Graduate Dissertations In Progress

Adams, Samuel,“The Art of Staging: Set Design in Divided Germany, 1968-1989” (University of Southern California, M. Luke)

Besancon, Cathrine, “The French Romanesque Portals of Moissac, Souillac and Beaulieu: A Response to the Papal Reform Movement and Popular Hersey.” (University of Southern California, C. Malone)

Dooley, Ellen, "Painting Salvation: Affluence, Art, and Plague in Golden Age Seville" (University of Southern California, S. Roberts)

Glatstein, Jeremy, “The Watching Night: Print, Power and Jewish Vision in Early Modern Italy.” (University of Southern California, S. Roberts)

Goodrum, Sarah, “The Problem of the Missing Museum: Adventures and Misadventures in the Exhibition of Photographs in the GDR." (University of Southern California, K. Lang)

Mastroianni, Megan, "The Spaces in Between: the Artists' Magazine and its Reader in West Germany, 1968-1975" (University of Southern California, M. Luke)

Kerrigan, Katie, “Cataloguing Critique: Experimental Forms of Documentation in American Art, 1970-1977” (University of Southern California, R. Meyer)

Solomon, Virginia, "Modeling Queer Methods: General Idea's Art and Politics, 1969‑1994." (University of Southern California, R. Meyer)

Sullivan, Erin, "Prints and Participation: The Graphic Art of Max Beckmann, Otto Dix, and George Grosz, 1918 – 1924"  (University of Southern California, K. Lang)

Tanton, Kristine, “The Marking of Monastic Space:  Inscribed Language on Romanesque Capitals.” (University of Southern California, C. Malone)

Wells, K.L.H., "Modernism's Other Tableau: Tapestry in the Twentieth Century" (University of Southern California, N. Troy)