12\/ob-infinitivnyh-stihah-uklonista-b-ryzhego.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.&#8221;<\/a><\/li>\n<li><a href=\"\/alexander-zholkovsky\/film-eng\/\">You Don\u2019t Know What You\u2019re Missing.<\/a>\u00a0<em>Hermitage Magazine<\/em>\u00a02006, No. 2:32-33.\u00a0<a href=\"\/alexander-zholkovsky\/film\/\">Russian version<\/a>.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/gasp-bunin\/\" target=\"_blank\" rel=\"noopener\">In Memoram M. L. Gasparov: A Poetic Offering<\/a> (Ivan Bunin\u2019s &#8220;Without Me&#8221;; 1916). Paper at the USC Department of Slavic Languages &amp; Literatures Symposium on Recent Books on Russian Poetry dedicated to the memory of M.L. Gasparov, Friday, April 7, 2006; in <a href=\"http:\/\/sites.utoronto.ca\/tsq\/16\/gasparov16.shtml\" target=\"_blank\" rel=\"noopener\">Toronto Slavic Quarterly, 16<\/a>. Russian version:\u00a0<a href=\"https:\/\/magazines.gorky.media\/nlo\/2006\/1\/sovershitel-gasparov.html\" target=\"_blank\" rel=\"noopener\">Sovershitel&#8217; Gasparov<\/a> [Gasparov the Accomplisher]. In:\u00a0<em>Novoe literaturnoe obozrenie<\/em>\u00a0[New literary survey], 77 (2006): 39-44.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib173\/\">&#8220;Prosypat&#8217;sia na rassvete&#8230;&#8221;: Poetika osvezheniia<\/a>\u00a0[Anna Akhmatova&#8217;s &#8220;To Wake up at Dawn&#8230;&#8221;: A Poetics of Freshness].\u00a0<em>Stikh, iazyk, poeziia. Pamiati M. L. Gasparova.<\/em>\u00a0Editorial board Khenrikh Baran et al. Moscow: RGGU, 2006. P. 211-232.\u00a0<a href=\"http:\/\/www.ruthenia.ru\/document\/539015.html\">Short Russian version<\/a>.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib174\/\">Otkuda eta Diotima (Zametki o &#8220;Lete&#8221; Pasternaka)<\/a>\u00a0[Whence This Diotima? (Notes on Boris Pasternak&#8217;s &#8220;Summer&#8221;].\u00a0<em>Eternity&#8217;s Hostage. Selected Papers from the Stanford International Conference on Boris Pasternak<\/em>, May, 2004. In Honor of Evgeny Pasternak and Elena Pasternak Ed. by Lazar Fleishman. Part I (Stanford Slavic Studies. Vol. 31). Stanford, 2006. P. 239-261.\u00a0<a href=\"http:\/\/www.ruthenia.ru\/document\/539033.html\">Short Russian version<\/a>.<\/li>\n<li>Blistaiushchie odezhdy. Ob odnom literaturnom motive\u00a0[Radiant garments: A literary motif].\u00a0<em>Voprosy literatury<\/em> [Problems of Literature], 2006, 4: 221-136. The beginning of the article &#8211; on <a href=\"https:\/\/voplit.ru\/article\/blistayushhie-odezhdy-ob-odnom-literaturnom-motive\/\" target=\"_blank\" rel=\"noopener\">the site <\/a><em>Voprosy literatury.<\/em> The book version &#8211; in monograph No 26 <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/ochnye_stavki\">Ochnye stavki s vlastitelem i drugie razbory<\/a> (see its <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/ochnye-PDF-final.pdf\">full PDF version<\/a>).<em><br \/>\n<\/em><\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=691\" target=\"_blank\" rel=\"noopener\">Gde konchaetsia filologiia? Osennie zachistki na letnikh territoriiakh<\/a>\u00a0[Where Does Philology End? Autumn Cleansing on Summer Territories].\u00a0<em>Zvezda<\/em> [The Star], 2007, 1. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2007\/1\/gde-konchaetsya-filologiya.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.&#8221;<\/a><\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib179\/\">Ramki-obmanki Pasternaka<\/a>\u00a0[Boris Pasternak&#8217;s trompe-l&#8217;oeil frames].\u00a0<em>Ermitazh<\/em>\u00a0[Hermitage], 2007, 6: 36-37.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=765\" target=\"_blank\" rel=\"noopener\">Plinii na skameike<\/a> [Pliny on the bench]. <em>Zvezda<\/em> [The Star], 2007, 5: 208-216. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2007\/5\/plinij-na-skamejke.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.<\/a>&#8220;<\/li>\n<li>Eduard Limonov.\u00a0<a href=\"http:\/\/www.limonow.de\/sonstiges\/85.html\" target=\"_blank\" rel=\"noopener\">85 stikhotvoirenii iz Arkhiva Aleksandra Zholkovskogo<\/a>\u00a0(konets 60-kh &#8212; nachalo 70-kh gg.) [Eduard Limonov. 85 poems from the Archive of Alexander Zholkovsky (late 1960s &#8212; early 1970s)].<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=798\" target=\"_blank\" rel=\"noopener\">Kak organizovano \u201dBegstvo\u201d Khodasevicha<\/a>\u00a0[How Vladislav Khodasevich\u2019s \u201cFlight\u201d Was Organized],\u00a0<em>Zvezda<\/em> [The Star], 2007, 7, pp. 179-194. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2007\/7\/kak-organizovano-begstvo-hodasevicha.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.<\/a>&#8220;<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=836\" target=\"_blank\" rel=\"noopener\"><em>Tak i etak<\/em> Georgiia Ivanova\u00a0(&#8220;Luny nachishschennyi piatak\u2026&#8221;)<\/a> [Georgii Ivanov\u2019s tak and etak (&#8220;Moon\u2019s polished nickel&#8230;&#8221;],\u00a0<em>Zvezda<\/em>\u00a0[Star], 2007,\u00a09: 185-194. Also o<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2007\/9\/tak-i-etak-georgiya-ivanova.html\" target=\"_blank\" rel=\"noopener\">n the site &#8220;Zhurnal&#8217;nyi zal<\/a>.&#8221;<\/li>\n<li><a href=\"http:\/\/voplit.ru\/eText\/2007\/2007-4\/2007-4\/2007-4.html#312\" target=\"_blank\" rel=\"noopener\">\u201dAkhmat\u201d Bunina, ili kratkaia grammatika zhelaniia\u00a0<\/a>[Ivan Bunin\u2019s \u201cAkhmat\u201d, or A short grammar of desire.\u00a0<em>Voprosy literatury<\/em> [Problems of literature], 2007, 4, pp. 310-321. The beginning of the article &#8211; on the site Voprosy literatury. The book version &#8211; in monograph No 26 <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/ochnye_stavki\">Ochnye stavki s vlastitelem i drugie razbory<\/a> (see its<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/ochnye-PDF-final.pdf\"> full PDF version<\/a>).<\/li>\n<li><a href=\"http:\/\/magazines.russ.ru\/novyi_mi\/2007\/9\/zholk7.html\">&#8220;Khorosho!&#8221;. Vin&#8217;etki<\/a>\u00a0[&#8220;Good!&#8221; Vignettes].\u00a0<em>Novyi mir<\/em>\u00a0[New World], 2007, 9, pp. 78-102.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/reed3\/\">Anna Akhmatova: scripts, not scriptures<\/a>\u00a0[Review Article].\u00a0<em>Slavic and East European Journa<\/em>l 40 (1996), 1: 135-141.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=870\" target=\"_blank\" rel=\"noopener\">&#8220;Neuzheli\u2026?&#8221; (Olga Sedakova, &#8220;Kitaiskoe puteshestvie&#8221;, 13)<\/a> [&#8220;Is It Possible\u2026?&#8221; (Olga Sedakova&#8217;s, &#8220;Chinese Journey&#8221;, 13)],\u00a0<em>Zvezda<\/em> (The Star), 2007, 11: 180-190. Also <em><a href=\"https:\/\/magazines.gorky.media\/zvezda\/2007\/11\/neuzheli.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.<\/a><\/em>&#8220;<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib188\/\">Pri muzyke: \u201cRazryv. 9\u201d i ego intertekstual\u2019nyi akkompanement<\/a>\u00a0[<em>In the Presence of Music<\/em>: Pasternak\u2019s \u201cBreak-up. 9\u201d and Its Intertextual Acompaniment].\u00a0<em>The Real Life of Pierre Delalande. Studies in Russian and Comparative Literature in Honor of Alexander Dolinin<\/em>.\u00a0<em>Stanford Slavic Studies<\/em>. Ed. by David Bethea et al. (Stanford Slavic Studies 33, 2 vls.), vol. 1: 293-314 and in\u00a0<a href=\"\/alexander-zholkovsky\/oglavlpast\" target=\"_blank\" rel=\"noopener\">Book 25<\/a>: 425-442.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib189\/\">Iz vospominanii (Otmechaia 100-letie L. A. Mazelia)<\/a>\u00a0[Marking L. A. Mazel\u2019s Centennial].\u00a0<em>Muzykal\u2019naia Akademiia<\/em>\u00a0[Academy of Music], 2007, 3, pp. 91-100.<\/li>\n<li>&#8220;<a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=923\" target=\"_blank\" rel=\"noopener\">Pushkinskie mesta&#8221; L\u2019va Loseva i ikh okrestnosti\u00a0<\/a>[Lev Losev\u2019s \u201cPushkin places\u201d and their environs].\u00a0<em>Zvezda<\/em> [The Star], 2008, 2: 215-228; also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2008\/2\/pushkinskie-mesta-lva-loseva-i-ih-okrestnosti.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal&#8221;<\/a>; also in Book 23 (Novaia i noveishaia russkaia poeziia ): 193-212; and in Book: <em>Lifshits\/Losev\/Loseff: Sbornik pamiati L&#8217;va Vladimirovicha Loseva [Lifshits\/Losev\/Loseff: A Collection of Essays<\/em> in Memory of Lev Losev]. Eds. Mikhail Gronas and Barry Scherr. Mosocow: Novoe literaturnoe obozrenie, 2017. P. 242-271.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=960\" target=\"_blank\" rel=\"noopener\">&#8220;V sovershenno pustom sadu&#8230;&#8221; Eduarda Limonova\u00a0<\/a>[Eduard Limonov&#8217;s \u201cIn a completely empty garden].\u00a0<em>Zvezda<\/em> [The Star], 2008, 4: 225-234. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2008\/4\/v-sovershenno-pustom-sadu-8230-eduarda-limonova.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal.<\/a>&#8220;<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib1192\/\">Infinitivy sub specie d&#8217;inachev\u00e9. Zametki k teme &#8220;poetika Tiutcheva&#8221;(I)<\/a>\u00a0[Infinitives sub specie d&#8217;inachev\u00e9. Notes on the subject &#8220;Tiutchev&#8217;s poetics&#8221;. I].\u00a0<em>I vremia i mesto: istoriko-filologicheskii sbornik k shestidesiatiletiiu Aleksandra L&#8217;vovicha Ospovata<\/em>\u00a0[&#8216;Tis Both the Time and the Place: A Historical-philological Collection of Essays to Honor the Sixtieth Birthday of Aleksandr L&#8217;vovich Ospovat]. Comp. Ronald Vroon et al. Ed. Kirill Rogov, Andrei Nemser. Moscow: Novoe izdatel&#8217;stvo, 2008. P. 369-373.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=999\" target=\"_blank\" rel=\"noopener\">Tikhonov kurtuaznyi\u00a0<\/a>[A Courteous Tikhonov].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2008, 6: 220&#8211;229, also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2008\/6\/tihonov-kurtuaznyj.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal<\/a>&#8220;; also in\u00a0<a href=\"\/alexander-zholkovsky\/russianpoetry-index\">Book 23<\/a>\u00a0(<em>Novaia i noveishaia russkaia poeziia<\/em>):127-141.<\/li>\n<li><a href=\"https:\/\/magazines.gorky.media\/inostran\/2008\/6\/krasotka-ochen-moloda.html\" target=\"_blank\" rel=\"noopener\">&#8220;Krasotka ochen\u2019 moloda&#8230;&#8221;<\/a> [\u201cThe Beauty is quite young\u2026\u201d].\u00a0<em>Inostrannaia litreratura<\/em>\u00a0[Foreign Literature], 2008, 6: 252-254.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib195\" target=\"_blank\" rel=\"noopener\">Eshche raz o malen\u2019koi Khloe Khodasevicha (K analizu \u201cBegtsva\u201d)<\/a> [More on Vladislav Khodasevich\u2019s litlle Chloe (Understanding \u201cFlight\u201d)]. <em>Russian Literature and the West: A Tribute for David M. Bethea<\/em>. Eds. Alexander Dolinin, Lazar Fleishman, Leonid Livak. P. II. Stanford Slavic Studies, 35: 80-95.<\/li>\n<li><a href=\"http:\/\/magazines.russ.ru\/novyi_mi\/2008\/7\/zh.html\">Gipsovaia desnichka, ili Ne vsiakaia poslovitsa pri vsiakom molvitsa. Filologicheskii sluchai<\/a>\u00a0[The Tiny Plaster-of-Paris Hand, or Not Every Proverb Fits Every Company. A Philological Event].\u00a0<em>Novyi mir<\/em>\u00a0[New World], 2008, 7: 125-132.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/trenozhnik\/\">Ostorozhno, trenozhnik<\/a>! Otvet opponentu [<em>Caution: A Tripod!<\/em>\u00a0A Response to a Critic].\u00a0<em>Russian Journal<\/em>\u00a0(30.07.2008) and also in Book No 23 (Ostorozhno, trenozhnik\u2026), pp.\u00a0 396-406.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib198\/\">Iz zapisok ob infinitivnoi poezii (Problemy opisaniia i obraztsy kommentariev)<\/a>\u00a0[Notes on infinitive poetry (Issues in analysis and samples of annotation)].\u00a0<em>Iazyk kak materiia smysla. Sbornik stateai k 90-letiiu akademika N. Iu. Shvedovoi.<\/em>\u00a0Ed. M. V. Liapon [Languaghe as Meaning&#8217;s Matter: Essays in Honor of Academician N. Iu. Shvedova&#8217;s 90th Birthday]. Moscow: Azbukovnik, 2007. P. 478-487.<\/li>\n<li>(co-author Lada Panova).\u00a0<a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1072\" target=\"_blank\" rel=\"noopener\">Samoubiitsvo kak priem: &#8220;Sladko umeret&#8217;&#8221; Mikhail Kuzmina<\/a>\u00a0[Suicide as Technique: Mikhail Kuzmin&#8217;s &#8220;&#8216;Tis Sweet to Die&#8230;&#8221;].\u00a0<em>Zvezda<\/em> [The Star], 2008, 10: 191-201; also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2008\/10\/samoubijstvo-kak-priem-sladko-umeret-8230-mihaila-kuzmina.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal&#8221;<\/a>; also in\u00a0<a href=\"\/alexander-zholkovsky\/russianpoetry-index\">Book 23<\/a>, pp. 13-34.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1087\" target=\"_blank\" rel=\"noopener\">Liubov&#8217; ekspata\u00a0<\/a>[An Expatriate&#8217;s Love].\u00a0<em>Zvezda<\/em> [The Star], 2008, 11: 198-205. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2008\/11\/lyubov-ekspata.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal.<\/a>&#8220;<\/li>\n<li><a href=\"https:\/\/magazines.gorky.media\/inostran\/2008\/12\/esse-6.html\" target=\"_blank\" rel=\"noopener\">Esse<\/a>\u00a0[The Essay. An essay].\u00a0<em>Inostrannaia Literatura<\/em>\u00a0[Foreign Literature], 2008, 12: 233-236.<\/li>\n<li><a href=\"https:\/\/magazines.gorky.media\/nlo\/2008\/5\/malenkij-metatekstualnyj-shedevr-leskova.html\" target=\"_blank\" rel=\"noopener\">Malen&#8217;kii metatekstual&#8217;nyi shedevr Leskova<\/a>\u00a0[Nikolai Leskov&#8217;s Metatextual Gem], N<em>ovoe literatyrnoe obozrenie<\/em>\u00a0[New literary survey], 2008, 93: 155-176.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib203\/\" target=\"_blank\" rel=\"noopener\">Gore mykat&#8217;<\/a>\u00a0\u00a0[Trouble with &#8220;we&#8221;].\u00a0<a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1149\" target=\"_blank\" rel=\"noopener\"><em>Zvezda<\/em><\/a>\u00a0[The Star], 2009, 2: 208-221.<\/li>\n<li>&#8220;<a href=\"\/alexander-zholkovsky\/bib205\">Iz noveishikh odobrialsia nesomnenno odin Turgenev&#8230;<\/a>&#8221; (K teme I. S. Turgenev i N. S. Leskov) [&#8220;Of the newest only Ivan Turgenev was approved unconditionally&#8230;&#8221; (Notes on Ivan Turgenev and Nikolai Leskov].\u00a0<em>Na rubezhe dvukh stoletii. Sbornik v chest&#8217; 60-letiia Aleksandra Vasil&#8217;evicha Lavrova<\/em>. Eds. Vs. Bagno, J. Malmstad, M. Malikova. Moscow: NLO, St-Petersburg: IMLI (Pushkinskii Dom) RAN. 2009. P. 266-281.<\/li>\n<li><a href=\"https:\/\/nm1925.ru\/articles\/2009\/200902\/effekt-babochki-1853\/\" target=\"_blank\" rel=\"noopener\">Effekt babochki. Vin&#8217;etki<\/a> [The Butterfly effect. Vignettes].\u00a0<em>Novyi mir<\/em> [New World], 2009, 2: 96-117; also <a href=\"https:\/\/magazines.gorky.media\/novyi_mi\/2009\/2\/effekt-babochki.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal<\/a>.&#8221;<\/li>\n<li><a href=\"http:\/\/stengazeta.net\/article.html?article=5899\">Poliushko-pole:\u00a0<\/a>Eshche raz ob oppozitsii \u00absvoe\/chuzhoe\u00bb [Field trouble: More on the opposition \u201cone\u2019s own\/ other people\u2019s\u201d].\u00a0<em>Stengazeta,<\/em>\u00a0 02. 26.2009.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/tren-self\">Selfless<\/a>. In Book<a href=\"\/alexander-zholkovsky\/tren-index\">\u00a0No. 29 (<\/a><em>Ostorozhno, trenozhnik!<\/em>\u00a0[Beware: A tripod!]): 142-159, also in the magazine\u00a0<a href=\"https:\/\/snob.ru\/selected\/entry\/1085\">Snob<\/a>, Dec. 4, 2008; and (under the title: Ob odnoi lakune v leksicheskoi sisteme sovremennogo russkogo iazyka [On a gap in the lexical system of modern Russian]) in Book:\u00a0<em>Metamorfozy russkoi literatury<\/em>\u00a0[Metamorphoses of Russian literature]. Ed. and comp. by K. Ichin. Belgrad: Izd-vo filologich. fakul&#8217;teta, 2010, pp. 379-393.<\/li>\n<li><a href=\"http:\/\/magazines.russ.ru\/zvezda\/2009\/4\/zh5.html\">Vybrannye mesta<\/a>. Tsenton [Selected Passages. A Cento].\u00a0<em>Zvezda<\/em>\u00a0(The Star), 2009, 4, pp. 84-87.<\/li>\n<li><a href=\"http:\/\/magazines.russ.ru\/novyi_mi\/2009\/7\/zh8.html\">Dvoinaia spiral\u2019<\/a>\u00a0[Double Helix]. Vin&#8217;etki [Vignettes]<em>.<\/em>\u00a0<em>Novyi Mir<\/em>\u00a0[New World], 2009, 7, pp. 95-122.<\/li>\n<li><a href=\"http:\/\/stengazeta.net\/article.html?article=6359\">Doctor Livingstone, I presume<\/a>. Stengazeta (02.04.09).<\/li>\n<li><a href=\"http:\/\/www.stengazeta.net\/article.html?article=6155\">The usual<\/a>.\u00a0<em>Stengazeta.<\/em>\u00a015 May 2009.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1216\" target=\"_blank\" rel=\"noopener\">Esli by<\/a>\u00a0[If&#8230;].\u00a0<em>Zvezda<\/em> (The Star), 2009, 6: 219-224. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2009\/6\/esli-by.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal<\/a>.&#8221;<\/li>\n<li><a href=\"http:\/\/magazines.russ.ru\/nlo\/2009\/96\/zh14.html\">Sbrosit\u2019 ili brosit\u2019?\u00a0<\/a>[To Throw to Dump or to Throw to Kill?].