About

Green Office Certification
Life in LA

RSS

News 3 items

Head of the Class
May 15, 2013

USC valedictorian Katherine Fu and salutatorians Alexander Fullman and Julia Sabo Mangione — all in USC Dornsife — will…

The Fabulous Fulbrights
May 10, 2013

Congratulations to the ten USC Dornsife students who were awarded 2013 Fulbright Scholarships. The award will take them to…

Preventing Another Darfur
April 23, 2013

For the 13th consecutive year, professor Steven Lamy, vice dean for academic programs in USC Dornsife, led the Center for…

Online Submission Form

RSS

USC Dornsife News

Wall of Scholars
May 21, 2013

The names of top USC Dornsife students will adorn the wall of Leavey Library in an honor celebrating university-wide students…

Catholic Studies Institute Receives $1 Million
May 21, 2013

The gift creates the Steven and Kathryn Sample Endowment for Ecumenism to support research centered on the foundational…

Scientist and Filmmaker
May 17, 2013

Howard Wayne Harris proves his 9th grade teacher wrong. Earning his Ph.D. at the USC Dornsife hooding ceremony May 16, he was…

You Did It!
May 17, 2013

USC Dornsife issued more than 2,500 degrees during Commencement 2013: 1,959 bachelor’s, 326 master's, 81 graduate…

Amazing Adventures in Undergrad Research
May 15, 2013

USC Dornsife students win top prizes at the 15th Annual Undergraduate Symposium for Scholarly and Creative Work. In…

About

Print this page

Sean E. Roberts

Assistant Professor of Art History

Contact Information
E-mail: seanrobe@usc.edu
Phone: (213) 821-5229
Office: VKC 351

 

Biographical Sketch

I was trained in the history of Renaissance art, focusing on manuscript and printed maps deployed as diplomatic gifts between the Italian city-states and the Ottoman empire. While my dissertation research investigated Italian printmaking and cartography in the fifteenth and sixteenth centuries, my interests span wide chronological and geographic boundaries to include the relationship between the histories of science, art, and ideology across Europe between the fifteenth and eighteenth centuries. I am particularly interested in the reception and negotiation of artistic technologies, including printing and mapping, between early modern Christian and Islamic societies.

I am presently engaged in research on the representation of race, ethnicity and religion in sixteenth-century Venetian painting, especially in the work of Jacopo Tintoretto. Examination of the implicit tensions between local history and frameworks of cultural interaction in early modern visual culture provides a unifying thread to this range of topics. My teaching interests include exploring the role of art as a cultural intermediary in the Mediterranean, the representation of race in the early modern world, and intersections of technology and visual culture, including printmaking, book production, and mapping in Northern and Southern Europe. The ideology of art historical practice also serves as a central focus of my teaching. I have taught undergraduate courses on the history of printed images and the role of cultural exchange in Renaissance art.

My book "Printing a Mediterranean World: Florence, Constantinople, and the Renaissance of Geography" was published by Harvard University Press in 2013. A volume co-edited with Tim McCall and Giancarlo Fiorenza will appear from Truman State University press in the Spring of this year on the subject of "Visual Cultures of Secrecy in Early Modern Europe."

 

Education

Ph.D. History of Art, University of Michigan, 8/2006
B.A. Art History, University of New Hampshire, 5/1999
 

Postdoctoral Training

Andrew W. Mellon Postdoctoral Fellow, Tufts University, 2006-2007   
 

Description of Research

Summary Statement of Research Interests

Early Modern Italian Art, History of Cartography, Print and Book Culture
 

Publications

Book

Roberts, S., McCall, T., Fiorenza, G. (2013). Visual Cultures of Secrecy in Early Modern Europe. Kirksville, MO: Truman State University Press. You can read about this book here
Roberts, S. (2013). Printing a Mediterranean World: Florence, Constantinople, and the Renaissance of Geography. Cambridge, MA: Harvard University Press. You can read about this book here
 

Book Chapter

Roberts, S., McCall, T. (2013). "Revealing Early Modern Secrecy". Visual Cultures of Secrecy in Early Modern Europe/ Kirksville, MO: Truman State University Press.
Roberts, S. (2013). "Tricks of the Trade: The Technical Secrets of Early Engraving". Visual Cultures of Secrecy in Early Modern Europe/ Kirksville, MO: Truman State University Press.
 

Book Review

Roberts, S. (2013). Guido Guerzoni, Apollo and Vulcan: The Art Markets in Italy, 1400-1700. Journal of Modern History.
Roberts, S. (2012). James Dougal Fleming Ed. The Invention of Discovery, 1500-1700 (Asghate 2011). Aestimatio: Critical Reviews in the History of Science.
Roberts, S. (2012). James G. Harper, The Turk and Islam in the Western Eye. Journal of Early Modern History.
 

Journal Article

Roberts, S. (2014). Inventing Engraving in Vasari's Florence. Intellectual History Review. Vol. Winter, 2014
Roberts, S. (2012). Silence and Secrets in Domenico Fetti's Portrait of a Man with a Sheet of Music. Renaissance Studies.
Roberts, S. (2011). Francesco Rosselli and Berlinghieri's Geographia Revisited. Print Quarterly. Vol. 28 (Spring), pp. 4-17.
Roberts, S. (2010). Poet and World Painter: Francesco Berlinghieri's 'Geographia' (1482). Imago Mundi: The International Journal of the HIstory of Cartography. Vol. 62 (2), pp. 145-160.
 

Honors and Awards

USC "Advancing Scholarship in the Humanities and Social Sciences" Research Grant, 2010-2011   
USC/Huntington Library Early Modern Studies Institute Faculty Fellowship, Fall 2009   
 
 
Faculty may update their profile by visiting https://mydornsife.usc.edu.