{"id":1206,"date":"2023-08-04T07:55:39","date_gmt":"2023-08-04T14:55:39","guid":{"rendered":"https:\/\/live-usc-dornsife.pantheonsite.io\/alexander-zholkovsky\/?page_id=1206"},"modified":"2023-08-04T07:55:51","modified_gmt":"2023-08-04T14:55:51","slug":"tct-index","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/alexander-zholkovsky\/tct-index\/","title":{"rendered":"Text Counter Text. Rereadings in Russian Literary History."},"content":{"rendered":"\n\n  \n    \n\n\n\n\n\n\n<div\n  class=\"cc--component-container cc--rich-text \"\n\n  \n  \n  \n  \n  \n  \n  >\n  <div class=\"c--component c--rich-text\"\n    \n      >\n\n    \n      \n<div class=\"f--field f--wysiwyg\">\n\n    \n  <p><strong>Text Counter Text. Rereadings in Russian Literary History.<\/strong><br \/>\nStanford: Stanford University Press, 1994 (cloth), 1995 (paper). 370 pp.<\/p>\n<p>Alexander\u00a0 ZHOLKOVSKY<\/p>\n<p><strong>CONTENTS<\/strong><\/p>\n<p><a href=\"\/alexander-zholkovsky\/tct-int\" target=\"_blank\" rel=\"noopener\">Introduction: On Close Rereading<\/a><\/p>\n<p><strong>PART I: OEUVRES AND INTERTEXTS<\/strong><br \/>\n1.\u00a0<a href=\"\/alexander-zholkovsky\/gog\/\">Rereading Gogol&#8217;s Miswritten\u00a0<em>Passages<\/em><\/a><br \/>\n<em>Skaz<\/em>, Gogol, and his characters. Gogol&#8217;s identity, writing, and reception.\u00a0<em>Selected Passages<\/em>\u00a0and the importance of writing badly. Grandeur, information, and media manipulation. Writing about writing.<\/p>\n<p>2.\u00a0<a href=\"\/alexander-zholkovsky\/chap2\/\">Through Revolution&#8217;s Looking-Glass: Tolstoy into Zoshchenko<\/a><br \/>\nTheater and truth. Property vs theft. &#8220;Good&#8221; ideas&#8211;&#8220;bad&#8221; writing. Cultural roles.<\/p>\n<p><strong>PART II: STRUCTURES AND VARIATIONS<\/strong><br \/>\n<a href=\"\/alexander-zholkovsky\/after\/\">3. Before and After &#8220;After the Ball:&#8221; Variations on the Theme of Courtship, Corpses, and Culture<\/a><br \/>\nLeo Tolstoy&#8211;1903. Commentary: from a reading to variations. Mikhail Zoshchenko&#8211;1929. Eugenia Ginzburg&#8211;1977. Commentary: back to stereotypes. &#8220;After the Ball&#8221; as folktale.<\/p>\n<p>4.\u00a0<a href=\"\/alexander-zholkovsky\/chap4\/\">A Study in Framing: Pushkin, Bunin, Nabokov, and Theories of Story and Discourse<\/a><br \/>\nFraming and rereading around 1917. &#8220;The Stationmaster&#8221;: bracketing reality. &#8220;Gentle Breathing&#8221;: destabilizing the narrative worldview. &#8220;Gentle Breathing&#8221;: shift of focus. Commentary and a further comparison: &#8220;Spring in Fialta&#8221; .<\/p>\n<p><strong>PART III: LINEAGE AND CONVERSION<\/strong><br \/>\n5.\u00a0<a href=\"\/alexander-zholkovsky\/chap5\/\">De- and Reconstructing a Classic: &#8220;I Loved You Once&#8230;&#8221; by Joseph Brodsky<\/a><br \/>\n&#8220;I Loved You&#8230;&#8221;: a map of rewritings. The cluster: thematic and formal characteristics. The Sixth sonnet as parody: Brodsky rereading Pushkin. The Sixth sonnet as a Brodsky anthology. Pushkin a la Brodsky.\u00a0 Appendix.<\/p>\n<p>6.\u00a0<a href=\"\/alexander-zholkovsky\/chap6\/\">Intertextual\u00a0<em>Malgre Lui<\/em>: The Case of Limonov<\/a><br \/>\nThe beauty mark and the &#8216;I&#8217;s of the beholder. Limonov at the literary Olympics.\u00a0 Appendix.<\/p>\n<p><strong>PART IV: TEXTS IN DIALOGUE<\/strong><br \/>\n7.\u00a0<a href=\"\/alexander-zholkovsky\/chap7\/\">A Duet in Three Movements: Bulgakov &#8211; Olesha &#8211; Bulgakov<\/a><br \/>\n<em>Heart of a Dog<\/em>.\u00a0\u00a0<em>Envy<\/em>.\u00a0<em>The Master and Margarita<\/em>.<\/p>\n<p>8.\u00a0<a href=\"\/alexander-zholkovsky\/eng-bookch-past\/\" target=\"_blank\" rel=\"noopener\">The Dynamics of Adaptation: Pasternak&#8217;s Second Birth<\/a><br \/>\nPasternak and the early thirties. &#8220;I Want to Go Home&#8221;: themes and strategies. The four reasons.<\/p>\n<p><strong>PART V: MULTIPLE READINGS<\/strong><br \/>\n9.\u00a0<a href=\"\/alexander-zholkovsky\/chap9\/\">A Dystopian &#8220;Newdream&#8221; Fivefold: Analyzing Ilf&#8217;s and Petrov&#8217;s Closet Monarchist<\/a><br \/>\nIlf and Petrov and pluralist reading. The Bender act. The Dream genre. The adaptaion game.The dystopian masterplot. The &#8220;Newdream&#8221;.<\/p>\n<p>10.\u00a0<a href=\"\/alexander-zholkovsky\/bib66a\/\">The Codes and Contexts of Platonov&#8217;s &#8220;Fro.&#8221;<\/a><br \/>\nStructure. Intertexts: \u0421lassical. Intertexts: \u0421ontemporary.<\/p>\n<p><a href=\"\/alexander-zholkovsky\/conkl\">Afterword<\/a><\/p>\n<p>Notes<br \/>\n<a href=\"\/alexander-zholkovsky\/works\">Works Cited<\/a><br \/>\nIndex<\/p>\n\n\n\n<\/div>\n\n\n  <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":355,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1206","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Text Counter Text. 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