{"id":2586,"date":"2023-04-24T18:11:46","date_gmt":"2023-04-25T01:11:46","guid":{"rendered":"https:\/\/dornsife.usc.edu\/ahis\/?page_id=2586"},"modified":"2025-06-20T10:52:44","modified_gmt":"2025-06-20T17:52:44","slug":"ph-d-alumni","status":"publish","type":"page","link":"https:\/\/dornsife.usc.edu\/ahis\/people\/ph-d-alumni\/","title":{"rendered":"Ph.D. Alumni"},"content":{"rendered":"\n\n\n \n \n\n\n\n\n\n\n\n
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\n Alumni of Art History \n <\/h2>\n\n\n<\/div>\n \n \n <\/div>\n\n\n <\/div><\/div>\n\n\n\n\n \n \n\n\n\n\n\n\n\n
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Charlap, Danielle <\/strong>(2024-2025)
\nDissertation Title: “The Product of Experts: Curating Design at Midcentury”
\nAdvisor: Amy Ogata<\/p>\n

Lazare, Frances <\/strong>(2024-2025)
\nDissertation Title: “About Others: Intimacy and Abstraction in Paint and Print, New York, 1945-1960”
\nAdvisor: Suzanne Hudson<\/p>\n

Malek-Lubawski, Weronika <\/strong>(2024-2025)
\nDissertation Title: “Between Moscow and Paris: Poland and Transnational Avant-Garde Networks, 1921 – 1967”
\nAdvisor: Megan Luke<\/p>\n

\n

LaGatta, Anne <\/strong>(2023-2024)
\nDissertation Title: “The Most Beautiful and Enduring Images”: Visual Culture in the Principate of Tiberius (14-37 CE)”
\nAdvisor: John Pollini<\/p>\n

Little, Myles <\/strong>(2023-2024)
\nDissertation Title: “Blackout: Photography, Darkness, and New York City, 1965-1985”
\nAdvisor: Vanessa Schwartz<\/p>\n

Vanette, Dora <\/strong>(2023-2024)
\nDissertation Title: “Architecture of Care: Building for Aging in Mid-century America, 1945-1968”
\nAdvisor: Amy Ogata<\/p>\n

\n

Cooper, Ashton<\/strong>\u00a0(2022-2023)
\nDissertation Title: “How Hard to Give Form to Oneself Honestly”: Liberation Politics and the Remaking of Painterly Expression in 1970s New York”
\nAdvisor: Suzanne Hudson and Amelia Jones<\/p>\n

Converse, Grace<\/strong> (2022-2023)
\nDissertation Title: \u201cMaking Belief: Theosophy and the Creative Production of Truth, 1875-1945\u201d
\nAdvisor: Amy Ogata<\/p>\n

Murokh, Dina<\/strong> (2022-2023)
\nDissertation Title: \u201cA Sort of Picture Gallery\u201d: Encounters with Print in Antebellum US Society
\nAdvisor:\u00a0 Vanessa Schwartz<\/p>\n

Wade, Isabel Frampton<\/strong> (2022-2023)
\nDissertation Title: \u201cExposing Urban Form: Commercial Architectural Photography in Los Angeles, 1938-1981\u201d
\nAdvisor: Vanessa Schwartz<\/p>\n

\n

Gordon-Fogelson, Robert<\/strong>\u00a0(2021-2022)
\n“Total Integration: Design, Business, and Society in the United States, 1935\u20131985”
\nAdvisor: Amy Ogata<\/p>\n

Moss, Avigail<\/strong>, (2021-2022)
\n“Peculiar Risks: Art and Insurance, 1780-1914”
\nAdvisor: Kate Flint<\/p>\n

\n

Hwang, Yoon Ah<\/strong>\u00a0(2020-2021)
\n\u201cProjecting Wishes on Flying Banners: Materiality and Painted Banners from Cave 17 in Mogao Caves, Dunhuang, China in the Ninth and Tenth Centuries\u201d
\nAdvisor:\u00a0Sonya Lee<\/p>\n

Johnson, Grant<\/strong>\u00a0(2020-2021)
\n\u201cSheila Hicks: Weaving to the World\u201d
\nAdvisor: Suzanne P. Hudson<\/p>\n

