Graduate Student Conferences, Papers and Publications

Conferences

Ellen Dooley
Fiestas and Mass Culture: The Seville School and the Canonization Case of San Fernando III
The Role and Practice of Artists in Society Graduate Symposium
California State University, Los Angeles , January 22, 2011

“Painting Salvation: Miguel Manara and Juan del Valdes Leal’s Heiroglyphs of Our Last Days,” Annual Conference of the Association for Spanish and Portuguese Historical Studes (SPHS), Ottawa, Ontario, Canada, April, 2010.

Anca Lasc

“The View Beyond One’s Window: Framing Landscape as Space and Time in Modern Interiors,” FLOW: A Conference in Two Parts, The Modern Interiors Research Centre, Kingston University, London, May 2011

“Redefining Eclecticism: Orchestrating the Private Interior in Nineteenth-Century France, 1870-1914,” 64th Annual Meeting of the Society of Architectural Historians (SAH), Open Session 3: Explorations of the Domestic, New Orleans, Louisiana, April 2011

"Selling Interior Decoration Designs: Upholster-Decorators and the French Art World, 1870-1914,” 32nd Annual Nineteenth Century Studies Association (NCSA) Conference: “Money/Myths,” Session: Prosperity and Debt, Albuquerque, New Mexico, March 2011

"Popularizing the French Interior: Mass-Produced Interior Decoration Designs, 1852-1914,” Southeastern College Art Conference (SECAC)/Mid-America College Art Association (MACAA) Conference, Session: Popular Culture and Nineteenth-Century Art, Richmond, Virginia, October 201

“Consuming Private Spaces: The Circulation and Display of Imaginary French Interiors in the Second Half of the Nineteenth Century,” Invited talk at the History of Decorative Arts and Design Masters Program at Parsons, the New School for Design and Cooper-Hewitt, the National Design Museum, New York, October 2010

“Describing the Parlor in Post-Haussmann France,” Conference: Against the Grain: California Scholars Look at Impressionism, The Fine Arts Museums of San Francisco, in conjunction with the exhibition Birth of Impressionism: Masterpieces from the Musée d'Orsay, San Francisco, California, May

“‘Adoptez donc une époque et restez-y complètement fidéle ,’” Theatricality and Performance in French Nineteenth-Century Interior Decoration, 31st Annual Nineteenth Century Studies Association (NCSA) national conference in Tampa Florida, March, 2010.

“Describing the Parlor in Post-Haussmann France” at the “Against the Grain: California Scholars Look at Impressionism” conference held in conjunction with exhibition Birth of Impressionism: Masterpieces from the Musée d’Orsay at the Fine Arts Museums of San Francisco, May 2010.

“Le Style Moderne or the Exception to the Rule” at “Looking into the Modern Interior: History, Theory and Discipline in Education and Practice” symposium of Interior Design Educators Council (IDEC), U.S.A., and the Modern Interiors Research Center (MIRC) of Kingston University in Atlanta, Georgia , March 2010.

Katherine Kerrigan
Co-chair, USC Art History Department's 13th Annual Graduate Student Symposium, Peripheral Visions: Colonization, Resistance, Representation, in collaboration with the Getty Research Institute, Los Angeles 2009

Leta Ming
“Conflict of Interest: When Artists become Curators, “Annual CAA Conference, Chicago, February 2010.

Younjung Oh
"Distinction within Massification: Art Sections of Japanese Department Stores in the late Meiji period," Annual Meeting of the Association of Asian Studies, Hawaii , March 2011

"Miyamoto Ryûji's 'Architectural Apocalypse': Contemplation on the Ephemerality of Modern Cities," Inter-Asia-Cultural Typhoon 2009, Tokyo University of Foreign Studies, July 2009

"Dream of Mass Utopia: Avant-garde Art and Department Stores in 1920s Japan," The13th Asian Studies Conference Japan, Sophia University, June 2009

"The Abandoned Theme Park: The 'Dialectical Image' of Capitalist Dream World," Graduate Conference "The Plural Present of Historical Life" University of Tokyo Center for Philosophy, May 2009

"From Decorative Arts to Fine Arts: Japanese Exhibits at the World's Columbian Exposition in 1893" Graduate Symposium, UCLA The Terasaki Center for Japanese Studies, May 2007

Jennifer Reynolds
"Following This Wall: The Politics of Visual Control and Gordon Matta-Clark's 'Made in America,'" Society for Cinema and Media Studies Conference , March 2008

Virginia Solomon
Co-chair, "How is "Queer" Art Relational?", with Robert Summers, QCA lunchtime panel, CAA , February 2010
Invited discussant, "Queer Relational," -- empyre -- a soft-skinned place (http://www.subtle.net/empyre/), July 2009
Panelist, "Talk it Out," in conjunction with Tainted Love ,June 2009

Kristine Tanton
“The Marking of Monastic Space: The Inscribed Capitals at La Madeline, Vezelay,” 5th Annual North Texas Medieval Graduate Student Symposium at the University of North Texas (UNT), February, 2010.

