Why Study Art History at USC?
Bachelor of Arts in Art History
Art history combines the study of art with the study of culture. The undergraduate major provides general knowledge of the history of art and, through upper-division courses, specialized knowledge in a variety of areas. Majors are exposed to a diversity of theoretical approaches and encouraged to sharpen their critical and conceptual thinking skills. This foundation has enabled many art history graduates to pursue advanced degrees in nationally recognized programs, to enter diverse fields, and to pursue careers in the arts.
Minor in Art History
The art history minor offers a concentrated course of study that includes a variety of objects from different historical periods and cultures in relation to their makers, patrons, viewers and critics. Students in the minor are trained to analyze visual images and information through a process of intensive looking, reading, research and writing.
Minor in Visual Culture
A critical approach to art history is the departure point for the minor in visual culture, which is dedicated to the analysis of the visual arts, broadly defined to include fine art, film and television, photography and video, illustrated books, advertising, architecture, and design. Students in the visual culture minor elect from one of three concentrations: photography, film, and the reproduction of images; popular culture; or gender and sexuality.
Students that study abroad gain a special perspective on the world beyond their own borders, which will benefit them throughout the rest of their lives. Studying abroad for a semester or year is one of the best ways to understand a different culture in a meaningful way. It is an experience that can have a profound impact on a student academically, personally, and professionally. USC College and the Art History Department encourages students to consider including studying abroad in their undergraduate experience. To further explore overseas studies, please visit the following website: http://www.college.usc.edu//overseas-studies/
Doctorate of Philosophy in Art History
The Ph.D. program in art history at USC draws its strength from a dynamic and productive faculty in the fields of American, European, British, Mediterranean, Latin American, and Asian art. Studying objects in their complex physical, cultural and intellectual contexts, our program is committed to a historically situated, materially engaged, and theoretically nuanced approach to art history and visual culture. USC's program takes great advantage of our location within the vibrant cultural environment of Los Angeles. Graduate seminars are regularly held on site or work with collections in area museums including the including the Los Angeles County Museum of Art (LACMA), the Museum of Contemporary Art (MOCA), the Getty Center, the Getty Villa and the USC Fisher Museum of Art among others. We do not accept applicants for a terminal Master of Arts degree in art history, although students may be eligible for the MA if they do not complete the doctoral program. Many of our Ph.D. students also enroll in the Visual Studies Graduate Certificate (VSGC) program. Students in Art History and the VSGC have a spectacular record of achievement which has translated into an outstanding recent placement record in tenure-track, post-doctoral and curatorial positions.
Joining us in Fall 2014! The Department of Art History welcomes Professor Amy Ogata!
Amy F. Ogata's research explores the history of modern European and American architecture, design and material culture. Her most recent book is Designing the Creative Child: Playthings and Places in Midcentury America (Minnesota, 2013). Historicizing the idea of childhood creativity, she shows how material goods such as toys, playrooms, playgrounds, books, schools, and even museums produced for the American baby boom participated actively in forming the notion of the creative child after World War II. A short book on the British toy and graphic designer Fredun Shapur will appear in late 2013, and a co-edited volume accompanying a traveling exhibition on Swedish Wooden Toys will be published in 2014. Her first book was on architecture and design in turn-of-the-century Belgium, Art Nouveau and the Social Vision of Modern Living: Belgian Artists in a European Context (Cambridge, 2001). Ogata is currently working on a study of metal and the metallic in Second Empire France. She has received grants from the Wyeth Foundation, the Canadian Centre for Architecture, the American Association of University Women, the Smithsonian Institution, the Spencer Foundation, the Belgian-American Foundation, and the Metropolitan Museum of Art.