Lauricella, Natalia<\/strong>\u00a0(2020-2021)
\n“Collaboration in Color: Master Printers and the Avant-Garde in Belle \u00c9poque France”
\nAdvisor:\u00a0Vanessa Schwartz<\/p>\n

Yeomans, Sarah<\/strong>\u00a0(2020-2021)
\n“Roman Civic Medicine: The Archaeology of Practices and Practitioners in the Imperial Age”
\nAdvisor: John Pollini<\/p>\n

\n

Anderson, Emily R<\/strong>\u00a0(2019-2020)
\n“The Bespoke Book: Experimental Printing in Early Modern Italy”
\nAdvisor: Danielle Bleichmar<\/p>\n

Brier, Jessica<\/strong>\u00a0(2019-2020)
\n\u201cTypophoto<\/i>\u00a0and the Reinvention of Photography in Weimar Germany\u201d
\nAdvisor: Megan Luke<\/p>\n

McGeorge, Christopher<\/strong>\u00a0(2019-2020)
\n\u201cMediums for the Masses: Stained Glass & Murals in the Age of Mechanical Reproduction\u201d
\nAdvisor: Kate Flint<\/p>\n

\n

Dodds, Lauren<\/strong>\u00a0(2018-2019)
\n\u201cCollecting the Renaissance: The Samuel H. Kress Collection of Italian Art\u201d
\nAdvisor:\u00a0 Kate Flint<\/p>\n

Spinelli, Ambra<\/strong>\u00a0(2018-2019)
\n\u201cThe\u00a0Tablinum<\/i>: A Space and Stage for ‘Private’ and ‘Public’ Rituals in the Houses of Pompeii and Herculaneum.\u201d\u00a0 Advisor:\u00a0 John Pollini<\/p>\n

\n

Brendan\u00a0McMahon\u00a0<\/strong>\u00a0(2016-2017)
\n“Colors of Deceit: The Arts of Iridescence in the Early Modern Spanish World”
\nAdvisor: Daniela Bleichmar<\/p>\n

Elizabeth\u00a0Murphy\u00a0\u00a0<\/strong>(2016-2017)
\n<\/strong>A Forward Looking Art: Education, Creative Exchange, & the Rise of Modern Native American Art\u201d
\nAdvisor: Kate Flint<\/p>\n

\n

Samuel Adams\u00a0<\/strong>(2015-2016)
\n“Art and Epic Theater in Cold War Germany”
\nAdvisor: Megan Luke<\/p>\n

Nadya\u00a0Bair \u00a0<\/strong>(2015-2016)
\n“The Decisive Network: \u00a0Magnum Photos and the Art of Collaboration in Postwar Photojournalism”
\nAdvisors: Vanessa Schwartz and Richard Meyer<\/p>\n

Karen<\/strong>\u00a0Huang\u00a0<\/strong>(2015-2016)
\n“Artists’ Reenactments: The Vietnam War, the War on Terror, and the Performance of American Activism” Adivosr: Kate Flint<\/p>\n

Rika\u00a0Hiro\u00a0<\/strong>(2015-2016)
\n“Under the Atomic Sunshine: \u00a0Art and the Aftereffects of the Atomic Bombs in Postwar Japan”
\nAdvisor: Miya Mizuta Lippit and Sonya Lee<\/p>\n

Megan\u00a0Mastroianni\u00a0<\/strong>(2015-2016)
\n“An Aesthetic of Comprehension: \u00a0The Distribution of Conceptual Art and Land Art in Germany, 1968-1975”
\nAdvisor: Megan Luke<\/p>\n

\n

Ellen Dooley<\/strong>\u00a0(2014-2015)
\n\u201cThe Power of Art in Golden Age Seville\u201d
\nAdvisor: Daniela Bleichmar<\/p>\n

Sarah Goodrum<\/strong>\u00a0(2014 -2015)
\n“The Problem of the Missing Museum: The Construction of Photographic Culture in the GDR”
\nAdvisor: \u00a0Kate Flint<\/p>\n

Sean Nelson<\/strong>\u00a0(2014 – 2015)
\n“Jerusalem Lost: Crusade, Myth, and Historical Imagination in Grand Ducal Florence.”
\nAdvisor: \u00a0Eunice Howe<\/p>\n

\n

Maynes, Erin,\u00a0<\/strong>(2013 -2014)
\n“Speculating on Paper: Print Culture During the German Inflation: 1918-1924.”
\nAdvisor:\u00a0 Karen Lang<\/p>\n