\u00a0<em>Novoe literaturnoe obozrenie\u00a0<\/em>[New Literary Survey], 2009, 96, pp. 191-211.<\/li>\n<li>Pamyati L&#8217;va Loseva.\u00a0<a href=\"http:\/\/magazines.russ.ru\/zvezda\/2009\/7\/sl18.html\">Slova<\/a>\u00a0o L\u2019ve Loseve [Remembering Lev Losev].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2009, 7, pp. 228-238.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1247\" target=\"_blank\" rel=\"noopener\">Ierunda<\/a>\u00a0[Rubbish].\u00a0<em>Zvezda<\/em> [The Star], 2009, 8: 213-216. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2009\/8\/ierunda.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.<\/a>&#8220;<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/chekhov-gorky-my.pdf\">Chekhov, Gorkii i &#8220;My&#8221;<\/a>\u00a0(Iz opyta prepodavaniia russkoi prozy) [\u0421hekhov, Gorkii and &#8220;We&#8221; (From lectures on Russian prose]. In\u00a0<em>Segni. Scritture. Culture.\u00a0<\/em>A cura di Sergio Bertolissi, Marina Di Filippo, Roberta Salvatore. Napoli, 2009.<\/li>\n<li>Vlast&#8217; slova: Tema i variatsii [The Power of the Word: A Theme and Variations].\u00a0<em>Voprosy literatury<\/em> [Problems of Literature] 2009, 6: 204-227. The beginning of the article see o<a href=\"https:\/\/voplit.ru\/article\/vlast-slova-tema-i-variatsii\/\" target=\"_blank\" rel=\"noopener\">n the site &#8220;Voprosy literatury.<\/a>&#8221; The book version under the title &#8220;Scromnoe obaianie russkoi skazki No 421, ili Vlast&#8217; slova&#8221; [The descreet charm of the Russian Fairy Tale No 421, or the Power of the Word] &#8211; in monograph 26 <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/ochnye_stavki\">Ochnye stavki s vlastitelem i drugie razbory<\/a> (see its<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/ochnye-PDF-final.pdf\"> full PDF version<\/a>).<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1325\" target=\"_blank\" rel=\"noopener\">Magiia slova, ili Kto kogo<\/a>\u00a0[The Magic of the Word, or Who Wins].\u00a0<em>Zvezda\u00a0<\/em>[The Star], 2009, 12: 223-225; also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2009\/12\/magiya-slova-ili-kto-kogo.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal&#8221;<\/a>; also in Book <a href=\"\/alexander-zholkovsky\/tren-index\">No. 23\u00a0<\/a>.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib218\">Novyi avangard &#8211; novaia klassika<\/a>\u00a0(Losev, Sedakova, Limonov) [New avant-garde, new classics (Lev Losev, Olga Sedakova, Eduard Limonov)].\u00a0<em>Avangard i ideologija: russkie primery<\/em>\u00a0[The Avant-garde and Ideology: Russian examples]. Ed. by Korneliia Ichin. Belgrade: Izdanie Filologicheskogo fakul&#8217;teta Belgradskogo Universiteta, 2009. P. 685-696.<\/li>\n<li>Iurii Shcheglov. &#8220;Medved&#8217;&#8221; v trekh izmereniiakh.\u00a0<a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1241\" target=\"_blank\" rel=\"noopener\">Vstupitel&#8217;naia zametka Aleksandra Zholkovskogo<\/a>\u00a0[Chekhov&#8217;s &#8220;The Bear&#8221; in three dimensions. Introductory notes by Alexander Zholkovsky].\u00a0<em>Zvezda<\/em> [The Star], 2009, 8: 128-144. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2009\/8\/medved-v-treh-izmereniyah-smeshnoe-i-sereznoe-v-odnoaktnoj-shutke-chehova.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal.<\/a>&#8220;<\/li>\n<li><a href=\"https:\/\/magazines.gorky.media\/nlo\/2009\/5\/pamyati-soavtora-i-druga.html\" target=\"_blank\" rel=\"noopener\">Pamiati soavtora i druga<\/a>\u00a0[In memory of a friend and co-author].\u00a0<em>Novoe literaturnoe obozreniie<\/em>\u00a0[New literary survey], 2009, 99: 140-143 [In memoriam: Iurii Konstantinovich Shcheglov (26.01.1937 &#8211; 6.04. 2009, Madison, USA).<\/li>\n<li><a href=\"https:\/\/nm1925.ru\/articles\/2010\/201002\/iskusstvo-poezii-2010-1449\/\" target=\"_blank\" rel=\"noopener\">Iskusstvo poezii &#8211; 2010<\/a>\u00a0[Ars poetica &#8211; 2010].\u00a0<em>Novyi mir<\/em> [The New world] 2010, 2: 149-152. Also <a href=\"https:\/\/magazines.gorky.media\/novyi_mi\/2010\/2\/iskusstvo-poezii-8212-2010.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal<\/a>.&#8221;<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib222\">Luchshe pozdno<\/a>\u00a0[Better late].\u00a0<em>Chto chitat&#8217;<\/em>\u00a0[What to read].<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1363\" target=\"_blank\" rel=\"noopener\">Marginalii k Postscriptum&#8217;u Brodskogo<\/a>\u00a0[Marginal notes on Joseph Brodsky&#8217;s &#8220;Postscriptum&#8221;].\u00a0<em>Zvezda<\/em> [The Star] 2010, 2: 226-238. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2010\/2\/marginalii-k-postscriptum-8217-y-brodskogo.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal.<\/a>&#8220;<\/li>\n<li>&#8220;<a href=\"\/alexander-zholkovsky\/bib224\">Grivennik serebrianyi v karmane\u2026<\/a>&#8221; [A Silver dime in my pocket\u2026].\u00a0<em><a href=\"http:\/\/lib.pushkinskijdom.ru\/Default.aspx?tabid=10157\">Lesnaia shkola: Trudy VI Mezhdunarodnoi letnei shkoly na Karel&#8217;skom peresheike po russkoi literature<\/a>\u00a0<\/em>[Transactions of the VI International summer school on the Karelian isthmus on Russian literature]. Ed. by A. Kobrinskii et al. Pos. Poliany (Uusikirko) Leningradskoi oblasti, 2010. P. 125-142; also in Book No 26. PP. 76-93.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/lamarck\/\" target=\"_blank\" rel=\"noopener\">Eshche raz o mandel&#8217;shtamovskom &#8220;Lamarke&#8221;: Tak kak zhe on sdelan?\u00a0<\/a>[Once more on Mandel&#8217;shtam&#8217;s &#8220;Lamarck&#8221;: How was it made, after all?].\u00a0<em>Voprosy literatury<\/em>\u00a0[Problems of literature] 2010, 2: 150-182; also in Book No 26,\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/LamarkFromOchnye.pdf\">pp. 367-387<\/a>.<\/li>\n<li><a href=\"https:\/\/magazines.gorky.media\/inostran\/2010\/3\/uroki-ispanskogo.html\" target=\"_blank\" rel=\"noopener\">Uroki ispanskogo<\/a>\u00a0[Lessons of Spanish].\u00a0<em>Inostrannaia literatura<\/em>\u00a0[Foreign literature], 2010, 3: 250-255.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib228\">Mezhdu mogiloi i pamiatnikom: Zametki o finale akhmatovskogo &#8220;Rekviema&#8221;<\/a>\u00a0[Between grave and monument: Notes on Anna Akhmatova&#8217;s &#8220;Requiem&#8221;].\u00a0<em>Ot Kibirova do Pushkina. Sbornik v chest\u2019 60-letiia N. A. Bogomolova<\/em>\u00a0[From Kibirov to Pushkin. A Collection of Essays to Honor the 60th Birthday of N.A. Bogomolov]. Ed. by A.L. Lavrov, O.A. Lekmanov. Moscow: NLO, 2010. P. 114-142.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib229\" target=\"_blank\" rel=\"noopener\">Ten&#8217; Groznogo<\/a>\u00a0[The Shadow of Ivan the Terrible].\u00a0<em>Chto chitat&#8217;<\/em>[What To Read], 4, p. 49-51;also \u201cGroznyi, no ne Terrible\u201d in Book No 30: 485-490.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1399\" target=\"_blank\" rel=\"noopener\">Odna absoliutno schastlivaia peshchera<\/a>\u00a0[One absolutely happy cave].\u00a0<em>Zvezda<\/em> [The Star] 2010, 4: 228-230. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2010\/4\/odna-absolyutno-schastlivaya-peshhera.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal.<\/a>&#8220;<\/li>\n<li><a href=\"http:\/\/magazines.russ.ru\/nov_yun\/2010\/1\/zh6.html\">Domik na Chelsi, ili Tema s Variatsiiami. Zametki filologa<\/a>\u00a0[Little House on Chelsea, or A Theme with Variations. Notes of a Philologist].\u00a0<em>Novaia Iunost&#8217;<\/em>, 2010, 1; also in Book No. 29: 691-703. Complete\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Chelsea.pdf\">Engl. version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1437\" target=\"_blank\" rel=\"noopener\">Pantomimy Fazilia Iskandera\u00a0<\/a>[Pantomimes by Fazil Iskander].\u00a0<em>Zvezda<\/em> [The Star] 2010, 6: 219-227; also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2010\/6\/pantomimy-fazilya-iskandera.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal&#8221;<\/a>; also in Book No. 26: 322-333.<\/li>\n<li><a href=\"http:\/\/sites.utoronto.ca\/tsq\/33\/index.shtml\" target=\"_blank\" rel=\"noopener\">Sr. SS s R<\/a> [Cf. &#8220;Heart of a Dog&#8221; and &#8220;A Mermaid&#8221;: On links between Mikhail Bulgakov and Arkadii Averchenko]. <em>Toronto Slavic Quarterly<\/em>, 33: 325-338. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/07\/Sr-SS-s-R.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1468\" target=\"_blank\" rel=\"noopener\">&#8220;Vopros: Kto zhe is nikh bolee zhivoi?..&#8221;<\/a>\u00a0[&#8220;\u0422he question: Which of the two is more alive&#8230;&#8221;].\u00a0<em>Zvezda<\/em> [The Star] 2010, 8: 226-229. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2010\/8\/vopros-kto-zhe-iz-nih-bolee-zhivoj.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal.<\/a>&#8220;<\/li>\n<li>(co-author Lada Panova)\u00a0<a href=\"\/alexander-zholkovsky\/bib236\">PESNI ZHESTY MUZHSKOE ZHENSKOE. K poeticheskoi pragmatike Anny Akhmatovoi (Das Karpalistische Opfer)<\/a>\u00a0[SONGS GESTURES MASCULINE FEMININE. On Anna Akhmatova&#8217;s Poetic Pragmatics (Das Karpalistische Opfer)].\u00a0<em>Ot slov k telu: Sbornik statei k 60-letiiu Iuriia Tsiv&#8217;iana<\/em>. Ed. by A.V. Lavrov et al. Moscow: NLO, 2010. Pp. 50-71. UNCENSORED VERSION! Keywords: AKHMATOVA, BISEXUALITY, CENSORSHIP, ROMAN TIMENCHIK. Also in Book No. 29: 217-241.<\/li>\n<li>Zagadki &#8220;Znakov Zodiaka&#8221;\u00a0[The puzzles of Nikolai Zabolotskii&#8217;s &#8220;The Zodiacal Signs Are Darkening&#8230;&#8221;].\u00a0<em><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1496\" target=\"_blank\" rel=\"noopener\">Short<\/a><\/em><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1496\" target=\"_blank\" rel=\"noopener\"> version<\/a><em> in: Zvezda<\/em>\u00a0[The Star], 2010, 10: 219-230; also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2010\/10\/zagadki-znakov-zodiaka.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal.&#8221;<\/a> <a href=\"\/alexander-zholkovsky\/bib237n\" target=\"_blank\" rel=\"noopener\">Full version<\/a>\u00a0in:\u00a0<em>N. A. Zabolotskii: pro et contra<\/em>. Ed. by T. V. Igosheva and I. E. Loshchilov. St.-Petersburg: RKhGA, 2010. Pp. 867-910.<\/li>\n<li><a href=\"https:\/\/magazines.gorky.media\/nlo\/2010\/3\/tak-tak-tak.html\" target=\"_blank\" rel=\"noopener\">Tak-tak-tak\u00a0<\/a>[Ra-ta-ta].\u00a0<em>Novoe literaturnoe obozrenie<\/em>\u00a0[New Literary Survey], 2010, 103: 188-200.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1530\" target=\"_blank\" rel=\"noopener\">Otdel\u2019nost\u2019, granitsa, razrezhennost\u2019, tsel\u2019nost\u2019. Zametki ob ikonike stikha<\/a> [Separateness, Boundary, Spacing, Wholeness. Notes on Verse Iconicity].\u00a0<em>Zvezda\u00a0<\/em>[The Star], 2010, 12: 217-224. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2010\/12\/otdelnost-granicza-razrezhennost-czelnost.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal<\/a>.&#8221;<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib240\">Infinitive Poetry, Relevance Of Linguistics And Issues In Poetic Analysis<\/a>. Paper at the AATSEEL 2010\/2011 Convention (Pasadena, CA), Panel on &#8220;Work in Progress&#8221; (Jan. 07, 2011).<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib241\">Iskander&#8217;s Pantomime Narratives<\/a>. Paper at the AATSEEL 2010\/2011 Convention (Pasadena, CA), Panel on &#8220;Literary Theatrics: Gestures, Staginess, and Speech&#8221; (Jan. 8, 2011).\u00a0<a href=\"http:\/\/sites.utoronto.ca\/tsq\/35\/index.shtml\" target=\"_blank\" rel=\"noopener\">Journal version<\/a>\u00a0in: Toronto Slavic Quarterly 35, Winter 2011: 272-282.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib242\">More Keys To The Lamarck Puzzle And Related Theoretical Issues<\/a>. Paper at the ASEEES 2010 Convention (Los Angeles, CA), Panel on &#8220;Mandelstam Revisited&#8221; (Nov. 20, 2010).<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1565\" target=\"_blank\" rel=\"noopener\">Gorod i lokon. Ob odnoi pushkinskoi miniature<\/a>\u00a0[City and Hairlock. On a Pushkin Miniature].\u00a0<em>Zvezda<\/em> [The Star], 2011, 2: 221-230; also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2011\/2\/gorod-i-lokon-ob-odnoj-pushkinskoj-miniatyure.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal&#8221;<\/a>. Also in a book: <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/City_and_the_lock.pdf\" target=\"_blank\" rel=\"noopener\">The City and the Lock: Pushkin\u2019s Miniature Lyric.<\/a>\u00a0&#8216;<em>A Convenient Territory:&#8217; Russian Literature at the Edge of Modernity. Essays in Honor of Barry Scherr<\/em>. Ed. by Michael Gronas and John Kopper. Columbus, Ohio: Slavica, 2015. P. 67-79.<\/li>\n<li><a href=\"https:\/\/magazines.gorky.media\/inostran\/2011\/2\/prekrasnaya-markiza.html\" target=\"_blank\" rel=\"noopener\">Prekrasnaia markiza<\/a>\u00a0[La Belle Marquise].\u00a0<em>Inostrannaia literatura<\/em>\u00a0[Foreign Literature], 2011, 2: 231-240; also in Book No. 26: 33-43;\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/prekr-markiza-new.pdf\" target=\"_blank\" rel=\"noopener\">expanded version<\/a>\u00a0in Book No. 33: 434-452.<\/li>\n<li><a href=\"https:\/\/nm1925.ru\/articles\/2011\/201103\/o-temnykh-mestakh-teksta-288\/\" target=\"_blank\" rel=\"noopener\">O temnykh mestakh teksta: K probleme real&#8217;nogo kommentirovaniia\u00a0<\/a>[Obscure Passages in Literary Texts: On the Problem of Real Commentary].\u00a0<em>Novyi mir<\/em> [The New world] 2011, 3: 168-179; also in Book No. 29: 18-124. Also <a href=\"https:\/\/magazines.gorky.media\/novyi_mi\/2011\/3\/o-temnyh-mestah-teksta.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal<\/a>.&#8221;<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1612\" target=\"_blank\" rel=\"noopener\">&#8220;Chto eto bylo?&#8221;<\/a> [&#8220;What Was It?&#8221;].\u00a0<em>Zvezda<\/em> [The Star], 2011, 4: 232\u2013237; also on the site &#8220;<a href=\"https:\/\/www.ruthenia.ru\/document\/550854.html\" target=\"_blank\" rel=\"noopener\">Ruthenia.ru<\/a>&#8220;; also in Book No. 29: 208-216.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1649\" target=\"_blank\" rel=\"noopener\">Paradigma kak priem<\/a>\u00a0[Paradigm as Techinque].\u00a0<em>Zvezda<\/em> [The Star], 2011, 6: 226\u2013230. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2011\/6\/paradigma-kak-priem.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal<\/a>.&#8221;<\/li>\n<li><a href=\"https:\/\/www.nlobooks.ru\/magazines\/novoe_literaturnoe_obozrenie\/109_nlo_3_2011\/article\/18577\/\" target=\"_blank\" rel=\"noopener\">&#8220;Pkhents&#8221;\u00a0na randevu: niu, meniu, dezhaviu<\/a>\u00a0[Pkhents on a rendez-vous: nu, menu, deja vu].\u00a0<em>Novoe literaturnoe obozrenie<\/em> [New Literary Survey], 2011, 109: 210-228. Also <a href=\"https:\/\/magazines.gorky.media\/nlo\/2011\/3\/phencz-na-randevu-nyu-menyu-dezhavyu.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.<\/a>&#8220;<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1693\" target=\"_blank\" rel=\"noopener\">&#8220;Umri, Denis, luchshe ne napishesh&#8217;!&#8230;&#8221;: Ob odnom dvuiazychnom kalambure <\/a>(&#8220;Live or die, Denis [Fonvizin], you won&#8217;t write anything better [than this]!&#8221;: On an Unwitting Bilingual Pun [by Chekhov])\u00a0[Paradigm as Techinque].\u00a0<em>Zvezda<\/em> [The Star], 2011, 8: 223\u2013228; also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2011\/8\/umri-denis-luchshe-ne-napishesh.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal.&#8221;<\/a> Also in: <em>Smysly, teksty i drugie zakhvatyvaiushchie siuzhety. Sbornik statei v chest&#8217; 80-letiia Igoria Aleksandrovicha Mel&#8217;chuka<\/em>\u00a0[Meanings, texts, and other exciting things. A Festschfrift to Commemorate the 80th Anniversary of Professor Igor Alexandrovic Mel&#8217;cuk]. Ed. Iu. D. Apresyan et al. M: Iazyki slavianskoi kul&#8217;tury, 2012 (titled:\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/k-lingv-osmysl-Chekhova.pdf\" target=\"_blank\" rel=\"noopener\">K lingvisticheskomu osmysleniiu poslednikh slov Chekhova<\/a>\u00a0[A Lingustic interpretation of Chekhov&#8217; last words]). P. 696-703 and in Book No. 29: 669-675.<\/li>\n<li><a href=\"http:\/\/sites.utoronto.ca\/tsq\/37\/index.shtml\" target=\"_blank\" rel=\"noopener\">Piatero s ran&#8217;shego vremeni: Ob odnom motivnom klastere metasovetskoi literatury<\/a>\u00a0[Five old-timers: A motif cluster of meta-Soviet literarture].\u00a0<em>Toronto Slavic Quarterly<\/em>, 37 (summer 2011): 159-172. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/07\/Piatero-s-ranshego-vremeni.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/li>\n<li><em><a href=\"http:\/\/editorium.ru\/\">O redaktirovanii i redaktorax<\/a>.