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Head of the Class
May 15, 2013

USC valedictorian Katherine Fu and salutatorians Alexander Fullman and Julia Sabo Mangione — all in USC Dornsife — will…

The Fabulous Fulbrights
May 10, 2013

Congratulations to the nine USC Dornsife students who won 2013 Fulbright Scholarships. The award will take them to India,…

Preventing Another Darfur
April 23, 2013

For the 13th consecutive year, professor Steven Lamy, vice dean for academic programs in USC Dornsife, led the Center for…

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USC Dornsife News

Electric City
May 23, 2013

USC Dornsife’s history chair William Deverell explores the birth of a modern metropolis with the organization of an…

Getting That First Job
May 23, 2013

Recalling encouragement from his mentor Alice Echols, Sean Little ’06 traces his bachelor’s in English to an M.B.A. to a…

Wall of Scholars
May 21, 2013

The names of top USC Dornsife students will adorn the wall of Leavey Library in an honor celebrating university-wide students…

Catholic Studies Institute Receives $1 Million
May 21, 2013

The gift creates the Steven and Kathryn Sample Endowment for Ecumenism to support research centered on the foundational…

Scientist and Filmmaker
May 17, 2013

Howard Wayne Harris proves his 9th grade teacher wrong. Earning his Ph.D. at the USC Dornsife hooding ceremony May 16, he was…

College Doctoral Fellows

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Karin Higa

Karin Higa

Art History

Karin earned a B.A. from Columbia University and an M.A. from UCLA, both in art history. As the senior curator of art at the Japanese American National Museum in Los Angeles, she curated a number of exhibitions including "George Nakashima: Nature, Form & Spirit," "The View from Within: Japanese American Art from the Internment Camps, 1942-1945," and the national traveling exhibition "One Way or Another: Asian American Art Now," which was co-curated with the Asia Society, New York. She has taught at Mills College, the University of California, Irvine, and Otis College of Art and Design, and has lectured extensively on Asian-American and contemporary art. Karin’s publications include contributions to the books Only Skin Deep (Abrams, 2003) and Parallels and Intersections: A Remarkable History of Women Artists in California, 1950-2000 (University of California Press, 2002).


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