Reynolds-Kaye, Jennifer\u00a0<\/strong>(2013 – 2014)
\n<\/strong>“Contemporary Pre-Columbian Art”
\nAdvisor: \u00a0M. Gomez-Barris<\/p>\n

Wells, K.L.H.\u00a0<\/strong>(2013 – 2014)
\n<\/strong>“Modernism’s Other Tableau: Tapestry in the Twentieth Century”
\nAdvisor: \u00a0Nancy Troy<\/p>\n

\n

Besancon, Cathrine<\/strong>\u00a0(2012 – 2013)
\nDissertation Title: \u201cThe French Romanesque Portals of Moissac, Souillac and Beaulieu: A Response to the Papal Reform Movement and Popular Hersey.\u201d
\nAdvisor: Carolyn Malone
\n
\nGlatstein, Jeremy<\/strong>\u00a0(2012 – 2013)
\nDissertation Title: \u201cThe Watching Night: Print, Power and Jewish Vision in Early Modern Italy.\u201d
\nAdvisor: \u00a0Sean Roberts<\/p>\n

Kerrigan, Katherine<\/strong>\u00a0(2012 – 2013)
\nDissertation Title: \u201cCataloguing Critique: Experimental Forms of Documentation in American Art, 1970-1977\u201d
\nAdvisor: Richard Meyer<\/p>\n

Lipschutz, Yael<\/strong>\u00a0(2012 – 2013)
\nDissertation Title: “Noah Purifoy: Through the Fire”
\nAdvisors: Bridget R. Cooks \u00a0and Robin D.G. Kelley<\/p>\n

Solomon, Virginia<\/strong>\u00a0(2012 – 2013)
\nDissertation Title: ” Sexuality and Signification: Episodes of General Idea’s Subcultural Politics.”
\nAdvisor: Richard Meyer<\/p>\n

Tanton, Kristine<\/strong>\u00a0(2012 – 2013)
\nDissertation Title: \u00a0\u201cThe Marking of Monastic Space:\u00a0 Inscribed Language on Romanesque Capitals.\u201d\u00a0 Advisor: Carolyn Malone<\/p>\n

\n

Hollenberg, Sarah<\/strong>\u00a0(2011 – 2012)
\nDissertation Title:\u00a0 “Art on Television: 1967-1976.”
\nAdvisor:\u00a0 Richard Meyer<\/p>\n

Lasc, Anca<\/strong>\u00a0(2011 \u2013 2012)
\nDissertation Title: \u201cBefore Art Nouveau: The Invention, Commercialization, and Display of the Modern Interior in Nineteenth-Century France.\u201d
\nAdvisor:\u00a0 Vanessa Schwartz<\/p>\n

Oh, Younjung<\/strong>\u00a0(2011 \u2013 2012)
\nDissertation Title: \u201cArt into Everyday Life: Department Stores as Purveyors of Culture in Modern Japan.\u201d Advisor: Jonathan Reynolds<\/p>\n

\n

Basu, Priyanka<\/strong>\u00a0(2010 \u2013 2011)
\nDissertation Title:\u00a0 \u201cKunstwissenschaft and the ‘Primitive’: Excursions in the History of Art History, 1879\u20131914\u201d
\nAdvisor:\u00a0 Karen Lang<\/p>\n

Cho,\u00a0Hyunjung<\/strong>\u00a0(2010 \u2013 2011)
\nDissertation Title:\u00a0 \u00a0\u201cCompeting Futures: War Narratives in Postwar Japanese Architecture, 1945-1970.\u201d\u00a0 Advisor:\u00a0 Jonathan Reynolds
\n<\/em><\/p>\n

Goldman, Jason<\/strong>\u00a0(2010 \u2013 2011)
\nDissertation Title:\u00a0 \u201cOpen Secrets: Publicity, Privacy, and U.S. Artistic Practice in the Sixties.\u201d
\nAdvisor:\u00a0 Richard Meyer<\/p>\n

Hill, Jason<\/strong>\u00a0(2010 – 2011)
\nDissertation Title:\u00a0 “Artist as Reporter: The PM News Picture, 1940-1948.”
\nAdvisor:\u00a0 Richard Meyer<\/p>\n