<\/em>\u00a0<em>Sbornik-antologiya. Vyderzhki iz knig, statei, pisem, rasskazy, fel&#8217;etony, parodii<\/em>\u00a0[On editing and editors. An anthology. Excerpts from books, articles, letters, stories, feuilletons, parodise]. Sostavitel&#8217; A. E. Mil&#8217;chin [Compiled by A. E. Mil&#8217;chin]. Moscow: NLO, 2011. P. 189-195, 425-430, 470-471. For the pages on-line see\u00a0<a href=\"http:\/\/editorium.ru\/authors\/\">Index<\/a>\u00a0of names.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1724\" target=\"_blank\" rel=\"noopener\">Bender v Tsiurikhe<\/a>\u00a0[Ostap Bender in Zuerich].\u00a0<em>Zvezda<\/em> [The Star], 2011, 10: 214\u2013227. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2011\/10\/bender-v-czyurihe.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal.<\/a>&#8220;<\/li>\n<li><a href=\"https:\/\/nm1925.ru\/articles\/2011\/201110\/edinyy-printsip-i-drugie-vinetki-422\/\" target=\"_blank\" rel=\"noopener\">Edinyi printsip i drugie vin&#8217;etki<\/a>\u00a0[A single principle and other vignettes].\u00a0<em>Novyi mir<\/em> [The New world] 2011, 10: 99-120. Also o<a href=\"https:\/\/magazines.gorky.media\/novyi_mi\/2011\/10\/edinyj-princzip-i-drugie-vinetki.html\" target=\"_blank\" rel=\"noopener\">n the site &#8220;Zhurnal&#8217;nyi za<\/a>l.&#8221;<\/li>\n<li><a href=\"https:\/\/www.nlobooks.ru\/magazines\/novoe_literaturnoe_obozrenie\/111_nlo_5_2011\/article\/18299\/\" target=\"_blank\" rel=\"noopener\">Fazil&#8217;-Amerikanets\u00a0<\/a>[Fazil Iskander as an American Writer].\u00a0<em>Novoe literaturnoe obozrenie<\/em> [New Literary Survey], 2011, 111: 260-272. Also <a href=\"https:\/\/magazines.gorky.media\/nlo\/2011\/5\/fazil-amerikanecz.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.<\/a>&#8220;<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1760\" target=\"_blank\" rel=\"noopener\">Nedostavavshee zveno<\/a>\u00a0[A Missing Link].\u00a0<em>Zvezda<\/em> [The Star], 2011, 12: 218\u2013220. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2011\/12\/nedostavavshee-zveno.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal.<\/a>&#8220;<\/li>\n<li><a href=\"https:\/\/voplit.ru\/article\/zerkalo-ili-trelyazh\/\" target=\"_blank\" rel=\"noopener\">Zerkalo ili trel&#8217;iazh?\u00a0<\/a>[Khodasevich&#8217;s Mirror &#8211; Regular or Trifold?].\u00a0<em>Voprosy literatury<\/em>\u00a0[Problems of literature] 2011, 6: 363-387; also in Book <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/poetika-za-stolom\/\" target=\"_blank\" rel=\"noopener\">No. 29<\/a>: 186-207 (<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Poetika_za_chainym_stolom.pdf\">Full PDF version<\/a>). <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/PZ-Scherr.docx\" target=\"_blank\" rel=\"noopener\">Short English version<\/a>\u00a0in:\u00a0<em>Poetry and Poetics: A Centennial Tribute to Kiril Taranovsky.<\/em>\u00a0Ed. by Barry P. Scherr, James Bailey and Vida T. Johnson. Bloomington, IN: Slavica. 2014. P. 203-213.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/sakha\/\" target=\"_blank\" rel=\"noopener\">Sakharnitsa Aleksandra Kushnera<\/a> [Alexander Kushner&#8217;s &#8220;Sugar Bowl&#8221;].\u00a0<em>Bol&#8217;shoi gorod<\/em>\u00a0[Big City], 22 (288), 14.12.11, p. 38-40.\u00a0Revised full version\u00a0in\u00a0<a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1918\" target=\"_blank\" rel=\"noopener\"><em>Zvezda<\/em><\/a> [The Star], 2012, 10: 223\u2013234; also on the site <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2012\/10\/poetika-za-chajnym-stolom.html\" target=\"_blank\" rel=\"noopener\">&#8220;Zhurnal&#8217;nui zal<\/a>&#8220;; also in Book No. 29: 256-275.<\/li>\n<li><a href=\"https:\/\/www.nlobooks.ru\/magazines\/novoe_literaturnoe_obozrenie\/112_nlo_6_2011\/article\/18437\/\" target=\"_blank\" rel=\"noopener\">Must be<\/a> luv&#8230;\u00a0<a href=\"https:\/\/www.nlobooks.ru\/magazines\/novoe_literaturnoe_obozrenie\/112_nlo_6_2011\/article\/18438\/\" target=\"_blank\" rel=\"noopener\">O drugom<\/a>\u00a0[Re: Other].\u00a0<em>Novoe literaturnoe obozrenie<\/em> [New Literary Survey], 2011, 11. Also on the site &#8220;Zhurnal&#8217;nyi zal&#8221; &#8211; <a href=\"https:\/\/magazines.gorky.media\/nlo\/2011\/6\/must-be-luv.html\" target=\"_blank\" rel=\"noopener\">(1)<\/a>, <a href=\"https:\/\/magazines.gorky.media\/nlo\/2011\/6\/o-drugom.html\" target=\"_blank\" rel=\"noopener\">(2)<\/a>. Also in book <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/napras-index\/\" target=\"_blank\" rel=\"noopener\">No 30<\/a>: 503-507.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1792\" target=\"_blank\" rel=\"noopener\">&#8220;Chtob fraze ruk ne otorvalo&#8230;&#8221;: Matrosskii tanets Pasternaka<\/a>\u00a0[&#8220;So it wouldn&#8217;t cut off the sailor&#8217;s arms&#8230;&#8221;: Boris Pasternak&#8217;s poem &#8220;A Sailor in Moscow&#8221;].\u00a0<em>Zvezda<\/em> [The Star], 2012, 2: 215\u2013228; also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2012\/2\/chtob-fraze-ruk-ne-otorvalo-matrosskij-tanecz-pasternaka.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal&#8221;<\/a>; also in Book No. 29: 11-30.<\/li>\n<li><a href=\"http:\/\/www.ruthenia.ru\/document\/551638.html#1\">Pushkin v roli Trike v roli Pushkina<\/a>\u00a0[Pushkin as Triquet in the role of Pushkin] in Book <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/ochnye-stavki\/\" target=\"_blank\" rel=\"noopener\">No. 26<\/a>: 53-67. Short version: Trike, Pushkin i Rossini (k probleme tekstovykh i strukturnykh zaimstvovanii) [Triquet, Pushkin and Rossini: the problem of textual and structural borrowings].\u00a0<em>Dialog kul&#8217;tur: &#8220;Ital&#8217;ianskii tekst&#8221; v russkoi literature i &#8220;russkii tekst&#8221; v ital&#8217;ianskoi literature: Materialy\u00a0 mezhdunarodnoi nauchnoi konferentsii (Institut russkogo iazyka im. V.V. Vinogradova RAN, 9-11 iiunia 2011 g.<\/em>\u00a0[Dialogue of Cultures: The \u201cItalian Text\u201d in Russian Literature and the \u201cRussian Text\u201d in \u201cItalian Literature\u201d:\u00a0 Papers from an International Scholarly Conference (The V.V. Vinogradov Institute of the Russian Language of the RAS, 9-11 June, 2013]. Ed. by N.A. Fateeva. Moscow: Infotex, 2013. P. 26-34.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1823\" target=\"_blank\" rel=\"noopener\">Sokhrani moiu rech&#8217;, &#8212; i ia primu tebia, kak upriazh&#8217;, ili Mandel&#8217;shtam i Pasternak v 1931 godu\u00a0<\/a>[Preserve My Speech&#8230; &#8212; And I&#8217;ll Accept you as Harness: Mandel&#8217;shtam and Pasternak in the Year 1931].\u00a0<em>Zvezda<\/em> [The Star], 2012, 4: 226\u2013235; also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2012\/4\/sohrani-moyu-rech-8212-i-ya-primu-tebya-kak-upryazh.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nui zal&#8221;<\/a>; also in Book No. 29: 242-255; and in: <em>Korni, Pobegi, Stvoly: Mandel\u2019shtamovskie dni v Varshave. Sbornik statei<\/em>\u00a0[Roots, Sprouts, Trunks: The Mandelstam Days in Warsaw. A Collection of Eassays]. Ed. By Irina Surat et al. Moscow: RGGU, 2015.Vol. 2: 411-431.<\/li>\n<li><a href=\"http:\/\/sites.utoronto.ca\/tsq\/40\/index.shtml\" target=\"_self\">Vremya, den&#8217;gi i sekrety avtorstva v &#8220;Krotkoi&#8221; Dostoevskogo<\/a>\u00a0[Time, Money and Secrets of Authorship in Dostoevsky&#8217;s &#8220;Gentle Spirit&#8221;].\u00a0<em>Toronto Slavic Quarterly<a href=\"http:\/\/sites.utoronto.ca\/tsq\/40\/index.shtml\" target=\"_blank\" rel=\"noopener\"> (TSQ)<\/a><\/em>, 40: 23-56.\u00a0Short version:\u00a0<em><a href=\"https:\/\/magazines.gorky.media\/october\/2013\/5\/krotkaya-vremya-8211-dengi-8211-avtorstvo.html\" target=\"_blank\" rel=\"noopener\">Oktiabr<\/a>&#8216;<\/em>\u00a0[October] 2013, 5: 183-189; also in Book <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/poetika-za-stolom\/\" target=\"_blank\" rel=\"noopener\">No. 29<\/a>: 155-166.\u00a0<a href=\"\/alexander-zholkovsky\/time_money_authorship_Dostoevsky\" target=\"_blank\" rel=\"noopener\">English version<\/a>.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/sh-introduction\">Predislovie<\/a>\u00a0[Introduction]. Book No 27: 5-12.<\/li>\n<li><a href=\"https:\/\/www.nlobooks.ru\/magazines\/novoe_literaturnoe_obozrenie\/115_nlo_3_2012\/article\/18766\/\" target=\"_blank\" rel=\"noopener\">Pravil&#8217;nye nitochki.\u00a0<em>Filologicheskii<\/em><em>\u00a0etiud<\/em><\/a>\u00a0[The Right Little Threads. A Philological Essay].\u00a0<em>Novoe literaturnoe obozrenie<\/em>\u00a0[New Literary Survey], 2012, 115: 215-223; also on the site\u00a0<a href=\"https:\/\/magazines.gorky.media\/nlo\/2012\/3\/pravilnye-nitochki.html\" target=\"_blank\" rel=\"noopener\">&#8220;Zhurnal&#8217;nyi zal&#8221;<\/a>; also in Book\u00a0<a href=\"\/alexander-zholkovsky\/poetika_za_stolom-index\">No. 29<\/a>: 704-714.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/ginzb1\">The Red and the Gray<\/a>.\u00a0<em>Lydia Ginzburg&#8217;s Alternative Literary Identities. A Collection of Articles and New Translations<\/em>. Eds. Emily Van Buskirk and Andrei Zorin. Oxford: Peter Lang, 2012. Pp. 27-37.\u00a0<a href=\"http:\/\/www.stengazeta.net\/article.html?article=6923\">Russain version:\u00a0<\/a>&#8220;Krasnoe i chernoe,&#8221;\u00a0<em>Stengazeta,<\/em>\u00a04 February, 2010. Also in Book 24: 104-114.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/madison-site\">Poetics Today: Some Burning Issues<\/a>. Keynote Lecture at\u00a0<em>AATSEEL-Wisconsin Conference<\/em>, 12-13 October 2012. University of Madison-Wisconsin. Pyle Center, Room 335, Friday 12 October 2012, 4:00 pm.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/vroon-sta\">Chelovek na chasakh Leskova: vertikal&#8217; smysla<\/a>\u00a0[Nikolai Leskov&#8217;s &#8220;Man on Sentry Duty&#8221;: Hierarchy and Narrative]. In Book 26<em>:<\/em>\u00a0196-213, and in:\u00a0<em>From Medieval Russian Culture to Modernism. Studies in Honor of Ronald Vroon.<\/em>\u00a0Eds. Lazar Fleishman et al. Frankfurt am Main: Peter Lang Verlag. P. 129-150.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=1937\" target=\"_blank\" rel=\"noopener\">Byt&#8217; znamenitym&#8230;<\/a> [To Be Famous&#8230;].\u00a0<em>Zvezda<\/em> [The Star], 2012, 11: 212\u2013217; also o<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2012\/11\/byt-znamenitym.html\" target=\"_blank\" rel=\"noopener\">n the site &#8220;Zhirnal&#8217;nyi zal&#8221;<\/a>; also in Book No. 29: 723-730.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/tolsten\">&#8220;Tolstovskie&#8221; stranitsy ital&#8217;ianskogo romana Stendalia<\/a>\u00a0(K ostraneniiu voiny v &#8220;Parmskoi obiteli&#8221; i &#8220;Voine i mire&#8221;) [The &#8220;Tolstoyan&#8221; pages of Stendhal&#8217;s Italian novel: On the defamiliarization of war in The\u00a0<em>Charterhouse of Parma<\/em>\u00a0and\u00a0<em>War and Peace<\/em>].\u00a0<em>Venok: Studia slavica Stefano Garzonio sexagenario oblata. In Honor of Stefano Garzonio.<\/em>\u00a0Eds. Guido Carpi, Lazar Fleishman, Bianca Sulpasso. Stanford, 2012. Part I. P. 198-220.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/kuzm-stat-eng-site\">Themes, Structure, and Intertexts in Mikhail Kuzmin\u2019s Infinitive Poem \u201cSweet Is It To Die\u2026\u201d<\/a>.\u00a0<em>The Many Facets of Mikhail Kuzmin. A Miscellany<\/em>. Ed. by Lada Panova with Sarah Pratt. Bloomington, Indiana: Slavica, 2011. P. 27-42.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/zagr\">Zagrobnoe stikhotvorenie Bunina &lt;&#8220;Bez menia&#8221;&gt;<\/a>\u00a0[Ivan Bunin&#8217;s posthumous poem], in Book 23 (<em>Novaia i noveishaia russkaia poeziia<\/em>): 53-55.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/15-odich-12\">&#8220;Mne ni k chemu odicherskie rati\u2026&#8221;: K tainam remesla Anny Akhmatovoi<\/a>\u00a0[&#8220;I have no use for odic formations\u2026&#8221;: On Anna Akhmatova&#8217;s secrets of craftsmanship] in Book 23 (<em>Novaia i noveishaia russkaia poeziia<\/em>\u00a0): 72&#8211;81.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/16-liublodka-12\">Liubovnaia lodka, upriazh&#8217; dlia Pegasa i pokhoronnaia kolybel&#8217;naia: Tri stikhotvoreniia i tri perioda Pasternaka<\/a>\u00a0[A love boat, a harness for Pegasus and a funereal lullaby: Three poems and three periods of Boris Pastenak]. In Book 7 (<em>Mir avtora\u2026<\/em>): 85-117, and also in Book 23 (<em>Novaia i noveishaia russkaia poeziia<\/em>): 83-112.<\/li>\n<li><a href=\"http:\/\/magazines.russ.ru\/novyi_mi\/2012\/12\/zh2.html\">Pitsunda-57, dalee vezde<\/a>\u00a0[Pitsunda-57, with all stops down the line].\u00a0<em>Novyi mir<\/em> [The New world] 2012, 12: 8-27.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2013\" target=\"_blank\" rel=\"noopener\">Puk nezabudok<\/a>\u00a0[A Bunch\/Fart of Forget-me-nots].\u00a0<em>Zvezda<\/em> [The Star], 2013, 2: 223\u2013234; also on the s<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2013\/2\/puk-nezabudok.html\" target=\"_blank\" rel=\"noopener\">ite &#8220;Zhirnal&#8217;nyi zal&#8221;<\/a>; also in Book No. 29: 167-85.<\/li>\n<li>&#8220;<a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2046\" target=\"_blank\" rel=\"noopener\">Na kholmax Gruzii lezhit nochnaia mgla&#8230;&#8221;: Vosem&#8217; strok o svoistvakh strasti i besstrastiia<\/a>\u00a0[&#8220;On the Hills of Georgia Nocturnal Darkness Lies&#8230;&#8221;: Eight Lines on the Properties of Passion and Impassivity].\u00a0<em>Zvezda<\/em> [The Star], 2013, 4: 222\u2013230; also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2013\/4\/na-holmah-gruzii-lezhit-nochnaya-mgla-vosem-strok-o-svojstvah-strasti-i-besstrastiya.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhirnal&#8217;nyi zal&#8221;<\/a>; also in Book No. 29: 155-166.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/sharik\">O Sharikove<\/a>\u00a0[About Sharikov]. In Book No. 26, p. 247-267 (an expanded version of \u2116 104 that includes \u2116 233).<\/li>\n<li><a href=\"\/alexander-zholkovsky\/bib278\">Ia-4242-zh-m-zh-m, ili formal&#8217;nye kliuchi k &#8220;Matrosu v Moskve&#8221; Pasternaka<\/a>\u00a0[4242-f-m-f-m Iambs, or Some Formal Keys to Boris Pasternak&#8217;s &#8220;A Sailor in Moscow&#8221;].\u00a0<em>(Ne)muzykal&#8217;noe prinoshenie, ili Allegro affettuoso. Sbornik statei k 65-letiiu Borisa Aronovicha Katsa.\u00a0<\/em>Ed. by A. Dolinin, I. Doronchenkov, L. Kovnatskaia, N. Mazur [An (Un)Musical Offering, or Allegro affettuoso. Collection of Essays To Honor Boris Aronovich Kats on his 65-th Birthday]. SPb.: Izd-vo Evropeiskogo Un-ta v Sankt-Peterburge [The European University at St.-Peretsburg Press], 2013. P. 451-476; also in Book No. 29: 31-58.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/premiia\">Acceptance speech<\/a>\u00a0at the awarding ceremony of the literary prize &#8220;Bella&#8221; (<a href=\"\/alexander-zholkovsky\/bella\">Russian<\/a>\u00a0and\u00a0<a href=\"\/alexander-zholkovsky\/bella_traduzione\">Italian<\/a>\u00a0versions; Italian translation by Giulia Zangoli).<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2139\" target=\"_blank\" rel=\"noopener\">Grammatika prostoty (\u201cLiubit\u2019 inykh \u2013 tiazhelyi krest\u2026\u201d)\u00a0<\/a>[A Grammar of\u00a0 Simplicity (\u201cTo Love Others Is a Heavy Cross\u2026\u201d)].\u00a0<em>Zvezda<\/em> [The Star], 2013, 8: 219-227; also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2013\/8\/grammatika-prostoty.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhirnal&#8217;nyi zal&#8221;<\/a>; also in Book No. 29: 79-92.<\/li>\n<li><a href=\"https:\/\/nm1925.ru\/articles\/2013\/201308\/klyuchi-schastya-922\/\" target=\"_blank\" rel=\"noopener\">Kliuchi schast\u2019ia\u00a0<\/a>[Key to Happiness].\u00a0<em>Novyi mir<\/em> [New World], 8: 179-193; also <a href=\"https:\/\/magazines.gorky.media\/novyi_mi\/2013\/8\/klyuchi-schastya.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal<\/a>&#8220;; in Book No. 29: 276-300.<\/li>\n<li><a href=\"http:\/\/primerussia.ru\/interview_posts\/238\">Vin\u2019etist. Interv\u2019u Maksimu Semeliaku<\/a>\u00a0[The Vignettist. An Interview given to Maksim Semeliak].\u00a0<em>The Prime Russian Magazine,\u00a0<\/em>2013, 5 (20): 1-18.<\/li>\n<li><a href=\"https:\/\/www.nlobooks.ru\/magazines\/novoe_literaturnoe_obozrenie\/122_nlo_4_2013\/article\/10544\/\" target=\"_blank\" rel=\"noopener\">Sekrety \u201cEtoi svin\u2019i Morena\u201d<\/a>\u00a0[Secrets of \u201cThat Pig of a Morin].\u00a0<em>Novoe literaturnoe obozrenie<\/em> [New Literary Survey], 122: 179\u2014197; also in Book No. 29: 386-410. Also <a href=\"https:\/\/magazines.gorky.media\/nlo\/2013\/4\/sekrety-etoj-svini-morena.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal<\/a>.&#8221;<\/li>\n<li><a href=\"\/alexander-zholkovsky\/barabar-21-10-2013\">Varvary u vorot<\/a>\u00a0[Barbarians at the Gate].\u00a0<em>Deviataia mezhdunarodnaia shkola po russkoi literature. Stat&#8217;i i materialy<\/em>\u00a0[Ninth International School on Russian Literature]. Ed. A. Kobrinskii. SPb. &amp; Tsvelodubovo Leningr. obl., 2013. P. 68-76; also in Book No. 29: 715-722.