Katharine Wells
"Serpentine Sideboards, Hogarth's Analysis, and the Beautiful Self," Annual conference of the Mid- Atlantic American Studies Association (MAASA at LaSalle University, March, 2010.

Curatorial Projects

Virginia Solomon
ICA Project Space, from January 31, 2011 - March 20, 2011, for the ICA's bi-annual Contemporary Art and the Art of Curating seminar, organized by Kenneth Goldsmith. This year the course will focus on Andy Warhol and his legacy in relation to the ICA.

Tainted Love, curated with Steven Lam for Visual AIDS (June 4 – June 28, 2009)



Papers

Catie Besancon
“The Romanesque Portals of Moissac, Souillac and Beaulieu: A Response to the Papal Reform Movement and Popular Heresy”at the International Medieval Congress in Leeds, England , July 13, 2009

Rika Hiro
“Tokyo’s (Un)bearable Lightness of Being: Chim Pom and Issues of Subjectivity in Post-Superflat Art” at The Cornell University Dept. of the History of Art Annual Graduate Symposium, Imag(in)ing Asia and the Pacific: Emerging Visualities and Art Perspectives , Feb 20 -21, 2009

“Between Presence and Absence of Video Earth’s ‘What is Photography?’” at “Spectacle East Asia: Translocation, Publicity, and Counterpublics” Visual and Cultural Studies Graduate Conference at University of Rochester , April 10 -11, 2009

Anca Lasc
“Describing the Parlor in Post-Haussmann France” at the “Against the Grain: California Scholars Look at Impressionism” conference held in conjunction with exhibition Birth of Impressionism: Masterpieces from the Musée d’Orsay at the Fine Arts Museums of San Francisco, May 2010

“Le Style Moderne or the Exception to the Rule” at “Looking into the Modern Interior: History, Theory and Discipline in Education and Practice” symposium of Interior Design Educators Council (IDEC), U.S.A., and the Modern Interiors Research Center (MIRC) of Kingston University in Atlanta, Georgia , March 2010.

“ ‘Adoptez donc une époque et restez-y complètement fidéle:’ Theatricality and Performance in French Nineteenth-Century Interior Decoration” at the “Theatricality and the Performative in the Long 19th Century” conference of the Nineteenth Century Studies Association (NCSA) in Tampa, Florida , March 2010

"Why care about the Revolution?' - Representing Louis-Philippe's Historical Museum at Versailles," at the Johns Hopkins French Graduate Conference*: "Re-Presentation, "Johns Hopkins, Baltimore , Oct. 30-31, 2008

Katherine Kerrigan
Symposium and Film Festival, Alternative Projections: Experimental Film in LA 1945 - 1980, 2010
Paper: "Urban Landscape and Psychogeography: Jon Jost's Los Angeles Films"

Art History Graduate Student Symposium, University of Southern California , 2010
Paper: "The Anti-Catalogue: Publishing as Protest in 1976"



Press

Virginia Solomon
Arts in Review, Holland Cotter, Review of Tainted Love, June 19, 2009



Publications

Priyanka Basu
"Anfänge der Kunst und die Kunst der Naturvölker. Kunstwissenschaft um 1900," in IMAGE MATCH. Visueller Transfer, ›Imagescapes‹ und Intervisualität in globalen Bild-Kulturen, Martina Baleva, Ingeborg Reichle and Oliver Lerone Schultz, ed. (Munich: Wilhelm Fink Verlag, forthcoming, 2011).

Book Review of Elizabeth C. Mansfield, ed., Making Art History: A Changing Discipline and its Institutions, caa.reviews (http://caareviews.org), 28 April 2010

Rika Hiro
"Between Absence and Presence: Exploring Video Earth's What is Photography?" in Godfre Leung and Sohl Lee, eds., (In)visible Culture: An Electric Journal for Visual Culture, Issue 15: "Spectacle East Asia" (Fall 2010)

"On Historical Models and Memorable Encounters" Dispatches and Directions: On Artist-Run Organizations in Los Angeles, Los Angeles: Art2102 of Los Angeles, 2010, p. 31

Younjung Oh
"Who are Making the Brand 'Murakami': Murakami Takash"'s Business Art and Collaboration," In Modern and Contemporary Artists of Korea and Japan (temporary titled). Seoul: Hakgojye, 2011.
Co-translator, Korean translation of Foster, Hal, et al. Art Since 1900: Modernism,
Antimodernism, Postmodernism. Seoul: Semicolon, 2007.

Katharine Wells
"Serpentine Sideboards, Hogarth's Analysis, and the Beautiful Self." Under review.

“Curating the Cultural Landscape: Chipstone House as Historical Property.” The International Journal of the Inclusive Museum 2 (2009) http://museum-journal.com/