Le Blanc, Aleca<\/strong>\u00a0(2010 \u2013 2011)
\nDissertation Title:\u00a0 \u00a0\u201cTropical Modernisms: Art and architecture in Rio de Janeiro in the 1950s.\u201d
\nAdvisor:\u00a0 Nancy Troy<\/p>\n

Ming, Leta<\/strong>\u00a0(2010 \u2013 2011)
\nDissertation Title:\u00a0 \u201cCurating as Performance:\u00a0 Tom Marioni and the Museum of Conceptual Art, 1968-1979.\u201d
\nAdvisor:\u00a0 Richard Meyer<\/p>\n

Weddle, Candace<\/strong>\u00a0(2010 \u2013 2011)
\nDissertation Title:\u00a0 “Making Sense of Sacrifice: Sensory Experience in Greco-Roman Cult”
\nAdvisor:\u00a0 John Pollini<\/p>\n

\n

Chapman, Kathleen<\/strong>\u00a0(2009 \u2013 2010)
\nDissertation Title:\u00a0 \u201cExpressionism Multiplied: Early Twentieth-Century German Posters between Art, Commerce, and Politics.\u201d
\nAdvisor:\u00a0 Karen Lang<\/p>\n

Hanson, Kate\u00a0<\/strong>\u00a0(2009 \u2013 2010)
\nDissertation Title:\u00a0 \u201cVisualizing Culinary Culture at the Medici and Farnese Courts.”
\nAdvisor:\u00a0 Eunice Howe<\/p>\n

Kudriavtseva, Ekaterina<\/strong>\u00a0(2009 \u2013 2010)
\nDissertation Title:\u00a0 \u00a0“The Making of Kazimir Malevich’s Black Square\u201d
\nAdvisor:\u00a0 \u00a0Nancy Troy<\/p>\n

Middleman, Rachel<\/strong>\u00a0(2009 \u2013 2010)
\nDissertation Title:\u00a0 \u00a0\u00a0“A New Eros: Sexuality in Women’s Art before the Feminist Art Movement.”
\nAdvisor:\u00a0 Richard Meyer<\/p>\n

Miller, Jennifer Munro<\/strong>\u00a0(2009 \u2013 2010)
\nDissertation Title:\u00a0 \u00a0\u201cIn the Flesh: The Representation of Burlesque Theatre in American Art and Visual Culture.\u201d
\nAdvisor:\u00a0 Richard Meyer<\/p>\n

Moon, Virginia<\/strong>\u00a0(2009 \u2013 2010)
\nDissertation Title:\u00a0 “The Grafting of a Canon: The Politics of Korea’s National Treasures and the Formation of an Art History”
\nAdvisor:\u00a0 Insoo Cho<\/p>\n

Nolan, Linda<\/strong>\u00a0(2009 \u2013 2010)
\nDissertation Title:\u00a0 \u201cTouching the Divine: Mobility, Devotion and the Display of Religious Objects in Early Modern Rome.\u201d
\nAdvisor:\u00a0 Todd Olson<\/p>\n

Snider, Stefanie<\/strong>\u00a0(2009 \u2013 2010)
\nDissertation Title:\u00a0 \u201cEnvisioning Bodily Difference: Refiguring Fat and Lesbian Subjects in Contemporary Art and Visual Culture, 1968-2009\u201d
\nAdvisor:\u00a0 Richard Meyer<\/p>\n

Von Lintel, Amy<\/strong>\u00a0(2009 \u2013 2010)
\nDissertation Title:\u00a0 \u00a0\u201cSurveying the Field: The Popular Origins of Art History in Nineteenth\u2011Century Britain and France.\u201d
\nAdvisor:\u00a0 Nancy Troy<\/p>\n

\n

O’Leary, Thomas<\/strong>\u00a0(2008 – 2009)
\nDissertation Title:\u00a0 \u00a0\u201cTokyo Visions: Contemporary Japanese Photography and the Search for a Subjective Documentary.\u201d
\nAdvisor:\u00a0 \u00a0Jonathan Reynolds<\/p>\n

\n

Olgren-Leblond, Kelli<\/strong>\u00a0(2007 \u2013 2008)
\nDissertation Title:\u00a0 \u201cReading Expressionist Architecture: German Modernism and \u2018Paper Architecture,\u2019 1914-1920.\u201d
\nAdvisor:\u00a0 Karen Lang<\/p>\n