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/Evg-bor-mem\">Evgenii Borisovich [Evgeny Borisovich Pasternak].<\/a>\u00a0<em>Ob\u2019iat&#8217;e v tysiachu okhvatov. Sbornik, posviashchennyi pamiati E.B. Pasternaka i ego 90-letiiu<\/em>\u00a0[Embrace the Size of a Thousand. Essays to Honour the Memeory E. B. Pasternak and His 90th Birthday. Ed. by A. Iu. Sergeeva-Kliatis and O. A. Lekmanov. SPb.: Izdatel&#8217;stvo Russkoi khristianskoi gumanitarnoi akademii, 2013. P. 81-89.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2208\" target=\"_blank\" rel=\"noopener\">Naprimer, tshchetnost\u2019 usilii<\/a>\u00a0[For instance, the futility of efforts].\u00a0<em>Zvezda<\/em> [Star], 2013, 12: 213-223; also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2013\/12\/naprimer-tshhetnost-usilij.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhirnal&#8217;nyi zal&#8221;<\/a>; also in Book No. 29: 569-584.<\/li>\n<li><a href=\"https:\/\/nm1925.ru\/articles\/2013\/201312\/yubka-i-drugie-vinetki-1001\/\" target=\"_blank\" rel=\"noopener\">Iubka i drugie vin\u2019etki<\/a>\u00a0[The Skirt and Other Vignettes].\u00a0<em>Novy mir<\/em> [New World], 2013, 12: 90-107. Also <a href=\"https:\/\/magazines.gorky.media\/novyi_mi\/2013\/12\/yubka-i-drugie-vinetki.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal<\/a>.&#8221;<\/li>\n<li><a href=\"http:\/\/magazines.russ.ru\/nlo\/2013\/124\/15zh.html\">Tsifrovoi kaif<\/a>\u00a0[A Digital High].\u00a0<em>Novoe literaturnoe obozrenie<\/em>\u00a0[New Literary Survey], 124 (2013, 6): 212-223 (problems with illustrations); also in Book No. 29:\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Tsifrovoi-Kaif-PZChS.pdf\">731-744<\/a>\u00a0(black and white illustrations).\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Tsifroi-kaif.doc\">A Word document, with illustrations in color<\/a>.<\/li>\n<li>Prinuzhdenie k ulybke [Smile Enforcement].\u00a0<em>The Prime Russian Magazine,\u00a0<\/em>2013, 6 (21): 1-18; also in book 30, p. 508-522 (these are the correct pages!); see\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Prinuzhdenie-k-Ulynke-Naprasnye.pdf\">PDF<\/a>.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/tri_pereklichki\">Tri pereklichki mezhdu \u201dDoktorom Zhivago\u201d i stikhami do 1940 goda<\/a>\u00a0[Three interplays between Boris Pasternak\u2019s Doctor Zhivago and his poems from before 1940].\u00a0<em>V<a href=\"https:\/\/voplit.ru\/article\/tri-pereklichki-mezhdu-doktorom-zhivago-i-stihami-do-1940-goda\/\" target=\"_blank\" rel=\"noopener\">oprosy literatury<\/a><\/em>\u00a0[Problems of literature], 2014, 1: 350-359. Also in Book <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/poetika-za-stolom\/\" target=\"_blank\" rel=\"noopener\">No. 29<\/a>: 144-152.<\/li>\n<li><a href=\"https:\/\/novayagazeta.ru\/articles\/2014\/03\/07\/58666-pamyati-marka-freydkina-pevtsa-poeta-prozaika-perevodchika\" target=\"_blank\" rel=\"noopener\">Pamiati Marka Freidkina \u2013 pevtsa, poeta, prozaika, perevodchika\u00a0<\/a>[In memory of Mark Freidkin \u2013 chansonnier, poet, prose writer, translator].\u00a0<em>Novaya gazeta. Kul&#8217;tura<\/em>, 7.03.2014.<\/li>\n<li><a href=\"\/alexander-zholkovsky\/tri_zametki_o_tolstom\">Tri zametki o L\u2019ve Tolstom<\/a>\u00a0[Three Essays on Leo Tolstoy].\u00a0<em>IV Mezhdunarodnyi simpozium &#8220;Russkaia slovesnost\u2019 v mirovom kul\u2019turnom kontekste\u201d<\/em>\u00a0[The 4th International symposium \u201cRussian literature in global cultural context\u201d]. Ed. by Igor Volgin. Moscow: The Dostoevsky Foundation. 2013. P. 42-51.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2278\" target=\"_blank\" rel=\"noopener\">Zametki ob ikonike: legkost\u2019, medlennost\u2019, vypriamlenie\u2026<\/a>\u00a0[Notes on Iconicity: Lightness, Slowness, Straightening\u2026].\u00a0<em>Zvezda<\/em> [The Star], 2014, 4: 227-233. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2014\/4\/zametki-ob-ikonike-legkost-medlennost-vypryamlenie.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhirnal&#8217;nyi zal.&#8221;<\/a><\/li>\n<li>Michelle Boston.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/news\/stories\/1692\/writing-on-russia\/\">Writing on Russia<\/a>: Slavic languages and literatures professors Marcus Levitt and Alexander Zholkovsky are honored for their critical work examining Russian culture and literature. In: USC Dornsife College of Arts and Sciences News [online], April 21, 2014.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2319\" target=\"_blank\" rel=\"noopener\">Katalogi<\/a>\u00a0[Catalogues].\u00a0<em>Zvezda<\/em> [The Star], 2014, 6: 223-234; also o<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2014\/6\/katalogi.html\" target=\"_blank\" rel=\"noopener\">n the site &#8220;Zhirnal&#8217;nyi zal&#8221;<\/a>; also in Book No. 29: 585-666. <a href=\"https:\/\/urldefense.proofpoint.com\/v2\/url?u=http-3A__www.ruthenia.ru_document_533237.html&amp;d=DwIGaQ&amp;c=clK7kQUTWtAVEOVIgvi0NU5BOUHhpN0H8p7CSfnc_gI&amp;r=e4aZIcVd_A6QDRj0fdOKVg&amp;m=J4M-6akZIDQCGrG0m-gtummphLO37BnUonLcpV3iP8s&amp;s=cE3gxCDZkf1PzmtFuflFgdWK-E31R1EtabQX3WDy2HU&amp;e=\">Full version of the article<\/a>. Engl. version:\u00a0<a href=\"\/alexander-zholkovsky\/listomania\" target=\"_blank\" rel=\"noopener\">Listomania, or Catalog as Technique<\/a>. With examples from poetry and prose, classical and modern, Western and Russian. An invited lecture at UC Berkeley, Monday March 31, 2014; also in:\u00a0<em>Russian Journal of Linguistics<\/em>, 2018, Vol. 22, No. 4 (Studies in Cultural Semantics And Pragmatics: For Anna Wierzbicka\u2019s Anniversary).\u00a0<a href=\"http:\/\/journals.rudn.ru\/linguistics\/article\/view\/20180\/16440\" target=\"_blank\" rel=\"noopener\">Pp. 945\u2014965<\/a>.<\/li>\n<li><a href=\"https:\/\/novayagazeta.ru\/articles\/2014\/04\/26\/59388-aleksandr-zholkovskiy-o-porche-nekrologov\" target=\"_blank\" rel=\"noopener\">O porche nekrologov\u00a0<\/a>[About Damage To Obituaries].\u00a0<em>Novaia Gazeta<\/em>\u00a0[The New Gazette], 46, 28 April, 2014.<\/li>\n<li><a href=\"http:\/\/sites.utoronto.ca\/tsq\/48\/index.shtml\" target=\"_blank\" rel=\"noopener\">\u201cGroza, momental\u2019naia navek\u2026\u201d: tsait-lupa i drugie effekty<\/a>\u00a0[\u201cStorm, Instantaneous Forever\u2026\u201d: Time-Lens and Other Effects].\u00a0<em>Toronto Slavic Quarterly,\u00a0<\/em>2014, 48: 290-310; also in Book No. 29: 59-78. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/07\/Groza-momentalnaia.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/08\/V-proshedshem-verenmeni.doc\" target=\"_blank\" rel=\"noopener\">V proshedshem vremeni\u2026<\/a>\u00a0[In a Past Tense].\u00a0<em>\u201cEto vse o nei\u2026\u201d. Sbornik pamiati Tat\u2019iany Tikhonovoi<\/em>\u00a0[\u201cIt\u2019s All About Her\u2026\u201d A Collection of Essays in Memory of Tat\u2019iana Tikhonova]. Eds. I. Goriunova, O. Sul\u2019chinskaia. Moscow: Russkii Gulliver, 2014. P. 33-35.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2351\" target=\"_blank\" rel=\"noopener\">&#8220;Protiv vetra\u201d i drugie vin\u2019etki<\/a>\u00a0[\u201cAgainst the wind\u201d and other vignettes].\u00a0<em>Zvezda<\/em> [The Star], 2014, 9: 6-21. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2014\/9\/protiv-vetra-i-drugie-vinetki.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhirnal&#8217;nyi zal.&#8221;<\/a><\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2379\" target=\"_blank\" rel=\"noopener\">Podrazhateli<\/a>\u00a0[Imitators].\u00a0<em>Zvezda<\/em> [The Star], 2014, 10: 220-232; also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2014\/10\/podrazhateli.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhirnal&#8217;nyi zal&#8221;<\/a>. Full version: <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/bib302.pdf\" target=\"_blank\" rel=\"noopener\">Belaia kliacha sud&#8217;by, rytsar&#8217; Galeot i nauka strasti nezhnoi (Esche raz ob intertekstakh k &#8220;Giui de Mopassanu&#8221; I. Babelia<\/a>) [The White Mare of My Fate, the Knight Galeot and the Art of Tender Passion (More on the Intertexts to &#8220;Guy de Maupassant&#8221; by Isaac Babel)].\u00a0\u00a0<em>Isaak Babel v istoricheskom i literaturnom kontekste: \u0425\u0425I vek<\/em>\u00a0[Isaac Babel in a Historical and Literary \u0421ontext in the \u0425\u0425I \u0421entury]. Ed. and comp. by E.I. Pogorel&#8217;skaia. Moscow: Knizhniki, 2016. P. 204-231.<\/li>\n<li><a href=\"http:\/\/sites.utoronto.ca\/tsq\/50\/tsq50_zholkovsky.pdf\">\u201cV nekotorom tsarstve\u201d: povestvovatel&#8217;nyi tour de force Bunina<\/a>\u00a0[\u201cIn a certain kingdom\u201d: Ivan Bunin\u2019s narrative tour de force].\u00a0<em>Toronto Slavic Quarterly<\/em>, 2014, 50: 147-166. Also in Book No 31: 81-94.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2409\" target=\"_blank\" rel=\"noopener\">Eshche raz o grammatike liubvi\u00a0<\/a>[More on the grammar love].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2014, 12: 220-225. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2014\/12\/eshhe-raz-o-grammatike-lyubvi.html\" target=\"_blank\" rel=\"noopener\">on the site\u00a0&#8220;Zhurnal&#8217;nyi zal&#8221;<\/a>.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/vovsem-pasternaka.docx\">\u00abVo vsem mne khochetsia doiti&#8230;\u00bb Pasternaka (1956): dialektika suti<\/a>\u00a0[Boris Pasternak\u2019s \u201cIn Everything I Want To Reach The Very Essence\u201d (1956): The Dialiectic of Essence].\u00a0<em>Russko-frantsuzskii razgovornik, ili \/ ou Les Causeries du 7 Septembre: Sbornik v chest\u2019 V. A. Mil\u2019chinoi<\/em>\u00a0[A Russian-French Phrase Book or \/ ou Les Causeries du 7 Septembre: Essays in Honor of V. A. Mil\u2019china]. Ed. by. E. Liamina and O. Lekmanov. \u041coscow: Novoe literaturnoe obozrenie, 2015. P. 452-469; and in Book No. 29 (<em>Poetika za chainym stolom..<\/em>.): 125-143.<\/li>\n<li>The Gift [A memoiristic vignette]. Transl. by John E. Bowlt.\u00a0<em>The Institute of Modern Russian Culture At Blue Lagoon Newsletter 69<\/em>\u00a0(February 2015), pp. 1-4.\u00a0<a href=\"http:\/\/stengazeta.net\/?p=10042123\">Russian version<\/a>: Dar.\u00a0<em>Stengazeta.<\/em>\u00a025 December 2014.<\/li>\n<li><a href=\"https:\/\/www.nlobooks.ru\/magazines\/novoe_literaturnoe_obozrenie\/130_nlo_6_2014\/article\/11223\/\" target=\"_blank\" rel=\"noopener\">&#8220;Ulitsa Dante.&#8221; Topographiia, toponimika i topika parizhskoi novelly Babelia<\/a>\u00a0[Dante Street\u201d: The Topography, Toponymy and Topoi of Isaak Babel\u2019s Parisian Short Story].\u00a0<em>Novoe literaturnoe obozrenie<\/em>. 2014, 6 (130): 216-230; also on<a href=\"https:\/\/magazines.gorky.media\/nlo\/2014\/6\/ulicza-dante-topografiya-toponimika-i-topika-parizhskoj-novelly-babelya.html\" target=\"_blank\" rel=\"noopener\"> the site &#8220;Zhurnal&#8217;nyi zal<\/a>.&#8221; Also in the book: <em>Isaak Babel.\u00a0<a href=\"\/alexander-zholkovsky\/ulitsa-dante-index\">Dante Street<\/a>.<\/em>\u00a0<em>A short story.<\/em>\u00a0The idea of the two-book special edition, layout and illustrations by Aleksei Borusov. Published by Leonid Iuniverg. Articles by Elena Pogorel&#8217;skaia and Aleksandr Zholkovsky. Jerusalem: Philobiblon, 2015. Limited edition: 175 copies, 50 of them numbered. Zholkovsky article, Vol. 2: 39-54.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2449\" target=\"_blank\" rel=\"noopener\">&#8220;On Pasternaka perepasternachit&#8230;&#8221;: o mandel&#8217;shtamovskikh &#8220;Stansakh&#8221; k E.E. Popovoi\u00a0<\/a>[He\u2019ll Out-Past\u0435rnak Pasternak Himself: Osip Mandelstam\u2019s \u201cStances\u201d to Elikanida Popova].\u00a0<em>Zvezda<\/em> [The Star], 2015, 2: 253-260. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2015\/2\/on-pasternaka-perepasternachit.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhirnal&#8217;nyi zal.<\/a>&#8220;<\/li>\n<li><a href=\"http:\/\/www.nm1925.ru\/Archive\/Journal6_2015_4\/Content\/Publication6_1382\/Default.aspx\">&#8220;Letnim dnem&#8221;: ezopovskii shedevr Fazilia Iskandera<\/a>\u00a0[\u201cOn a Summer Day\u201d: Fazil Iskander\u2019s Aesopian Masterpiece].\u00a0<em>Novy mir<\/em>\u00a0[New World], 2015, 4: 166-181; also\u00a0<a href=\"https:\/\/magazines.gorky.media\/novyi_mi\/2015\/4\/letnim-dnem.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal<\/a>&#8220;; also in the book:\u00a0<em>Uslyshat&#8217; os&#8217; zemnuiu. Festschrift for Thomas Langerak on the occasion of his retiremnent.<\/em> Ed. by Ben Dhooge and Michel de Dobbeleer. Amsterdam: Uitgeverij Pegasus (Pegasus Oost-Europese Studies 26). P. 683-708 and in Book No 31: 181-202.<\/li>\n<li><a href=\"http:\/\/inslav.ru\/zalizniak80\/congratulations\/zholkovsky.html\">K 80-letiiu A.A. Zalizniaka<\/a>\u00a0[For Academician Andrei Zalizniak\u2019s 80th birthday] (On the website\u00a0<a href=\"http:\/\/inslav.ru\/zalizniak80\/\">http:\/\/inslav.ru\/zalizniak80\/<\/a>). Four vignettes, read by the author. Video by Christopher Gilman.<\/li>\n<li><a href=\"http:\/\/arzamas.academy\/authors\/22\">Khodasevich &#8220;Before the Mirror&#8221;<\/a>. Videolecture in Russian for the educational platform &#8220;Arzamas.&#8221;<\/li>\n<li><a href=\"http:\/\/tvkultura.ru\/video\/show\/brand_id\/19725\/episode_id\/1193943\/video_id\/1167250\/viewtype\/picture\">Participation in the film on Andrei Zalizniak\u2019s 80th birthday<\/a>. Moscow. TV channel &#8220;Kul&#8217;tura.&#8221; April 29, 2015.<\/li>\n<li><a href=\"http:\/\/www.nm1925.ru\/Archive\/Journal6_2015_8\/Content\/Publication6_4628\/Default.aspx\">Zadachki na pamiat&#8217;. Vin&#8217;etki<\/a>\u00a0[Memory tests.\u00a0<em>Vignettes<\/em>].\u00a0<em>Novy mir<\/em>\u00a0[The New World], 2015, 8: 84-103. Also on the site\u00a0<a href=\"http:\/\/magazines.russ.ru\/novyi_mi\/2015\/8\/10zhol.html\" target=\"_blank\" rel=\"noopener\">&#8220;Zhurnal&#8217;nyi zal<\/a>&#8220;.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2600\" target=\"_blank\" rel=\"noopener\">Semiotika vlasti i vlast\u2019 semiotiki: \u201cPiry Valtasara \u201c Fazilia Iskandera<\/a>\u00a0[The semiotics of power and the power of semiotics: \u201cThe \u2018Feasts of Belshazzar\u201d by Fazil\u2019 Iskander].\u00a0<em>Zvezda<\/em> [The Star], 2015, 10: 248-261; also<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2015\/10\/semiotika-vlasti-i-vlast-semiotiki.html\" target=\"_blank\" rel=\"noopener\"> on the site &#8220;Zhirnal&#8217;nyi zal&#8221;.<\/a> Also in Book No. 31: 503-536. Short Russian version &#8211; \u201c<a href=\"https:\/\/novayagazeta.ru\/articles\/2015\/07\/24\/65013-teatr-vlasti-171-piry-valtasara-187-fazilya-iskandera\" target=\"_blank\" rel=\"noopener\">Teatr vlasti: \u201cPiry Valtasara\u201d Fazilia Iskandera<\/a>,\u201d <em>Novaia gazeta<\/em> [The New Gazette] 24.07.2015.<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Piry_SEEJ.pdf\" target=\"_blank\" rel=\"noopener\"> Engl. version in SEEJ<\/a>, 59 (2015), 3: 367\u2013390.<\/li>\n<li><a href=\"https:\/\/znamlit.ru\/publication.php?id=6060\" target=\"_blank\" rel=\"noopener\">\u201cKto organizoval vstavanie?\u201d:<\/a> K atributsii znamenitoi formuly\u00a0[\u201cWho organized the standing ovation?\u201d: On the attribution of the famous formula].\u00a0<em>Znamia<\/em> [The Banner], 2015, 10: 198-205, also o<a href=\"https:\/\/magazines.gorky.media\/znamia\/2015\/10\/kto-organizoval-vstavanie.html\" target=\"_blank\" rel=\"noopener\">n the site &#8220;Zhurnal&#8217;nyi zal<\/a>.&#8221; <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Ovation.pdf\" target=\"_blank\" rel=\"noopener\">English version<\/a>: \u201cWho organized the standing ovation?\u201d: Stalin, Akhmatova, and Shakespeare. An Eberhard L. Faber Lecture (Monday, April 25, 4:30 pm, 245 East Pyne, Princeton University). See\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Ovation_poster.pdf\" target=\"_blank\" rel=\"noopener\">poster<\/a>. Also in Book No 31: 375-384.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Kak_sdelan_mem.pdf\" target=\"_blank\" rel=\"noopener\">Kak sdelan loshadinyi mem Chekhova<\/a>\u00a0[How Chekhov\u2019s horse meme is made].\u00a0<em>Letniaia shkola po russkoi literature<\/em> [Summer School in Russian Literature],Vol. 11 (2), 2015, 2: 112-134; and in: <em>Nasledie A.P. Skaftymova i aktual&#8217;nye problemy izucheniia otechestvennoi dramaturgii i prozy<\/em>\u00a0[A.P. Skaftymov\u2019s heritage and the current issues in the study of Russian drama and prose]. Ed. by V.V. Gul\u2019chenko and A.G. Golovacheva. Moscow: The Bakhrushin museum, 2015. P. 220-232; and in Book \u2116 31: 51-62.<\/li>\n<li><a href=\"https:\/\/lechaim.ru\/academy\/aleksandr-zholkovskiy-k-romanu-menya-sovershenno-ne-tyanet\/\" target=\"_blank\" rel=\"noopener\">&#8220;K romanu menia sovershenno ne tianet&#8221;<\/a>\u00a0[Novels are not my cup of tea]. An interview given to Denis Larionov.\u00a0<em>L\u0435chaim,<\/em>\u00a0283 (November 2015): 48-50.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Vizit.pdf\" target=\"_blank\" rel=\"noopener\">Vizit k staroi dame\u00a0<\/a>[A Visit to an Old Lady].\u00a0<em>&#8220;Posmotrim, kto kogo pereupriamit&#8230;&#8221;: N.Ia. Mandel&#8217;shtam v pis&#8217;makh, vospominaniiakh, svidetel&#8217;stvakh<\/em> [&#8220;Let&#8217;s see who will be more stubborn&#8230;&#8221; N.Ia. Mandel&#8217;shtam in letters, recollections and testimonies]. Compiled by P.M. Nerler. \u041coscow: \u0410ST, 2015. P. 619-620. Also in Biik No 36: 57-58.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Collaboration.pdf\" target=\"_self\">Collaboration and Its Discontents: Pasternak and Mandel\u2019stam in the Nineteen Thirties<\/a>.\u00a0<em>Russian Literature<\/em>\u00a078 (2015), pp. 683-703.<\/li>\n<li><a href=\"http:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2633\">Zagadki martovskoi nochi. Esche raz o stikhotvorenii Pasternaka &#8220;Vstrecha&#8221;<\/a>\u00a0[Enigmas of a March night: More on Boris Pasternal\u2019s poem \u201cAn Encounter\u201d].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2015, 12: 219-227. Also\u00a0<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2015\/12\/zagadki-martovskoj-nochi.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.&#8221;<\/a> Also in book:\u00a0<em>Gasparov. O nem. Dlia nego<\/em>\u00a0[Gasparov. About him. For him]. Ed. by Marina Tarlinskaya with Marina Akimova. Moscow: NLO [New Literary Survey], 2016.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/zagadki-martovskoi.pdf\" target=\"_self\">P. 667-685<\/a>.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/BolshieSlova.pdf\" target=\"_blank\" rel=\"noopener\">&#8220;Bol&#8217;shie slova i malen&#8217;kie veschi&#8221;<\/a>\u00a0[Big words, small things]. Interview with Uldis Tirons.\u00a0<em>Rigas Laiks<\/em>\u00a0[A Riga magazine], Winter 2015-2016, P. 90-99.<\/li>\n<li><a href=\"https:\/\/www.novayagazeta.ru\/articles\/2016\/02\/20\/67517-otkrytaya-sistema-pamyati-umberto-eko\" target=\"_blank\" rel=\"noopener\">Otkrytaia sistema. Pamiati Umberto Eco<\/a>\u00a0[The Open Structure. In Memory of Umberto Eco].\u00a0<em>Novaia Gazeta<\/em> [The New Gazette], \u2116 12266, February 19, 2016. Also in Book 36: 143-145.<\/li>\n<li><a href=\"http:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2678\">Samozvanstvo kak priem, ili Perly na grani fola<\/a>\u00a0[Imposture as Technique or Brilliant Mots on the verge of Foul].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2016, 2: 245-259. Also\u00a0<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2016\/2\/samozvanstvo-kak-priem-ili-perly-na-grani-fola.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal&#8221;<\/a> and in Book No. 31: 411-433.<\/li>\n<li><a href=\"http:\/\/www.nm1925.ru\/Archive\/Journal6_2016_3\/Content\/Publication6_6291\/Default.aspx\">Chudesnye vol\u2019nosti v \u201cMuzyke\u201d Borisa Pasternaka<\/a>\u00a0[The miraculous liberties in Boris Pasternak\u2019s poem \u201cMusic\u201d].\u00a0<em>Novy mir<\/em>\u00a0[New World], 2016, 3: 186-197; also\u00a0<a href=\"https:\/\/magazines.gorky.media\/novyi_mi\/2016\/3\/chudesnye-volnosti-v-muzyke-borisa-pasternaka.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal&#8221;<\/a> and in Book:\u00a0<em>Boris Pasternak i Titsian Tabidze: druzhba poetov kak dialog kul&#8217;tur. Sbornik po materialam konferentsii<\/em>\u00a0[Boris Pasternak and Titian Tabidze: Poets\u2019 friendship as dialogue of cultures. Collection of papers from a conference]. Eds. G. Liutikova and N. Gromova. Moscow: Literaturnyi Muzei, 2016. P. 87-103.<\/li>\n<li><a href=\"http:\/\/www.philology.nsc.ru\/journals\/sis\/pdf\/SS2015-1\/01.pdf\">(co-author Yuri Shcheglov) O spatsial\u2019noi strukture detskikh rasskazov L.N. Tolstogo<\/a>\u00a0[On the spatial structure of Leo Tolstoy\u2019s children\u2019s stories].\u00a0<em>Siuzhetologiia i siuzhetografiia<\/em>\u00a0[Plottology and plottography], 2015, 1: 5-16.<\/li>\n<li><a href=\"http:\/\/magazines.russ.ru\/zvezda\/2010\/4\/sm10.html\">Ivan Smurovskii. Po<\/a><a href=\"http:\/\/magazines.russ.ru\/zvezda\/2010\/4\/sm10.html\">s<\/a><a href=\"http:\/\/magazines.russ.ru\/zvezda\/2010\/4\/sm10.html\">le lyzh. Iz dnevnika zhenshchiny<\/a>\u00a0[Ivan Smurovsky. After ski. From a woman\u2019s diary].\u00a0<em>Zvezda<\/em>\u00a0(The Star), 2010, 4: 110-114, with the allusive note: \u201cI. G. Smurovsky (a pseudonym) is a descendant of the first wave of Russian emigration. He was born in 1937 in Alexandria, Egypt, 8 rue de Constantin, # 9. Attended lectures on Russian literature at Oxford. Graduated in 1959 (M. D.) from the Institute of Balneology and Climatological Medicine, Hanover (BRD). Makes his home in New Zealand; works as a hand at the Hot Springs resort spa, Rotorua Lake, New Zealand.\u201d<\/li>\n<li><a href=\"http:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2722\">Chto Troia vam?..:\u201d K podtekstam mandel\u2019shtamovskoi \u201cBressonnitsy\u201d<\/a>[What\u2019s Troy to you?..: On the subtexts of Mandelstam\u2019s \u201cInsomonia\u201d].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2016, 4: 250-260. Also\u00a0<a href=\"http:\/\/magazines.russ.ru\/zvezda\/2016\/4\/chto-troya-vam.html\">on the site &#8220;Zhurnal&#8217;nyi zal<\/a>.&#8221;<\/li>\n<li><a href=\"http:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2741\">Gegel\u2019 nenarokom\u00a0<\/a>[Hegel Inadvertently].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2016, 5: 221-234. Also\u00a0<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2016\/5\/gegel-nenarokom.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal&#8221;<\/a>; also in Book No. 31: 452-476; and in:\u00a0<em>Energiia krizisa. Sbornik v chest&#8217; I.P. Smirnova<\/em>\u00a0[The Energy of Crisis. A Collection of Essays for Igor&#8217; Smirnov]. Eds. Ilia Kalinin, Corneliia Ichin. \u041coscow: NLO [New Literary Survey], 2019. P. 105-130.<\/li>\n<li><a href=\"http:\/\/booknik.ru\/yesterday\/ithappens\/nosorog-se-mua\/\">Nosorog \u2013 se mua<\/a>\u00a0[Rhinceros \u2013 c\u2019est moi].\u00a0<em>Booknik,<\/em>\u00a005.27. 2016; also in Book\u00a0No. 31: 537-551; also in Book\u00a0No. 31: 537-551.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2806\" target=\"_blank\" rel=\"noopener\">Persefonnaia knizhka<\/a>\u00a0[A Percephone Book].\u00a0<em>Zvezda<\/em> [The Star], 2016, 8: 240-255; also in Book No. 31: 477-502. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2016\/8\/persefonnaya-knizhka.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.<\/a>&#8220;<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Slovo_i_delo.pdf\" target=\"_blank\" rel=\"noopener\">Slovo i delo<\/a>\u00a0[Word and Deed].\u00a0<em>Ostrova luibvi BorFeda. Sbornik k 90-letiui Borisa Fedorovicha Egorova<\/em>\u00a0[BorFed\u2019s Islands of Love. A Collection of Essays for Boris Fedorovich Egorov&#8217;s 90th Birthday]. Ed. by A. Dmitriev and P. Glushakov. SPb.: Rostok, 2016: 391-398.<\/li>\n<li><a href=\"http:\/\/elibrary.ru\/item.asp?id=26283544\">Kogda by ne Elena\u2026 K izucheniui iazykovykh gipogramm poeticheskogo teksta<\/a>\u00a0[Were It Not for Elena\u2026 On the Study of Linguistic Hypograms of a Poetic Text].\u00a0<em>Letniaia shkola po russkoi literature<\/em>\u00a0[Summer School on Russian literature]. SPb.: St.-Petersburg Judaica Institute, 2016, 1: 49-70.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/kogdaby-sta.docx\">Full version<\/a>\u00a0in Word.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/NET_SLOV__RUSLIT.pdf\" target=\"_blank\" rel=\"noopener\">Net slov. K perevodam \u2018Pered zerkalom\u2019 Vladislava Khodasevicha<\/a>\u00a0[There Are No Words. On Translations of Vladislav Khodasevich\u2019s \u2018Before the Mirror\u2019].\u00a0<em>Russian Literature<\/em>, 83-84 (2016): 129-151.<\/li>\n<li><a href=\"http:\/\/www.nm1925.ru\/Archive\/Journal6_2016_5\/Content\/Publication6_6337\/Default.aspx\">Vopros vybora i drugie vin\u2019etki<\/a>\u00a0[A Matter of Choice and Other Vignettes].\u00a0<em>Novyi mir<\/em>\u00a0[The New world], 2016, 5: 108-125; also\u00a0<a href=\"https:\/\/magazines.gorky.media\/novyi_mi\/2016\/5\/vopros-vybora-i-drugie-vinetki.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.<\/a>&#8220;<\/li>\n<li><a href=\"https:\/\/magazines.gorky.media\/inostran\/2016\/10\/razgadka-gamleta.html\" target=\"_blank\" rel=\"noopener\">Razgadka Gamleta<\/a>\u00a0[Figuring out Hamlet].\u00a0<em>Inostrannaia literatura<\/em>\u00a0[Foreign literature], 2016, 10: 158-173.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2920\">O genome \u201cZmeia Tugarina\u201d A. K. Tolstogo<\/a>\u00a0[On the genome of A. K. Tolstoy\u2019s ballad \u201cZmei Tugarin\u201d].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2017, 1: 251-259; \u00a0also\u00a0<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2017\/1\/o-genome-zmeya-tugarina-a-k-tolstogo.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal&#8221;<\/a>\u00a0and in:\u00a0In Umbra<span lang=\"RU\">: Demonologiia kak semioticheskaia sistema [Demonology as semiotic system], Issue 6. \u041coscow: Indrik, 2017.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/zm-tug-demon.pdf\" target=\"_blank\" rel=\"noopener\">P.\u00a0<\/a><\/span><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/zm-tug-demon.pdf\" target=\"_blank\" rel=\"noopener\"><span lang=\"RU\">303-319<\/span><span lang=\"RU\">.<\/span><\/a><\/li>\n<li><a href=\"http:\/\/novymirjournal.ru\/index.php\/blogs\/entry\/agu\">Agu<\/a>\u00a0[Goo-goo].\u00a0<em>&#8220;Fond Novogo mira<\/em>&#8221; [New World Foundation] website. February 16, 2017. Also in: Letniaia shkola po russkoi literature [Russian Literature Summer School], 13 (Spb.: 2017),\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Agu-Letn-Shkola.pdf\">1: 84-90<\/a>.<\/li>\n<li><a href=\"http:\/\/www.nm1925.ru\/Archive\/Journal6_2017_2\/Content\/Publication6_6554\/Default.aspx\">&#8220;Na grani&#8221; i drugie vin\u2019etki\u00a0<\/a>[&#8220;On the Brink&#8221; and other vignettes].\u00a0<em>Novyi mir<\/em> [The New world], 2017, 2: 124-147. Also on <a href=\"https:\/\/magazines.gorky.media\/novyi_mi\/2017\/2\/na-grani-i-drugie-vinetki.html\" target=\"_blank\" rel=\"noopener\">the site &#8220;Zhurnal&#8217;nyi zal<\/a>.&#8221;<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=2964\">Tsoo, ili Kassirsha, obez\u2019iana, dalee vezde<\/a>\u00a0[Zoo, or Teller, monkey and so on].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2017, 3: 254-259; also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2017\/3\/zoo-ili-kassirsha-obezyana-dalee-vezde.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal<\/a>.&#8221;<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Gasparov-pisma.pdf\" target=\"_self\">&#8220;Znakomykh mertvetsov zhivye razgovory&#8230;&#8221;: Sem&#8217; \u043f\u0438\u0441\u0435\u043c M.L. Gasparova.<\/a>\u00a0Publikatsiia i kommentarii \u0410. \u041a. Zholkovskogo [&#8220;Live Conversations of the Familiar Dead&#8221;: Seven letters from M. L. Gasparov. Published and annotated by A. K. Zholkovsky].\u00a0<em>Gasparov. O nem. Dlia nego<\/em>\u00a0[Gasparov. About him. For him]. Ed. by Marina Tarlinskaya with Marina Akimova. Moscow, NLO [New Literary Survey], 2016. P. 284-314.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/five-vignettes.pdf\" target=\"_blank\" rel=\"noopener\">Piat&#8217; vin&#8217;etok<\/a>\u00a0[Five vignettes.]\u00a0<em>Gasparov. O nem. Dlia nego<\/em>\u00a0[Gasparov. About him. For him]. Ed. by Marina Tarlinskaya with Marina Akimova. Moscow: NLO [New Literary Survey], 2016. P. 410-429.<\/li>\n<li><a href=\"http:\/\/www.colta.ru\/articles\/literature\/14654\">Silentium. Vin&#8217;etka na zlobu filologicheskogo (i ne tol&#8217;ko) dnia<\/a>\u00a0[Silentium. The vignette in response to current events in philology (and not only)].\u00a0<em>Colta.ru,<\/em>\u00a027 April, 2017. Also in\u00a0<a href=\"http:\/\/znamlit.ru\/publication.php?id=6834\" target=\"_blank\" rel=\"noopener\"><em>Znamia<\/em><\/a>\u00a0[The Banner], 2018, 2: 183-185 and on the site &#8220;<a href=\"http:\/\/magazines.russ.ru\/znamia\/2018\/2\/nauka-i-zhizn-i-drugie-vinetki.html\" target=\"_blank\" rel=\"noopener\">Zhurnal&#8217;nyi zal<\/a>.&#8221;<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/quote-SEEJ.pdf\" target=\"_blank\" rel=\"noopener\">Quote the Poets Ever More: Micro-Analyzing Intertextual Gems by Anna Akhmatova, Vladislav Khodasevich and Osip Mandel&#8217;shtam<\/a>.\u00a0<em>Slavic &amp; East European Journal<\/em>, 61, 1 (Spring 2017): 11-128. Originally: An Ilchester Series Lecture. University of Oxford, June 2, 2016.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3073\">Uroki chteniia: dvoinoe pis&#8217;mo<\/a>\u00a0[Reading lessons: correspondence(s)].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2017, 7: 244-256; also\u00a0o<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2017\/7\/uroki-chteniya-dvojnoe-pismo.html\" target=\"_blank\" rel=\"noopener\">n the site &#8220;Zhurnal&#8217;nyi zal.&#8221;<\/a> In: Etkindovskie chteniya VIII, IX: Po materialam konferentsii 2015, 2017 gg. &#8220;Tam vnutri&#8221;, &#8220;Svoe chuzhoe slovo&#8221; [Etkind Colloquia VIII, IX: Collection of Papers from 2015 and 2017 Conferences &#8220;In There&#8221; &amp; &#8220;One\u2019s Own\/ Other People\u2019s Word\u201d]. Comp. and ed. by V.\u0415. Bagno, \u041c.\u0415. Etkind. \u041coscow: Tsentr knigi Rudomino, 2017.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/uroki-chteniia.pdf\" target=\"_blank\" rel=\"noopener\">P. 310-355<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3081\">&#8220;Kezezuppe&#8221; i drugie vin&#8217;etki<\/a>\u00a0[\u201cKezezuppe\u201d and other vignettes].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2017, 8: 7-27; also\u00a0<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2017\/8\/kezezuppe-i-drugie-vinetki.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.<\/a>&#8220;<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/betweenGroys.pdf\" target=\"_blank\" rel=\"noopener\">Between Groys and Gasparov<\/a>.\u00a0<em>Dialogic Pedagogy Online Journal<\/em>,\u00a0<a href=\"http:\/\/dpj.pitt.edu\/ojs\/index.php\/dpj1\/issue\/view\/9\">vol. 5\u00a0<\/a>(2017): 16-22.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/poeziia-gramm.pdf\" target=\"_blank\" rel=\"noopener\">Poeziia grammatiki i neperevodimost&#8217;<\/a>\u00a0(Catullus, 85) [Poetry of Grammar and Untraslatability (Catullus,85)].\u00a0<em>M.L. Gasparovu-stikhovedu. In memoriam<\/em>\u00a0[To M.L. Gasparov &#8211; the Versification Scholar. In memoriam]. Comp. and ed. by Marina Tarlinskaya and Marina Akimova. \u041coscow: IASK, 2017. P. 280-288.<\/li>\n<li><a href=\"http:\/\/znamlit.ru\/publication.php?id=6684\">&#8220;Vmenit&#8217; v brakosochetanie!&#8221;\u00a0<\/a>[&#8220;Implement into wedding!&#8221;].\u00a0<em>Znamia<\/em>\u00a0[The Banner], 2017, 8: 209-213; also\u00a0<a href=\"https:\/\/magazines.gorky.media\/znamia\/2017\/8\/vmenit-v-brakosochetanie.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.<\/a>&#8220;<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3116\">Uroki irokezskogo, Catullus, 2<\/a>\u00a0[Lessons of Iroquois: Catullus, 2].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2017, 9: 233-246; also\u00a0<a href=\"http:\/\/magazines.russ.ru\/zvezda\/2017\/9\/uroki-irokezskogo-catullus-2.html\">on the site &#8220;Zhurnal&#8217;nyi zal<\/a>.&#8221;<\/li>\n<li><a href=\"http:\/\/literratura.org\/2446-aleksandr-zholkovskiy-v-dalekuyu.html\">V dalekuiu. Vin&#8217;etka<\/a>\u00a0[A Distant One. Vignette]. Online magazine\u00a0<em>Literratura,<\/em>\u00a0#105 (September 2017).<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3155\">Pozy, razy, perifrazy. Zametki narratologa<\/a>\u00a0[Poses, times, periphrases. Notes of a narratologist].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2017, 11: 248-260; also\u00a0<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2017\/11\/pozy-razy-perifrazy.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.<\/a>&#8220;<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3192\">K sebe i ot sebia. Ob odnom liubimom motive<\/a>\u00a0[Pull (self-wise) and Push (world-wise): About a favourite motif].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2018, 1: 248-259; also\u00a0<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2018\/1\/k-sebe-i-ot-sebya-2.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.&#8221;<\/a><\/li>\n<li><a href=\"http:\/\/znamlit.ru\/publication.php?id=6834\">&#8220;Nauka i zhizn&#8217;&#8221; i drugie vin&#8217;etki<\/a>\u00a0[&#8220;Science and Life&#8221; and other vignettes].\u00a0<em>Znamia<\/em>\u00a0[The Banner], 2018, 2: 178-194; also <a href=\"https:\/\/magazines.gorky.media\/znamia\/2018\/2\/nauka-i-zhizn-i-drugie-vinetki.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.<\/a>&#8220;<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/eshche2.pdf\" target=\"_blank\" rel=\"noopener\">Esche dva interteksta k &#8220;Bessonnitse&#8230;&#8221; Mandel&#8217;shtama<\/a>\u00a0[Mandel\u2019shtam\u2019s \u201cInsomnia\u201d: Two More Intertexts].