Zalman, Sandra<\/strong>\u00a0(2007 \u2013 2008)
\nDissertation Title:\u00a0 \u00a0\u201cA Vernacular Vanguard: Surrealism and the Making of American Art History 1936-1986.\u201d
\nAdvisor:\u00a0 Nancy Troy<\/p>\n

\n

Royal, Suzanne<\/strong>\u00a0(2005 \u2013 2006)
\nDissertation Title:\u00a0 “Graphic Art in Weimar Berlin: The Case of Jeanne Mammen”
\nAdvisor:\u00a0 Karen Lang<\/p>\n

Schertz, Pete<\/strong>r (2005 \u2013 2006)
\nDissertation Title:\u00a0 \u201cMarsyas Contended: The Figure of Marsyas in Roman Art, Politics, and Religion\u201d
\nAdvisor:\u00a0 John Pollini<\/p>\n

\n

Nedd, Andrew<\/strong>\u00a0(2004 \u2013 2005)
\nDissertation Title:\u00a0 \u00a0\u201cDefending Russia: Russian History and Pictorial Narratives of the ‘Patriotic War,’ 1812-1912.\u201d
\nAdvisor:\u00a0 John Bowlt<\/p>\n

Uradomo, Stacey<\/strong>\u00a0(2004 \u2013 2005)
\nDissertation Title:\u00a0 \u00a0\u201cLegacies: Family Memories, and Identity in the work of Roger Shimomura, Tomie Arai and Lynne Yamamoto
\nAdvisor:\u00a0 Richard Meyer and Nancy Troy<\/p>\n

\n

Sloboda, Stacey Loughrey<\/strong>\u00a0(2003 \u2013 2004)
\nDissertation Title:\u00a0 “Design, Empire, and Aesthetics in Britain, 1745-1851”
\nAdvisor:\u00a0 \u00a0Karen Lang<\/p>\n

\n

Bertiz, Agnes<\/strong>\u00a0(2002 \u2013 2003)
\nDissertation Title:\u00a0 \u201cPicturing Health: The Garden and Landscape in the Late Fourteenth-Century Illuminated Tacuinum Sanitatis”
\nAdvisor:\u00a0 Eunice Howe<\/p>\n

DeKoning, Marion<\/strong>\u00a0(2002 \u2013 2003)
\nDissertation Title:\u00a0 \u201cThe Battle of Lekkerbettje: Imagery and Ideology during the Eighty Years War (1568-1648)\u201d
\nAdvisor:\u00a0 Todd Olson<\/p>\n

Madsen, Gamble<\/strong>\u00a0(2002 \u2013 2003)
\nDissertation Title:\u00a0 “Medevial Visions of the Godhead:\u00a0 Peter Lombard\u2019s Commentary on Psalm 109.”
\nAdvisor:\u00a0 Carolyn Malone<\/p>\n

Monroe, Elizabeth<\/strong>\u00a0(2002 \u2013 2003)
\nDissertation Title:\u00a0 \u201cImages of Synagoga as Christian Discourse (1000-1215)\u201d
\nAdvisor:\u00a0 Carolyn Malone<\/p>\n

Roth, Andrea<\/strong>\u00a0(2002 \u2013 2003)
\nDissertation Title:\u00a0 \u201cLa Matrona Bergamasca.\u00a0 Portraying Women in Renaissance Bergamo\u201d
\nAdvisor:\u00a0 Eunice Howe<\/p>\n

Warren,\u00a0Sarah (<\/strong>2002 – 2003)<\/p>\n\n\n\n<\/div>\n\n\n <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":167,"featured_media":0,"parent":538,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2586","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nPh.D. Alumni - Department of Art History<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dornsife.usc.edu\/ahis\/people\/ph-d-alumni\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ph.D. Alumni - Department of Art History\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dornsife.usc.edu\/ahis\/people\/ph-d-alumni\/\" \/>\n<meta property=\"og:site_name\" content=\"Department of Art History\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-20T17:52:44+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dornsife.usc.edu\/ahis\/people\/ph-d-alumni\/\",\"url\":\"https:\/\/dornsife.usc.edu\/ahis\/people\/ph-d-alumni\/\",\"name\":\"Ph.D. Alumni - 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