\u00a0<em>Verba volant, scripta manent: Festschrift for the 50th Birthday of Igor Pil\u2019shchikov.<\/em>\u00a0Ed. By N. Poseliagin and M. Trunin. MATICA SRPSKA JOURNAL OF SLAVIC STUDIES, 92, 2017. P. 499-528.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3238\">O zarazhenii<\/a>\u00a0[On Contagion].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2018, 3: 248-258;\u00a0also\u00a0<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2018\/3\/o-zarazhenii.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal&#8221;<\/a> and in\u00a0<a href=\"http:\/\/narratorium.ru\/2018\/07\/24\/%d0%b0%d0%bb%d0%b5%d0%ba%d1%81%d0%b0%d0%bd%d0%b4%d1%80-%d0%ba-%d0%b6%d0%be%d0%bb%d0%ba%d0%be%d0%b2%d1%81%d0%ba%d0%b8%d0%b9-%d1%81%d0%b0%d0%bd%d1%82%d0%b0-%d0%bc%d0%be%d0%bd%d0%b8%d0%ba%d0%b0-%d1%81\/\" target=\"_blank\" rel=\"noopener\"><em>Narratorium<\/em>\u00a02018, \u2116 11<\/a>, special issue to honor the memory of V. M. Markovich.<\/li>\n<li><a href=\"https:\/\/nm1925.ru\/articles\/2018\/201803\/stoykoe-obayanie-dvukh-kapitanov-6865\/\" target=\"_blank\" rel=\"noopener\">Stoikoe obaianie &#8220;Dvukh kapitanov&#8221;<\/a>\u00a0[The Stable Charm of the\u00a0<em>Two Captains<\/em>]<em>.<\/em>\u00a0<em>Novyi mir<\/em> [The New world], 2018, 3: 174-192. Also in the book Entsiklopediia<a href=\"https:\/\/uscdornsife.usc.edu\/wp-assets\/187\/stoikoe-obaianie.pdf\" target=\"_blank\" rel=\"noopener\"> &#8220;<\/a><a href=\"https:\/\/uscdornsife.usc.edu\/wp-assets\/187\/stoikoe-obaianie.pdf\" target=\"_blank\" rel=\"noopener\">Dvykh kapitanov&#8221; <\/a>[Encyclopedia of <em>Two Captains<\/em>]: In 2 vls. Vol. 2. Moscow: Politicheskaia ettsiklopediia, 2019. P. 26-61.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3312\">O negrammatichnosti. Karamzin, Pushkin, Gogol, Tolstoy, Brosdky, Limonov<\/a>\u00a0[On ungrammaticality: Karamzin, Pushkin, Gogol, Tolstoy, Brosdky, Limonov].\u00a0<em>Zvezda<\/em>\u00a0[The Star],\u00a0 2018, 6: 246-259, and also\u00a0<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2018\/6\/o-negrammatichnosti-karamzin-gogol-tolstoj-pushkin-brodskij-limonov.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.<\/a>&#8220;<\/li>\n<li><a href=\"http:\/\/www.nlobooks.ru\/magazines\/novoe_literaturnoe_obozrenie\/150_nlo_2_2018\/article\/19576\/\">Mesto &#8220;Vizitnykh kartochek&#8221; v eroticheskoi kartoteke Bunina<\/a>\u00a0[The place of &#8220;Business cards&#8221; in Bunin&#8217;s erotic card file].\u00a0<em>Novoe literaturnoe obozrenie<\/em>\u00a0[New literary survey],\u00a02018, 2 (150): 164-186,\u00a0and also\u00a0<a href=\"https:\/\/magazines.gorky.media\/nlo\/2018\/2\/mesto-vizitnyh-kartochek-v-eroticheskoj-kartoteke-bunina.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal<\/a>&#8220;.<\/li>\n<li><a href=\"http:\/\/www.nm1925.ru\/Archive\/Journal6_2018_6\/Content\/Publication6_6926\/Default.aspx\" target=\"_blank\" rel=\"noopener\">O neponimanii i drugie vin&#8217;etki&#8230;<\/a>\u00a0[About not understanding and other vignettes].\u00a0<em>Noviy mir<\/em>\u00a0[The New World], 2018, 6: 74-89.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3373\" target=\"_blank\" rel=\"noopener\">Poetika mini-shedevra, ili O tom, kak Vasilii Semenovich pomerialsia s Semenom Mikhailovichem<\/a> [The poetics of a mini-masterpiece, or How Vasilii Semenovich Measured up to Semen Mikhailovich].\u00a0 <i>Zvezda\u00a0<\/i>[The Star], 2018, 9: 246-259. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2018\/9\/poetika-mini-shedevra-ili-o-tom-kak-vasilij-semenovich-pomeryalsya-s-semenom-mihajlovichem.html\">on the site &#8220;Zhurnal&#8217;nyi zal<\/a>.&#8221;<\/li>\n<li>Kak rabotaet literatura [The Way Literarture Works].\u00a0<em>The Arzamas academy<\/em>.\u00a0<a href=\"https:\/\/arzamas.academy\/courses\/57\" target=\"_blank\" rel=\"noopener\">5 videolectures<\/a>. See also on\u00a0<a href=\"https:\/\/www.youtube.com\/playlist?list=PLeNbGOow-rnc5PqhG4YyeMLDhaAiEt_cl\" target=\"_blank\" rel=\"noopener\">youtube<\/a>.<strong><br \/>\n<\/strong><\/li>\n<li><a href=\"http:\/\/sites.utoronto.ca\/tsq\/66\/index_66.shtml\" target=\"_blank\" rel=\"noopener\">Russkaia ruletka<\/a>\u00a0[Russian Roulette].\u00a0<em>Toronto Slavic Quarterly<\/em>, 66, Fall, 2018.<\/li>\n<li><a href=\"http:\/\/www.nm1925.ru\/Archive\/Journal6_2018_11\/Content\/Publication6_7054\/Default.aspx\" target=\"_blank\" rel=\"noopener\">Podmoskovnye piatioslozhniki<\/a>\u00a0[Suburban Moscow Pentons].\u00a0<em>Novyi mir<\/em> [The New World], 2018, 11: 179-189, also o<a href=\"https:\/\/magazines.gorky.media\/novyi_mi\/2018\/11\/podmoskovnye-pyatislozhniki.html\" target=\"_blank\" rel=\"noopener\">n the site &#8220;Zhurnal&#8217;nyi zal<\/a>&#8220;. See <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/podmoskovnye-piatislohniki-addendum.docx\">Addendum<\/a>.<\/li>\n<li><a href=\"https:\/\/www.colta.ru\/articles\/literature\/20123-ob-andree-anatolieviche-zaliznyake\" target=\"_blank\" rel=\"noopener\">Ob Andree Anatol&#8217;eviche Zalizniake. K godovshchine smerti<\/a>\u00a0[Andrei Anatol&#8217;evich Zalizniak. On the Occasion of the First Anniversary of his Death].\u00a0<em>Colta.ru<\/em>, 12.24.2018.<\/li>\n<li><a href=\"https:\/\/voplit.ru\/article\/mezhdu-kaverinym-i-buninym-pamyati-lva-loseva\/\" target=\"_blank\" rel=\"noopener\">Mezhdu Kaverinym i Buninym.\u00a0<em>Pamiati L&#8217;va Loseva<\/em>\u00a0<\/a>[Between Veniamin Kaverin and Ivan Bunin. In Memory of Lev Losev; read only version].\u00a0<em>Voprosy literatury<\/em>\u00a0[Problems of Literature]<i>,<\/i>\u00a02018, 6: 126-141 [copiable version: click on the left button]. See <a href=\"https:\/\/uscdornsife.usc.edu\/wp-assets\/187\/MezhduKaverinymAddendum.docx\">Addendum<\/a>. Full version in Book No 36: 186-195.<\/li>\n<li><a href=\"https:\/\/www.nlobooks.ru\/magazines\/novoe_literaturnoe_obozrenie\/154_nlo_6_2018\/article\/20447\/\" target=\"_blank\" rel=\"noopener\">Nauka, poeziia i pravda: k razboru pesenki Vysotskogo o Kuke<\/a>\u00a0[Science, Poetry and Truth: Toward an Analysis of Vladimir Vysotsky\u2019s Song About James Cook].\u00a0<i>Novoe literaturnoe obozrenie\u00a0<\/i>[New literary survey], 2018, 6 (154). P. 222-249.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/NaukaPoziiaPravda.pdf\">Printable version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3445\" target=\"_blank\" rel=\"noopener\">Mukhi, slony i glaza nabliudatelia: O motive &#8220;(ne)razlicheniia malogo&#8221;<\/a>\u00a0\u00a0[Of Flies, Elephants and the Eye of the Beholder: On the motif of &#8216;fine distinctions&#8217;].\u00a0<i>Zvezda<\/i> [The Star], 2019,\u00a01: 245-249; also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2019\/1\/muhi-slony-i-glaza-nablyudatelej.html\" target=\"_blank\" rel=\"noopener\">on the site \u201cZhurnal\u2019nyi zal\u201d<\/a>. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/MukhiSlony.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/VinetkiKakRomanVospitaniia.pdf\">Vin&#8217;etki kak roman vospitaniia<\/a>\u00a0[Vignettes as\u00a0<em>Bildungsroman]<\/em>\u00a0\/\/ Literatura [Literature],\u00a0<a href=\"http:\/\/lit.1september.ru\/\" target=\"_blank\" rel=\"noopener\">2019, 1-2<\/a>\u00a0(790), 2019-01-01. P. 54-55. An on-line attachments for subscibers &#8212; &#8220;<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/NepedagogicheskaiaPoema.pdf\">Nepedagogicheskaia poema v 27 vin&#8217;etkakh<\/a>&#8221; [An Unpedagogical Poem in 27 Vignettes] (p. 1-50) &amp; &#8220;<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/O-polzeVkuse.pdf\">O pol&#8217;ze vkusa (Chernyshevskii)<\/a>&#8221; [On the Use of Taste (Chernyshevsky)].<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3501\" target=\"_blank\" rel=\"noopener\">Iubileinoe<\/a>\u00a0[Anniversarial].\u00a0<em>Zvezda\u00a0<\/em>[The Star], 2019, 3: 253-260. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2019\/3\/yubilejnoe-7.html\" target=\"_blank\" rel=\"noopener\">on the site \u201cZhurnal\u2019nyi zal.<\/a>\u201d<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/stoikoe-obaianie.pdf\">Stoikoe obaianie &#8220;Dvukh kapitanov&#8221;, ili sotsrealism s chelovecheskim litsom<\/a>\u00a0[The Stable Charm of\u00a0<em>The Two Captains<\/em>, or Socialist Realism with a Human Face].\u00a0<i>Entsiklopediia &#8220;Dvukh kapitanov&#8221;\u00a0<\/i>[The Encyclopedia of\u00a0<em>The Two Captains<\/em>]. In 2 vls. Vol. 2. Moscow: Politicheskaia entsiklopediia. P. 26-61.<\/li>\n<li><a href=\"http:\/\/znamlit.ru\/publication.php?id=7235\" target=\"_blank\" rel=\"noopener\">&#8220;Kuritsa&#8221;: k sekretam poeticheskoi kukhni Semiona Slepakova<\/a>\u00a0[\u201cThe Stupid Hen\u201d:\u00a0 Some Secrets of Semen Slepakov\u2019s Poetic Cuisine].\u00a0<em>Znamia<\/em> [The Banner], 2019, 4: 182-190. Also <a href=\"https:\/\/magazines.gorky.media\/znamia\/2019\/4\/kuricza.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi zal.&#8221;<\/a><\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3544\" target=\"_blank\" rel=\"noopener\">&#8220;Griadushchei smerti godovshchinu\u2026&#8221;. Eshche raz o motive obratnogo shcheta<\/a>.\u00a0<em>Zvezda<\/em> [The Star], 2019, 5: 247-260. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2019\/5\/gryadushhej-smerti-godovshhinu.html\" target=\"_blank\" rel=\"noopener\">on the site \u201cZhurnal\u2019nyi zal.<\/a>\u201d<\/li>\n<li><a href=\"http:\/\/www.nm1925.ru\/Archive\/Journal6_2019_7\/Content\/Publication6_7226\/Default.aspx\" target=\"_blank\" rel=\"noopener\">Iskusstvo kak podvokh. Vin&#8217;etki<\/a>\u00a0[Art as Subterfuge. Vignettes].\u00a0<i>Novyi Mir<\/i>\u00a0[New World], 2019, 7: 78-92.<\/li>\n<li>I<a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3578\" target=\"_blank\" rel=\"noopener\">t\u2019s not about Sex!<sup>\u00a0<\/sup>O rasskaze Zosh\u0441henko &#8220;Lichnaia zhizn&#8217;&#8221;<\/a>\u00a0[It\u2019s not about Sex! Zosh\u0441henko&#8217;s Short Story &#8220;Personal Life&#8221;].\u00a0<i>Zvezda\u00a0<\/i>[The Star], 2019, 7: 248-260; also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2019\/7\/its-not-about-sex.html\" target=\"_blank\" rel=\"noopener\">on the site \u201cZhurnal\u2019nyi zal\u201d<\/a>; also in: <i>Literaturoman(n)iia. K 90-letiiu Iuriia Vladimirovicha Manna<\/i>\u00a0[Literature-man(n)ia. Sbornik statei [A Collection of Essays for Yurii V. Mann&#8217;s 90th Birthday]. Ed. by O.V. Fedunina, V.B. Zuseva-Ozkan. M.: RGGU, 2019, 553-572.<\/li>\n<li><a href=\"http:\/\/znamlit.ru\/publication.php?id=7338\" target=\"_blank\" rel=\"noopener\">Dva rasskaza: &#8220;Verevochka&#8221;, &#8220;Golubaia pantera&#8221;<\/a>\u00a0[Two Short Stories: &#8220;The Little Rope,&#8221; &#8220;A Blue Panther&#8221;].\u00a0<i>Znamia<\/i> [The Banner], 2019, 8: 62-65, 65-68.<\/li>\n<li><a href=\"https:\/\/www.nlobooks.ru\/magazines\/novoe_literaturnoe_obozrenie\/159_nlo_5_2019\/article\/21554\/\" target=\"_blank\" rel=\"noopener\">Gamlet s pistoletom, ili poetika povelitel&#8217;nosti\u00a0<\/a>[A Hamlet with a Pistol, or a Poetics of Imrepativemess]. N<i>Novoe literaturnoe obozrenie\u00a0<\/i>[New literary survey], 2019, 5: 256-264; also <a href=\"https:\/\/magazines.gorky.media\/nlo\/2019\/5\/gamlet-s-pistoletom-ili-poetika-povelitelnosti.html\" target=\"_blank\" rel=\"noopener\">on the site &#8220;Zhurnal&#8217;nyi za<\/a>l&#8221;. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/gamletovskii-NLO-FIN.pdf\">PDf-version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3647\" target=\"_blank\" rel=\"noopener\">&#8220;Znakomaia L&#8217;vitsa&#8221; i drugie vin&#8217;etki\u00a0<\/a>[&#8220;A Lioness We Know&#8221; and Other Vignettes].\u00a0<i>Zvezda\u00a0<\/i>[The Star], 2019, 11: 10-23.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/znakomaia-lvitsaFinal.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"http:\/\/voplit.ru\/main\/index.php\/main?p=i&amp;y=2019&amp;s=&amp;n=5#15509\" target=\"_blank\" rel=\"noopener\">Koroche, byl ia tam<\/a>\u00a0[In a Word, I Was There!].\u00a0<em>Voprosy literatury<\/em>\u00a0[Problems of literature] 2019, 5: 246-256. The online addresses in the text of the article are clickable; a Word-file with images see\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/KorocheBylIaTam.docx\">here<\/a>.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Razb-trekh-razb.pdf\">Razbor trekh razborov.\u00a0<i>Avtoevristicheskie zametki\u00a0<\/i><\/a>[Analyzing Three Analyses: Autoheuristic Notes].\u00a0<i>Letniaia shkola po russkoi literature\u00a0<\/i>[Summer School in Russian Literature], 2019, Vol. 15 (\u2116 2-3): 312-334. Also in:\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/RazborTrekhRazbHomo.pdf\">Kollektiv avtorov.<\/a>\u00a0<i>Homo scriptor. Sbornik statei\u00a0i\u00a0materialov v chest\u2019 70-letiia Mikhaila Epshteina \/ \u00a0Sost. M. Lipovetskii<\/i>\u00a0\u00a0[A Group of Authors. Homo scriptor. A Collection of Essays and Materials in Honor of Mikhail Epshtein\u2019s 70-th Birthday]. Moscow: NLO, 2020. P. 57-68.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3704\" target=\"_blank\" rel=\"noopener\">&#8220;Tekst v tekste&#8221;: avtory i chitateli sredi personazhei\u00a0<\/a>[&#8220;A Text Inside a Text&#8221;: Authors and Readers among the Characters].\u00a0<i>Zvezda\u00a0<\/i>[The Star], 2020, 1: 259-275. Also on the site &#8220;<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2020\/1\/tekst-v-tekste-avtory-i-chitateli-sredi-personazhej.html\" target=\"_blank\" rel=\"noopener\">Zhurnal&#8217;nyi zal<\/a>.&#8221;\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/tekst-v-tekste.pdf\">PDF-version<\/a>. Also in<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Tekst-v-tekste-Fest-Sukhikh.pdf\">\u00a0book:\u00a0<em>Territoriia slovesnosti: Sbornik v chest&#8217; professora I.N. Sukhikh<\/em><\/a>\u00a0[The territory of literature: Essyas to honor the 70th birthday of Professor Igor Nikolaevich Sukhikh]. Ed. by A.D. Stepanov, A.N. Stepanova. St. Petersburg: Nestor-Istoriia, 2022. P. 9-31.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/MotivAkterstva.pdf\">Motiv akterstva v ezopovskoi poetike Fazilia Iskandera<\/a>\u00a0[The Motif of \u201cPlay-acting\u201d in Fazil Iskander\u2019s Aesopian Poetics].\u00a0<a href=\"http:\/\/litinstitut.ru\/content\/vestnik-literaturnogo-instituta-imeni-am-gorkogo-no-4-2019\" target=\"_blank\" rel=\"noopener\">Vestnik Literaturnogo Instiuta A.M. Gor\u2019kogo<\/a>\u00a0[The Messenger of the A.M. Gorky Literary Institute], 2019, 4: 32-41.<\/li>\n<li><a href=\"http:\/\/www.nm1925.ru\/Archive\/Journal6_2020_2\/Content\/Publication6_7395\/Default.aspx\" target=\"_blank\" rel=\"noopener\">Skreshchen&#8217;ia ruk, nog, tropov i drugikh poeticheskikh priemov v \u201cZimnei nochi\u201d Pasternaka\u00a0<\/a>[Intersections\/Crossing of Arms, Legs, Tropes and Other Poetic Devices in Boris Pasternak\u2019s \u201cWinter Night\u201d].\u00a0<i>Novyi mir<\/i>\u00a0[The New World], 2020, 2: 180-184.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Skreshchenia-ruk.pdf\">Workable PDF<\/a>.<\/li>\n<li>N<a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3794\" target=\"_blank\" rel=\"noopener\">a sobstvennoi tiage<\/a>\u00a0[On one\u2019s own steam].\u00a0<i>Zvezda\u00a0<\/i>[The Star], 2020, 5: 263-275. Also on the site \u201c<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2020\/5\/na-sobstvennoj-tyage.html\" target=\"_blank\" rel=\"noopener\">Zhurnal&#8217;yi za<\/a>l\u201d.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/na-sobstv-tiage.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"http:\/\/znamlit.ru\/publication.php?id=7663\" target=\"_blank\" rel=\"noopener\">\u201cAgaf\u2019ia\u201d: \u201cdvukhberezhnyi\u201d\u00a0shedevr Chekhova<\/a>\u00a0[\u201cAgaf\u2019ia\u201d: Anton Chekhov\u2019s \u201cboth river-banks\u201d masterpiece].\u00a0<em>Znamia<\/em>\u00a0[The Banner], 2020, 7: 175-196. Also\u00a0<a href=\"https:\/\/magazines.gorky.media\/znamia\/2020\/7\/agafya-dvuhberezhnyj-shedevr-chehova.html\" target=\"_blank\" rel=\"noopener\">on the site \u201cZhurnal&#8217;nyi zal\u201d<\/a>.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Agafiia.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/nm1925.ru\/articles\/2020\/09-2020\/dushechka-labirint-stsepleniy\/\">&#8220;Dushechka&#8221;: labirint stseplenii<\/a>\u00a0[\u201cThe Darling\u201d: A Labyrinth of Concatenations].\u00a0<i>Novyi<\/i>\u00a0<i>mir<\/i>\u00a0[The New World], 2020, 9: 172-191.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/dushechka.pdf\">PDF-version<\/a>.<\/li>\n<li>[co-authored with Lada Panova]\u00a0<a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3874\" target=\"_blank\" rel=\"noopener\">Bol\u2019she, chem master: Poetika i pragmatika antistalinskoi epigrammy Mandel\u2019shtama<\/a>\u00a0[More Than a Master: The Poetics and Pragmatics of Ossip Mandelstam\u2019s anti-Stalin Epigram].\u00a0<i>Zvezda\u00a0<\/i>[The Star], 2020, 9: 256-276. Also o<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2020\/9\/bolshe-chem-master.html\" target=\"_blank\" rel=\"noopener\">n the site \u201cZhurnal\u2019nyi zal<\/a>.\u201d <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/bolshe-chem-master.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/LinguisticsAndPoetics.pdf\">Linguistics and poetics &#8212; and some other smoldering issues of literary analysis: An auto-heuristic study<\/a>.\u00a0<i>Slavic and East Europen Journal,\u00a0<\/i>64 (2020), 2: 155-177. (<a href=\"https:\/\/www.youtube.com\/watch?v=A66Ke2cnO9c&amp;feature=youtu.be\" target=\"_blank\" rel=\"noopener\">Linguistics and Poetics and Some Other Smoldering Issues of Literary Analysis: An (auto)heuristic study.&#8221;\u00a0<\/a>&#8212; Keynote address, AATSEEL, Feb 8, 2020, San Diego, Ca.)<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3943\" target=\"_blank\" rel=\"noopener\">Filii, ili Spor drevnikh i novykh<\/a>\u00a0[Philios, or Quarrel of ancients and moderns].\u00a0<i>Zvezda\u00a0<\/i>[The Star], 2020, 12: 225-230. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2020\/12\/filij-ili-spor-o-drevnih-i-novyh.html\" target=\"_blank\" rel=\"noopener\">on the site \u201cZhurnal\u2019nyi zal.<\/a>\u201d\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Filii.pdf\">PDF-version<\/a>.<\/li>\n<li>U<a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3971\" target=\"_blank\" rel=\"noopener\">m v tsarstve duraka: \u201cAnton Palych Chekhov odnazhdy zametil&#8230;\u201d, ili Poetika nedogovarivaniia<\/a>\u00a0[\u201cFolly Controlling Skill\u201d: Bulat Okudzhava\u2019s \u201cAnton Palych Chekhov Once Remarked\u201d, or a Poetics of Understatement],\u00a0<em>Zvezda<\/em> [The Star], 2021, 1: 270-281. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2021\/1\/um-v-czarstve-duraka.html\" target=\"_blank\" rel=\"noopener\">on the site \u201cZhurnal\u2019nyi zal<\/a>.\u201d <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/UmVTsarstveDuraka.pdf\">PDF-version<\/a>.\u00a0Also in:\u00a0<i>Professor, syn professora: Pamiati N.A. Bogomolova\u00a0<\/i>\u00a0[Professor, a Son of Professor: In memory of N.A. Bogomolov]. Ed by N.A. Bogomolova, O.L. Dovgii, A. Iu. Sergeeva-Klatis. Moscow: Fakul&#8217;tet zhurnalistiki MGU; Vodolei, 2022. P. 145-158.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/um-v-tsarstve-Professor-Bogomolov-3.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=3976%20\" target=\"_blank\" rel=\"noopener\">&#8220;Serenada&#8221; i drugie vin&#8217;etki<\/a>\u00a0[&#8220;A Serenade&#8221; and Other Vignettes].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2021, 2: 8-20.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Serenada-ZV-2021-2.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4012\" target=\"_blank\" rel=\"noopener\">O kaprizakh literaturnoi retseptsii\u00a0<\/a>[The Whims of Literary Reception].\u00a0<em>Zvezda<\/em>\u00a0[The Star], 2021, 3: 265-274.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/O-kaprizakh-Zv-03_2021.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/www.nlobooks.ru\/magazines\/novoe_literaturnoe_obozrenie\/169_nlo_3_2021\/\" target=\"_blank\" rel=\"noopener\">Tiazhelaia poteria<\/a>\u00a0[A grave loss].\u00a0<i>Novoe literaturnoe obozrenie\u00a0<\/i>[New literary survey; cluster \u201cIn Memoriam: Nikolai Bogomolov, 1950-2020\u201d], 2021, 169: 241-244.\u00a0Also in:\u00a0<i>Professor, syn professora: Pamiati N.A. Bogomolova\u00a0<\/i>\u00a0[Professor, a Son of Professor: In memory of N.A. Bogomolov]. Ed by N.A. Bogomolova, O.L. Dovgii, A. Iu. Sergeeva-Klatis. Moscow: Fakul&#8217;tet zhurnalistiki MGU; Vodolei, 2022. P. 31-34. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/tiazhelaia-poteria-Professor-Bogomolov.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4127\" target=\"_blank\" rel=\"noopener\">Kak &#8220;sdelan&#8221; Vorontsov Pushkina: K strukture epigrammy &#8220;Polu-milord, polu-kupets\u2026&#8221;<\/a>\u00a0[How Pushkin\u2019s \u201cVorontsov\u201d Was Made (= Done in): The Structure of His \u201cHalf-Milord, Half-Merchant\u2026\u201d Epigram].\u00a0<em>Zvezda<\/em> [The Star], 2021, 9: 235-251. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2021\/9\/kak-sdelan-voronczov-pushkina.html\" target=\"_blank\" rel=\"noopener\">on the site \u201cZhurnal\u2019nyi zal<\/a>.\u201d<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/KakSdelanVorontsov.pdf\">PDF-version<\/a>. Also in Book No 38: 12-35.<\/li>\n<li><a href=\"https:\/\/www.nlobooks.ru\/magazines\/novoe_literaturnoe_obozrenie\/171_nlo_5_2021\/\" target=\"_blank\" rel=\"noopener\">Kholosio!<\/a>\u00a0[Pelfect!].\u00a0<em>Novoe literaturnoe obozrenie<\/em>\u00a0[New literary survey], 2021, 5 (171): 251-264.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Kholosio.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Zametki-o-Poezii-Agrammatiki.pdf\">Zametki o \u201cpoezii agrammatiki\u201d Eduarda Limonova<\/a>\u00a0[Notes on Eduard Limonov\u2019s \u201cpoetry of ungrammaticality&#8221;].\u00a0<em>\u201cLianozovskaia shkola\u201d: Mezhdu barachnoi poeziei i russkim konkretizmom<\/em>\u00a0[\u201cThe Lianozovo School\u201d: Between a \u201cprojects\u201d poetry and a Russian concretism]. Eds. G. Zykova, V. Kulakov, M. Pavlovets. Moscow: Novoe literaturnoe obozrenie [New literary survey], 2021. S. 638-663.<\/li>\n<li><a href=\"https:\/\/urldefense.com\/v3\/__https:\/\/www.mdpi.com\/2077-1444\/12\/7\/506\/htm__;!!LIr3w8kk_Xxm!_Igl1k64o5VDcGiG4x9d2Ek_bwNSiAGNPFjSC3M2WhxI11E4ZPVXyCn8Otu6$\" target=\"_blank\" rel=\"noopener\">To Be or Not to Be God: The Issue of Authorial Power in Dostoevsky<\/a>.\u00a0<i>Religions<\/i>\u00a0(ISSN 2077-1444), Vol. 12, 7 (2021; forthcoming in a paper edition); a revised English version of # 151.<\/li>\n<li><a href=\"http:\/\/www.nm1925.ru\/Archive\/Journal6_2021_3\/Content\/Publication6_7702\/Default.aspx\" target=\"_blank\" rel=\"noopener\">\u201cMistifikasion?\u201d i drugie vin\u2019etki<\/a>\u00a0[\u201cMystification?\u201d and other vignettes],\u00a0<i>Novyi mir<\/i>, 2021, 3: 115-128. On the web site\u00a0<a href=\"https:\/\/magazines.gorky.media\/novyi_mi\/2021\/3\/mistifikason-i-drugie-vinetki.html\" target=\"_blank\" rel=\"noopener\">&#8220;Gor&#8217;kii&#8221;<\/a>.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/MistificacionNovyiMir.pdf\">Pdf-version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4170\" target=\"_blank\" rel=\"noopener\">O motive lozhnogo vybora<\/a>\u00a0[On the motif of false choice].\u00a0<i>Zvezda<\/i> [The Star], 2021, 11: 260-274. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2021\/11\/o-motive-lozhnogo-vybora.html\" target=\"_blank\" rel=\"noopener\">on the site \u201cZhurnal\u2019nyi zal<\/a>.\u201d\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/oMotiveLozhnogoVybora.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/voplit.ru\/article\/o-glav-meta-pesenke-bulata-okudzhavy\/\" target=\"_blank\" rel=\"noopener\">O glav-meta-pesenke Bulata Okudzhavy<\/a>\u00a0[On Bulat Okudzhava\u2019s main meta-song].\u00a0<i>Voprosy literatury<\/i>\u00a0[Problems of literature], 2021, 5: 126-151.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/O-Glanv-meta-Vopli-05-2021.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4212\" target=\"_blank\" rel=\"noopener\">\u201cA my shveitsaru: \u2018Otvorite dveri\u2026\u2019 \u201c: K structure netipichnogo teksta Okudzhavy<\/a>\u00a0[\u201cSo we tell the doorman: \u2018Open the doors\u2026\u2019]: On the Structure of Bulat Okudzhava\u2019s atypic text].\u00a0<i>Zvezda<\/i> [The Star], 2022, 1: 259-273. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2022\/1\/a-my-shvejczaru-otvorite-dveri.html\" target=\"_blank\" rel=\"noopener\">on the site \u201cZhurnal\u2019nyi zal<\/a>.\u201d\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/A-My-Shveitsaru.pdf\">PDF-version<\/a>. Also in English: <a href=\"https:\/\/www.mdpi.com\/2076-0752\/13\/3\/81\" target=\"_blank\" rel=\"noopener\">Testing Textual and Territorial Boundaries in Bulat Okudzhava\u2019s Song \u201cAnd We to the Doorman: \u2018Open the Doors!\u2019\u201d<\/a> <i>Arts<\/i> <span lang=\"RU\">2024<\/span><span lang=\"RU\">, <i>13<\/i>(3), 81 (Music vis-\u00e0-vis Other Arts in Eastern and Central Europe: Performance, Literature, Theatre, Art\/Architecture and Visuality<strong>,<\/strong> Academic editor Dennis Ioffe). <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/01\/testing-textual-and-territorial-boundaries.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/span><\/li>\n<li><a href=\"https:\/\/doi.org\/10.18485\/ms_zmss.2021.100.43\" target=\"_blank\" rel=\"noopener\">Seks v ramkakh \u2014 2021<\/a>\u00a0[Sex Framed \u2014 2021] \/\/ \u0417\u0431\u043e\u0440\u043d\u0438\u043a \u041c\u0430\u0442\u0438\u0446\u0435 \u0441\u0440\u043f\u0441\u043a\u0435 \u0437\u0430 \u0441\u043b\u0430\u0432\u0438\u0441\u0442\u0438\u043a\u0443, Vol. 2021, No. 100. P. 761-780.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/seks-v-ramkakh.pdf\">PDF-version<\/a>.<\/li>\n<li>&#8220;<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/fiction-doc-ili-narochno.docx\">Fikshn.dok: narochno ne pridumaesh\u2019\u00a0<\/a>&#8221; [Fiction.doc: stranger than fiction]. Paper at\u00a0<i>XXIX<\/i><i>\u00a0International Iurii Lotman Colloquium<\/i>, Moscow, RSUH, 25 December 2021.\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=OY9onTTJNeg\" target=\"_blank\" rel=\"noopener\">Video version<\/a>.<\/li>\n<li>&#8220;<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/The_Poetry_of_Grammar_PR.pdf\">The Poetry of Grammar and Ungrammaticality<\/a>.\u00a0Alexander Zholkovsky\u00a0Interviewed by the editors of\u00a0<em>Pushkin Review<\/em>.&#8221;<a href=\"https:\/\/muse.jhu.edu\/issue\/47008\" target=\"_blank\" rel=\"noopener\">\u00a0<i>Pushkin Review<\/i>,<\/a>\u00a0vol. 22-23, 2020-2021, p. 135-167. &#8220;<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Selected_Bibliography_PR.pdf\">Selected Bibliography of Alexander Zholkovsky&#8217;s Works on Pushkin<\/a>.&#8221;\u00a0<a href=\"https:\/\/muse.jhu.edu\/issue\/47008\" target=\"_blank\" rel=\"noopener\"><i>Pushkin Review<\/i><\/a>, vol. 22-23, 2020-2021, p. 169-178.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4299\" target=\"_blank\" rel=\"noopener\">EO, 4, XXVI,<sub>13-14\u00a0<\/sub>: K poetike kontsovok oneginskoi strof<\/a>y [<i>Eugene Onegin<\/i>,<i>\u00a0<\/i>4, XXVVI,<sub>13-14 <\/sub>: Towards a Poetics of the Finales of the Onegin stanza]. <i>Zvezda<\/i> [The Star], 2022, 5: 259-275. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2022\/5\/eo-4-xxvi-13-14.html\" target=\"_blank\" rel=\"noopener\">on the site \u201cZhurnal\u2019nyi zal.<\/a>\u201d\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/EO_4_XXVI.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"http:\/\/www.nm1925.ru\/Archive\/Journal6_2022_5\/Content\/Publication6_8018\/Default.aspx\" target=\"_blank\" rel=\"noopener\">&#8220;Chuzoe slovo&#8221; i drugie vin\u2019etki<\/a>\u00a0[&#8220;Someone Else\u2019s Discourse&#8221; and other vignettes].\u00a0<i>Novyi mir\u00a0<\/i>[New world], 2022, 5: 97-106.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/chuzhoe-slovo-i-drugie.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4337\" target=\"_blank\" rel=\"noopener\">Vosem\u2019 mini-razborov. Zametki ob ikonike i skhodnykh effektakh<\/a>\u00a0[Eight Mini-Analyses: Notes on Iconicity and Cognate Effects].\u00a0<i>Zvezda<\/i> [The Star], 2022, 7. P. 263-278. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2022\/7\/vosem-mini-razborov.html\" target=\"_blank\" rel=\"noopener\">on the site \u201cZhurnal\u2019nyi zal<\/a>.\u201d\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Vosem-minirazborov.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Zametki_o_2_narrativnykh_Bunina.pdf\" target=\"_blank\" rel=\"noopener\">Zametki o dvukh narrativnykh priemakh Bunina: Effekt \u201cvoronki\u201d and \u201cavtorskie\u201d personazhi<\/a>\u00a0[On Ivan Bunin\u2019s Two Narrative Stratagems: The \u201cFunnel\u201d Effect And The \u201cAuthorial\u201d Characters].\u00a0<i>Ezhegodnik Doma russkogo zarubezh\u2019ia im. Aleksandra Solzhenitsyna 2021-2022\u00a0<\/i>[The Annual papers of the Alexander Solzhenitsyn House of Russian Culture Abroad 2021-2022. Moscow: Dom russkogo zarubezh\u2019ia im. Aleksandra Solzhenitsyna [Alexander Solzhenitsyn House of Russian Culture Abroad], 2022. P.\u00a031-41.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4381\" target=\"_blank\" rel=\"noopener\">\u201cGrammatika liubvi\u201d Bunina: sravnitel\u2019no-istoricheskii aspekt<\/a>\u00a0[Ivan Bunin\u2019s \u201cA Grammar of Love\u201d: a comparative-historical angle].\u00a0<i>Zvezda<\/i> [The Star], 2022, 9. P. 262-280. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2022\/9\/grammatika-lyubvi-bunina-i-topos-poiskov-velikogo-bylogo.html\" target=\"_blank\" rel=\"noopener\">on the site \u201cZhurnal\u2019nyi zal<\/a>.\u201d\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/GrammatikaLiubviBunina-i-Topos.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4349\" target=\"_blank\" rel=\"noopener\">\u201cPodymite mne veki!\u201d i drugie vin\u2019etki<\/a>\u00a0[\u201cLift my eyelids!\u201d and other vignettes].\u00a0<i>Zvezda<\/i>\u00a0[The Star], 2022, 8. P. 114-128.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Podymite-mne-veki.pdf\">PDF-version<\/a>.<\/li>\n<li>Congratulatory speech at the Book Launch of\u00a0<i>LIFETIME LINGUISTIC INSPIRATIONS:<\/i>\u00a0<i>To Igor Mel&#8217;\u010duk from Colleagues and Friends for his 90th Birthday<\/i>\u00a0(<i>Wiener Slawistischer Almanach<\/i>, Sonderband 101; Peter Lang, 2022) at the D\u00e9partement de linguistique et de traduction, Universit\u00e9 de Montr\u00e9al 9:00 AM &#8211; 12 noon (and via Zoom).\u00a0<a href=\"https:\/\/umontreal.zoom.us\/rec\/share\/_bJgkuunAQFIyLWFxuXCu1mHD_THAlIrHxJOv3whtJPdaBdKlGjAejubC-THEMnK.bpFUj7qZoj479pZy\" target=\"_blank\" rel=\"noopener\">Recording<\/a>\u00a0(2 hrs. 04 min. &#8211; 2 hrs. 12 min.) and\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/CongratulatorySpeechIgor-90.docx\">text<\/a>.<strong><br \/>\n<\/strong><\/li>\n<li>Digital High: The Art of Visual Seduction?<a href=\"https:\/\/www.mdpi.com\/2076-0752\/11\/5\/97?utm_campaign=releaseissue_artsutm_medium=emailutm_source=releaseissueutm_term=doilink16\" target=\"_blank\" rel=\"noopener\">\u00a0<em>Arts<\/em>\u00a02022,\u00a0<em>11<\/em>(5), 97<\/a>.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/digital-high.pdf\">PDF-version<\/a>. A revised and espanded English-language version of 287.<\/li>\n<li><a href=\"http:\/\/new.nm1925.ru\/articles\/2023\/03-2023\/inklyuzivnost-eksklyuzivnost-i-my\/\" target=\"_blank\" rel=\"noopener\">Inkluzivnost&#8217;, ekskluzivnosti i &#8220;my&#8221;. Iz zametok o poezii grammatiki<\/a>\u00a0[Inclusiveness, exclusivenes<a href=\"https:\/\/magazines.gorky.media\/novyi_mi\/2023\/3\/inklyuzivnost-eksklyuzivnost-i-my.html\" target=\"_blank\" rel=\"noopener\">s<\/a>\u00a0and &#8220;we&#8221;. From notes on the poetry of grammar].\u00a0<em>Novyi mir<\/em>\u00a0[New World], 2023, 3: 194-211. Same in the &#8220;<a href=\"https:\/\/magazines.gorky.media\/novyi_mi\/2023\/3\/inklyuzivnost-eksklyuzivnost-i-my.html\" target=\"_blank\" rel=\"noopener\">Zhurnal&#8217;nyi zal<\/a>&#8220;.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/inkliuzivnost-ekskliuzivnost.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4457\" target=\"_blank\" rel=\"noopener\">Evg. Evtushenko. Portret neizvestnogo v peizazhe. Ok. 1964. Nabrosok s natury \u2014 pero, mocha, brevna, mat, 1-e l., Kh5zhm, 4\u00d710<\/a>\u00a0[Portrait of an Unknown Man. Circa 1964. Sketch from Nature and Surroundings: pen, urine, logs, obscenities, 1st\u00a0\u00a0pers., trochaic pentameter, 4&#215;10].\u00a0<i>Zvezda<\/i> [The Star], 2023, 1. P. 256-273. Also o<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2023\/1\/evg-evtushenko-portret-neizvestnogo-v-pejzazhe.html\" target=\"_blank\" rel=\"noopener\">n the site \u201cZhurnal\u2019nyi zal.\u201d<\/a>\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/Evg.Evtushenko.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/voplit.ru\/article\/k-semantike-pyatistopnogo-horeya-ob-odnom-arhisyuzhete-h5zhmzhm\/\" target=\"_blank\" rel=\"noopener\">K semantike piatistopnogo khoreia. Ob odnom arkhisiuzhete Kh5ZhMZhM<\/a>\u00a0[Toward the semantics of trochaic pentameter. On an archiplot in T5fmfm],\u00a0<i>Voprosy literatury\u00a0<\/i>[Problems of literature], 2023, 3: 107-140.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2023\/11\/K_semantike_piatistopnogo_khoreia.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4587\">Ai da\u00a0 Fazil\u2019, ai da Iskander!\u00a0<em>Vin\u2019etka s primechaniiami<\/em>\u00a0<\/a>[Good for Fazil\u2019, good for Iskander! A Vignette with Footnotes]. <em>Zvezda<\/em> [The Star], 2023, 7: 263-272. Also o<a href=\"https:\/\/magazines.gorky.media\/zvezda\/2023\/7\/aj-da-fazil-aj-da-iskander.html\" target=\"_blank\" rel=\"noopener\">n the site \u201cZhurnal\u2019nyi zal<\/a>.\u201d\u00a0<a href=\"https:\/\/na01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fuscdornsife.usc.edu%2Fwp-assets%2F187%2FAi-da-Fazil-ai-da-Iskander.pdf&amp;data=05%7C01%7C%7C5bddd1d964e240722ea308dbe589bd4e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638356151975323758%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=oMC8IOOIitGgdW50KQ2oXddDRieNdCZs%2FFGN9K5R4NI%3D&amp;reserved=0\">PDF-version.<\/a><\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4627\">\u201cSpat\u2019 nad knigoi\u201d i drugie vin\u2019etki s primechaniiami<\/a> [\u201cTo Sleep While Reading the Book\u201d and Other Vignettes with Footnotes]. <em>Zvezda<\/em> [The Star],\u00a02023, 9: 260-276.\u00a0<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2026\/01\/Spat-nad-knigoi.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/www.nlobooks.ru\/upload\/iblock\/651\/hk3mzn40okmy2ab9e1ehpan2ix56036q.pdf\">Staroe i novoe: O pesne \u201cDen\u2019 Pobedy\u201d 9 maia Dzhavida Kurbanova i Semena Slepakova<\/a> [The Old and the New: Re \u201cVictory Day May 8,\u201d a song by Dzhavid Kurbanov and Semen Slepakov]. <em><a href=\"https:\/\/www.nlobooks.ru\/magazines\/novoe_literaturnoe_obozrenie\/183_nlo_5_2023\/\" target=\"_blank\" rel=\"noopener\">Novoe literaturnoe obozreni<\/a>e<\/em> [New literary survey], 2023, 183: 168-193.<\/li>\n<li><a href=\"https:\/\/summerjournal.ru\/2023_3-4\">O trekh malen&#8217;kikh sekretakh znamenitoi &#8220;Fedry&#8221; Mandel&#8217;shtama<\/a> [Three Minor Secrets of Mandelstam\u2019s Famous \u201cPhaedra\u201d]. <em>Letniaia shkola po russkoi literature <\/em>[Summer School in Russian Literature], 2023, 19 (3-4): 316-345. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/01\/O-trekh-malenkikh-sekretakh-Fedry.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"http:\/\/litfact.ru\/ru\/nomera-zhurnala\/1068-2023-30\">Pamiati Mikhaila Bezrodnogo<\/a> [In memory of Mikhail Bezrodnyi]. <em>Literaturnyi fact<\/em> [The Literary Fact], 2023, 30: 333-335. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/01\/Pamiati-Mikhaila-Bezrodnogo-LitFakt.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4718\">Pesnia o pesne: metapoeticheskii khit Mikhaila Svetlova &#8220;Grenada&#8221; (1926)<\/a> [A song about a song: Mikhail&#8217;s Svetlov metapoetic hit &#8220;Grenada&#8221; (1926)]. <em>Zvezda<\/em> [The Star], 2024, 1: 257-276. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2024\/1\/pesnya-o-pesne-metapoeticheskij-hit-mihaila-svetlova-grenada.html\" target=\"_blank\" rel=\"noopener\">on the site \u201cZhurnal\u2019nyi zal<\/a>.\u201d<a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/01\/Pesnia-o-prsne-Grenada.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/01\/Kudri-dengi-bigudi.pdf\">Kudri, den\u2019gi\u2026 bigudi<\/a> [Curls, money \u2026 bigoudi]. <em>A Blue Brick. Festschrift in Honor of John E. Bowlt on the Occasion of His 80th Birthday. <\/em>Ed. by Yuri Leving. Frankfurt\/Main: Esterum Publishing, 2023. P. 253-278.<\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/02\/K-intertekstam-Zimnei-nochi.pdf\">K intertekstam \u00abZimnei nochi\u00bb Pasternaka: otkuda <em>dva bashmachka<\/em>?<\/a> [On the Intertexts of Boris Pasternak\u2019 s \u00a0\u201cWinter Night\u201d: Whence \u00a0the \u201ctwo tiny slippers\u201d?]. <em>Sviazuiushchee zveno. Sbornik pamiati Eleny Petrovny Shumilovoi<\/em> [The Mediating Link. Essays to Honor the Memory of Elena Petrovna Shumilova]. Ed. by H. Baran, E. Zhigarina, S. Zenkin, V. Mil&#8217;china. Moscow RGGU (RSUH), 2022. P. 241-251.<\/li>\n<li>\u201c<a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4812\">Zabavnoe prikliuchenie\u201d Zoshchenko. <em>Khorosho temperirivannaia plokhopis\u2019<\/em><\/a> [Mikhail Zoshchenko\u2019s \u201cAn Amusing Adventure\u201d. <em>A Well-Tempered Cacography<\/em>]. <em>Zvezda<\/em> [The Star], 2024, 5: 259-269. <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2024\/5\/zabavnoe-priklyuchenie-zoshhenko-horosho-temperirovannaya-plohopis.html\">Same in the \u201cZhurnal\u2019nyi zal.<\/a>\u201d <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/05\/zabavnoe-prikliuchenie-zoshchenko.pdf\">PDF-version.<\/a><\/li>\n<li><a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/07\/na-somaliiskom-fronte.pdf\" target=\"_blank\" rel=\"noopener\">\u00abNa somaliiskom fronte\u00bb i drugie vin&#8217;etki s vostochnym aktsentom <\/a>[\u201cOn the Somali Front\u201d and Other Vignettes with an Oriental Accent]. Tangutskaia i kitaiskaia filologiia. K iubileiu M.V. Sofronova [Tangu and Chinese\u00a0 Philology\/ On the Occasion of \u00a0Mikhail Sofronov\u2019s Anniversary] . Moscow, Institut vostokovedeniia RAN [Institute of Oriental Studies of the RAS], 2024: 39-78. (Uchenye zapiski Otdela Kitaia Instituta Vostokovedeniia RAN. Vyp. 47 \/ Redkoll.: A. I. Kobzev i dr. [Scholarly Proceedings of the Department of China, Institute of Oriental Studies RAS. Vol. 47\/ Ed. by A. I. Kobzev et al.]).<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4857\" target=\"_blank\" rel=\"noopener\">\u201cA riabchika etogo my raz\u201diasnim\u201d: Ob odnom epizode chekhovskoi \u201cPoprygun\u2019i\u201d<\/a> [\u201cAnd as for the grouse, we\u2019ll look into that later\u201d: reading closely an episode of Chekhov\u2019s \u201cGrasshopper\u201d]. Zvezda [The Star], 7: 256-272. Also <a href=\"https:\/\/magazines.gorky.media\/zvezda\/2024\/7\/a-ryabchika-etogo-my-razyasnim.html\" target=\"_blank\" rel=\"noopener\">on the site \u201cZhurnal\u2019nyi zal<\/a>.\u201d <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/08\/A-riabchika-etogo.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4892\" target=\"_blank\" rel=\"noopener\">\u201cTonkii shram na liubimoi pope\u201d: K poetike nevol&#8217;nogo khita Marka Freidkina<\/a> [\u201cThe fine scar on my beloved butt\u201d: The poetics of Mark Freidkin\u2019s unwitting hit]. <em>Zvezda<\/em> [The Star], 2024, 9: 260-276. Also on the site \u201cZhurnal&#8217;nyi zal\u201d. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/09\/tonkii-shram-na-liubimoi.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/nm1925.ru\/articles\/2024\/10-2024\/na-kresle-otvalyas-molchu-poteryannyy-ili-feta-tonkiy-karandash\/\" target=\"_blank\" rel=\"noopener\"><em>Na kresle otvalias&#8217; &#8212; molchu, poteriannyi<\/em>, ili Feta tonkii karandash<\/a> [Laid back in my arcmchair &#8212; I&#8217;m silent, at loss, or: Afanasii Fet&#8217;s fine pencil]. <em>Novyi mir<\/em> [New World], 2024, 10: 189-204. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/11\/Na-kresle-otvalias-molchu.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4927\" target=\"_blank\" rel=\"noopener\">&#8220;Sosny&#8221; Pasternaka: Temy, struktury, umolchaniia, fon<\/a> [Boris Pasternak&#8217;s &#8220;Pine Trees&#8221;: Themes, structures, omissions, background]. <em>Zvezda<\/em> [The Star], 2024, 11: 261-276. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/11\/Sosny-Pasternaka-Temy.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/li>\n<li>Mark i Zhora: Zametki o poezii grammatiki i perevode [Mark and Zhora: Notes on translation and the poetry of grammar]. <em>Inostrannaia litreratura<\/em>\u00a0[Foreign Literature], 2024, 11: 251-267. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/11\/Mark-i-Zhora.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/litfact.ru\/ru\/nomera-zhurnala\/1210-2024-34\" target=\"_blank\" rel=\"noopener\">Pamiatnik nauchnoi oshibke: eshche raz o gibeli Kuka po Vysotskomu<\/a> [A Monument to a Scientific Error: Revisiting Vysotsky\u2019s Version of James Cook\u2019s Death]. <em>Literaturnyi fakt<\/em> [Literary fact], 2024, 4 (34): 270\u2013281. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2024\/12\/Pamiatnik-nauchnoi-oshibke.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/www.mdpi.com\/2076-0752\/14\/1\/2\" target=\"_blank\" rel=\"noopener\">Recollections and Reflections About My Dad, Leo Mazel (1907\u20132000)<\/a>. <em>Arts<\/em> 2025, <em>14<\/em>(1), 2 (Music vis-\u00e0-vis Other Arts in Eastern and Central Europe: Performance, Literature, Theatre, Art\/Architecture and Visuality<strong>, <\/strong>Academic editor Dennis Ioffe). <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/01\/Recollections-and-Reflections-about-Leo-Mazel.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/nm1925.ru\/articles\/2024\/12-2024\/iz-tretikh-ust-i-drugie-filologicheskie-vinetki\/\" target=\"_blank\" rel=\"noopener\">\u201cIz tret\u2019ikh ust\u201d i drugie filologicheskie vin\u2019etki<\/a> [\u201cFrom a Third Party\u2019s Mouth\u201d and Other philological vignettes]. <em>Novyi<\/em><em> mir<\/em><em>\u00a0 [New World], <\/em>2024, 12: 72-80. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/01\/Iz-tretikh-ust.pdf\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/summerjournal.ru\/2024-2-3\" target=\"_blank\" rel=\"noopener\">&#8220;I WANNA BE LIKE YOU!..&#8221; K mimeticheskoi poetike &#8220;Knigi dzhunglei&#8221; Disneiia<\/a> [&#8220;I WANNA BE LIKE YOU!..&#8221; On the mimetic poetics of Walt Disney\u2019s <em>The Jungle Book<\/em> (1967)]. <em>Letniaia shkola po russkoi literature <\/em>[Summer School in Russian Literature], 2024, 2-3: 235-245. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/01\/I-wanna-be-like-you.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=4963\" target=\"_blank\" rel=\"noopener\">Eshche raz pro grafomanstvo kak priem: &#8220;Za chto ubili Pushkina v lesu.?..&#8221;<\/a> (S kommnetariami avtorov) [Revisiting\u00a0 Grfafomania as Technique: &#8220;Why Did they Kill Pushkin in the Woods?..&#8221; (With comments by the authors)]. <em>Zvezda<\/em> [The Star], 2025, 1: 262-275. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/01\/Za-chto-ubili-Puskina-ZV-2025-1-262-275.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/li>\n<li><span dir=\"ltr\" role=\"presentation\"><a href=\"https:\/\/steps.ranepa.ru\/jour\/article\/view\/23\/23\" target=\"_blank\" rel=\"noopener\">SOSNY =&gt; VOLNY: Kak eto sdelano <\/a>[How Pasternak\u2019s pine trees were <\/span><span dir=\"ltr\" role=\"presentation\">made into waves].<\/span> <em><span dir=\"ltr\" role=\"presentation\">Shagi \/ Steps<\/span><\/em><span dir=\"ltr\" role=\"presentation\">,<\/span> <span dir=\"ltr\" role=\"presentation\">10<\/span><span dir=\"ltr\" role=\"presentation\">(4), 213\u2013229. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/02\/Sosny-Volny-Kak-eto-sdelano.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<br \/>\n<\/span><\/li>\n<li>&#8220;<a href=\"https:\/\/www.nlobooks.ru\/upload\/iblock\/173\/lm33jmg3zft03h5elnq10oz16zrc1f0k\/191-NLO-Zholkovsky.pdf\" target=\"_blank\" rel=\"noopener\">Shostakovich nash Maksim&#8230;,&#8221; ili Eshche raz pro grafomanstvo kak priem<\/a> [&#8220;Shostakovich Our &lt;Friend&gt; Maxim..,&#8221; Revisiting Graphomania as Technique Once Again]. <em>Novoe literaturnoe obozrenie<\/em> [New literary survey], 2025, 191: 325-333. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/02\/Shostakovich-nash-Maksim-NLO-191.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version.<\/a><\/li>\n<li><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=5010\" target=\"_blank\" rel=\"noopener\">Kak sdelan \u201cLilovyi negr\u201d Vertinskogo<\/a> [How Alexander Vertinsky&#8217;s &#8220;A Purple Negro&#8221; Is Made]<em>. Zvezda<\/em> [The Star], 2025, 3: 258-270. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/03\/Kak-sdelan-Lilovyi.pdf\">PDF-version.<\/a><\/li>\n<li>\n<p style=\"font-weight: 400;\"><a href=\"https:\/\/www.maticasrpska.org.rs\/zmszs_107\/\" target=\"_blank\" rel=\"noopener\">O tekstakh \u2013 s udovol\u2019stviem<\/a> [About texts \u2014 with pleasure]. <em>\u0417\u0431\u043e\u0440\u043d\u0438\u043a<\/em> <em>\u041c\u0430\u0442\u0438\u0446\u0435<\/em> <em>\u0441\u0440\u043f\u0441\u043a\u0435<\/em> <em>\u0437\u0430<\/em> <em>\u0441\u043b\u0430\u0432\u0438\u0441\u0442\u0438\u043a\u0443<\/em> [Matica Srpska, Division Of Literature And Language], 107, 2025 (\u00abMiraculum vitae: \u041a 80-\u043b\u0435\u0442\u0438\u044e \u041c\u0438\u0445\u0430\u0438\u043b\u0430 \u0411\u043e\u0440\u0438\u0441\u043e\u0432\u0438\u0447\u0430 \u041c\u0435\u0439\u043b\u0430\u0445\u0430\u00bb [Miraculum vitae: In honor of Mikhail Borisovich Meilakh\u2019s 80<sup>th<\/sup> Birthday]). P. 151-166. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/06\/O-tekstakh-s-udovolstviem.pdf\">PDF-version <\/a>.<\/p>\n<\/li>\n<li>\n<p style=\"font-weight: 400;\"><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=5104\" target=\"_blank\" rel=\"noopener\">\u201cMozhet, eto prozvuchit rezko\u2026\u201d: Filatov i Rozhdestvenskii (K teorii parodii)<\/a> [\u201cThis might just sound crude\u2026\u201d: Leonid Filatov and Robert Rozhdestvenskii (Towards a Theory of Parody)]. <em>Zvezda<\/em> [The Star], <span lang=\"RU\" style=\"font-weight: 400;\">2025, 7: 253-274. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/07\/Mozhet-eto-2025-07-253-274.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version.<\/a><\/span><\/p>\n<\/li>\n<li>\n<p style=\"font-weight: 400;\"><a href=\"https:\/\/nm1925.ru\/articles\/2025\/7-2025\/politseyskie-i-vory-i-drugie-vinetki-\/\" target=\"_blank\" rel=\"noopener\">\u201cPolitseiskie i vory\u201d i drugie vin&#8217;etki \u00a0<\/a> [&#8220;Cops and robbers and other vignettes&#8221;]. <em>Novyi mir <\/em>[New World], 2025, 7:148\u2013157. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/09\/Politseiskie-i-vory-NM-2025-07-148-157.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/p>\n<\/li>\n<li>\n<p style=\"font-weight: 400;\"><a href=\"https:\/\/voplit.ru\/article\/chelovek-v-futlyare-labirinty-stseplenij-pletenie-sloves\/\" target=\"_blank\" rel=\"noopener\">&#8220;Chelovek v futliare&#8221;: labirinty stseplenii, pletenie sloves<\/a> [&#8220;Man in a Case&#8221;: A Labyrinth of Links, Interweaving of Words]. <em>Voprosy literatury<\/em> \u00a0[Problems of literature], 2025, 4: 13\u201338. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/09\/Chelovek-v-futliare-Labirinty.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/p>\n<\/li>\n<li>\n<p style=\"font-weight: 400;\"><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=5147\" target=\"_blank\" rel=\"noopener\">Ob odnoi<span class=\"apple-converted-space\">\u00a0<\/span>ironicheskoi<span class=\"apple-converted-space\">\u00a0<\/span>miniatiure Vladimira Gorokhova (65 kg): Poeziia peristal\u2019tiki i peristal\u2019tika poezii<\/a> [On an Ironic<i>\u00a0<\/i>Miniature by Vladimir Gorokhov (65 kg): Poetry of Peristalsis and Peristalsis of Poetry]. <i>Zvezda <\/i>[The Star], \u00a02025, 9<span lang=\"RU\">:<\/span> 257\u2013271. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/09\/ob-odnoi-Gorokhova.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/p>\n<\/li>\n<li>\n<p style=\"font-weight: 400;\">&#8220;Ia Utrom Prosnulsia i Chto-to Menia Obuialo&#8230;&#8221; Nazyma Hikmeta\u2014Davida Samoilova [\u201cI woke up this morning and something overtook me\u201d: Nazym Hikmet&#8217;s poem and its translation by David Samoilov]. <em>Inostrannaia literatura <\/em>[Foreign Literature], 2025, 9: 253-270. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/09\/Ia-utrom-prosnulsia-Hikmet-Sam-IL9-25-253-270.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/p>\n<\/li>\n<li>\n<p style=\"font-weight: 400;\"><a href=\"https:\/\/pushkinskijdom.ru\/zhurnal-russkaya-literatura\/russkaya-literatura-2025-4\/\" target=\"_blank\" rel=\"noopener\">Dve pesni Marka Freidkina o (ne)liubvi (\u201cKroshka Va\u201d i \u201cAmur perdu\u201d)<\/a> [Two love(less) songs by Mark Freidkin (&#8220;Baby Va&#8221; and &#8220;Amour perdu&#8221;)]. <em>Russkaia literatura<\/em> [Russian Literature], 2025, 4: 5\u201326. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2025\/12\/Dve-pesni-Marka-Freidkina.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/p>\n<\/li>\n<li>\n<p style=\"font-weight: 400;\"><a href=\"https:\/\/zvezdaspb.ru\/index.php?page=8&amp;nput=5239\" target=\"_blank\" rel=\"noopener\">\u201cTol\u2019ko etogo malo\u201d i drugie filologicheskie vin&#8217;etki<\/a> [&#8220;Only that is not enough&#8221; and other philological vignettes], <em>Zvezda<\/em> [The Star], 2026, 1: 259-274. <a href=\"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/wp-content\/uploads\/sites\/187\/2026\/01\/Tolko-etogo-malo-vinetki.pdf\" target=\"_blank\" rel=\"noopener\">PDF-version<\/a>.<\/p>\n<\/li>\n<\/ol>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":355,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-156","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - 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